114 résultats
1964M5849Rome: 1964-1966. 1964. 298 x 220 pp. Folio. 193 5; 180 4; 172 2 pp. Illus. Quarter gray cloth cloth corners patterned paper over boards blue cloth spine labels gilt spine. Ownership rubber stamps on titles. Fine. 1964-1966. hardcover books
177820573Nice: Chez Gabriel Floteront A Turin chez Les Freres Reycends 1778. Second edition corrected and enlarged. 4to. Contemporary mottled sheep morocco labels. Rubbed scuffing tears to head and tail of spines and wear to lower corner of cover of first volume else a very nice copy. Second edition corrected and enlarged. 4to. Chez Gabriel Floteront, A Turin chez Les Freres Reycends unknown books
195725670New York: E.P. Dutton & Co. Near Fine in Near Fine dj. 1957. First American Edition. Hardcover. nice clean copy minor shelfwear only; jacket shows just a touch of wear to extremities. "The story of two well-to-do Italian families who are engulfed by the impersonal forces of world events. From the late thirties when the teenage youngsters are growing up -- the boys to become involved in anti-Fascist politics the girls to seek marriage -- to the close of the war when the scattered group is reunited in their little town in northern Italy this vivid story carries the stamp of living truth." Ginzburg 1916-1991 has been called "arguably the most important woman writer of post-World War II Italy." This book her first full-length novel following two shorter works published in 1942 and 1949 earned her the prestigious Veillon International literary prize; it was published in England under the title "All Our Yesterdays." Decent copies of both English-language editions are quite scarce. . E.P. Dutton & Co. hardcover books
1587<p>Firenze: G. Barbera 1900. An oblong octavo bound in olive green cloth over limp card yapp edges. 236 pp. Green silk ribbons are laced across the covers and spine with one long tie remaining. Exceptional Art Nouveau cover design consisting of gilt ruled borders surrounding a rose tree in full bloom planted in an urn with the title of the book printed on a gilt ribbon entwined around the stem. Other gilt ornamental foliage on the corners of the spine. A rare and captivating Italian guest book with 28 sections of "Confessioni" from visitors. Each "Confessioni" is comprised of a list of 35 questions regarding the tastes preferences and interests of the guests. The subject matter of the queries includes a wide and fascinating variety of subjects ranging from literary opinions to personal defects. Printed on cream stock with gray-green ink each page has several questions a space for the answer and a variety of lovely Art Nouveau ornamental devices. Color title page illustrated with vignettes of a man and woman reading with floral arrangements and ornaments in the style of of Alphonse Mucha. Five pages at the front of the book are to be used as an index. Lovely ornamental "Fine" closes the volume. Binding a bit shaken and some offsetting from the ribbons on to the endleaves hinges else a fine copy of a most unusual Art Nouveau book. Bellesimo! $425.00</p> hardcover books
175021218Firenze: Con Licenza de' Superiori 1750. Stiff Wrappers. Good. 2 of 6 volumes ONLY. Two vols. 8vo. pp. ff 2 2-100 2-96 2-88 blank 2-82; ff 1 2-95 blank 2-96 2-106 blank; contemporary limp paper boards; volume II rebacked with brown library tape; volume I spine ends chipped and worn; library tickets to spines; library stamps and pencil annotations to title leaves; embossed library stamps scattered throughout both volumes; card pockets at rear pastedowns; electronic tag at rear pastedown of volume I; text leaves clean throughout; a reasonably attractive set. Properly de-accessioned. Stiff Wrappers. Con Licenza de' Superiori unknown books
183836247Girard: Naples 1838. Oblong quarto. Contemporary quarter dark brown calf with green textured paper boards decorative dark brown leather label to upper with "Costanza Angelillo" gilt spine in decorative compartments gilt. Occasional secondary pagination.<br/><br/>Contains:<br/>Pacini Giovanni 1796-1867<br/>Merope Grand Opera . arrangé pour Piano solo. PNs 8867-8879. Ca. 1848. 1f. recto title verso blank 1 list of subscribers as of 24 December 1847 18 numbers in piano score with occasional text. Subscribers include Filippo Angelillo in all likelihood related to Costanza Angelillo owner of the volume. Merope in 3 acts to a libretto by Cammarano after Voltaire was first performed in Naples at the Teatro S Carlo on 25 November 1847.<br/><br/>Pacini<br/>Saffo . Souvenirs. Choeur de femmes. Musical manuscript. 1f. recto title on light green paper verso blank 6 pp.<br/><br/>Donizetti Gaetano 1797-1848<br/>Roberto Devereux . Représenté au théâtre Royal de St. Charles le 28 Octobre 1837 . L'opéra entier . D.2.50. . 1er -2ème cahier. 1f. recto title verso blank 3-19 i blank; 1f. recto title verso blank 18 pp. PNs 3939-3943. Ca. 1838.<br/><br/>Donizetti<br/>No. 8. Cavatine PN 6045. Ca. 1843. 6 pp. 1f. From Don Pasquale.<br/><br/>Donizetti<br/>Linda di Chamounix Nouvel opéra . arrangé pour piano solo. 1f. recto title verso blank. Cavatine O luce di quest' anima Ajoutée à Paris pour Mme. Persiani-Tacchinardi et chantée à Naples par Mme. Tadolini. 4 pp. PN 5863; No. 14 Air Final du 2ème Acte de Linda . A consolarmi affrettati Chanté par Mme. Tadolini. 8 pp. PN 5685. Ca. 1840. 2 numbers in total.<br/><br/>Donizetti<br/>Lucia di Lammermoor. No. 4. Duo chanté par Mme. Tacchinardi et par Duprez. 9-18 pp. PN 3953; Grand opéra . arrangé par piano solo. 1f. recto title verso blank 9-15 i blank pp. PN 3962. Ca. 1838. 2 numbers in total.<br/><br/>Verdi Giuseppe 1813-1901<br/>I Due Foscari. No. 14 Choeur d'Introduction Allagioia. 4 pp. PN 6884; No. 2 Cavatine de Jacopo Dal più remoto esilio Chantée à Naples par Fraschini. 10 pp. PN 6875; No. 3 Choeur et Cavatine de Lucrezia Tu al cui sguardo Chantée à Naples par Mme. Bishop. 7 i blank pp. PN 6876; No. 6 Duo de Lucrezia et du Doge Tu pur lo sai Chanté à Naples par Mme. Bishop et Coletti. 9 i blank pp. PN 6879/ Ca. 1845. 4 numbers in total.<br/><br/>Verdi<br/>Ernani . arrangé pour piano solo. 1f. recto title on light blue paper within decorative border verso blank. No. 12 Suite et Stretta No vendetta. 4 pp. PN 6647; No. 14 Duo final d'Ernani et de Silva Esci a te scegli segimi. 9 i blank pp. PN 6604; No. 15. Air final de Mme. Toldi Se crudele il cor mostrai. 4 pp. PNs 4312 3222; No. 3 Cavatine tyrolienne de Mme. Toldi In questo semplice. 7 i blank pp. PNs 4302 3221. 4 numbers in total.<br/><br/>Bellini Vincenzo 1801-1835<br/>I Puritani. No. 18 Duo Il rival salvar tu dei Chanté Par Tamburini et Lablache. 12 pp. PNs 4167 2765. Ca. 1842. 1 number in total.<br/><br/>Mercadante Saverio 1795-1870<br/>l Giuramento. . arrangé pour piano solo. 1f. recto title listing the 21 numbers in the opera verso blank No. 4. Quatuor Vicino a chi si adora. 5 i blank pp. PN 4115. Ca. 1847. 1 number in total.<br/><br/>Binding very slightly worn rubbed and bumped. Occasional light foxing. A clean wide-margined copy overall. An attractively-bound collection. Naples unknown books
2014179910New York: Guggenheim Museum 2014. Hardcover. VG/VG slight curling to dust jacket edges. Teal cloth boards with stamped lettering teal illustrated dust jacket with pale yellow lettering 351 pp. with 328 illustrations most in color. "Published to accompany the exhibition Italian Futurism 1909-1944: Reconstructing the Universe this volume endeavors to convey the spirit of the movement in all its complexity and features essays by nearly thirty authors honing in on specific artists series and moments. With over 300 illustrations of works created throughout the duration of the movement-from its inception with F. T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II-the exhibition catalogue encompasses not only painting and sculpture but also architecture design ceramics fashion photography advertising free-form poetry publications music theater and performance. As part of the first comprehensive overview of Italian Futurism to be presented in the United States this publication offers an important contribution to the scholarship and understanding of a major avant-garde of the 20th century. Guggenheim Museum hardcover books
179036609N. P.: Augustae Tavrinorum Typis Ignatii Soffietti 1790. Engraved title vignette by Valperga after Palladius. 1 vols. 4to. Contemporary marbled boards remains of printed label on spine. Rubbed joints starting printed label on upper cover some spotting of endpapers bookplate from the Bibliotheca Giuliari else a very good and clean copy. Engraved title vignette by Valperga after Palladius. 1 vols. 4to. Contessa Tapparelli Balbo. Memorial of Henrietta the Countessa Tapparelli Balbo wife of Prospero Balbo mother of Cesare Balbo the Italian Writer and Statesman and daughter of Robert Taparelli d'Azeglio Conte di Lagnasco. Including poetic contributions of Gioanni Batista Ghio Conte Guiseppe Franchi Conte Giambatista Somis Albo Crisso Camillo Maulandi Emanvele Rosetti Francesco Morelli and others. Augustae Tavrinorum Typis Ignatii Soffietti unknown books
183243810n.a.: n.a. 1832. Stitched self wrappers. Very good lightly browned a few lower fore edge corners folded tiny marginal chip at leaf 16 and one closed tear on rear leaf numeral inked on title original stitching but perhaps removed from a later volume. 40 pp. 16mo. "Q. Does God's holy law permit rebelliousness against one's temporal Sovereign R. Never indeed condemns it highly; for the sacred writing which as you know is the very word of God declares that the High Official Podesta does not come from God but whoever resists him resists precisely the ordination of God and thus proceeds to damnation." Thus begins Count Monaldo Leopardi's 1776-1847 counter-revolutionary Catechism on Revolutions arguing that Christianity and the French Revolution are incompatible that the rebellion is an ignominious revolt against the metaphysical and social order established by God and that tradition is more important that abstract concepts of liberalism. Meant for use in schools it was one of two essays published by Leopardi in 1832. Two editions were published in 1832 both rather uncommon. This edition without date and publisher but which Sorbelli's "Opuscoli stampe alla macchia e fogli volanti riflettenti il pensiero politico italiano: 1830-1835" dates as 1832 is held by only two libraries: Univ. Conn. and Biblioteca Casanatense. [n.a.] unknown books
1953385991953. Lithograph on canvas framed in oak. A very good copy. Framed size: 33 x 23 inches; image: 29 x 19 1/2 inches. A framed lithographic image on canvas signed in the image as A. Patune with brass plaque. For use by travel agents with one image representing both sister ships of the Italian Line the Andrea Doria and the Cristoforo Colombo. Uncommon. unknown books
006584Italy: The Artist SIGNED BY ARTIST in pencil lower left title lower right. No date no place circa 1930s. Original etching on thick stiff cream wove paper. Stamped "Fine Arte G. Panatta Via F. Crispi 117 Roma" top edge verso soiling verso 1" closed tear and 1/2" chip right edge toning at margins darker at bottom edge all flaws would be hidden by mat. Unframed and unmatted paper size 14" x 19 3/4" plate size 9 1/4" x 11 1/2". A wonderful Italian engraver Laurenzi is little known in the U.S. . SIGNED BY ARTIST. Print. Very Good. The Artist Paperback books
1758WB18311Venice: Giambattista Novelli 1758. Hardcover. Very Good. 8vo. Contemporary vellum. Gilt spine labels. Old paper labels to bottom spine and small attractive old bookplate "Stamperia E Libreria Di Giovanni Silvestri" of Milano. A charming set. Complete. <br/><br/> Giambattista Novelli hardcover books
192422989Boston: Sacco-Vanzetti Defense Committee. Very Good. 1924. 2nd Edition see notes. Stapled wraps. a little discoloration to wraps final page of text heavily tanned from contact with rear cover small corner bends at bottom corners of pages in second half of the publication bottom 2" of spine split up to the lower staple but both staples are holding firm. frontispiece portrait This brief autobiographical essay one of dozens of writings generated by Vanzetti during his many years in prison prior to his execution in 1927 is considered to be "one of the most moving and humane writings of anarchism" ever published. 24 pages in length plus covers this version of the booklet was issued in August 1924 about ten months after several motions for a new trial for Sacco and Vanzetti had "been filed and were argued" in October 1923 but had not yet been ruled on. Their original conviction for their alleged involvement in the 1920 murders of two men during an armed robbery at a shoe manufacturing firm in Braintree Massachusetts had taken place in July 1921. Although the precise bibliographic particulars of this printing can't be pinned down through online research I've dubbed it a "second edition" based on the following facts: 1 As originally issued circa September 1923 this publication was only 20 pages in length and contained Alice Stone Blackwell's preface but not the Upton Sinclair "Appreciation" included here; the latter was first published in the Boston Sunday Advertiser of September 16 1923 in which Sinclair refers to having a copy "fresh from the press"; 2 The printing date of this copy is established by the precise dating of the prefatory note August 15th 1924 as well as by its reference to the new-trial motions that had been filed in October 1923 having not been ruled on "up to the date of this printing" that would happen two months later in October 1924; 3 There are no recorded library holdings of this item that bear a 1923 date and also include the Sinclair piece from which I deduce that the Sinclair piece was not incorporated under the heading "An Appreciation" until sometime in 1924 which also accounts for its expansion from 20 to 24 pages. Although I can't be sure whether or not there may have been other printings of this 24-page version earlier in 1924 it seems clear to me that the addition of the Sinclair piece and the resulting change in pagination fulfill the criteria for a "second edition" even if nobody else has ever called it that. It might also be worth noting that this same version 24 pages with Sinclair was also issued in 1924 under the imprint of the "Sacco-Vanzetti New Trial League" which was an offshoot of the original S-V Defense Committee formed by dissident members in April 1924; without research into primary sources it's probably impossible to establish the precedence of one imprint over the other. The impressively-detailed online finding aid for the Aldino Felicani Sacco-Vanzetti Collection the largest archival collection of materials related to the case held at the Boston Public Library was helpful in establishing some of the above dates and events but unfortunately isn't quite specific enough to nail down the bibliographic points. Finally: given that the Sacco-Vanzetti case is one of the most thoroughly-analyzed and hotly debated events in American history I realize it's entirely possible that these points HAVE been settled by some intrepid scholar-bibliographer of whose work I'm unaware -- so if there's any obsessive S-V know-it-all out there who'd like to contact correct and/or chastise me for any of the above email away! . Sacco-Vanzetti Defense Committee paperback books
36029Includes works of Battista 5 Donizetti 6 Mercadante 7 Pacini 1 Petrella 1 and Verdi 1. With contemporary mansucript index to front free endpaper. <br/><br/>Contents:<br/>BATTISTA Vincenzio 1823-1873<br/>Ermelinda Dramma lirico in Quattro Atti di Domenico Bolognese. Monaco: Orlando e C. after 1850.<br/>- Duetto Signor Capitano. PN 599. 19 pp. <br/>- Coro alla danza. PN 600. 14 pp. <br/>- Terzettino Febo ei vieni. PN 606. 8 pp. <br/>- No. 13. Scena e Romanza. Partenopeo. PN 12093. 4 pp. <br/><br/>Anna La Prie. Tragedia lirica di Nicola Leoncavallo. Napoli: Fabricatore e Co. ca. 1845. <br/>- Scena e cavatina Alboix. PN 105. 10 pp. <br/><br/>DONIZETTI Gaetano 1797-1848<br/>La Favorita Melodramma tragico in 4 atti Posto in musica pel Real teatro di Parigi. Napoli: Girard e Ci. ca. 1844.<br/>- Aria O mio Fernando. PN 5181. 9 pp. <br/>- Scena e Duetto Ah moio bene un Dio t'invia. PN 5185. 12 pp. <br/>- Quartettino Deh paventa il furor. PN 5197. 4 pp. <br/>- Scene e Duetto Ah va t'invo la e questa. PN 5184. 13 pp. <br/><br/>Maria di Rohan Melodramma tragico in tre atti di S. Cammarano . Riduzione per Canto con accompo. di Pianoforte di C. Czerny. Milano: Giovanni Ricordi 1843<br/>- N: 14. Scena e Freghier . No osoalzarcilumi! PN 14914HH. 6 pp. <br/>- Scena e Ballata . Cavalieri che veggio. Napoli: F. Fabricatore e C.; Palermo: R. Zerega. PN 146 ca. 1845. 7 pp. <br/><br/>MERCADANTE Saverio 1795-1870<br/>Violetta Opera semiseria in 4 Atti . Rappresentata per la prima volta nel Teatro Nuovo di Napoli li 10 Gennajo 1853. Napoli: Partenopeo ca. 1856-60. <br/>- No. 22. Rondo Finale. PN 10756. 10 pp. <br/><br/>Virginia Tragedia Lirica in tre atti di S. Cammarano . Rappresenta per la prima volta nel R. Teatro S. Carlo di Napoli il 7 Apr. 1866. Napoli: T. Cottrau ca. 1866.<br/>- No. 10. Preghiera di Virginia. PN 14610. 4 pp. <br/>- No. 14. Terzetto di Virginia Appio ed Icilio. PN 14614. 8 pp. <br/><br/>Stratira opera tragica in tre Atti. Esuguita nel R. Teatro di S. Carlo li 8 Gennajo 1853. Poesie di Domenico Bolognese. Napoli: Partenopea ca. 1866. <br/>- No. 3. Scena e cavatina Cassandro. PN 10757. 15 pp. <br/>- No. 14. Romanza Cassandro. PN 10758. 4 pp. <br/><br/>Orazi e Curiaze Tragedia lirica in 3 atti di S. Cammarano. Posta in musica per il Teatro di S. Carlo ov'é stata rappresentata á 10 Novembre 1846. Napoli: Girard ca. 1846<br/>- No. 2. Scena Romanza e Cavatina. PN 7555. 14 pp. <br/>- No. 13. Scena Preghiera ed Aria Finale. PNs 7565 7560 7567. 13 pp. Later issue of ca. 1856-60. <br/><br/>PACINI Giovanni 1796-1867<br/>Malvina di Scozia. Opera in 3 acts<br/>Grande Scena Preghiera ed aria. L'orror mi rese immobile. Napoli: Fabricatore e C. PN 725 ca. 1852. 19 pp. <br/><br/>PETRELLA Errico 1813-1877<br/>Elena di Tolosa. Melodramma in tre Atti. Eseguito nel R. Teatro del Fondo li 112 Agosto 1852. Poesia di Domenico Bolognese. Napoli: Successori della Ditta Girard ca. 1852. <br/>- No. 6. Duetto. Dembra mesta! . male! male! PN 10466. 14 pp. <br/><br/>VERDI Giuseppe 1813-1901<br/>Rigoletto. Melodramma di F.M. Piave. Milano: Giovanni Ricordi after 1852<br/>- No. 9. Scena ed Aria "Coro nome che'il mio cor." PN N23079N. 7 i list of publisher's plate numbers for excerpts of piano-vocal piano 2-hands and piano 4-hands pieces pp. <br/><br/>Oblong folio. 19th century black leather-backed boards. <br/><br/>Binding somewhat worn and abraided; joints split. Occasional minor wear and soiling; some small tears. In very good condition overall. An interesting collection of scarce mostly Neapolitan imprints in all likelihood associated with contemporary performances. unknown books
1561232896Venice: Per Comin da Trino di Monferrato 1561. 16 768 pp. Woodcut printer's device on title. 1 vols. Small 8vo. Contemporary vellum with original ties. Covers a bit worn and soiled some early dampstaining to lower outer corner of last several leaves. Overall a good solid copy. 16 768 pp. Woodcut printer's device on title. 1 vols. Small 8vo. The Flower of Italian Letters. A collection which was originally published in 1554 compiled by Atanagi and containing letters by the original 13 authors: Ludovico Ganosa; Giovanni Battista Sanga; Giovanni Guidiccioni; Giovanni Matteo Giberto; Francesco della Torre; Jacopo Sadoleto; Nicoló Ardinghelli; Paolo Manuzio; Paolo Giovio; Bernardo Tasso; Annibal Caro; Claudio Tolomei; and Paulo Sadoleto.<br/><br/>Libri 14 and 15 were added to the 3rd edition of 1556 in which more letters by the above were compiled by Ruscelli as well as Giovanni Boccaccio; Lorenzo de' Medici; Daniel Barbaro; Alberto Lolio; Giacomo Sannazaro; Andrea Navagero; Cardinal Bembo and others.<br/><br/>All of the early editions are very scarce: OCLC finds no locations for either the 1554 or the 1556 editions only 4 locations in the US for this edition of 1561. Gamba B. Serie dei testi 1828 no. 1245-1247; not in Adams Per Comin da Trino di Monferrato unknown books
192554671Paris et Bruxelles: G. van Oest 1925. First edition. Illustrated with 4 color plates and 93 in black and white reproducing 126 miniatures. x126 pp. 1 vols. Folio. Three quarter purple morocco and marbled paper boards original printed wrappers bound in. Binding a little scuffed small chip from foot of spine else very good. First edition. Illustrated with 4 color plates and 93 in black and white reproducing 126 miniatures. x126 pp. 1 vols. Folio. G. van Oest unknown books
1741214611Venezia . Milano: Michel'Antonio Panza 1741. Second edition. 12 266pp. 1 vols. 4to. Later vellum-backed boards uncut red leather spine label. Boards scuffed tear in lower joint very slight internal foxing; overall a very good sound copy. Second edition. 12 266pp. 1 vols. 4to. Michel'Antonio Panza unknown books
169615588Parma: Alberto Pazzoni e Paolo Monti 1696. First Edition. 12mo 16cm. Contemporary vellum over boards; inked spine title; 48 406 26pp. Chafing and perforation to vellum along front joint but holding strong; pencilled note to rear endpapers; text fresh tight and clean; Very Good. A manual of letter-writing illustrated throughout with examples chosen from the author's apparently very large oeuvre. The examples are on a variety of subjects mainly chosen to illustrate the changes in tone and style of address to be used in addressing correspondents of varying stations. Fontana was of a prominent family of Parma and apparently wrote most of these letters while a resident in the estate of his patron Count Alessandro Sanvitale. Rare; OCLC gives four locations of which only one in the U.S. Stanford. From the library of artists Ben and Bernarda Bryson Shahn with estate bookplate inside front cover. Alberto Pazzoni e Paolo Monti unknown books
179326835London: Printed by J. Davis; For R. Faulder New Bond-Street 1793. 1st edition. Full red morocco-style sheep. AEG. Marbled paper eps. Overall VG some extremity rubbing/usual foxing. xiv 241 pp. Illustrated with 6 copperplate engravings 5 folding. 4to. 8-1/2" x 6-1/4" <br/><br/> Printed by J. Davis; For R. Faulder, New Bond-Street unknown books
1924005766Firenze: Casa Editrice G. Nerbini 1924. First edition. Wraps. Very Good. The complete run comprised of 21 installments or fascicoli of an extremely scarce Italian pulp magazine that anthologized supernatural fiction. 4to. 29.5 by 19 cm. No copies on OCLC nor in other catalogues we checked Bibliotheca Italiana etc. The magazine although produced on the cheapest of pulp paper which ages terribly did have striking cover artwork for each of its installments. The stories presented are all translations of works in English or French with the original authors never credited. There is one story per installment and the stories have titles such as "La Valanga Vendicatrice" "La Pietra Fatale" "Il Salto della Morte" "Il Telefono Misterioso" and "La Mummia senza Pollice". Casa Nerbini founded in 1897 was until 1943 a major Italian publisher of fumetti or Italian comic books. After Nerbini folded Mondadori published some of its more popular titles. Condition: the pages are heavily age toned the paper brittle and there have some some discrete archival repairs made on the cover pages. Soiling to the front cover. We would nonetheless grade the volume as being in very good condition as the issues are ones that were inevitable given the paper stock used. <br/><br/> Casa Editrice G. Nerbini paperback books
28024Vue a route du promenade Faglio a Livorn" "Vue du San Antoine e.d. Ferdinande.a Livorn" and two scenes in Augsbourg. 1 vols. Image 12 x 16 inches; matted and framed. Vue a route du promenade Faglio a Livorn" "Vue du San Antoine e.d. Ferdinande.a Livorn" and two scenes in Augsbourg. 1 vols. Image 12 x 16 inches; matted and framed. Handsome Views of Livorno and Augsbourg. unknown books
197116792Roma: Partito Comunista Italiano / Editoriali Fratelli Spada 1971. First Edition. Lithographed poster offset in three colors; 100cm x 70cm ca 40" x 28"; on heavy paper. Minor toning; light creases at margins; Near Fine - Grade A/A-. A bit of a puzzle: the poster appears to celebrate the twentieth anniversary of the formation of the Associazione Bandiera Rossa an Italian Trotskyist group; but the poster bears the imprint of the PCI the main-line Marxist-Leninist party in Italy -- an ideological implausibility even within the chaotic confines of Italian Marxism. Adding further to the confusion is a quotation from Antonio Gramsci founder of the PCI in upper right. In any case a terrific graphic attributed here to Luciano Prati whose name we encounter on a few late-70s Italian film posters but nowhere else. Duke University appears to be the only North American institution to hold a catalogued copy of this work. Partito Comunista Italiano / Editoriali Fratelli Spada unknown books
1800130Venice 1800. 1. Mercier Louis Sébastien. Il Disertore. Commedia del Sig. Mercier. Tradotta dal Francese. Bologna: Stamperia di S. Tommaso d'Aquino 1772. 8vo. 82 pp. Original paste paper wrappers. ICCU cites one copy in Bologna; NUC cites only the 1796 edition at Johns Hopkins only. Not in OCLC. 2. Albergati Capacelli Francesco. Il Capriccioso. Farsa del Cittadino Francesco Albergati Capacelli. Venice. 1797. 8vo. 42 pp. Original past paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds Munich; ICCU list 8 locations. 3. Alberghetti Forciroli Carlo. Edipo. Tragedia inedita del Cavaliere Carlo Alberghetti Forciroli. Venice 1797. 8vo. 68 pp. Original paste paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds U Penn; ICCU lists 12 locations. 4. Collin d'Harleville Jean François I Castelli in Aria. Commedia del Signor Collin d'Arleville. Traduzione inedita di Giovanni Piazza. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. No copies in US libraries. ICCU cites 20 locations. 5. Cornielle Pierre. Il Cid. Tragedia di Pietro Cornelio. Tradotta da Giuseppe Greatti. Venice 1798. 8vo. 87 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins U Penn Duke and Getty. 6. Dumaniant M. Guerra Aperta Ovvero Astuzia Conrto Astuzia. Commedia del Sig. Dumaniant tradotta da Pietro Andolfati. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. OCLC Johns Hopkins and U Penn. 7. Piron Alexis. Gustavo Wasa. Tragedia di Alessio Piron. Tradotta dal Nobile Francesco Gritti. Venice: 1798. 8vo. 95 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins and U Penn. 8. Bassi Domenico. L'Impensato Accidente. Commedia del Signor Domenico Bassi. Venice 1799. 8vo. 72 pp. Original paste paper boards. NUC cites copies at Boston Public Library and NYPL; OCLC adds U. Penn. 9. Avelloni Francesco. Giulio Villenwelt Assassino. Commedia del Signor Francesco Antonio Avelloni. Venice: 1800. 8vo. 64 pp. Original paste paper boards. OCLC cites copies at Johns Hopkins and Michigan State. 130. unknown books
1860257826Milan Venice & Verona: P. Ripamenti Carpano 1860. Volume 13 only. Engraved title and 9 engraved plates after contemporary Italian painters. xxxix i 68 xv iii pp. 4to. Bound in the publisher's "chocolate box" style of white paper boards elaborately embossed and chromolithographed front cover with a central die-cut oval revealing a hand-colored engraving of a woman pulling a necklace from a jewellery box her dress embellished with small jewels rear cover with a central embossed image of a floral boquet some foxing throughout in a custom cardboard chemise. Volume 13 only. Engraved title and 9 engraved plates after contemporary Italian painters. xxxix i 68 xv iii pp. 4to. Volume 13 of this Italian art periodical in a beautiful "chocolate box" style binding of embossed and chromolithographed paper boards. P. Ripamenti Carpano unknown books
1610001421Venetia: Antonio Pinelli 1610. Full Vellum. Very Good. 8 8 615 pp. 8vo 8.25 by 6.25 inches 21 by 16 cm. Considered one of the most significant pieces of literature from the Middle Ages and a seminal work of literature written in the French language. Also a milestone in historiography as the most important account of the first and second crusades and especially the latter for which William of Tyre was a contemporary witness. The author produced this work at the request of Almaric I in about 1170 and he continued to work on it until 1183. The work was indeed accepted as unquestioned fact for many centuries and only recently have biases been discerned owing from William's entanglement in the political disputes of the day. <br/><br/> Antonio Pinelli hardcover books