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Partitur. 7 S. 4°. Geheftet.
A study of religious authority in the contemporary Islamic world.
Original wrappers, 16x24,5cm, 108pp. Men and works in the study of Dutch. Table of contents, abbreviations, index.
Stapled, original editor's jacket, 18.5x13.9 cm., 36 pp., illustrated in b/w. Tales from England 1st Degree No. 11.
Klavierauszug. 4°. 24 S. OKart. Geheftet.
From the New York Times bestselling author of Lost in Translation, an illustrated collection of more than fifty expressions from around the globe. Perfcetly conserved.
29 S. OKart. Geheftet.
Appears unread. No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards and no bumping to corners. 216pp. With over 400 phrases, tracing each one's source and history through the chronological use of examples.
No marks or inscriptions to contents. No creasing to covers or to slightly rubbed spine. A very clean very tight copy with slightly marked boards and a little rubbing to corners. 128pp. Literature primer - or how to put words together in order to convey our thoughts to others.
Colour-fading and mild edgewear to cover. Pages are clean and tight with clear text. Ex-library copy with sticker to spine, and various stickers/stamps to inside cover and titlep ages. Edges of pageblock are lightly age-tanned. Ex-Library
4to, 213 pages, illustrations. eng
1st edition. 8vo, 243 pages, not illustrated. Fine condition hardback in fine condition dust jacket. Second in the Barleybridge series. 39374. eng
208p. Hardcover Very good condition, bookplate a few pages with penciled marginalia
Very light edgewear else Fine. Former owner's name on ffep. ; 129 pages; Anderson's narrative in The Art of the Aeneid provides the modern reader fresh insights into Vergil, into the Aeneid. His analysis illuminates the literary and historical context and covers each of the twelve books of one of the greatest and most enduring works of Latin literature.
Minor pencil marginalia to some pages. ; 129 pages; Anderson's narrative in The Art of the Aeneid provides the modern reader fresh insights into Vergil, into the Aeneid. His analysis illuminates the literary and historical context and covers each of the twelve books of one of the greatest and most enduring works of Latin literature.
xci, 348 p. 18 cm. Hardcover Very good condition, spine darkened & spine ends lighly worn
Fine English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish and English. [8], 551, [1] p. Identical and similar Turkish - British / British - Turkish proverbs and idioms.= Tipki ve benzer Türk - Ingiliz / Ingiliz - Türk atasözleri ve deyimleri.
pp. xviii, 493. NO PLATES. Uncut. 195mm. Original full cloth binding, spotted. Remnants of paper spine label. **PRICE JUST REDUCED! CLASSICS BX 2
Minor shelfwear to book and DJ. Dustjacket is protected in plastic sleeve. Scholar's name to ffep (Jenifer Neils). ; 10.5 X 7.7 X 0.8 inches; 191 pages
Some rubbing to wraps. Light creasing. ; 98 pages
First published in 1919 under the pen name 'A.R. P-M' ; uniform edition 1925 and first printed in [this] Grove Edition 1927. Gilt titles etc on leather style boards, some shelfwear to extremities Book
271 pages; Second Edition. The Greeks of the classical age invented not only the central idea of Western politics--that the power of state should be guided by a majority of its citizens--but also the central act of Western warfare, the decisive infantry battle. Instead of ambush, skirmish, maneuver, or combat between individual heroes, the Greeks of the fifth century b. C. Devised a ferocious, brief, and destructive head-on clash between armed men of all ages. In this bold, original study, Victor Davis Hanson shows how this brutal enterprise was dedicated to the same outcome as consensual government--an unequivocal, instant resolution to dispute. The Western Way of War draws from an extraordinary range of sources--Greek poetry, drama, and vase painting, as well as historical records--to describe what actually took place on the battlefield. It is the first study to explore the actual mechanics of classical Greek battle from the vantage point of the infantryman--the brutal spear-thrusting, the difficulty of fighting in heavy bronze armor which made it hard to see, hear and move, and the fear. Hanson also discusses the physical condition and age of the men, weaponry, wounds, and morale. This compelling account of what happened on the killing fields of the ancient Greeks ultimately shows that their style of armament and battle was contrived to minimize time and life lost by making the battle experience as decisive and appalling as possible. Linking this new style of fighting to the rise of constitutional government, Hanson raises new issues and questions old assumptions about the history of war.
471p. + Plus Frontis and full page plates. Frontis slightly damp stained. A few pencil marks. Lacks front fly leaf. Sm. 8vo. Original full red leather spine over publisher's cloth boards. Spine lettered in gold and embossed in blind. Hardbound. **PRICE JUST REDUCED! PA64 TOP
Pages tanned. Minor shelfwear. ; With 8 plates in colour and 26 illustrations in black and white. ; Britain in Pictures. The British People in Pictures; 48 pages
