HILTON JamesABAA
619 résultats
1943195010<p>a head and shoulders profile. 1943. 5" x 7" tipped-on a photographer's mount 10 3/4" x 8 1/2". Signed photos of Hilton are scarce and this is a fine example. Boldly signed and inscribed: "For Adele with all good wishes James Hilton October 22 1943." Hilton 1900-1954 English novelist; several of his novels were filmed "Lost Horizon" "Goodbye Mr. Chips" "Random Harvest" etc.</p> unknown books
1724255482London O.T.; Oxford N.T.: Printed by John Baskett . 1724. Additional engraved title-page by Sturt with Imprint "Printed and Sold by Richard Ware at Ye Bible & Sun in Amen Corner"; 200 engravings on 50 plates engraved by J. Cole. 1 vols. 4to. Contemporary black gilt-panelled morocco Cambridge style. Covers worn and scuffed lower cover detached; text slightly darkened and well-thumbed but impressve and intact. Additional engraved title-page by Sturt with Imprint "Printed and Sold by Richard Ware at Ye Bible & Sun in Amen Corner"; 200 engravings on 50 plates engraved by J. Cole. 1 vols. 4to. Bound between THE BOOK OF COMMON PRAYER Baskett 1724 with engraved portrait of King George and additional engraved title-page of the series of 200 engravings by J. Cole and THE WHOLE BOOK OF PSALMS Baskett 1724. the latter water-stained toward the rear. Holy Bible: ESTC T89252 Herbert 970; The Historical Part of the Holy Bible: ESTC T94971; Book of Ccommon Prayer: ESTC N32783 Griffiths p.150; The Whole Book of Psalms: ESTC T89253 Printed by John Baskett .. unknown books
162927807London: Printed for the Company of Stationers 1629. Title within woodcut historiated border512 15 pp. 1 vols. 8vo. Full contemporary olive morocco 2 gilt outer panels with gilt-stamped lozenge on upper and lower cover ties lost black leather title lanbel a.e.g. Signed on back free-endppaer "Mary Crosse/Mary Crosse/ Her Booke/1678. Title within woodcut historiated border512 15 pp. 1 vols. 8vo. Printed for the London Company of Stationers the organization that policed the London print trade. This book bears a near-contemporary ownership inscription by a woman implying that this copy at least was owned personally and used outside of church. Printed for the Company of Stationers unknown books
1648304145np 1648. Sole edition. 4 ll. Collation: A4. 4to. Green half morocco by Riviere spine gilt some spotting. Sole edition. 4 ll. Collation: A4. 4to. "And would you know what here is meant / By Monster 'Tis our Parliament."<br/>ESTC lists seven other copies of this scathing anti-Cromwellian work though no other parts are traced. Wing S 2321; ESTC R204781. Provenance: Samuel Christie-Miller 1873 purchase note on flyleaf with cost of binding; Britwell Court Sotheby's 4 April 1924 lot 814; Fairfax of Cameron bookplate; Robert S. Pirie bookplate unknown books
179528043London 1795 1795. The only recorded edition. ESTC T204804 recording a single copy at Cambridge which contains the same apothecary's stamp. OCLC and COPAC record that same copy; Roud Folk Song Index V1851; and see Broadside Ballads Online at the Bodleian Library which also notes the apothecary's stamp. Paper repaired on the verso; some soiling and smudges; chipped in the upper margin with some loss but only to the blank margins; two small remains of mounting tape on the verso in the upper margin; a rare survival. Broadside 36 x 12 cm woodcut headpiece. Nine four-line stanzas. Attractive oval stamp in the lower margin of Peter Henry Chymist. A typical doggerel poem and somewhat bawdy written in the form of a slip ballad which begins "You young men all both far and near / Listen a while and you shall hear / Take care you're not drawn in a snare / By the girls that do love brandy / Wack Fla la &c." And in the fourth stanza: "'Tis on your backs girls you must lie / Pray which of you would this deny / A dish of tea or brandy." Etc. <br/><br/> [London, 1795?] unknown books
200835166Litchfield Park AZ: Bible Museum 2008. Folio. Unpaginated. <br><br>A 400th anniversary edition of the King James Bible being an accurate complete full-size facsimile of the "Great He" Bible. This copy is one of 1000 designated "The Subscriber's" version with => two original leaves from the 1611 printing one from the Old Testament leaf Fff2 Psalms 88:6 through 90:5 and one from the New leaf K3 John 8:39 through 9:41. Both leaves are in excellent condition.<br>Â Â Â Â This book is very large and extremely heavy and will require considerable extra shipping charges. Bound in full brown leather and in an open-back slipcase. As new. Bible Museum hardcover books
1842317198Boston: William Crosby and Company 1842. First edition. 66 pp. 1 vols. 8vo. Original printed biscuit wrappers. Some light spotting to edges faintest soiling to wrappers. Fine copy in black morocco-backed slipcase and cloth wrapper. First edition. 66 pp. 1 vols. 8vo. "It is not easy for a man to speak of his own books. I dare say that few persons have been more interested in mine than I ."<br/>An account of this dinner celebrating Dickens' appearance in New York by two reporters from The Morning Post. Dickens's speech on the occasion is given on pp. 10-15. Gimbel B112. Provenance: book label of Frederick Spiegelberg his sale Anderson Galleries 3-4 November 1937 William Crosby and Company unknown books
18652221725<p>EXTRA-ILLUSTRATED</p><p>First edition. Octavo. Extra-illustrated with 18 hand-colored plates 90 engraved views and portraits 2 by Cruikshank 2 maps of Cornwall 1 in color and double page. 3/4 tan morocco over boards t.e.g. by Bayntun. Very good-fine fresh copy. 2 volumes first and second series.</p> J. C. Hotten hardcover books
1819226404<p>First edition. Octavo. Half titles. Original tan and blue boards uncut some light foxing; printed labels on spines some chipping. Good. 4 volumes complete. Enclosed in four full red morocco pull cases. Bookplates of Alexander S. Finlay and Frank J. Hogan.</p> Printed for Archibald Constable and Co. hardcover books
176067973Bible in English Complete with the Apocrypha BIBLE IN ENGLISH. The Holy Bible. Containing the Old Testament and the New: Newly Translated out of the Original Tongues And with the former Translations Diligently Compared and Revised. By His MajestyÃs Special Command. Appointed to be Read in Churches.Price 6s. unbound. Cambridge: Printed by Joseph Bentham 1760. Joseph Bentham's Bible. Eight octavo volumes 8 3/4 x 5 5/8 inches; 220 x 142 mm. Unpaginated. A8-Z8 Aa8-Oo2; E4-I2; Oo3-Zz8 Aaa8-Ddd2; A8-E3 2 blank I3-M8; Eee8-Uuu2 pp. This copy with the price of 6s. printed on title-page and with the Apocrypha. There is another state according to Herbert that is priced 4s. and is wanting the Apocrypha. It is possible that they sold the leaves with and without the Apocrypha thus the difference in price. Because the sheets were sold unbound it is possible that they were issued as parts. 31 leaves from the Apocrypha E4 through I2 are misbound into Volume IV. In their correct spot are bound 2 blank leaves. Old Testament and New Testament have separate title-pages. With a chart page after the Old Testament and after the New Testament. Bible is complete. Contemporary quarter vellum over marbled paper boards. Ink title to spine of each volume. Previous owner's bookplate and signature dated 1770 on front pastedown of each volume. Title-page of each volume with some old ink manuscript notes to top margin. Boards a bit rubbed and bumped. Some minor staining and wrinkling to bottom margin of signature Iii. Overall very good or better copy. Just two years after Joseph Bentham published this present copy his Bible of 1762 was marked the "standard edition" according to Darlow & Moule. Herbert 1131. HBS 67973. $2250 Printed by Joseph Bentham hardcover books
1603D15151London: Robert Barker 1603. Full Leather. Good. 4to 8 3/8 x 6 in.; 213 x 152 mm. Black letter text in double columns 71 lines to the full column general title and New Testament title within the same woodcut border woodcut initials and tailpieces; title-page cut round and remargined headlines cropped chiefly at the beginning some side-notes shaved first two quires guarded moderate browning occasional staining and soiling several marginal repairs a few affecting or costing some text bottom of Iii2 remargined with last 2 lines of text in pen facsimile and tailpiece cut round and mounted lower right corner of NT title-page renewed in facsimile upper corner of Sss2 supplied in manuscript. Bound with: Robert. F. Herrey. Two Right Profitable and Fruitfull Concordances . London: Robert Barker 1603. 4to. Black letter double and triple columns 2 woodcut tailpieces; lower right corner of title-page renewed headlines cropped small tear to top margin of K8 touching text. Nineteenth-century diced Russia; worn rebacked and rehinged upper inner hinge peeling but holding fine. Walter Cullenson signature on Iii2v Warner-Yates-Cullenson families birth records dated 1679-1709 on verso of NT title-page and repeated on verso of Concordances title-page Bible: STC 2189; ESTC S101940; Herbert 273. Concordances: STC 13228b.18 incorrect collation of all signatures in 8s; ESTC S92949 with correct collation of AK8 L2. <br/><br/> Robert Barker hardcover books
18792222260<p>First edition. Octavo. Illustrations with six chromolithographed plates; 10 other plates and 17 text illustrations; folding map. 3/4 brown gilt stamped morocco over marbled bounds t.e.g. by Root & Son. Fine. No signatures or bookplates. 2 volumes.</p><p>Printed at the Caxton Press Beccles.</p><p>Penzer page 96.</p> C. Kegan Paul & Co. hardcover books
181816976Pittsburg: Cramer and Spear 1818. Small 8vo. 792pp. Original publisher's sheep. Signatures sprung from use but attached; pages generally very soiled and with some contemporary markings; old repair to the spine else the binding is in good condition. Ownership name of Dan Smith dated 1828 and later 'Dan Smith His Book'. The New Testament has a separate title page. <br/> <br/>In this copy there is a short note pinned to its verso listing the births of members of the McNees family in the late nineteenth century. <br/> <br/>This is the first Bible printed west of the Allegheny River and the first Bible in English printed west of the Allegheny Mountains. <br/> <br/>Note: this is a well used copy but in good condition. Rare. <br/> <br/>Hills 349; Not in Darlow and Moule Cramer and Spear unknown books
196737132Hong Kong: Published by The East Society Printed by Sing Cheong Printing Co. Ltd 1967. 1st edition. Wrappers with printed dust jacket. Clear malleable plastic dust jacket protector publisher's. Spine lightly sunned. Prior owner name stamp to t.p. top magin otherwise a VG - Nr Fine copy. Unpaginated. Text in One 2-panel color image otherwise all images black & white. 11-1/4" x 8-1/2" <br/><br/>"Chang Dai-chien was one of the best-known and most prodigious Chinese artists of the twentieth century. Originally known as a guohua traditionalist painter by the 1960s he was also renowned as a modern impressionist and expressionist painter. Further Chang is regarded as one of the most gifted master forgers of the twentieth century. . and it is suggested that many notable collections of Chinese art contains a forgery by the master painter" Wiki. "This book which represents the epitome of Chang Dai-chien's achievements since 1944 contains one hundred and thirty reproductions of his landscapes human figures plants flowers birds animals and fish in both the elaborate and the hsieh yi styles. The pictures are arranged in chronological order to enable the reader to see more clearly how the master after having already attained in his middle age a dizzy height in Chinese art continued on to reach even greater heights." Foreword. While well represented institutionally the work somewhat uncommon in the trade. Published by The East Society, Printed by Sing Cheong Printing Co. Ltd unknown books
22140See Lowe Arnott and Robinson English Theatrical Literature 1163-1172. Fine copies. 5 vols 4to uniformly bound with attractive tan paper spines period-style and sprinkled paper boards with manuscript titles on the spines. A gathering of five important pamphlets dealing with the acrimonious dispute between two groups of partners of the Covent Garden Theatre - usually referred to as the "Proprietors' Dispute" - a quarrel that began in 1767 when two of the partners Thomas Harris and John Rutherford attempted to insert mistresses - particularly one Mrs. Lessingham - into the theatre company and have them cast in unsuitable roles. Harris and Rutherford squared off with George Colman and William Powell the opposing partners for over a year of accusations and counter accusations that resulted in a legal squabble and a classic pamphlet war. The contents of the pamphlets are informative not only with regard to the dispute itself but they also document everyday operations of the Covent Garden Theatre and theatrical management of the period in general. With the exception of some minor foxing browning and stains the pamphlets are in very good condition with wide margins. In all Lowe describes ten pamphlets dealing with the Proprietors' Dispute; rarely are five found together. Full description of each volume upon request. <br/><br/> unknown books
2221575<p>1924-1930. Temple edition. 5" x 4 1/4". Prefaces by Israel Gollancz. Frontispieces. Later 3/4 gilt stamped tan calf red and green spine labels by Sangorski & Sutcliffe London for Dutton's New York. Marble endpapers. Very good minor rubbing at edges. 19 volumes.</p><p>An attractive set.</p> J. M. Dent hardcover books
17673087Cambridge: John Archdeacon 1767. Two vols. 6.75 x 4.25". Contemporary Scottish black morocco spine in six compartments red morocco lettering pieces in the second others with gilt saltire with small flowers covers framed with distinctive interlocking tool impressed individually. Red and black PRINTED book labels of Elisabeth Hall dated 1769 pasted onto "Dutch gilt" endpapers. Some modern glue is visible in the inner hinge of the lower cover of vol. 2. Two original binder's blanks at the front and back of both volumes. Suitable for exhibition and study. This well preserved set of Scottish bindings is further distinguished by FOUR copy-specific letterpress bookplates printed in red and black no doubt in Scotland which reads in full: <br/><br/>"Elisabeth Hall Her Bible. 20th June. MDCCLXIX." <br/><br/>Concerning this printed bookplate it would appear that the present volumes contain the only known impressions of it thereby meriting inclusion in ESTC and elsewhere.<br/><br/>The tools on the front cover of the bindings have not been matched with published examples but the spine treatment and endpapers are decidedly Scottish.<br/><br/>That the Psalms were printed in Edinburgh Alexander Kincaid 1763 leads us to the conclusion that the present bindings are not only Scottish but that the original owner of them Elisabeth Hall was certainly Scottish herself.<br/><br/>John Archdeacon's 1767 Cambridge Bible is not in the National Library of Scotland. Unsurprisingly NLS has four copies of Alexander Kincaid's 1763 Psalms two of which are in the Bindings Collection: Bdg.s.8072 and Bdg.s.1002. John Archdeacon unknown books
18702222265<p>First edition. Octavo. Frontispiece and vignette on half title page. Later 3/4 brown morocco gilt spine with four small gilt flowers by Root & Son. t.e.g. Ten page preface and folding map at end of text. Fine clean copy. No foxing. 491 pages. No signatures or bookplates.</p><p>Penzer 84.</p><p>Printed by Savill Edwards & Co. Chandos Street Covent Garden.</p> Tinsley Brothers hardcover books
1962306831<p>First edition so stated; "First Published 1962". Octavo. Original black cloth stamped in gilt. Dust jacket designed by Barry Trengrove unclipped; four short closed tears; a few nicks. Very good an attractive copy. 196 pages. First edition first issue in black cloth with "16s" price on the front flap and large margins on the jacket flaps.</p> Heinemann hardcover books
00003Edinburgh: William Blackwood and Sons 1858. Domestic Realism Pathos and Humor<br/>George Eliot's First Works of Fiction<br/><br/>ELIOT George. Scenes of Clerical Life. In Two Volumes. Edinburgh: William Blackwood and Sons 1858.<br/><br/>First edition in book form of George Eliot's first works of fiction. <br/><br/>Two octavo volumes 7 3/8 x 4 5/8 inches; 187 x 117 mm. 4 366; 2 381 1 blank pp. Bound without the half-title in Volume I and without the half-title and fly-title in Volume II.<br/><br/>Nineteenth-century half dark green hard-grain morocco ruled in blind over marbled boards. Spines ruled and lettered in gilt in compartments. Marbled edges and endpapers. Scattered light foxing and soiling. Marginal paper-flaw to leaf H6 pp. 123/124 of volume 1 not affecting text. An excellent set of this rather scarce title.<br/><br/>Scenes of Clerical Life is the title under which George Eliot's first published fictional work a collection of three short stories "The Sad Fortunes of the Reverend Amos Barton" "Mr Gilfil's Love-Story" and "Janet's Repentance" was released in book form; it was the first of her works to be released under her famous pseudonym. <br/><br/>The stories were first published in Blackwood's Magazine over the course of the year 1857 initially anonymously before being released as a two-volume set by Blackwood and Sons in January 1858. The three stories are set during the last twenty years of the eighteenth century and the first half of the nineteenth century over a fifty year period and take place in and around the fictional town of Milby in the English Midlands. Each of the Scenes concerns a different Anglican clergyman but is not necessarily centered upon him. Eliot examines among other things the effects of religious reform and the tension between the Established and the Dissenting Churches on the clergymen and their congregations and draws attention to various social issues such as poverty alcoholism and domestic violence.<br/><br/>"These at once attracted praise for their domestic realism pathos and humour and speculation about the identity of ‘George Eliot' who was widely supposed to be a clergyman or possibly a clergyman's wife" The Oxford Companion to English Literature.<br/><br/><br/>Baker & Ross A3.2. Parrish p. 7. Sadleir 818. Wolff 2062. Edinburgh: William Blackwood and Sons, 1858 unknown books
18306526London 1830. Aquatints coloured by hand. A fine complete series of four anonymous prints of hunting scenes possibly after the Alkens.<br/> <br/>The style and naming of these prints suggests an Alken origin for the series. Siltzer records a number of series by the Alken family in which the first plate is titled "Unkennelling." This title appears to be unique to them and supports the supposition that the present series are after the Alkens. Henry Thomas Alken was born into what became an artistic dynasty. He studied under the miniature painter J. T. Barber and exhibited his first picture a miniature portrait at the Royal Academy when he was sixteen. From about 1816 onwards he "produced an unending stream of paintings drawings and engravings of every type of field and other sporting activity. He is best remembered for his hunting prints many of which he engraved himself until the late 1830s.To many sporting art is "Alken" and to describe his work or ability is quite unnecessary." Charles Lane British Racing Prints pp. 75-76<br/> <br/>Cf. Siltzer pp.57-76. unknown books
201820604St. Petersburg: Dmitry Sayenko; Nikodim 2018. Limited edition. Hardcover. Fine. Two volumes folio. Slipcased. One of 20 copies signed by Owens and Sayenko in the colophon. Prospectus laid in. The volumes are in fine as new condition; the slipcase has a tiny bump on one corner else is fine.<br/> <br/>The main volume 56pp hardcover is in full grey linen with a linocut paste-on and brass corners. Tan endpapers. All pages of handmade paper and uncut replete with linocuts taken directly from the blocks and in multiple colors with the text letterpress deeply printed on dampened paper with Baskerville type. <br/> <br/>Volume 2 is also folio and in handmade paper wraps the upper wrap with a linocut of Gawain and Ragnell taken from the block and title by letterpress in red. 28pp. The text is printed offset on ivory machine-made paper and contains the complete Romance as transcribed from the sole manuscript by Frederick Madden and rendered into modern English by James J. Owens keeping the original cadence and rhyme schemes.<br/> <br/>The artist explains the first volume: loose pages in an attic from an old book some chewed by rats. The owner realizing they are from the same book puts them together as best he can even though some of the pages are artfully torn by the artist to imitate the effects of rats gnawing through paper.<br/> <br/>This is the story of Gawain and the Loathly Lady Dame Ragnell. For Arthur's sake and safety Gawain wed her and when he did exactly the right thing the spell was broken she shed her ugliness and became beautiful. The sovereignty of women was the key.<br/> <br/>Dmitry Sayenko is a Russian printmaker and book artist. His works are in private collections and in special collections in Russia Germany and England among others. For this bit of artistry he cut over 50 blocks made the paper printed it with text and illustrations while damp and bound the books. The deep impression of the illustrations and the text on the handmade paper are superbly satisfying. His renderings of a morose Arthur a gallant Gawain a Lady with ugliness to spare and finally the beauty in the ending: these are a perfect match for the text. Dmitry Sayenko; Nikodim hardcover books
2222172<p>"Evelyn Waugh" in black fountain pen ink Islington n.d. on his personal 17A Canonbury Square Islington N.1 North 5788 letterhead paper watermarked "Warriston Vellum" November 4 n.y. but ca. 1928 4 1/2" x 7" 1 page with integral leaf. Very good minor signs of handling.</p><p>To Henry Williamson</p><p>Letter thanking Williamson for his compliments on his recent novel.</p><p>In part: ".how surprising to get back the book.I enjoyed writing it which I gather is an unusual experience.we leave at the end of this week for a month or two in Constantinople."</p><p>See "diaries" page 301. Sunday November 11 1928 where Waugh discusses a visit with Henry Williamson and loan of a copy of "Decline and Fall."</p><p>In part: ".He is quite elderly - though I find him coupled with me in reviews as promising young writers - and wholly without culture."</p> unknown books
163324066London: Pr. by Augustine Mathewes one of the assignes of Hester Ogden 1633. Folio 33.3 cm 13.25". Frontis. engr. t.-p. 58 912 18 25 1 206 2 17 1 blank pp. <br><br>When the Jesuit scholars at Rheims succeeded in printing their Catholic translation of the New Testament into English first edition 1582 the event affected various English Protestant scholars in different ways: Some were offended or outraged others intrigued and yet others spurred to action. William Fulke of Pembroke College Cambridge was among those offended outraged and spurred: In 1589 he produced the first edition of his work attempting to refute the Rheims New Testament. His approach however which was to print the Rheims NT in parallel columns with the Bishops' NT the then accepted version of the Church of England supplying accompanying notes and explanations had unforeseen consequences.<br>Â Â Â Â As Darlow and Moule comment "by printing the Rheims Testament in full side by side with the Bishops' version Fulke secured for the former a publicity which it would not otherwise have obtained and was indirectly responsible for the marked influence which Rheims exerted on the Bible of 1611." Alan Thomas elaborates by observing that "many a dignified or felicitous phrase was silently lifted by the editors of King James's Version and thus passed into the language" Great Books and Book Collectors p. 108.<br>Â Â Â Â This is the fourth edition "wherein are many grosse absurdities corrected." A portrait of William Fulke precedes the engraved title-page both done by William Marshall. The Biblical text is followed as issued by Fulke's Defense of the Sincere and True Translation of the Holy Scriptures into the English Tongue against the Manifold Cavils Frivolous Quarrels and Impudent Slanders of Gregorie Martin. <br>Â Â Â Â <br>Â Â Â Â STC 2nd ed. 2947; Darlow & Moule 371; ESTC S121246; Herbert 480. Contemporary mottled calf covers framed and panelled in gilt double fillets with gilt-stamped corner fleurons spine with gilt-stamped leather title-label all edges gilt; binding rubbed leather moderately acid-pitted joints cracked rectangle of leather lost at upper inner corner of front cover. Lower edges of closed book rubber-stamped; free endpapers excised; lower outer corners lightly waterstained at rear; pages otherwise slightly age-toned but notably clean. A sound good copy. Pr. by Augustine Mathewes on[e] of the assignes of Hester Ogden hardcover books
158068068A Rare First Edition of Herrey's "Concordances" BIBLE IN ENGLISH. BARKER Christopher. HERREY Robert F. compiler. Tvvo right profitable and fruitfull concordances or large and ample tables alphabeticall. The first contayning the interpretation of the Hebrue Caldean Greeke and Latine wordes and names scateringly dispersed throughout the whole Bible with their common places following euery of them: and the second comprehending all such other principall words and matters as concerne the sense and meaning of the Scriptures or direct vnto any necessarie and good instruction. The further contents and vse of both the which tables for breuitie sake is expressed more a large in the preface to the reader. Collected by R.F.H. London: Christopher Barker Printer to the Queenes Maiestie. 1580. First Edition. One of two issues of the same year priority unknown. Our year based upon the issue points as shown by the British Library: "with The "A" of signature mark "A4" under the "t" of "the"" ESTC S125409. Quarto 9 1/4 x 7 1/4 inches; 236 x 185 mm. 92 leaves. A8-L8 M4. With preface signed "Thine in the Lord Robart F. Herrey" and dated "xxii of December. An. Domini. 1578." We could find no other complete copies of this first edition of "Concordance" at auction in the past 50 years. Although this comes separately The Herrey "Concordance" is generally found issued with a Barker Geneva Bible starting with the date 1580. There were several printings of this "Concordance" starting in 1580 and going into the next decade however only the present copy and one other printing were issued with the two versions of the Barker Bibles of 1580. Present copy with Signatures: A-L M and with The "A" of signature mark "A4" under the "t" of "the". This version was issued with the 1580 Bible Darlow & Moule 123. Another version of the same year with Signatures: A-C D-V was issued with the 1580 Bible Darlow & Moule 124. Bound separately in modern full brown morocco. Covers ruled in triple blind and with a central "Cross" devise in blind on both covers. Newer endpapers. Some occasional ink small hand marginalia. Edges of leaves a bit frayed. A stain to bottom margin of leaves H2-H3. A paper repair to bottom margin of final leaf M4 not affecting text. Overall very good. According to Herbert and Darlow & Moule " The Concordances which form an essential part of the volume of the Bible were compiled by Robart F. Herrey who is identified with Robert Harrison the Norfolk Brownist 9d. 1585" Darlow & Moule 123. ESTC S125409 . Herbert 165. STC 13228b.1 . HBS 68068. $2850 Christopher Barker, Printer to the Queenes Maiestie. unknown books
