619 résultats
1978297940Oxford: Clarendon 1978. hardcover. very good/good. 12 volumes plus a 4 volume supplement edited by R. W. Burchfield. 16 volumes in total. Tall thick 4to dark blue cloth Oxford: The Clarendon Press 1978. Most volumes have dust jackets. A very good set.<br/><br/> Clarendon unknown books
192320518Boston: R. H. Hinkley 1923. 8vo. 14 vols. 70 plts. <br><br>This handsome and much-sought edition of the King James Bible was printed at the Merrymount Press and limited to 2574 sets: 1000 on wove paper 1000 on laid paper 488 on handmade paper and 86 on Japan paper. This set is #233 printed on handmade paper and contains 70 fine plates usually 5 per volume and mostly photogravures after paintings. The edition was designed for smooth reading and the text is set in ordinary paragraphs without chapter and verse numbers.<br>Â Â Â Â This work has a complicated and as yet not fully explained printing history. It was probably first printed in 1904 with sheets reissued or reprinted at various times in the subsequent two decades. Even the name of the publisher on the title-page varies; "The Grolier Society" sometimes appears in place of Hinkley.<br>Â Â Â Â Binding: Publisher's quarter tan pigskin spine leather over deeply grained polished bare wooden boards with bevelled edges on the three outer sides in the style of incunable and 16th-century books. Raised bands on spines; spine panels tooled and lettered in blind. Unusual and attractive. <br>Â Â Â Â <br>Â Â Â Â Smith 209; Hills 2155 for the 1904 edition and explanation of reissues. Bound as above with top edge gilt other edges uncut. Spines darkened and some chipped. One cover detached and present. Much enjoyment. R. H. Hinkley hardcover books
187031627London: Macmillan and Co 1870. 4to chromolithograph title page and dedication plus 13 stiff card leaves laminated to show 12 chromolithographs mounted as rectos with corresponding chromolithographs taken from the Brevario Grimani from St. Mark's Library Venice mounted as versos together with a chromolithograph frontispiece; original pictorial brown cloth by Burn and Co. with an all over theological design embossed in black and gilt a circular pictorial pastedown of Christ central spine similarly decorated in gilt and black a.e.g.; very good and sound the plates particularly fresh. The illustrations to the Parables are by H. R. McEniry and the frontispiece by John Jellicoe. "The entire work is arranged and printed in colours by Cooper Clay and Co." <br/><br/> Macmillan and Co hardcover books
182527068Various publishers 1825-1850 1825. Edges lightly rubbed; fine set. 4 vols small 8vo mid-19th century black half morocco marbled paper boards gilt decorations and lettering. Contemporary notations on the front blanks listing the plays present; notations in pencil and ink on several of the individual plays with information about the cast of characters where the play was performed etc. The majority are American reprints of English plays but they are contemporary plays as opposed to being reprints of earlier plays; only three can be clearly identified as being American in origin but others are possibly American such as the Old Guard by Dion Boucicault. The volumes include three portraits of actors and 17 frontispieces of scenes from the plays ten of which are by Tudor Horton signed "Horton" or "T. Horton" See Hamilton Early American Book Illustrators page 156. Ink signature of A.G. Williams February 22 1901 on the front paste-downs. <br/><br/> Various publishers, 1825-1850 hardcover books
190025247N.p. Wyoming ca. 1900. First edition. 76pp. Illus. Original printed wrappers. Fine copy Childhood reminiscences Fort Washakie Lost soldier Ranch the Great Divide Lander Rollins her friend Oahtah Otei Chief Washakie Flathead Squaws Arapaho Camp Shoshone Burial Cave visit of the Sioux Omaha dance Shoshone Sun Dance camping at Bull Lake Owen Wister etc. Eberstadt Cat 111:203. Huntington 292; "privately printed. An interesting narrative of life and adventures in the far west. unknown books
8401LONDON BOGUE 1852-57. 6 VOLS; HALF GREEN MOROCCO SLIPCASES 2 VERY GOOD. LONDON, BOGUE, 1852-57 unknown books
1795212574London: Robinson; T.N. Longman; T.N. Longman 1795. First editions. Engraved frontispiece to third playe Windsor Castle. 4 86 1; 8 84; 8 40 pp. 1 vols. 8vo. Three quarter blue polished calf gilt spine t.e.g. Covers detached. First editions. Engraved frontispiece to third playe Windsor Castle. 4 86 1; 8 84; 8 40 pp. 1 vols. 8vo. Robinson; T.N. Longman; T.N. Longman unknown books
1734130729London: Read 1734. hardcover. very good. 2 vols. folio contemporary 3/4 calf; spines worn marbled boards rubbed inner hinges strengthened light browning p. 229 of vol. II torn with loss of text. London: T. Read 1734 1735. Very good.<br/><br/> Trials begin with Sir Walter Raleigh in 1603 and conclude in 1722. Included are the trials of several conspirators in the murder of Thomas Overbury.<br/><br/> Read unknown books
1936194108<p>DUST JACKET UNCLIPPED; LIGHT TONING A COUPLE OF TINY NICKS; ADVANCE COPY FOR REVIEW WITH LAID IN PUBLISHER'S SLIP LISTING THE PUBLICATION DATE AS FEBRUARY 24 1936. RARE THUS; THIS EDITION PRECEDES THE UK EDITION. THERE ONLY 2000 COPIES ISSUED FIRST EDITION "FEBRUARY 1936" VERY GOOD.</p> LITTLE, BROWN hardcover books
1895305750<p>First edition. 4to. Introduction by William Morris. 6 fine plates by Arthur Gaskin. Original tan linen over blue printed boards some spotting. Very good. Later black cloth slipcase. Clear acetate dust jacket. One of 125 copies printed by Arthur J. Gaskin at the Press of the Guild of Handicraft. Gaskin 1862-1928 English painter illustrator and designer; under Morris at the Kelmscott Press; began printing his own books in 1893. Houfe p. 313; Franklin 43 153-54.</p> Cornish Bros. hardcover books
18236194<p>Thick octavo. From the corrected text of George Steevens and Edmond Malone. 2 page biographical sketch. 19 page glossary. Engraved portrait by T.A. Dean. 3/4 modern tan calf over marbled boards by Bayntun-Riviere spine with raised bands and gilt stamped maroon morocco label glazed edges very good. A nice readable early edition. Printed by W. Clowes.</p> Printed for C. and J. Rivington, et al hardcover books
176242105Oxford: Printed by Thomas Baskett Printer to the University 1762. With the New Testament title page bearing the name of "Mark Baskett." Herbert says M. only. 2 vols. 12mo. Contemporary full crimson morocco gilt panelled spines a.e.g. Fine. Bookplate of Isabella Hildebrand and ownership inscriptions of Charlotte Milles 1767 Margaret Brutoon Isabelle Hildebrand 1912 and Sir Hector Livingston Duff 1936. With the New Testament title page bearing the name of "Mark Baskett." Herbert says M. only. 2 vols. 12mo. Herbert 1145 Printed by Thomas Baskett, Printer to the University unknown books
166153527Cambridge: Printed by John Field Printer to ye Universitie 1661. Old Testament only. With Apocrypha in separate volume. With elaborate engraved title page by Vaughan. 2 vols. 8vo. Bound in contemporary black calf in the 'somber" mode. Bookplate of Daniel M. Friedenberg. Old Testament only. With Apocrypha in separate volume. With elaborate engraved title page by Vaughan. 2 vols. 8vo. Herbert 674 Printed by John Field Printer to ye Universitie unknown books
1769254985Cambridge: John Archdeacon Printer to the University 1769. 2 vols. 12mo. Bound in contemporary green morocco covers with outer dog-tooth roll border surrounding floral roll border spines in five compartments with raised bands a.e.g comb-marbled endleaves light rubbing to extremities binder's blanks removed from both volumes. 2 vols. 12mo. Archdeacon was University Printer from 1766 to 1793. Darlow & Moule 889; t95018. Provenance: Mary Carlton contemporary bookplate; Nancy Barr gift inscription "given her by her aunt Mary Carlton" John Archdeacon, Printer to the University unknown books
179426207New Haven: Pr. by Abel Morse for the Rev. David Austin 1794. 4to 26.3 cm 10.4". 1168 pp. lacking frontis. portrait pp. 12128. <br><br>First American edition following the British first of 170003 of this successful and remarkably often reprinted New Testament with commentary by Anglican clergyman William Burkitt one online database erroneously describes a few holdings of this edition as having been printed in 1793. The Rev. Thomas Hartwell Horne called it a "deservedly popular work" with much "practical utility"; Spurgeon admired it too and useful in its way it still is.<br>Â Â Â Â The Biblical verses with interspersed exegesis are printed in double columns. <br>Â Â Â Â <br>Â Â Â Â ESTC W32224; Evans 26668; Hills English Bible in America 47; O'Callaghan 49; Trumbull Connecticut 423; Horne Introduction to the Critical Study & Knowledge of the Holy Scriptures III 54. Contemporary mottled sheep rebacked with speckled calf spine with gilt-stamped leather title-label and gilt-stamped decorations; original leather rubbed edges and corners refurbished. First few leaves institutionally pressure-stamped. Title-page with edges browned and chipped margins repaired with tiny losses to two letters carefully supplied by hand; dedication leaf with repaired tear; last leaf with repaired tear. Pages age-toned with intermittent offsetting and foxing some corners bumped a few edge chips. Frontispiece and pp. 12128 early parts of Mark lacking. A sturdy handsome Bible for family use. Pr. by Abel Morse for the Rev. David Austin hardcover books
180513759London: C. Clarke 1805. Nouvelle Edition réimprimée après celle de Didot. With 12 full-page engraved plates. 255 3; vi 246 1 pp. 2 vols. 8vo. Full contemporary English straight-grain red morocco gilt classical border of Greek key and acanthus design on upper and lower covers panelled spine gilt with similar motifs a.e.g. hinges and extremities slightly rubbed occasional foxing but overall fine and attractive. From the library of Marshall Field with his engraved armorial bookplate on each pastedown. Nouvelle Edition réimprimée après celle de Didot. With 12 full-page engraved plates. 255 3; vi 246 1 pp. 2 vols. 8vo. In Contemporary Red Morocco Binding. C. Clarke unknown books
169233756London: Charles Bill 1692. Letterpress broadside approximately 15 x 11 1/4 inches. Woodcut royal arms at the head of the sheet. Broadside proclamation impressing English seamen into service.<br/> <br/>Wing W2621. Charles Bill unknown books
1899688601899. Washington D.C. 1899. Washington D.C. 1899. An Uncommon Nineteenth-Century Law Dictionary English Arthur. A Dictionary of Words and Phrases Used in Ancient and Modern Law. Washington DC: Washington Law Book Co. 1899. iv 979 pp. Main text in parallel columns. Small folio 10" x 6-1/2". Recent period-style quarter calf over cloth gilt-edged raised bands and lettering piece to spine endpapers renewed. Light toning to text faint dampstaining to heads of a few leaves. A handsome copy of a scarce title. $750. Only edition. "In this work the effort has been to make the definitions as short as possible yet so clear that a man without legal education can understand them. . Essays or long discussions of subjects have been avoided because few have time to read such and fewer care to while those who have time prefer to investigate for themselves" Explanatory Statement. This is an uncommon book. OCLC locates 29 copies a low number for a law dictionary published at the turn of the twentieth century. This is the second non-reprint copy we have seen. Not in the Catalogue of the Library of the Harvard Law School 1909. unknown books
1895247634N.p. 1895. 5 stanzas of verse with 7-line note. 2 pp. on two sheets of blank stantionery. 8vo. Fine. 5 stanzas of verse with 7-line note. 2 pp. on two sheets of blank stantionery. 8vo. Author of "Ben Bolt" New Jersey Congressman and Enemy of Poe. Thomas Dunn English 1819-1902 was a proilific author of poems ballads and novels; he also server two terms in the U.S. Congress as a Representative from New Jersey; but his fame as a writer rests on the ballad in wrote in 1843 "Ben Bolt." First published in Nathaniel Parker Willis' magazine NEW YORK MIRROR "Ben Bolt" was set to music many times and became very popular especiallly in the version set to a tune by Nelson Kneass. In his note appended to this transcription of the poem English writes:<br/><br/> "The foregoing stanzas are as they originally appeared in Willis & Morris's NEW YORK NEW MIRROR in the year 1843. Though they have been set to music eight tiimes the only popular melody was the one take from a German air by Kneass. The words there - three stanzas only being taken - are very much mutilated."<br/><br/>"It was hugely successful at the time but had a new lease of life as the song that Trilby O'Ferrall sings in the novel TRILBY 1894 by George du Maurier. It is described in the novel as an 'unsophisticated little song' but when Trilby performs it under the influence of the sinister hypnotist Svengali it reawakens a 'cosmic vision of the beauty and sadness of things' in her former lover Little Billee." Derek B. Scott THE SINGING BOURGEOIS: SONGS OF THE VICTORIAN DRAWING ROOM AND PARLOUR. Aldershot Hampshire; Burlington VT: Ashgate 2001.<br/><br/>Ironically "Ben Bolt" being a tribute to a long-lasting friendship English is also remembered as the bitter foe of his former friend Edgar Allan Poe. The two had a falling out which resulted in a fist fight as well as a long running literary feud. unknown books
1665WB16395London: Edward Man 1665. Second Edition. Hardcover. Fair. 4to. pp. 614. Modern 3/4 brown leather and green boards. Engraved frontispiece in facsimile. Title page defective with loss to lower 1/3; replace with very amateurish pen and ink. Bookplate of Horace Walpole fixed to front blank. Lacks last leaf a blank. This is the first complete edition second issue with cancel title-page denoting "Second Edition" - here appearing in modern ball point pen. Several leaves with crude repairs. 10 line manuscript index in pencil purportedly in Walpole's hand. The book itself has become scarce on the market. <br/><br/> Edward Man hardcover books
605948<p>1. Man in bed being served tea by his man servant. 2. Man in a wheelchair at the seaside being pushed by his servant while passing a male pedestrian. On tan mount with red ruled border. Signed in pencil "John Leech" 6 7/8" x 5 1/4" on mount 7 3/4" x 6 1/4". Very good.</p> unknown books
4496Each of the five mounted photographs is preceded by a protective sheet of tissue paper in tact though wrinkled. The five photographs show a group of luminaries in the following fields: "Politicians Conservative" "Politicians Liberal" "Authors and Novelists" including Charles Dickens Wilkie Collins Thomas Carlyle "Science" including Charles Wheatstone Michael Faraday "Artists" including J. M. W. Turner John Everett Millais and Edwin Landseer. The page preceding the last group photograph of English Artists indicated that a second volume was anticipated "early in 1877." The artists' page has separated from the spine as has the first copyright page which is chipped along margins creased and missing upper left corner. The pages are securely held together at the spine even though they have lost their cover. The albumen plates are somewhat light as might be expected. Various degrees of foxing throughout chipped corners of the photographic boards. Overall condition is fair to good. A fascinating assemblage of 19th century English culture. unknown books
604394<p>third person on engraved Piers Court Stinchcombe Gloucestershire letterhead December 14 n.y. ca. 1949 or earlier. 4 1/2" x 7" 1 page with integral leaf. "Mr. Evelyn Waugh deeply regrets that his absence from London makes him unable to accept the kind invitation of the Editor of the Strand Magazine for 23rd Dec." The Strand Magazine ceased publication in March of 1950. It is interesting to note that Waugh at one time had gifted a bound set of the Strand Magazine to his daughter Harriet. No Binding. Fine/No Jacket.</p> unknown books
193015121Washington D.C.: Judd & Detweiler 1930. Edition ltd. to 475 copies tall 8vo pp. 2 158; many illus. throughout; orig. cream linen stamped in gilt a little soiled else very good in publisher's slipcase. Designed and directed by Lester Douglas. This copy marked "designer's copy" on the colophon and with Douglas's bookplate designed by Bruce Rogers and with a 23-line autograph note to Douglas signed by Bruce Rogers "B.R." concerning the design of this book modern art architecture design etc. with orig. envelope tipped to a blank flyleaf; also at the back in a separate pocket are the printed comments of among others Carl Purington Rollins and William Kittridge apparently from Douglas's own newsletter. From Rogers' note: "I like . your modernistic book . better as a remembrance than as a book - but I admire all you youngsters' efforts to put "modernism" on the map - and you have almost done so - but not for long. It's getting passe already." <br/><br/> Judd & Detweiler unknown books
18993392Denver: Privately Printed 1899. First Edition. Very good. 8vo. 215 x 139 mm. 76 pp. photographic text illustrations some full-page. Original green printed wrappers slightly soiled worn and chipped at head and tail pencil inscription on back wrapper SEE IMAGES internally unmarked and unspoiled. NOT ex-library! A remarkable account of an itinerant teenage girl in the the far west very well written and informative. This slender privately published volume has received far too little attention by historians.<br/><br/>The author was a genuine early western "army brat" who except for two years in the East at boarding school grew up "on an Indian pony" in remote Western army posts where her father served as a major in the 7th Cavalry. Mary's high-spirited account commences in Rawlins Wyoming with her arrival by train from the East and boarding school with her mother and a female servant. A grizzled peg-legged stage driver meets the ladies with an army ambulance photo included to drive them overland 150 miles to join Mary's father at Fort Washakie. It does not take very long for Mary to flee the confined ambulance and her female companions and grab the reins from the driver. Their stops along the route are Sheep's Ranch inhabited by a lone coyote; Lost Soldier Ranch "a small pile of low adobe buildings unsightly and gray with dust; not a tree or green thing in sight"; Sweetwater Ranch "much of the land being fenced off with the deadly barbed wire allow no herds of antelope and deer as found in my girlhood"; and Wind River Ranch dangerous ascent down steep Beaver Hill imperiled further by a rattlesnake that spooked the mules. <br/><br/>In an amusing but instructive anecdote Mary tells of their overnight sojourn at the rough headquarters of Lost Soldier Ranch whose owner Tom proudly relates how he bought the ranch with savings from working as a cowpuncher. The ranch had two large rooms one for sleeping and the other a bar-kitchen that reeked of beer "Think of it! Beer for breakfast beer for luncheon beer for dinner". The sleeping quarters contained four enormous beds each large enough to hold six men. Tom had thoughtfully partitioned off one bed for the ladies making a privacy screen with five-foot paper-thin boards for security there was a big glittery bowie knife under the bed and light consisted of a candle in a broken beer bottle. Mary's mother and the servant were so horrified at the immodesty of the sleeping arrangement that Tom in a gesture of true ranching hospitality graciously agreed that he and his cowboys would sleep in the other room on the floor.<br/><br/>From the Dorothy Sloan Collection of Women in the West. <br/><br/>Graff 1251. Howes 1954 3323. Huntington 292: "An interesting narrative of life and adventures in the far west containing details on the Shoshones Arapahoes etc.". [Privately Printed] unknown books