39 résultats
196722577Paris: Editions L. C. L. 1967. Hardcover. #120 of 3000. Gray boards are fine in very slightly worn green box.; 8vo 8" - 9" tall . Editions L. C. L. hardcover books
193368500Chelsea: Ashendene Press 1933. First edition. iv 163 pp. Very near fine in decorated paper-covered boards and half vellum. One of 290 of 310 copies. Translated by Messiere J. Amot. Illustrated with wood engravings by Gwen Raverat. Chelsea: Ashendene Press, hardcover books
1934002243France 1934. First Edition presumed. Wraps made of 18th Century French Vellum Documents. Near Fine. No text with fifteen color lithographed plates of a softcore sensibility with nudity. The only words in the story proper is the title rendered in Cyrillic. The illustrations are far from lewd yet do have a delicious kitschy quality of the second-rate book illustration and they were in their time meant to give the viewer a frisson of excitement from partaking of something mildly naughty and taboo. The illustrations feel anachronistic fitting more squarely in the twentieth century than the classical world being portrayed but perhaps that is also their charm. No one could find the illustrations pretentious or overblown and if nothing else they do capture a simplicity and innocence that are at the core of the tale. Perhaps the most special aspect of the booklet is the wraps or outer wraps to be precise made up of two sheets of vellum documents from the mid-18th century that may have come from a Royal Archive. These sheets were clearly meant to conceal the erotic contents. One of the documents is signed Besnard P and is a letter dated 25 9bre 1734 with a seal of the city of Rouen. Back to the Daphis and Chloe a few of the plates bear a stylized device of what appears to be "LG" and above the date of 1934. <br/><br/> hardcover books
1954002315Paris: Manuel Bruker 1954. First Limited Edition. Wraps. Very Good. No. 12 of 20. With a folio of three original ink drawings signed by Vertes a folio of 10 engravings that were rejected for use in the book proper and a suite of all the engravings used in the book. This copy is also inscribed by the artist to the collector/owner which is not something called for in the limitation. 204 pp. Stylistically the Hungarian-American Vertes brought a loose near-abstraction sensibility to what nonetheless remained lucidly representational art. He executed his images with a spare economy while keeping his lines fluid and flowing. At times his output could look slapdash and improvisational; this effect though splendidly captured the emphemeral moment in an ever-changing scene and we can sense easily movement and motion. Vertes was a modernist very much of his time and place. His was an oeuvre that dared to please the average man and thus his work decorate such places as the lobby of the Carlyle Hotel in New York. Vertes was also a costume designer who won an Academy Award for his art direction and costume designs in the movie "Moulin Rouge" released in 1952. <br/><br/> Manuel Bruker paperback books
001239Paris: Librairie Marpon et Flammarion. 1st Edition thus. Hardcover. Very Good/No Jacket. 48mo - over 3 - 4" tall. 171 pp miniature book measuring 7 by 5 cm or 3 by 2 inches. N.d. circa 1890. Welch 4714. Tiniest of ink-like blot spot in upper corner with infinitesimal crease also on some pages. Gilt foreedges. Generally clean and tight. Small cameo illustration of cleric on title. <br/><br/> Librairie Marpon et Flammarion hardcover books
1933CNJL365Chelsea: The Ashendene Press 1933. Limited Edition. Hardcover. Near Fine. Raverat Gwendolen; Hewitt Graily. Quarto size 171 pp. one of 290 copies with an ANS by St. John Hornby text in French. Limited edition of 290 copies printed on paper unnumbered plus 20 printed on vellum; laid in are i a short ANS on Shelley House letterhead from St. John Hornby to the original owner of the book thanking him for payment and stating "I too feel sad at the thought that this is practically my last book"; and ii the original order form blank on vellum.<br/><br/>Numerous versions of the story of Daphnis and Chloe have been published and the story continues to enthrall readers. This version the final book published by the Ashendene Press other than their own bibliography is one of the loveliest: the woodcuts by Gwendolen Raverat the marginal notes in red and the initial capitals filled in by hand by Graily Hewitt all form a harmonious whole that pleases the eye and the mind. <br/><br/>The translation of Jacques Amyot published in 1559 was the first vernacular edition and remains widely used. Many of us are familiar with the sad tale of the first printing of this book which had to be destroyed due to the sheets having been packed before the ink had sufficiently dried; deeming the results unworthy of the Press Hornby ordered all but 10 specimen copies to be destroyed and the entire book re-printed.<br/><br/>___DESCRIPTION: Original binding of green paper boards with a vellum back and vellum tips with a gold stamp on the cover being a vignette of Daphnis and Chloe with some lambs encircled with greenery fore- and bottom edges uncut plain endpapers title page in red and black the 26 woodcut illustrations scattered throughout the text text in French red marginal notes throughout blue initials and paragraph indicators printed in Ptolemy type on Batchelor paper; quarto size just over 10" tall pagination: i-iv being the half-title and title pages i-iv being the Editor's Preface 1-162 colophon page. The ANS is on a small sheet approximately 8" by 5" headed "Shelley House / Chelsea Embankment S.W. 3." and has a hand-written note covering the front and about a third of the back dated 1 June 1934 and signed "C St.J Hornby"; the blank order form is printed on vellum is approximately 7.25" by 5" printing in red and black setting forth the prices for the copies on paper 6 guineas and on vellum 40 guineas. The volume is lacking the original slipcase but is housed in a custom drop-back box of gold cloth with a parchment spine gilt lettering and rules on the spine lined with ivory paper.<br/><br/>___CONDITION: The volume could almost be called fine it has a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings; there is some extremely minor edgewear else fine. The ANS has two horizontal original folds else fine; the order form has a few extremely shallow creases else fine; and the custom box has some light offsetting from the green boards on the lining paper else fine.<br/><br/>___CITATION: Ashendene Press Bibliography XXXIX.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Ashendene Press hardcover books
1792D7090C. F. J. Lehoucq 1792. Hardcover. Good. Contemporary calf gilt-stamped ornament in spine compartments 5 raised bands blind-stamped lettering in leather spine label; 16mo 95 x 153 mm; pp. xii 207 4 plus 30 engraved plates by Vidal 13 of them folding. Collates complete with half-title page. Head of spine perished; joints raised bands and edges of boards a bit scuffed; front board splitting. Previous owner's bookplate on front paste-down otherwise internally bright and clean. Plates are lovely. <br/><br/> C. F. J. Lehoucq hardcover books
1949D14047Paris: Jourde et Allard 1949. Limited Edition. Paperback. Near Fine. Green cloth portfolio with paper spine label in decorative paper slipcase; contains illustrated wraps in glassine with loose gatherings as issued of text and illustrations. Number 33 from a limited edition of 25 copies on Rives paper from a larger limitation of 125 copies with an additional suite of plates and 3 original drawings tipped onto a glassine-protected plate. Cloth portfolio rubbed; spine sunned; spine label chipped. Tiny faint speck of staining on front panel of glassine otherwise dust jacket wraps and contents are fine. In lightly scuffed and worn slipcase. A lavish production. <br/><br/> Jourde et Allard paperback books
19722204168Imprint Society 1972. Limited Edition. Hard Cover. Good/No Jacket. Hoffmann Felix. Limited edition #813 of 1950 copies. Hand-numbered in black ink and signed by illustrator in pencil on limitation page. Lacks slipcase. Boards slightly bowed light stain to marginal corner of frontispiece does not affect image. 1972 Hard Cover. 152 pp. 8vo. Turquoise leather spine over paper-covered boards gilt titles. Designed and produced in Switzerland by Max Caflisch printed on Zerkall laid paper. Includes seventeen aquatints created by Felix Hoffmann specially for this edition. Translated from the original Greek by Christopher Collins. The only known work of the 2nd century AD Greek novelist and romancer Longus. A tender novel describing eager and inept young love Daphnis and Chloe tells the story of a baby boy and girl who are discovered separately two years apart alone and exposed on a Greek mountainside. Taken in by a goatherd and a shepherd respectively and raised near the town of Mytilene they grow to maturity unaware of one another's existence until the mischievous god of love Eros creates in them a sudden overpowering desire for one another. A masterpiece among early Greek romances attracting both high praise and moral disapproval this work has proved an enduringly fertile source of inspiration for musicians writers and artists from Henry Fielding to Jean-Baptiste-Camille Corot and Maurice Ravel. Longus transforms familiar themes from the romance genre including pirates dreams and the supernatural into a virtuoso love story that is rich in insight humorous and ironical in its treatment of human sexual experience. Imprint Society hardcover books
19451267629Paris: Editions du Belier 1945. First. Limited edition copy number 128 of 720; small quarto; VG-/no-DJ; light brown spine with blue text in light brown slipcase; both volumes are unbound and encased in protective board covering material is peeling up slightly along edges of each volume's spine covering of volume one has slight water damage to middle right portion of front cover two 2 cm black streaks in upper left corner and two very small brown spots at head of spine volume two has water damage along top edge of front cover one small brown spot in middle left edge of front cover; textblocks are unbound slightly age-toned clean and free of tearing marking and writing other than a handwritten number on edition page of volume one to denote copy number edition page and end title page of volume one are uncut copyright page of volume two is uncut; 116pp volume one 109pp volume two. Oversized book. Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to weight restrictions. For international/expedited customers please inquire for rates. 1267629. Rockville Non-Retail Listings. Editions du Belier unknown books
194738218Bussum: Uitgeverij F.G. Kroonder 1947. 8vo 26.5 cm 10.25". 109 1 pp. 1 f.; illus. <br><br>This Dutch-language translation of Daphnis and Chloe is from the French of Jacques Amyot 151393 Bishop of Auxerre by Johannes Brouwer and has => four drawings by C.A.B. Bantzinger. It was printed in an edition of 1000 numbered copies on "Old Dutch" paper by G. Schut in Heelsum with typography by Johan H. van Eikeren. The title-page is in black and red.<br>Â Â Â Â The translator chose to use Dutch language analogous to Amyot's 16th French eschewing a modern rendering.<br>Â Â Â Â Searches of NUC WorldCat and COPAC locate => no copies in U.S. libraries and only the British Library copy in the U.K. Publisher's original light boards with illustration on front cover and title and author on spine all in red; faintly sunned with edges lightly worn. In glassine wrapper. Deckle edges; bolts opened at top seam. => A very good copy. Uitgeverij F.G. Kroonder hardcover books
1949D7129New York: Pantheon 1949. Hardcover. Fine/Very Good. Red cloth lettered in black on spine blindstamped illustration on front board; illustrated dust jacket; 8vo; pp. 175 with woodcut illustrations by Maillol throughout. Discreet previous ownership signature on FFEP otherwise book is fine. Small scuff mark on front panel of dust jacket; spine tips very lightly chipped; price-clipped; VG presents nicely in mylar. A clean bright copy. <br/><br/> Pantheon hardcover books
19259014045London: Geoffrey Bles 1925. 1st. Hardcover. Very good condition. Bound in publisher's original white cloth with the front cover and spine stamped in gilt. Uncut. Minor soiling to the covers. Some foxing. Previous owner's bookplate on the front pastedown endpaper. <br/><br/> Geoffrey Bles hardcover books
1885WRCLIT53515London: Vizetelly & Co. 1885. Large octavo. Brick-orange cloth decorated in gilt. Plates and decorations. A few hand smudges to cloth but a very good bright copy. First Vizetelly edition ordinary issue reprinting the translation from the Greek by C.V. Le Grice first published in 1803. The plates are full page copperplate engravings from designs by Eisen Gerard and Prudhon originally published by Didot in 1800 and the head and tailpieces are reproductions of designs by Philip of Orleans for an edition of 1718. There were also copies on handmade paper with plates in two states. Vizetelly & Co. hardcover books