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1923117946Paris : Georg & Cie. 1923. 240x170mm. reliure demi-chagrin avec titre auteur filets et encadrements dors au dos quatre faux-nerfs. Plat et garde papier marbr. Tranche suprieure dore. Couvertures et dos conservs. Ex-libirs. Exmplaire numrot n.¡ H. C. sur papier vlin dÕArches. 752 Georg & Cie. unknown
191487776Paris : Georges CrÂs et Cie. 1914. 190x135mm. frontispice XIII - brochÂŽ. Couerture rempliÂŽe. Edition originale sur papier Japon impÂŽrial des Manufactures de Rives numÂŽrotÂŽe n¡ 54 / 65 premier tirage. TrÂs bel exemplaire. 571 Georges CrÂs et Cie. unknown
1934193026NY LIMITED EDITIONS CLUB 1934 1934. ORIGINAL FULL TAN LEATHER T.E.G. UNCUT. PUBLISHER'S BOARD SLIPCASE. VERY GOOD-FINE; #94/1500 COPIES SIGNED BY REEVES ON THE COLOPHON PAGE; DIRECTOR FRANK CAPRA'S COPY WITH PENCIL SIGNATURE OF CAPRA'S WIFE LUCILLE ON THE FRONT FREE ENDPAPER LIMITED EDITIONS CLUB VERY GOOD-FINE. Signed by Authors. Hardcover. NY, LIMITED EDITIONS CLUB, 1934 hardcover
193404-27-2025-06<p>Oversized hardcover in tan lambskin with gilt medallion on front cover and gilt lettering to spine. Housed in original slipcase. Limited to 1500 copies signed by Ruth Reeves artist illustrated with 24 of her etchings. Limited edition of 1500 copies this being copy #1349. Printed on deckle edge Bishopstoke all-rag paper. Interior is clean some minor wear to margins and head and tail of spine of lambskin covers.</p><p>George Moore in his translation achieved an elegant readable worthy and authentic English version of Longus' original tale of love.</p> The Limited Editions Club hardcover
1934053679The Limited Editions Club. A beautiful clean crisp leather bound hardcover copy in very good condition light age toning to pastedowns light rubbing to leather spine head and tail and rear of cover. No DJ as issued. Includes slipcase in good condition with crack to paper and age toning. No.881/1500 limited edition copies signed by the illustrator. . Very Good. Hardcover. 1934. The Limited Editions Club hardcover
1934LNGeLONG47New York: The Limited Editions Club 1934. 1934. 4to. pp. xxiii 2 130 1. 13 etched plates incl. frontis. title vignette & many head & tailpieces. uncut in sheep extremities rubbed. in a worn & stained slipcase. Limited to 1500 copies signed by the artist. Signed by Authors. New York: The Limited Editions Club, 1934. unknown
1934113982New York: Limited Editions Club 1934. Hardcover. very good. xxv130pp. Limited and signed edition of 1500 copies of which this is number 759. Octavo. Illustrated with drawings including frontispiece from Ruth Reeves. Original full tan letter with gilt decoration on front cover and gilt lettering on spine in slip case. Top edge gilt. Front fore-edge and bottom edge untrimmed. Slight wear to top end of spine and corners. Slip case slightly rubbed with small tear to bottom edge of spine. very good 1934 Limited Editions Club hardcover
1934015946New York: Limited Editions Club 1934. Hardcover. Some rubbing to the spine tips and book edges as often the case with this fragile binding. Very Good in a stained Good slipcase. Ruth Reeves. Quarto 8" x 11-1/4" bound in full natural lambskin goldstamped with a gold embossed medallion on the front cover. Translated and introduced by George Moore. Designed and printed on a hand-press by Porter Garnett in Pittsburgh. Copy #834 of 1500 illustrated with etchings by Ruth Reeves and SIGNED by the artist on the colophon page. <br/><br/> Limited Editions Club hardcover
1925890083London: Geoffrey Bles. Very Good with no dust jacket. 1925. First Edition. Hardcover. A beautifully illustrated edition. Page block fore and lower edges untrimmed. Spine slightly darkened. Small scuff along upper edge of back cover. ; Small 4to 9" - 11" tall; 200 pages . Geoffrey Bles hardcover
1939262391939. Paris Le Vasseur et Cie 1939. Un vol. au format pt in-4 293 x 238 mm de 184 pp. en feuilles sous couvertures imprimÂŽe ˆ rabats rempliÂŽs chemise de demi-vÂŽlin ivoire dos lisse titre dorÂŽ sous coffret de plein papier gauffÂŽ crÂme. Tirage unique ˆ 425 exemplaires numÂŽrotÂŽs ; celui-ci comptant parmi les 350 sur grand vÂŽlin d'Arches ˆ la forme. Il s'agrÂŽmente - ici en premier tirage - des dÂŽlicates compositions gravÂŽes et en couleurs par Paul-Emile BÂŽcat. ''Publication recherchÂŽe surtout en grand papier''. in Carteret. ''ElÂve des peintres Gabriel Ferrier et FranÂois Flameng BÂŽcat a exposÂŽ aux Salons des Artistes franÂais ˆ partir de 1913 et obtint le Grand prix de Rome. En 1933 il commence une carriÂre d'illustrateur ˆ la pointe-sÂche et se spÂŽcialise dans les textes galants. Ses nus trÂs soignÂŽs sont recherchÂŽs''. in Osterwalder. Daphnis et ChloÂŽ roman grec est attribuÂŽ ˆ Longus auteur dont on ne sait pour ainsi dire rien. Si ce n'est qu'il pourrait Âtre nÂŽ ˆ Lesbos. Le sujet de Daphnis et ChloÂŽ - InfluencÂŽ par les Idylles de ThÂŽocrite - se distingue pourtant des autres romans grecs de par son dÂŽcor bucolique et lÕironie constante qui prÂŽside au dÂŽroulement de lÕaction. Ce roman pastoral - et chef dÕÃuvre de la poÂŽsie classique - met en exergue le thÂme mythique de lÕexposition des enfants sous lÕantiquitÂŽ. Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 243 - Osterwalder II Dictionnaire des illustrateurs p. 84 - BÂŽnÂŽzit I Dictionnaire des peintres p. 558. Coffret prÂŽsentant des marques d'eau. DiscrÂtes rousseurs affectant le dos de la chemise. DiscrÂtes piqžres affectant le premier plat de la couverture papier. TrÂs rares rousseurs dans le texte. Du reste trÂs belle condition. b42961 unknown
193139584Paris: Chez l'artiste 1931. Jean Dulac. ONE OF A HANDFUL OF COPIES WITH ALL OF THE ENGRAVINGS BEAUTIFULLY COLORED BY HAND. A wonderful livre d'artiste with 26 ORIGINAL ENGRAVINGS most lightly erotic BY JEAN DULAC. From a total edition of 340 numbered copies this is ONE OF A FEW COPIES ON FINE RIVES LAID PAPER IN WHICH ALL OF THE ENGRAVINGS WERE BEAUTIFULLY COLORED BY HAND FOR A GROUP OF COLLECTORS. The colophon / limitation statement in these copies ends with a printed note not included in other copies: "Cet exemplaire est l'un de ceux qui ont été coloriés à la main spécialement pour un groupe d'amateurs." I have seen thousands of livres d'artiste but this is the only time I've ever seen a printed note like this one distinguishing it from virtually all of the other copies of the edition. Large 8vo. Loose as issued in original wraps. FINE AND BRIGHT in the original board chemise and slipcase lightly worn. OF THE GREATEST RARITY WITH THE ENGRAVINGS COLORED BY HAND. And very beautiful. <br/><br/> Chez l'artiste paperback
1934117528Paris : Librairie Floury 1934. 265x210mm. 30 illustrations en couleurs reliure demi-maroquin rouge ˆ bandes avec titre dorÂŽ au dos lisse. Plat papier marbrÂŽ. Couverture supÂŽrieure conservÂŽe. Belle reliure rÂŽalisÂŽe par R. Rouiller. TrÂs bel exemplaire hors commerce numÂŽrotÂŽ n.¡ XLVI / C. 1227 Librairie Floury unknown
192337013Paris: Georg & Cie 1923. Fine. Georg & Cie Paris 1923 16.50 x 25.50 cm relié sous étui Illustrated edition with 13 original lithographs by Charles Guérin one of 10 numbered copies on old Japan paper deluxe issue. Full hazelnut morocco binding spine very slightly faded with four raised bands date at foot gilt rolls on caps frame of a gilt fillet on the mint morocco endpapers almond watered silk pastedowns following endpapers of handmade paper double gilt fillets on edges covers and spine preserved all edges gilt slipcase with hazelnut morocco entry handmade paper boards blue felt lining elegant binding signed by Klein. Our copy as stipulated in the print justification is indeed complete with its suite on China paper. Moreover our copy is expanded with an original drawing signed in pencil by Charles Guérin representing the composition illustrating page 13. Very handsome copy perfectly executed. Georg & Cie hardcover
1950465224Paris : Editions Nilsson 1950. First Edition. Softcover. Very good paperback with somewhat worn illustrated crystal dust jacket. Dust jacket slightly dust-dulled with small nicks to front panel joint and both ends of spine. Mild warp from storage with text block remaining tight. Light foxing to preliminary and final leaves only. Plates well-preserved with very minor rippling to margins. A well-preserved copy overall. Physical description; 154 pages 6 leaves of plates ; 23 cm. Notes; Date conjectural. Illustrated with six mounted watercolours by G.P. Joumand. Subjects; Daphnis. Chloé. Greek mythology. Fiction. Pastoral romance. Ancient literature. Greek novel. 2nd century. French edition. Longus. Paris : Editions Nilsson paperback
1937193981London: A. Zwemmer 1937. Signed by Aristide Maillol; Numbered 209 of 250. Hardcover. Good Slipcase is worn peeled foxed and smudged with the top open; vellum boards are heavily smudged and darkened; textblock edges are smudged and foxed; interior is super clean; binding is solid. Maillol Aristide. Full white vellum boards with gilt lettering on the spine in a personalized white slipcase that says "for Marion; from Ted 1938." 211 pp. unopened and untrimmed pages; richly illustrated; signature of Maillol in pencil on the final engraved page. Signature page reads "Aristide Maillol engraved with his own hand the wood-cuts which illustrated this book. The text is that of Thornley's translation of 1657 revised and augmented. Philippe Gonin of Paris undertook the achievement of this work and printed it on his hand-press for A. Zwemmer London." Extremely rare. Numbered 209 of 250 numbered signed by Maillol and printed on hand made paper. A. Zwemmer hardcover
1925120538London : Geoffrey Bles 1925. First Edition. Hardback. Near fine copy in the original gilt-blocked fine-ribbed cloth. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Scans and additional detail on request. ; 199 pages; Physical desc. : 199 1 p. plates : ill. ; 33 cm. Wheatley's own copy SIGNED and captioned 'Used by me for. My book 'Mayhem in Greece''. Complete with his distinctive Bookplate. London : Geoffrey Bles hardcover
19252053London: Geoffrey Bles 1925. Hardcover. Very Good. White cloth hardcover with gilt design on cover slightly soiled. 199 pages SIGNED by John Austin. Internals clean and tight Very Good condition Geoffrey Bles, hardcover
1954002315Paris: Manuel Bruker 1954. First Limited Edition. Wraps. Very Good. No. 12 of 20. With a folio of three original ink drawings signed by Vertes a folio of 10 engravings that were rejected for use in the book proper and a suite of all the engravings used in the book. This copy is also inscribed by the artist to the collector/owner which is not something called for in the limitation. 204 pp. Stylistically the Hungarian-American Vertes brought a loose near-abstraction sensibility to what nonetheless remained lucidly representational art. He executed his images with a spare economy while keeping his lines fluid and flowing. At times his output could look slapdash and improvisational; this effect though splendidly captured the emphemeral moment in an ever-changing scene and we can sense easily movement and motion. Vertes was a modernist very much of his time and place. His was an oeuvre that dared to please the average man and thus his work decorate such places as the lobby of the Carlyle Hotel in New York. Vertes was also a costume designer who won an Academy Award for his art direction and costume designs in the movie "Moulin Rouge" released in 1952. Manuel Bruker unknown
1925182188London : Geoffrey Bles 1925. 1st Edition in this form. Hardback. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and dust-toned as with age. Corners sharp with an overall tight bright and clean impression. Marginal scattered foxing. ; 8vo 8"" - 9"" tall; 199 pages; Physical desc. : 199p. plates : illus. ; 33 cm. Subjects: Ancient Greek literature - translations into English. Classical literature. Daphnis Greek mythology - Fiction. Language: English. London : Geoffrey Bles hardcover
192570093London: Greffrey blies 1925. First with John Austen illustrations. Hardcover. near fine/very good. Quarto 10 1/4" x 8". Cream cloth withgilt lettering to spine and small design to front cover.In pictorial dust jacket. Some tanning with edge wear to jacket.Twelve color illustrations and decorations by John Austen. Greffrey blies hardcover
