259 résultats
1954002315Paris: Manuel Bruker 1954. First Limited Edition. Wraps. Very Good. No. 12 of 20. With a folio of three original ink drawings signed by Vertes a folio of 10 engravings that were rejected for use in the book proper and a suite of all the engravings used in the book. This copy is also inscribed by the artist to the collector/owner which is not something called for in the limitation. 204 pp. Stylistically the Hungarian-American Vertes brought a loose near-abstraction sensibility to what nonetheless remained lucidly representational art. He executed his images with a spare economy while keeping his lines fluid and flowing. At times his output could look slapdash and improvisational; this effect though splendidly captured the emphemeral moment in an ever-changing scene and we can sense easily movement and motion. Vertes was a modernist very much of his time and place. His was an oeuvre that dared to please the average man and thus his work decorate such places as the lobby of the Carlyle Hotel in New York. Vertes was also a costume designer who won an Academy Award for his art direction and costume designs in the movie "Moulin Rouge" released in 1952. <br/><br/> Manuel Bruker paperback books
193726800Paris Gonin 1937 In-8, en feuilles, couverture illustre (embotage de l'diteur).46 bois originaux d'Aristide Maillol. Tirage numrot limit 500 exemplaires sur papier Maillol et 70 exemplaires rimposs dont 20 sur peau de chvre, 25 japon ancien et 25 chine, tous signs au crayon par l'artiste. Un des 500 exemplaires sur papier Maillol, enrichi d'une suite part de tous les bois tirs en noir, augmente d'une preuve d'artiste pour trois des illustrations correspondant aux pages 23, 166 et 218, soit au total 49 bois.
1937353London: A. Zwemmer printed in Paris by Philippe Gonin 1937. Limited Edition. Fine. Aristide Maillol 1861-1944. 8vo 7 3/4 x 5 1/2 in. 200 x 132 mm; pp. 6 blank vi 211 colophon 12 blank; Copy 21 of 250 numbered copies on hand-made Maillol paper and SIGNED BY THE ARTIST on the colophon with 52 original woodcuts and 4 woodcut initials printed in bistre; leading and bottom edges deckle. Full vellum with laced-in thongs gilt lettering on spine faint; pencil notations and tipped in label from earlier booksellers on inside front cover edges stained on first 2 and last 2 blanks. <br /> EXTRA SUITE of 45 WOODCUTS in a separate vellum portfolio printed in black. <br /> Fine copy in simple cardboard slipcase.<br /> <br /> Colophon: "Aristide Maillol engraved with his own hand the wood-cuts which illustrate this book The text is that of Thronley's translation of 1657 revised and augmented. Philippe Gonin of Paris undertook the achievement of this work and printed it on his hand-press for A. Zwemmer London. Paris December 7th 1937" followed by MAILLOL'S SIGNATURE IN PENCIL. <br /> <br /> Garvey 174; Garvey Wick 22; BNF32393010. According to Eleanor Garvey "The Artist and the Book" p. 122 this work is "perhaps the most harmonious of Maillol's illustrated books."<br /> An ancient Greek novel written during the Roman Empire the only known work of the 2nd century CE Greek novelist and romance writer Longus translated by George Thornley in 1657 the story of Daphnis and Chloe inspired the French-Catalan sculptor Aristide Maillol 1861-1944 to create an extensive set of sometimes mischievous woodcuts of nymphs and lovers using the same classical lines that typify his sculpture. The format of the book is particularly suited "to the black and white balance of the decorated page" François Chapon. The images the luscious hand-made paper the sensual tone of the engravings all contribute to this piquant book meant to educate and titillate the "young beauties" to whom the book is dedicated. The Epistle Dedicatory reads "To Young Beauties". "The ceremonies customes & manners of the ancient Greekes; with delightfull interspersion of their old and sweet Tales: And in short; nothing to vex you unless perchance in your own conscience. A. Zwemmer [printed in Paris by Philippe Gonin] unknown
193755850Paris Philippe Gonin 1937 In-8, maroquin vert orn sur les plats en passant par le dos d'un important dcor pouss or et froid, compos de lignes obliques qui s'entrecroisent et de jeux de filets dors pouvant voquer le scintillement de petites toiles; doublures bord bord en box noir, gardes de soie moire verte, tranches dores sur brochure, couverture illustre. Chemise, tui (H. Alix). 46 bois originaux in texte de Maillol. Tirage limit 500 exemplaires numrots sur papier Maillol et 70 exemplaires rimposs dont 20 sur peau de chvre, 25 japon ancien et 25 chine, tous signs au crayon par l'artiste. Un des 25 exemplaires sur japon ancien, enrichi d'une double suite en noir et en bistre de tous les bois et de 8 preuves d'tat imprimes en noir sur diffrents papiers. Les suites et les preuves supplmentaires ont t runies dans un second volume reli en demi-maroquin vert coins.
1937ST11995Paris: Les Frères Gonin 1937. No. CXXV OF 500 COPIES SIGNED BY THE ARTIST this is one of the hors commerce copies with an additional suite of plates. 219 x 149 mm. 8 5/8 x 5 7/8". 2 217 5 pp. One volume and one portfolio. Translated by Jacques Amyot. <br/> MOST ATTRACTIVE BEIGE CRUSHED MOROCCO BY IRMGARD HACCIUS stamp-signed "I. H." in gilt on rear cover front cover with gilt titling arranged in 10 short descending rows surrounded by blind-tooled leaves and grasses rear cover with three-inch column of blind-tooled leaves bearing gilt berries and the binder's initials flat spine with titling in blind top edge gilt. Housed with the portfolio of plates in its original printed paper wrapper in a matching marbled paper folding box with beige morocco spine and edges no doubt done by Haccius as well. WITH 47 WOODCUTS BY ARISTIDE MAILLOL depicting scenes from the text AND WITH AN EXTRA SUITE OF 48 PLATES printed in sanguine the additional plate bearing the 15 woodcut initials used in the text. Front pastedown with armorial bookplate of German bibliophile and music publisher Ludwig Strecker. The Artist and the Book 174. ◆A SPLENDID COPY clean and bright in a luxurious unworn binding.<br/> <br/> This version of Longus' charming Greek pastoral novel of awakening love long retained its popularity and was published frequently often with illustrations. And perhaps the chief virtue of the present edition is the unaffected sometimes mischievous woodcuts of nymphs and lovers by the French-Catalan artist Aristide Maillol 1861-1944 best known for his sculpture. His engravings here have the same classical lines that typify his three-dimensional works. According to "The Artist and the Book" the work is "perhaps the most harmonious of Maillol's illustrated books." The very attractive and intelligent binding is by Mainz master bookbinder Irmgard Haccius 1916-2003 whose work here is entirely in keeping with the illustrator's graceful simplicity. Haccius studied at the art academies in Munich and Berlin in addition to completing advanced training in book binding at the Academy of Fine Arts at Castle Giebenstein Hall. She was one of the first faculty members at the State University Institute for Art and Handicraft in Mainz before joining Johannes Gutenberg University in 1973 as a professor in the Department of Visual Arts. Les Frères Gonin unknown
19022840Paris Ambroise Vollard 1902 In-4 (290 x 238 mm). 294 pp. 151 lithographies originales de Pierre Bonnard, couverture conservée. Pleine reliure de maroquin vert, gardes de soie verte, filets sur les coupes et les contreplats, dos à nerfs, tête dorée, étui (reliure signée David). Tirage limité à 250 exemplaires numérotés, celui-ci un des 200 sur Hollande van Gelder (numéroté 108).
1937CLL-296Paris, Philippe Gonin, 1937 In-8 de (1) f., 218 pp., (2) ff., maroquin bleu nuit, plats et dos entièrement ornés d'un décor de cercles entrecroisés tracés en points or et paladium de tailles variées, entrelacs mosaïqués beige et rouge aux angles, dos lisse, doublures de maroquin bleu nuit ornées du même décor avec au centre un large rectangle de soie dorée ornée d'ocelles crème, gardes de soie de même, tranches dorées sur témoins, chemise à recouvrement, étui bordé, couvertures et dos conservés (J. Anthoine-Legrain).
192649677Paris Editions d'Art H. Pi 1926 In-4, maroquin vert bouteille orn sur chaque plat d'une composition gomtrique mosaque en maroquin vert, beige et dor, mle quatre motifs floraux pousss froid; trs lger rappel du dcor sur le dos sans nerfs portant le nom de l'auteur et le titre de l'ouvrage en petites capitales dores; doublures serties d'un listel de maroquin beige et ornes d'un large encadrement gomtrique compos de filets ondulants froid et de mosaques en maroquin brun et dor, gardes de soie verte, tte dore, non rogn, couverture illustre. Chemise, tui (Gruel).25 compositions de Carlos Schwabe, dont 2 vignettes tires en spia (une sur la couverture et une sur la page de titre) et 23 en couleurs (4 en-ttes, 12 hors-texte et 7 in-texte). Cet ouvrage, publi dans la collection Les Cent Onze, a t tir 111 exemplaires numrots. Un des 31 premiers exemplaires sur japon imprial, seuls comporter une double suite des illustrations sur vlin, en couleurs et en noir. Exceptionnelle reliure double de Gruel.
19371720691937. MAILLOL Aristide. Les Pastorales de Daphnis and Chloe. By Longus. With 52 woodcuts by Aristide Maillol. Two volumes. 8vo. original illustrated wrappers and publisher's vellum-backed slipcases. Paris: Gonin 1937. A unique copy of the most beloved of all Maillol's books. This is the publisher's copy accompanied by 6 autograph letters from Maillol to the publisher discussin varuious aspects of the making of the book. As with all his books Maillol was closely involved in all aspects of production and the result is an extremely pleasing work "perhaps the most harmonious of Maillol's illustrated books" Garvey. This is copy number 1 of 25 hors commerce copies on large paper containing a double suite of the plates one in black and white and one in sanguine. It is also accompanied by a somewhat foxed example of the wedding invitation which Maillol printed for Gonin and a letter from Gonin to the original purchaser of this copy. Signed by Maillol on the colophon. The Artist and the Book 174. hardcover