259 résultats
195059201BBLausanne André Gonin éditeur. 1950. 37x27,5 cm. 118 p., 3 f. En feuilles sous chemise, chemise demi-parchemin et emboîtage.
1934LIQ-4244P. Librairie Floury 1934 Petit in-4° demi chagrin bleu nuit, dos à 4 nerfs orné d'un fleuron central doré, couverture conservée.
19459551945 Paris, Editions du Bélier, 1945. 2 tomes en un volume in-8, 116 et 109 pages. Reliure époque plein maroquin bleu-vert, dos lisse, titre or, tête dorée, couvertures illustrées et dos conservés, étui à bordure de maroquin. 80 illustrations dont 20 hors-texte en couleurs de TOUCHAGUES. Tirage limité à 805 exemplaires, un des 700 sur vélin pur chiffon à la forme des papeteries de Lana.
1939183471939 Paris, Le Vasseur et Cie, 1939, in-4 en feuilles, de 185-(3) pp., couverture imprimée, sous chemise et étui cartonnés de l'éditeur, dos de velin ivoire, imprimé en lettres dorées, bon ex.
1939262391939. Paris Le Vasseur et Cie 1939. Un vol. au format pt in-4 293 x 238 mm de 184 pp. en feuilles sous couvertures imprimÂŽe ˆ rabats rempliÂŽs chemise de demi-vÂŽlin ivoire dos lisse titre dorÂŽ sous coffret de plein papier gauffÂŽ crÂme. Tirage unique ˆ 425 exemplaires numÂŽrotÂŽs ; celui-ci comptant parmi les 350 sur grand vÂŽlin d'Arches ˆ la forme. Il s'agrÂŽmente - ici en premier tirage - des dÂŽlicates compositions gravÂŽes et en couleurs par Paul-Emile BÂŽcat. ''Publication recherchÂŽe surtout en grand papier''. in Carteret. ''ElÂve des peintres Gabriel Ferrier et FranÂois Flameng BÂŽcat a exposÂŽ aux Salons des Artistes franÂais ˆ partir de 1913 et obtint le Grand prix de Rome. En 1933 il commence une carriÂre d'illustrateur ˆ la pointe-sÂche et se spÂŽcialise dans les textes galants. Ses nus trÂs soignÂŽs sont recherchÂŽs''. in Osterwalder. Daphnis et ChloÂŽ roman grec est attribuÂŽ ˆ Longus auteur dont on ne sait pour ainsi dire rien. Si ce n'est qu'il pourrait Âtre nÂŽ ˆ Lesbos. Le sujet de Daphnis et ChloÂŽ - InfluencÂŽ par les Idylles de ThÂŽocrite - se distingue pourtant des autres romans grecs de par son dÂŽcor bucolique et lÕironie constante qui prÂŽside au dÂŽroulement de lÕaction. Ce roman pastoral - et chef dÕÃuvre de la poÂŽsie classique - met en exergue le thÂme mythique de lÕexposition des enfants sous lÕantiquitÂŽ. Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 243 - Osterwalder II Dictionnaire des illustrateurs p. 84 - BÂŽnÂŽzit I Dictionnaire des peintres p. 558. Coffret prÂŽsentant des marques d'eau. DiscrÂtes rousseurs affectant le dos de la chemise. DiscrÂtes piqžres affectant le premier plat de la couverture papier. TrÂs rares rousseurs dans le texte. Du reste trÂs belle condition. b42961 unknown
193926239Paris, Le Vasseur et Cie, (1939). Un vol. au format pt in-4 (293 x 238 mm) de 184 pp., en feuilles, sous couvertures imprimée à rabats rempliés, chemise de demi-vélin ivoire, dos lisse, titre doré, sous coffret de plein papier gauffé crème.
1945R300162414EDITIONS DU BELIER. 1945. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 115 pages + 109 pages - nombreuses illustrations en couleurs et en monochrome dans et hors texte - contre plats jaspés - belle reliure illustré d'un diable en couleurs sur le 1er plat - tranches en tête dorées - dos à 4 nerfs - auteur et titre dorés sur le dos - 4 photos disponibles.. . . . Classification Dewey : 880-Littératures helléniques. Littérature grecque
193121384Paris, Se trouve chez l'artiste, 1931. In-8 en feuilles sous couverture rempliée, illustrée d'une estampe de Dulac, chemise, étui.
194915635Daphnis et Chloé d'après Longus, traduction de Jacques Amyot, revue et adaptée par Paul-Louis Courier. Introduction de Marcel Arland.20 bois gravés et taille-douce par Suzanne Tourte (hors texte). Nombreuses illustrations dans le texte.Édition limitée à 125 exemplaires. Un des 75 exemplaires sur Rives N°73.Jourde et Allard 1949 - 170 pages.Pages volantes sous couverture imprimée, illustrée. Chemise et étui cartonnés avec étiquette au dos de la chemise (frottés). Ouvrage en parfait état. Format in-4°(30x24).
1934002243France 1934. First Edition presumed. Wraps made of 18th Century French Vellum Documents. Near Fine. No text with fifteen color lithographed plates of a softcore sensibility with nudity. The only words in the story proper is the title rendered in Cyrillic. The illustrations are far from lewd yet do have a delicious kitschy quality of the second-rate book illustration and they were in their time meant to give the viewer a frisson of excitement from partaking of something mildly naughty and taboo. The illustrations feel anachronistic fitting more squarely in the twentieth century than the classical world being portrayed but perhaps that is also their charm. No one could find the illustrations pretentious or overblown and if nothing else they do capture a simplicity and innocence that are at the core of the tale. Perhaps the most special aspect of the booklet is the wraps or outer wraps to be precise made up of two sheets of vellum documents from the mid-18th century that may have come from a Royal Archive. These sheets were clearly meant to conceal the erotic contents. One of the documents is signed Besnard P and is a letter dated 25 9bre 1734 with a seal of the city of Rouen. Back to the Daphis and Chloe a few of the plates bear a stylized device of what appears to be "LG" and above the date of 1934. unknown
1934002243France 1934. First Edition presumed. Wraps made of 18th Century French Vellum Documents. Near Fine. No text with fifteen color lithographed plates of a softcore sensibility with nudity. The only words in the story proper is the title rendered in Cyrillic. The illustrations are far from lewd yet do have a delicious kitschy quality of the second-rate book illustration and they were in their time meant to give the viewer a frisson of excitement from partaking of something mildly naughty and taboo. The illustrations feel anachronistic fitting more squarely in the twentieth century than the classical world being portrayed but perhaps that is also their charm. No one could find the illustrations pretentious or overblown and if nothing else they do capture a simplicity and innocence that are at the core of the tale. Perhaps the most special aspect of the booklet is the wraps or outer wraps to be precise made up of two sheets of vellum documents from the mid-18th century that may have come from a Royal Archive. These sheets were clearly meant to conceal the erotic contents. One of the documents is signed Besnard P and is a letter dated 25 9bre 1734 with a seal of the city of Rouen. Back to the Daphis and Chloe a few of the plates bear a stylized device of what appears to be "LG" and above the date of 1934. <br/><br/> hardcover books
1995wq341Tartas Pierre de, au Centre Artistique et Culturel du Moulin de Vauboyen, Les Sillons du temps, Lyon Reliure d'éditeur sous emboîtage 1995 In-4 (25,2 x 32,5 cm), reliure d'éditeur pleine peau sous emboîtage, dos à 2 nerfs, décor estampé à froid et doré au premier plat, 146 pages, ouvrage illustré de lithographies de Paul Dauce, avec une suite des illustrations en sanguine sur Japon impérial, exemplaire sur grand vélin de Rives, exemplaire n°XLV (sur CL) ; très bel état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1925182188London : Geoffrey Bles 1925. 1st Edition in this form. Hardback. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and dust-toned as with age. Corners sharp with an overall tight bright and clean impression. Marginal scattered foxing. ; 8vo 8"" - 9"" tall; 199 pages; Physical desc. : 199p. plates : illus. ; 33 cm. Subjects: Ancient Greek literature - translations into English. Classical literature. Daphnis Greek mythology - Fiction. Language: English. London : Geoffrey Bles hardcover
1934LNGeLONG47New York: The Limited Editions Club 1934. 1934. 4to. pp. xxiii 2 130 1. 13 etched plates incl. frontis. title vignette & many head & tailpieces. uncut in sheep extremities rubbed. in a worn & stained slipcase. Limited to 1500 copies signed by the artist. Signed by Authors. New York: The Limited Editions Club, 1934. unknown
192555130London: Geoffrey Bles 1925. 4to. 199 1 pp. Woodcut-engraved decorated title colour frontisp. 11 colour plates 4 black & white plates numerous woodcut-engraved text illustrations. Cream-coloured publisher’s cloth gilt lozenge on front cover gilt lettering on spine w/ d.j. cover art illust. by Austen lettering in blue chipping head & foot of spine minor tears to couple corners creasing dustsoiling still NF/G copy from library of Carlyle F. Streit 1904-1977 noted Cleveland Ohio furniture manufacturer and designer featuring bookplate by John Austen. First Austen illustrated edition of this Greek pastoral romance featuring the Thornley English translation drawn more from a 1605 Latin translation than the Greek original. Austen 1886-1948 was a popular English book illustrator whose early works draw more from Beardley influence but then shifted in 1925 as evidenced by these illustrations to a decidedly Art Deco technique. Geoffrey Bles, hardcover
1947100Sans lieu (Paris?), La Tradition, 1947. Un vol. in-4 (18. 5x28) demi maroquin bleu à coins, dos à nerfs, tête dorée, couvertures et dos conservés. Dos uniformément passé.
19251049714<p>AUSTEN John. <b><i>Daphnis & Chloe</i></b>. Translated out of the Greek of Longus by George Thornley in 1657. With Decorations by John Austen. London: Geoffrey Bles 1925. 4to 200pp. Off-white cloth decoratively stamped in gilt. 12 color and 4 b&w plates as well as a few b&w illustrations at headings. Spine ends and corners lightly rubbed some sheets lightly foxed at edge else a clean tight copy in original pictorial dust jacket worn and chipped at folds and edges lightly sunned soiled and aged.</p><p>First John Austen-illustrated edition. The wonderful ancient Greek romance following two abandoned children raised as shepherds who slowly discover the meaning of love. John Austen's delicate Art Deco illustrations capture the romance and passion of this ancient tale bringing a wonderful new sensibility to this often-illustrated story. One of Austen's more adult and amorous works. </p> Geoffrey Bles hardcover
1947382La Tradition, 1947, 19 X 28 cm. En feuilles 133 pp. Sous chemise souple, ainsi que chemise et étui cartonnés. Traduction de Messire Jacques AMYOT revue, corrigée, complétée, de nouveau refaite en grande partie par Paul-Louis COURRIER. Charmantes eaux-fortes originales de Marianne CLOUZOT. Un des 812 exemplaires numérotés sur vélin lana crème. Signature originale de Marianne Clouzot. Enrichi de trois tirés à part identiques, dont deux signés de la main de l'illustratrice. Taches d'humidité sur l'étui et sur le dos de la chemise cartonnée, étui sali. Inscription au stylo, la chemise souple a déteint sur les première et dernière feuille. Intérieur très frais.
1947LIQ-4147P. La Tradition 1947. In-4° en feuilles, chemise et étui.
1945LIQ-2103P. Editions du Bélier 1945. 2 volumes in-8° en ff, sous chemises et étui.
1920252811920 Aquatinte signée dans la planche et titrée, 1920, 22,5 x 17 cm.
191018994AB1910. Darmstadt Ernst Ludwig Presse 1910. 27 : 18 cm. 167 Seiten 1 Blatt mit ornamentaler Titelseite und 4 goldgehöhten Initialen Grüner Original Lederband Vorderdeckel reich vergoldet Titel in Gold auf dem Rücken Kopfgoldschnitt. signiert Demeter Leizig. Eines von 250 Exemplaren auf Hadernpapier. Das 10. Buch der Ernst Ludwig Presse. - Vorderer Innendeckel mit kleinem Exlibris Titelblatt mit kleinem Sammlerstempel Rücken und teils seitlich ausgeblichen innen schönes Exemplar. - Stürz 10; Rodenberg 75. unknown
194827761Central School of Arts and Crafts 1948. First Edition. Softcover. Good Condition/not applicable. Illustrator: Anne Rees-Mogg. Inscribed by Illustrator. 'Anne Rees-Mogg was born in 1924 and died in 1984. She studied at Bristol Art School and Central School of Arts and Crafts before becoming an inspiring and dedicated teacher herself at the Regent Street Polytechnic from 1951 and Chelsea School of Art from 1964 to 1984. She was a committed advocate of artists filmmaking and was Chair and Director of the London Film-makers Co-operative between 1981 1984'. She is recorded as having illustrated two books one in 1941 and this one in 1948. Both appear to be student pieces and are likely to have been produced in very small quantities. Printed dedication 'to Elizabeth & Peter on the occasion of their Wedding 17th April 1948' which has an ink handwritten inscription alongside it 'With love from Andy'. Purchased from the family of Elizabeth and Peter longtime neighbours of the R-Ms who informed me that Andy was a nickname for Anne. A good copy in the original buff paper wrappers with an onlaid etched plate to the front wrap. Some minor wear to wrappers contents clean and sound. 24 pages 8 illustrations by A.R-M. Approx. size 10.5" by 8". Illustrator: Anne Rees-Mogg. Quantity Available: 1. Category: Literature & Literary; Inscribed by Illustrator. Pictures of this item not already displayed here available upon request. Inventory No: 27761. . Central School of Arts and Crafts paperback
1977biblio 7530594736<p>Dafhnis and Chloe by Longus. Braziller 1977. Translate by George Moore. Illustrated by Chagall with 42 plates in color of which several in double page reproducing Chagall's original limited edition of 1961. A fine copy in pictorical dust jacket in fine condition complete of slipcase.</p> George Braziller hardcover
1977biblio 7530594736<p>Dafhnis and Chloe by Longus. Braziller 1977. Translate by George Moore. Illustrated by Chagall with 42 plates in color of which several in double page reproducing Chagall's original limited edition of 1961. A fine copy in pictorical dust jacket in fine condition complete of slipcase.</p> George Braziller hardcover books