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193368500Chelsea: Ashendene Press 1933. First edition. iv 163 pp. Very near fine in decorated paper-covered boards and half vellum. One of 290 of 310 copies. Translated by Messiere J. Amot. Illustrated with wood engravings by Gwen Raverat. Chelsea: Ashendene Press, hardcover books
1934002243France 1934. First Edition presumed. Wraps made of 18th Century French Vellum Documents. Near Fine. No text with fifteen color lithographed plates of a softcore sensibility with nudity. The only words in the story proper is the title rendered in Cyrillic. The illustrations are far from lewd yet do have a delicious kitschy quality of the second-rate book illustration and they were in their time meant to give the viewer a frisson of excitement from partaking of something mildly naughty and taboo. The illustrations feel anachronistic fitting more squarely in the twentieth century than the classical world being portrayed but perhaps that is also their charm. No one could find the illustrations pretentious or overblown and if nothing else they do capture a simplicity and innocence that are at the core of the tale. Perhaps the most special aspect of the booklet is the wraps or outer wraps to be precise made up of two sheets of vellum documents from the mid-18th century that may have come from a Royal Archive. These sheets were clearly meant to conceal the erotic contents. One of the documents is signed Besnard P and is a letter dated 25 9bre 1734 with a seal of the city of Rouen. Back to the Daphis and Chloe a few of the plates bear a stylized device of what appears to be "LG" and above the date of 1934. <br/><br/> hardcover books
1954002315Paris: Manuel Bruker 1954. First Limited Edition. Wraps. Very Good. No. 12 of 20. With a folio of three original ink drawings signed by Vertes a folio of 10 engravings that were rejected for use in the book proper and a suite of all the engravings used in the book. This copy is also inscribed by the artist to the collector/owner which is not something called for in the limitation. 204 pp. Stylistically the Hungarian-American Vertes brought a loose near-abstraction sensibility to what nonetheless remained lucidly representational art. He executed his images with a spare economy while keeping his lines fluid and flowing. At times his output could look slapdash and improvisational; this effect though splendidly captured the emphemeral moment in an ever-changing scene and we can sense easily movement and motion. Vertes was a modernist very much of his time and place. His was an oeuvre that dared to please the average man and thus his work decorate such places as the lobby of the Carlyle Hotel in New York. Vertes was also a costume designer who won an Academy Award for his art direction and costume designs in the movie "Moulin Rouge" released in 1952. <br/><br/> Manuel Bruker paperback books
2019x-0521776597Cambridge Univ Pr 2019. Paperback. New. 338 pages. 8.25x5.25x0.75 inches. Cambridge Univ Pr paperback
2019x-0521772206Cambridge Univ Pr 2019. Hardcover. New. 338 pages. 8.75x5.75x1.00 inches. Cambridge Univ Pr hardcover
1998__3598719329K G Saur Verlag Gmbh & Co 1998. Paperback. New. 130 pages. French language. 9.21x6.14x0.38 inches. K G Saur Verlag Gmbh & Co paperback
1895953380Paris: Alphonse Lemerre Éditeur 1895. leather_bound. Gut. 2 Blatt 202 Seiten 1 Blatt. Ganzleder Handeinband mit Lederintarsien und Prägungen sowie marmorierten Vorsätzen. Klein-Oktav 153 cm. Einband berieben Kanten beschabt Fehlstelle am oberen Rücken fachmännisch ergänzt ExLibris-Prägestempel auf Vortitel vorne und hinten etwas braunfleckig im Ganzen passabel erhalten. Der nicht signierte Ledereinband wurde vom Buchbinder repariert und neu aufgebunden. Die Intarsien zeigen auf dem Vorderdeckel zwei rote Störche vor einer Landschaft hinten den Blick durch Bäume auf eine Ebene. - Der Vortitel mit dem Prägestempel "Ex Libris Hanns Zischler". "Longos in lateinischer Form: Longus war ein griechischer Schriftsteller der Antike. Er ist der Autor des berühmten Hirten- und Liebesromans 'Daphnis und Chloe' und der Zweiten Sophistik zuzuordnen. . Longos vermischt in seinem Roman Elemente des antiken Liebes- und Abenteuerromans mit Motiven der Bukolik und entwickelt dabei eine eigene Art der Poesie in Prosa. Dabei legt der Autor seinem Erzähler einen Stil in den Mund der in seiner Schlichtheit den Protagonisten den einfachen Hirten entspricht. Diesen verfeinert er aber durch virtuose Rhythmisierung und zahlreiche Endreime. Daphnis und Chloe werden als Säuglinge von ihren reichen Eltern ausgesetzt und von Hirten aufgefunden. Zu Beginn der Handlung ist er 15 Jahre alt sie 13. Beide wachsen gemeinsam in gegenseitiger und unverdächtiger Zuneigung auf. Die Entwicklung dieser Zuneigung zur Liebe ist das Hauptthema des Romans. Der Liebesgott Eros fungiert bei Longos zugleich als Antriebsquelle der Dichtung und darum ist der Roman auch ihm geweiht." Wikipedia. "Paul Leroy eigentlich Paul Alexandre Alfred Leroy geboren 27. Dezember 1860 in Paris; gestorben 1942 ebenda war ein französischer Maler. . Von seinen Studienreisen nach und durch Ägypten Tunesien Persien Algerien und auch dem osmanischen Reich brachte Leroy eine Vielzahl von Eindrücken und Skizzen mit welche dann auch zur Basis seiner vielgelobten Ölbilder wurden. Mit diesen Werken wurde er schon bald zu einem wichtigen Vertreter des Orientalismus." Wikipedia. - Weitere Bilder auf Anfrage oder auf unserer Homepage. Wegen Urlaub kann Ihre Bestellung / Anfrage erst nach dem 21.06.2026 bearbeitet werden. - Because of holidays your order / question can be handled only after 06/21/2026. Alphonse Lemerre, Éditeur hardcover
8530London: Geoffrey Bles 1925. First edition thus. Coloured frontispiece plates some coloured and illustrations by John Austen. 4to pp. 200 original cream cloth lettered and blocked in gilt. Some light occasional foxing to the text. Top edge of text block dusty others uncut. The binding in excellent clean and bright condition. In the original slightly dusty and edge chipped d.w. London: Geoffrey Bles, 1925. hardcover
16608308Franekerae Franeker Joannis Arcerii 1660. 4to. pp. xx 148 ii 121 xxi. Greek text with parallel Latin translation with notes and commentray in the second part. Old repair to lower margin and corner of final leaf affecting a couple of letters of text. Contemporary marbled sheep gilt spine some wear to extremities and upper joint Dutch marbled pastedowns. Edited by Petrus Moll 1596-1669 of Sneek or Snits this is a scholarly edition of Longus' influential pastoral prose romance. Book unknown
175753169<p>Paris Imprimées pour les curieux 1757. HAND COLOURED EDITION 1757. Small 4to approximately 200 x 150 mm 7¾ x 6 inches title in red and black with engraved vignette engraved frontispiece by Benoit Audran after A. Coypel 29 further engraved plates 28 by Audran after Phillippe Duc d'Orléans 1 unsigned plate after the Comte de Caylus including the plate of Les petits pieds at page162 each within decorative border by S. Focke all engravings HAND COLOURED including initials and 16 head- and tailpieces 20 heightened with gilt parallel text. Pages: viii 1-269 1 bound in 19th century black morocco by Masson-Debonnelle his name on first lower dentelle gilt lettering and decoration to spine covers with central gilt-blocked bird quiver of arrows and torch motif corners with rose device triple fillet border gilt decorated dentelles all edges gilt marbled endpapers. Spine professionally relaid small brown stain to top inner margin of title page most plates have pale foxing to margins in varying degrees pale foxing to blank side of plates occasional foxing to text otherwise a very good copy of a hand coloured copy. The earlier translation is by Jacques Amyot 1513-1593. See Brunet Manuel du Libraire Volume 3 page 1158; Bonham's Auction Lot 41 29th July 2020 who sold a hand coloured edition see Google. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST.</p> Paris, Imprimées pour les curieux, 1757. hardcover
90746<p>France Jourde et Allard 1949 Ltd Edition. Green cloth portfolio with paper spine label in later slipcase; Illustrated paper cover in original glassine wrap with loose gatherings as issued of text and plates. In very good condition. Later slipcase rubbed and slightly squashed cloth reinforced edges. Some fading to green cloth cover around boards. Some tanning to paper spine label. Pages all clean and bright throughout. No marks or foxing. Else a very good clean and tight copy. Text 170pp. Illustrated with 2 sets of plates one set in B&W in text and seperate set in maroon. All engraved plates. Loose bound. Text in French.</p> France, Jourde et Allard, 1949 Ltd Edition hardcover
194823422Lausanne 1948. Les pastorales. Eines von 10 Expl.nicht für den Handel bestimmt mermod 8°. br. Literatur unknown
16-4188Paris: Éditions du Bélier 1945. . 4to. 19 x 28 cm. 2 vols. in half morocco chemises in slipcase. Sheets loose as issued. One of 21 copies on Auvergne with a extra suite of all the illustrations and an original watercolor. This copy has 2 suites of the illustrations.OCLC Number: 233679776.Longus Daphnis et Chloé. Paris Éditions du Bélier 1945. 2 volumes in-4 en feuilles non rogné chemise en demi-maroquin bleu étui Sala Vidal. Édition ornée de 85 illustrations dont 18 à pleine page et 2 frontispices en couleurs par Louis Touchagues. 805 exemplaires celui-ci le n°13 un des 21 sur pur chiffon d'Auvergne accompagné d'une aquarelle originale et d'une suite en noir sur papier Lana. Carteret Illustrés IV p. 244.Expertise by Librairie Giraud-Badin Paris Paris: Éditions du Bélier, 1945. unknown
51-4304Paris: 1718 Falconet1745. Small 8vo. 4 x 6.25 inches. 10 x 16 cm. Contemporary tree calf and gilt spine and 5 raised bands. Spine slightly worn endpapers browned but rest of book very fresh. A later edition of the Regent edition with the same plates but with more pages: 10 159 xx pp. 30 plates plus first states before letteringof some of the plates.Cohen-De Riccip. 452; OCLC Number: 1137465936. Some of the plates in 2 states one before lettering. Includes the famous "petits pieds" plate.in-12 Frontispice 5 ff. 159-1-XX pp. 30 gravures .Ouvrage illustré d'un frontispice de Coypel gravé par Audran 29 figures hors-texte d'après Philippe d'Orléans gravées par Benoît Audran dont 13 doubles montées sur onglets 1 gravure H.T. non signée attribuée à Caylus la "gravure des petits pieds" 7 vignettes en en-tête ou bandeaux non signées attribuées à Cochin et 1 fleuron de titre. Jolie édition excessivement recherchée le premier tirage de 1718 se limite à 250 exemplaires. Edition dite du Régent parce que c'est Philippe d'Orléans qui l'a fait exécuter et a fait graver les estampes par Benoît Audran. La figure des "petits pieds" attribuée à Caylus ne fait pas partie du livre n'ayant été gravée qu'en 1728 mais on l'y a ajoutée dans beaucoup d'exemplaires. L'édition fut rééditée en 1731 puis en 1745. Après la mort du Régent en 1723 Coypel détenteur des cuivres mit en vente des suites d'estampes de Daphnis et Chloé. Deux figures qui ont trait à l'éducation amoureuse de Daphnis par Licoemion furent détruites ce qui explique pourquoi en 1731 ces suites ne comprenaient plus que 26 estampes au lieu de 28. Cohen 648-652. Edition publiée par Falconet dans la traduction d'Amyot avec des notes d'Antoine Lancelot. quelques brunissures dans les marges des planches. Paris: 1718 [Falconet?,1745] hardcover
001239Paris: Librairie Marpon et Flammarion. 1st Edition thus. Hardcover. Very Good/No Jacket. 48mo - over 3 - 4" tall. 171 pp miniature book measuring 7 by 5 cm or 3 by 2 inches. N.d. circa 1890. Welch 4714. Tiniest of ink-like blot spot in upper corner with infinitesimal crease also on some pages. Gilt foreedges. Generally clean and tight. Small cameo illustration of cleric on title. <br/><br/> Librairie Marpon et Flammarion hardcover books
1925mon0000023607London: Geoffrey Bles 1925. Hardbound VERY GOOD illustrated in color by John Austen with the DJ GOOD and with the original glassine GOOD. London: Geoffrey Bles hardcover
1750034R33A Amsterdam: 1750. 1750 pp. 12 159 1 blank xx Engraved title and eight full page engraved plates by Picart. Engraved headpieces. Some old age stain. Small 12 mo. 150 mm. Old leather boards binding; needs rebacking. The pastoral romance Daphnis and Chloe is attributed to Longus a third century A.D. Greek poet. Idyllic in nature the poem tells the charming story of the love of a goat herd and a shepherdess. Daphnis and Chloe was widely popular in France and England in the 17th and 18th century. This text was translated from the Greek by Jacques Amyot 1513-1593. The engraved illustrations are by an anonymous pupil of Bernard Picart 1673-1733 one of the greatest French artist / engravers of the era. FR-VOYAGE 3RD FL Language: eng. Hardcover. Fair. A Amsterdam: 1750. hardcover
1949D14047Paris: Jourde et Allard 1949. Limited Edition. Paperback. Near Fine. Green cloth portfolio with paper spine label in decorative paper slipcase; contains illustrated wraps in glassine with loose gatherings as issued of text and illustrations. Number 33 from a limited edition of 25 copies on Rives paper from a larger limitation of 125 copies with an additional suite of plates and 3 original drawings tipped onto a glassine-protected plate. Cloth portfolio rubbed; spine sunned; spine label chipped. Tiny faint speck of staining on front panel of glassine otherwise dust jacket wraps and contents are fine. In lightly scuffed and worn slipcase. A lavish production. <br/><br/> Jourde et Allard paperback
1784625811Versailles: Severe Dacier 1784. 10 200 pp. 12.5 x 7.5 cm. Full spotted calf covered boards with gilt double line fillet framing to boards; smooth spine with six gilt panels; all edges gilt; gilt dentelles and French curl marbled endpapers; seven unsigned engravings including frontispiece with title. Includes the "erotic" engraving "Conclusion du Roman" bound facing the frontispiece. Wear to head and tail of spine. Splitting along front and rear joints but boards still holding firm. Some wear to edges of boards and corners. Interior clean and unmarked. Binding still firm. . Hard Cover. Very Good. Severe Dacier Hardcover
1792D7090Lille: C. F. J. Lehoucq 1792. Hardcover. Good. Contemporary calf gilt-stamped ornament in spine compartments 5 raised bands blind-stamped lettering in leather spine label; 16mo 95 x 153 mm; pp. xii 207 4 plus 30 engraved plates by Vidal 13 of them folding. Collates complete with half-title page. Head of spine perished; joints raised bands and edges of boards a bit scuffed; front board splitting. Previous owner's bookplate on front paste-down otherwise internally bright and clean. Plates are lovely. <br/><br/> C. F. J. Lehoucq hardcover
1933CNJL365Chelsea: The Ashendene Press 1933. Limited Edition. Hardcover. Near Fine. Raverat Gwendolen; Hewitt Graily. Quarto size 171 pp. one of 290 copies with an ANS by St. John Hornby text in French. Limited edition of 290 copies printed on paper unnumbered plus 20 printed on vellum; laid in are i a short ANS on Shelley House letterhead from St. John Hornby to the original owner of the book thanking him for payment and stating "I too feel sad at the thought that this is practically my last book"; and ii the original order form blank on vellum.<br/><br/>Numerous versions of the story of Daphnis and Chloe have been published and the story continues to enthrall readers. This version the final book published by the Ashendene Press other than their own bibliography is one of the loveliest: the woodcuts by Gwendolen Raverat the marginal notes in red and the initial capitals filled in by hand by Graily Hewitt all form a harmonious whole that pleases the eye and the mind. <br/><br/>The translation of Jacques Amyot published in 1559 was the first vernacular edition and remains widely used. Many of us are familiar with the sad tale of the first printing of this book which had to be destroyed due to the sheets having been packed before the ink had sufficiently dried; deeming the results unworthy of the Press Hornby ordered all but 10 specimen copies to be destroyed and the entire book re-printed.<br/><br/>___DESCRIPTION: Original binding of green paper boards with a vellum back and vellum tips with a gold stamp on the cover being a vignette of Daphnis and Chloe with some lambs encircled with greenery fore- and bottom edges uncut plain endpapers title page in red and black the 26 woodcut illustrations scattered throughout the text text in French red marginal notes throughout blue initials and paragraph indicators printed in Ptolemy type on Batchelor paper; quarto size just over 10" tall pagination: i-iv being the half-title and title pages i-iv being the Editor's Preface 1-162 colophon page. The ANS is on a small sheet approximately 8" by 5" headed "Shelley House / Chelsea Embankment S.W. 3." and has a hand-written note covering the front and about a third of the back dated 1 June 1934 and signed "C St.J Hornby"; the blank order form is printed on vellum is approximately 7.25" by 5" printing in red and black setting forth the prices for the copies on paper 6 guineas and on vellum 40 guineas. The volume is lacking the original slipcase but is housed in a custom drop-back box of gold cloth with a parchment spine gilt lettering and rules on the spine lined with ivory paper.<br/><br/>___CONDITION: The volume could almost be called fine it has a strong square text block solid hinges perfectly straight corners with no rubbing the interior is clean and bright and it is entirely free of prior owner markings; there is some extremely minor edgewear else fine. The ANS has two horizontal original folds else fine; the order form has a few extremely shallow creases else fine; and the custom box has some light offsetting from the green boards on the lining paper else fine.<br/><br/>___CITATION: Ashendene Press Bibliography XXXIX.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Ashendene Press hardcover books
1792D7090C. F. J. Lehoucq 1792. Hardcover. Good. Contemporary calf gilt-stamped ornament in spine compartments 5 raised bands blind-stamped lettering in leather spine label; 16mo 95 x 153 mm; pp. xii 207 4 plus 30 engraved plates by Vidal 13 of them folding. Collates complete with half-title page. Head of spine perished; joints raised bands and edges of boards a bit scuffed; front board splitting. Previous owner's bookplate on front paste-down otherwise internally bright and clean. Plates are lovely. <br/><br/> C. F. J. Lehoucq hardcover books
1949D14047Paris: Jourde et Allard 1949. Limited Edition. Paperback. Near Fine. Green cloth portfolio with paper spine label in decorative paper slipcase; contains illustrated wraps in glassine with loose gatherings as issued of text and illustrations. Number 33 from a limited edition of 25 copies on Rives paper from a larger limitation of 125 copies with an additional suite of plates and 3 original drawings tipped onto a glassine-protected plate. Cloth portfolio rubbed; spine sunned; spine label chipped. Tiny faint speck of staining on front panel of glassine otherwise dust jacket wraps and contents are fine. In lightly scuffed and worn slipcase. A lavish production. <br/><br/> Jourde et Allard paperback books
19371720691937. MAILLOL Aristide. Les Pastorales de Daphnis and Chloe. By Longus. With 52 woodcuts by Aristide Maillol. Two volumes. 8vo. original illustrated wrappers and publisher's vellum-backed slipcases. Paris: Gonin 1937. A unique copy of the most beloved of all Maillol's books. This is the publisher's copy accompanied by 6 autograph letters from Maillol to the publisher discussin varuious aspects of the making of the book. As with all his books Maillol was closely involved in all aspects of production and the result is an extremely pleasing work "perhaps the most harmonious of Maillol's illustrated books" Garvey. This is copy number 1 of 25 hors commerce copies on large paper containing a double suite of the plates one in black and white and one in sanguine. It is also accompanied by a somewhat foxed example of the wedding invitation which Maillol printed for Gonin and a letter from Gonin to the original purchaser of this copy. Signed by Maillol on the colophon. The Artist and the Book 174. hardcover
16-4888Paris: les frères Gonin 1937. 8vo. 135 x 215 cm. Sheets loose as issued in orignal wraps half vellum chemise and matchnng slipcase. One of 500 signed and numbered copies.OCLC Number: 833366904.135 par 215 cm. 4-217-4 pages. En feuilles sous couvertures rempliée illustrée sous chemise en demi-vélin et étui bordé. Très légère et à peine visible décoloration des bords de la couverture sinon parfait état.Tiré à 500 exemplaires sur papier Maillol seul papier. Exemplaire numéroté signé par l'artiste. Illustré de 47 bois originaux.Une très sensible illustration de Longus. Résumer des articles « El Paper de Montval d’Aristides Gaspar i Rafael Maillol » pp. 109 à 144 et « Le papier de Montval d’Aristide Gaspard et Raphaël Maillol » pp.145 à 182 d’Eric Forcada in « Entre édition et presse. Le papier d’hier à aujourd’hui » Actes de Colloques de la IIe Journée d’étude sur l’imprimerie de Perpignan édités par les « Publications de l’Olivier » et la Ville de Perpignan Saint Esteve avril 2005. Expertise by Lionel BRABANT et Amaury BONNETAIN. Paris: les frères Gonin, 1937 paperback