84 résultats
1863689851863 Paris, Leclere, 1863, In douze,xlvi-205 pp, reliure en demi-chagrin rouge aux quatre coins, papier piqué,
18908565Traduction d'Amyot. Revue et complétée par P.-L. Courier. Nouvelle édition accompagnée d'un glossaire des mots difficiles par M. Pierre Jannet.Paris, C. Marpon et E. Flammarion (vers 1890)- 174 pp. Joint une carte de visite dédicacé "De la part de : Paul Bourget, Henri Duvernois, Pierre Benoit et Gérard d'Houville," signée des 4 personnalités.Reliure demi-chagrin noir de l'époque. Dos à nerfs orné. Reliure légèrement frottée. Bon état. Rares rousseurs. Format in-12° (16x10).
1866RO80069101PICARD E.. 1866. In-16. Cartonné. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Rousseurs. 174 pages. Mors fendus sur la coiffe en pied.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
18961912Paris: Societe Des Beaux Arts 1896. First edition. First edition. Limited to 20 Copies 9 for America. This one lettered “B.†Large thick quarto. Superb dark green morocco with ornate inlaid morocco decorative covers heavily gilt front and back covers as well as spine. Large ornately gilt inner dentelles with inlaid color oval illustrations matching image on preliminary pages four separate pages one color three tinted; 166pp with superb engravings throughout many whole-page some in tint by Raphael Collin. Printed on thick Japan Vellum with tissue guards throughout. Binding in near fine condition except for the joints at the spine which are worn due to large weight of covers. The front cover quite weakened. In need of small repair to make this a highly desirable item. Societe Des Beaux Arts unknown
1896001300Athens: Athenian Society 1896. Limited Edition . Hardcover. Good/No Jacket. 8vo - over 7¾ - 9¾" tall. Faux vellum quarter bound to marbled green boards gilt lettering to spine. No. 2 of 250 copies privately printed for members of the Athenian Society. Yellowed backstrip is scuffed and bumped with small loss at head and tail. Some scuffs and scratches to boards edges scuffed with loss of marbled material. Page edges well tanned fore and bottom deckled. Sewn binding is cracked at one signature but solid and square . Greek text on verso with English translation on recto. The Pastorals of Longus. Good condition. <br/> <br/> Athenian Society hardcover
1802935730Paris; Chez Imbert 1802 Troisieme edition 'Cerano'dated1802 title page to the Longus is missing so no date or publisher is noted 18021802. 1802. Hardcover. hardback 16mo the texts in French the Longus 200pp lacking title page and prelims before Avertissement numbered p.1 frontispiece detached and 8 engraved plates 'Cerano' 133pp with engraved frontispiece owner's name on endpaper binding tight after the missing first title some light foxing and browning full leather binding slightly rubbed lacking spine title label; overall Good condition . Paris; Chez Imbert, 1802, Troisieme edition ('Cerano'dated1802, title page to the Longus is missing so no date or publis hardcover
1863GITe028Paris Librairie de F Didot Frères, Fils et Cie 1863. In-12 broché 606pp. Portrait en frontispice. Quelques pâles rousseurs par endroits. Bel exemplaire complet.
1889141595Paris, A. Quantin 1889 13 volumes. In-8 14,5 x 9,5 cm. Reliures demi-basane fauve marbrée, filets dorés, dos à nerfs, têtes dorées, couvertures conservées, 211-138-206-135-209-124-135-119-111-220-192-203-85 pp., notices bibliographiques, notices artistiques. Tous les textes sont dans des encadrements, Les tirages des vignettes d'illustrations parfois en chromolithographies sont splendides.Ex-libris Auguste Heriot.
1890ST20732Paris: H. Launette et Cie 1890. No. 196 of 1000 copies and 100 Large Paper Copies with the etchings in multiple states. 255 x 165 mm. 10 x 6 1/2". 3 p.l. viii 190 pp. 3 leaves.Translated into French by Jacques Amyot. <br/> LOVELY DARK BLUE MOROCCO GILT BY CAPTAIN GLADSTONE stamp-signed C. E. G. on front dentelle covers divided into multiple compartments that at center a lobed mandorla all of the compartments densely gilt the inner compartments with swirls of leafy branches on a dotted background the others diapered by diagonal gilt fillets into lozenge-shaped compartments containing a single gilt dot smooth spine covered with leafy branches gilt lettering wide inner dentelles with sprays of leafy branches green silk pastedowns and endleaves top edge gilt imperceptible repair at top of spine. With 12 full-page etchings and 29 in-text illustrations by Champollion after the designs of Raphaël Collin. Ray "French" p. 377. Spine just faintly sunned though difficult to see with all its gilt occasional very minor foxing otherwise a fine copy clean and fresh internally with vast margins in a well-preserved binding bright with gilt.<br/> <br/> A unique combination of decadence and sweet innocence Longus' charming pastoral novel appears here with a series of engravings that were considered to be some of the most attractive of the period and in an impressive binding that emphasizes its pastoral setting and that has an origin clouded with mystery. Ray says that in a survey conducted in 1895 our "Daphnis et Chloé" with the Collin engravings came in fourth in a poll to determine the 10 most successful modern French illustrated books. Our edition uses the popular translation of Jacques Amyot 1513-93 first printed in 1559 and always recognized for its graceful style. Naval Commander Charles Elsden Gladstone 1855-1919 or "Captain Gladstone" as he is commonly called was an English bookbinder of great technical skill working in the late 19th Century but no one seems to know how or by whom he was trained. We know he had many hobbies including microscopy and optical magic lanterns per family accounts suggesting a curious mind and attention to detail both useful in bookbinding. Although testimony from the period indicates that Gladstone personally bound his books there are no known contemporaneous i.e. 1880-1910 exhibitions or auction records of the sale of any of his bindings and no information exists about his being an apprentice. Since the degree of complexity and beauty of his bindings--clearly in evidence here--is extraordinary one wonders if he did in fact personally bind the books. Yes he could have been a self-taught genius binding for his own pleasure but it is not inconceivable that he commissioned someone like Alfred de Sauty as finisher requiring that his own initials always be placed on the dentelles. Regardless of their origin Captain Gladstone bindings are exquisitely crafted filled with lovely all-over gilt-tooled work and characterized by innovative design features. Whoever produced them they are among the best to be found in England around the turn of the century. H. Launette et Cie unknown