LONGUS:Livre Rare Book
LONGUSLivre Rare Book
Longus - Daphnis et Chloé
400052200Librio Sans date. Longus - Daphnis et Chloé / Librio
Démons et Merveilles · Joinville, France3,00 €
809 résultats
160514065Hanoviae, typis Wechelianis, apud Claudium Marnium, & haeredes Iohannis Aubrii, 1605. In-12 de [16]-247-[3] pages, plein vélin blanc, dos lisse avec titre manuscrit. Annotation ancienne à l'encre sur la page de garde.
177816611Paris, François Ambroise Didot et Guillaume De Bure, 1778. In-8 de [8]-XCII-135 et 135- [1]; 312-[3] pages, plein maroquin vert menthe, dos à nerfs orné au fer à l'oiseau et petits fers dorés, triple filet doré en encadrement des plats, double filet doré aux coupes et roulette dorée aux chasses, tranches dorées sur marbrure.
400052200Librio Sans date. Longus - Daphnis et Chloé / Librio
116024Paris, Société d’édition Les Belles Lettres 1934, 200x130mm, LV - 114pages, broché. Bel exemplaire.
14216ÉDITIONS JULES TALLANDIER 191 pages in8. Sans date. broché. 191 pages. Daphnis et Chloé est un roman pastoral grec de Longus probablement écrit au IIe ou IIIe siècle. Il raconte l'histoire de deux enfants abandonnés recueillis par des bergers sur l'île de Lesbos qui grandissent en découvrant l'amour au sein d'un décor champêtre
1937ST11995Paris: Les Frères Gonin 1937. No. CXXV OF 500 COPIES SIGNED BY THE ARTIST this is one of the hors commerce copies with an additional suite of plates. 219 x 149 mm. 8 5/8 x 5 7/8". 2 217 5 pp. One volume and one portfolio. Translated by Jacques Amyot. <br/> MOST ATTRACTIVE BEIGE CRUSHED MOROCCO BY IRMGARD HACCIUS stamp-signed "I. H." in gilt on rear cover front cover with gilt titling arranged in 10 short descending rows surrounded by blind-tooled leaves and grasses rear cover with three-inch column of blind-tooled leaves bearing gilt berries and the binder's initials flat spine with titling in blind top edge gilt. Housed with the portfolio of plates in its original printed paper wrapper in a matching marbled paper folding box with beige morocco spine and edges no doubt done by Haccius as well. WITH 47 WOODCUTS BY ARISTIDE MAILLOL depicting scenes from the text AND WITH AN EXTRA SUITE OF 48 PLATES printed in sanguine the additional plate bearing the 15 woodcut initials used in the text. Front pastedown with armorial bookplate of German bibliophile and music publisher Ludwig Strecker. The Artist and the Book 174. ◆A SPLENDID COPY clean and bright in a luxurious unworn binding.<br/> <br/> This version of Longus' charming Greek pastoral novel of awakening love long retained its popularity and was published frequently often with illustrations. And perhaps the chief virtue of the present edition is the unaffected sometimes mischievous woodcuts of nymphs and lovers by the French-Catalan artist Aristide Maillol 1861-1944 best known for his sculpture. His engravings here have the same classical lines that typify his three-dimensional works. According to "The Artist and the Book" the work is "perhaps the most harmonious of Maillol's illustrated books." The very attractive and intelligent binding is by Mainz master bookbinder Irmgard Haccius 1916-2003 whose work here is entirely in keeping with the illustrator's graceful simplicity. Haccius studied at the art academies in Munich and Berlin in addition to completing advanced training in book binding at the Academy of Fine Arts at Castle Giebenstein Hall. She was one of the first faculty members at the State University Institute for Art and Handicraft in Mainz before joining Johannes Gutenberg University in 1973 as a professor in the Department of Visual Arts. Les Frères Gonin unknown
193737010Paris: Les frères Gonin 1937. Fine. Les frères Gonin Paris 1937 14 x 21 cm en feuilles sous chemises et étui With 48 original woodcuts by Aristide Maillol printed in 500 numbered copies on Maillol paper. Autograph signature of Aristide Maillol to justification. This copy is complete with its separate suite of 21 original woodcuts. Les frères Gonin unknown
51-6792Paris: Ambroise Vollard 31 octobre 1902. 4to. 24.5 x 30cm. 10. 294 4pp.Original wraps in a contemporary half calf chemise with marbled boards in a matching slipcase repaired. One of 250 numbered copies.Francis Bouvet The Complete Graphic Work no. 75; Luc Monod Manuel. no. 7262; François Chapon Le Peintre et le livre pp. 67-68 -- The Artist & the Book 28 -- Rauch 22; OCLC Number / Unique Identifier:54167315.One of the most famous modern illustrated books – copy on hollande paper. Seduced by his first collaboration with Pierre Bonnard on Parallel by Verlaine 1900 Ambroise Vollard commissioned a second one from him these Pastorales. Where Parallel with its daring layout and the choice of printing the lithographs in pink had been disconcerting the layout of this second book is more classical the illustration being clearly separated from the text. However at the time of its publication it remained "shunned by bibliophiles who for a long time refused to see it as an appropriate illustration technique for luxury books because it was considered too commercial even vulgar" Limited edition. Vollard Petiet et l'estampe de maîtres pp. 44-45. .This judgment has largely been revised by their successors and the work is today considered one of the greatest successes of the illustrated book. Carteret Illustrés IV p. 242: a beautiful work highly sought after and highly rated. One of the greatest stars of modern books. ; « Like Bonnard’s earlier lithographs for Parallèlement and Manet’s for Le Corbeau these subtle plates had little appeal in 1902 for a public that preferred the sharply defined realism of the professional engraver.The book is today considered one of the finest of its periodâ€. The Artist and the Book n°28 ; Mahé II col. 695 ; Mornand Vingt-deux artistes du livre pp. 45-46 “Daphnis et Chloé fut pour Bonnard l’occasion de montrer toute la souplesse de son talent non seulement par la pureté du style bien antique des personnages mais par le caractère des paysages essentiellement grecsâ€. Paris: Ambroise Vollard, 31 octobre 1902. paperback
193485346Paris: Librairie Floury 1934. Fine. Librairie Floury Paris 1934 21 x 26.50 cm broché Edition illustrated with 16 original illustrations in and out of text by Georges Leonnec as well as head- and tailpieces initial letters and culs-de-lampe one of the numbered copies. Handsome copy despite the spine and boards being slightly and marginally sunned. The translation was done by Jacques Amyot and largely revised by Paul-Louis Courier. Librairie Floury hardcover
0428304397.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1937311575Paris: Les Frères Gonin 1937. One of 500 signed by Maillol. Translated by Jacques Amyot. 48 woodcuts by Aristide Maillol. 8vo. Original printed wrappers. Text and illustrations loose as issue in slipcase and chemise. Maillol Aristide. One of 500 signed by Maillol. Translated by Jacques Amyot. 48 woodcuts by Aristide Maillol. 8vo. "Perhaps the most harmonious of Maillol's illustrated books." Strachan. The Artist and the Book 174; Rauch p. 141; Guérin nos. 76-127; Monod 7261 Les Frères Gonin unknown
1923117946Paris : Georg & Cie. 1923. 240x170mm. reliure demi-chagrin avec titre auteur filets et encadrements dors au dos quatre faux-nerfs. Plat et garde papier marbr. Tranche suprieure dore. Couvertures et dos conservs. Ex-libirs. Exmplaire numrot n.¡ H. C. sur papier vlin dÕArches. 752 Georg & Cie. unknown
191487776Paris : Georges CrÂs et Cie. 1914. 190x135mm. frontispice XIII - brochÂŽ. Couerture rempliÂŽe. Edition originale sur papier Japon impÂŽrial des Manufactures de Rives numÂŽrotÂŽe n¡ 54 / 65 premier tirage. TrÂs bel exemplaire. 571 Georges CrÂs et Cie. unknown
18788148AB1878. Paris Lemerre 1878. 205 : 13 cm. XIII 200 Seiten 2 Blatt mit 12 davon 6 auf China Kupfern nach Proudhon und gestochenen Porträt. Roter geglätteter Halblederband auf 5 Bünden mit reicher Rückenvergoldung Rückenschild Kopfgoldschnitt sign. E. Pouget. Das vorliegende Exemplar mit den Kupfern in zweifacher Ausführung einmal auf papier de Chine und einmal auf papier Whatman. Titel in Rot und Schwarz gedruckt jede Seite von roter Einfassungslinie umrahmt. Schönes breitrandiges Exemplar in einem signierten Handeinband. unknown
1934117528Paris : Librairie Floury 1934. 265x210mm. 30 illustrations en couleurs reliure demi-maroquin rouge ˆ bandes avec titre dorÂŽ au dos lisse. Plat papier marbrÂŽ. Couverture supÂŽrieure conservÂŽe. Belle reliure rÂŽalisÂŽe par R. Rouiller. TrÂs bel exemplaire hors commerce numÂŽrotÂŽ n.¡ XLVI / C. 1227 Librairie Floury unknown
192337013Paris: Georg & Cie 1923. Fine. Georg & Cie Paris 1923 16.50 x 25.50 cm relié sous étui Illustrated edition with 13 original lithographs by Charles Guérin one of 10 numbered copies on old Japan paper deluxe issue. Full hazelnut morocco binding spine very slightly faded with four raised bands date at foot gilt rolls on caps frame of a gilt fillet on the mint morocco endpapers almond watered silk pastedowns following endpapers of handmade paper double gilt fillets on edges covers and spine preserved all edges gilt slipcase with hazelnut morocco entry handmade paper boards blue felt lining elegant binding signed by Klein. Our copy as stipulated in the print justification is indeed complete with its suite on China paper. Moreover our copy is expanded with an original drawing signed in pencil by Charles Guérin representing the composition illustrating page 13. Very handsome copy perfectly executed. Georg & Cie hardcover
048499008X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
27386Chez Alexandre Corréard Paris 1821. XII288p. Half leather. Front cover loosening. Head and tail spine worn. Leather scratched. Some foxing some pages water stained. Corners a bit bumped. A few pencil annotations not from WGA. With signature from Prof. W.G. Arnott on free endpaper. Rare thus. With: 'Avertissement du traducteur sur la lettre a M. Renouard' pp.V-LIV. From the library of the late Prof. W. Geoffrey Arnott. hardcover
16-4888Paris: les frères Gonin 1937. 8vo. 135 x 215 cm. Sheets loose as issued in orignal wraps half vellum chemise and matchnng slipcase. One of 500 signed and numbered copies.OCLC Number: 833366904.135 par 215 cm. 4-217-4 pages. En feuilles sous couvertures rempliée illustrée sous chemise en demi-vélin et étui bordé. Très légère et à peine visible décoloration des bords de la couverture sinon parfait état.Tiré à 500 exemplaires sur papier Maillol seul papier. Exemplaire numéroté signé par l'artiste. Illustré de 47 bois originaux.Une très sensible illustration de Longus. Résumer des articles « El Paper de Montval d’Aristides Gaspar i Rafael Maillol » pp. 109 à 144 et « Le papier de Montval d’Aristide Gaspard et Raphaël Maillol » pp.145 à 182 d’Eric Forcada in « Entre édition et presse. Le papier d’hier à aujourd’hui » Actes de Colloques de la IIe Journée d’étude sur l’imprimerie de Perpignan édités par les « Publications de l’Olivier » et la Ville de Perpignan Saint Esteve avril 2005. Expertise by Lionel BRABANT et Amaury BONNETAIN. Paris: les frères Gonin, 1937 paperback
0364687657.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1800KC7944Paris: Didot l'Aine 1800. Hardcover. Very Good. Mauve paper over boards printed paper labels on upper board and spine decorative endpapers; folio 249 x 317 mm; pp. iii-viij 1-200. No plates. Handwritten note on the rear free-endpaper reads: "Rebound on December 21 1953 by Vincent Torre New York City." Spine sunned and chipped at tips; boards very lightly rubbed; free endpapers a bit fragile with a few small chips or small closed tears; text a little foxed. Uncommon. Sold as is. <br/><br/> Didot l'Aine hardcover books
17310428151731. First Edition. Hardcover Full Leather. Good Condition. Garard-Jean-Baptiste Scotin. Full contemporary calf front board detached with the gilt arms of Carre de Saumery on both boards. Scattered foxing. An attractive edition with an extra engraved title and 8 plates by Scotin. Marginal dampstain occasionally and to a number of plates bookplate to endpaper and old catalog entry laid onto rear endpaper. First Illustrated Edition or first by this illustrator and in this format. Size: Octavo 8vo. Illustrator: Garard-Jean-Baptiste Scotin. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 042815. <br/><br/> hardcover books
17791323940Londres i.e. Paris 1779. Hardcover. Octavo 6 182 pages; VG; bound in period red morocco rebacked with paneled gilt spine preserved; some wear to boards; text bock gilt; marbled endpapers; front pastedown with two bookplates and an old catalogue description; With a half-title and an additional engraved titlepage; illustrated with 29 plates inset including the 'petits pieds' plate; The imprint is false; probably printed in Paris.; shelved case 3. ESTC: T149741/N42517. 1323940. Shelved Dupont Bookstore. hardcover books
1745251513Paris: Coustilier 1745. Reprint of 1731 edition. Engraved title-page opposite title page printed in red and black. 8 engraved full-page plates. 4 signed J.B. Scotin and 3 headpieces x1591 xx pp. 8vo. Contemporary full polished calf gilt spine marbled endpapers. Fine. Reprint of 1731 edition. Engraved title-page opposite title page printed in red and black. 8 engraved full-page plates. 4 signed J.B. Scotin and 3 headpieces x1591 xx pp. 8vo. Coustilier] unknown books
1745018270Paris: Quillau 1745. Book. Very good condition. Hardcover. Early edition. Octavo 8vo. ii 150 pages of text. Contains an engraved title page by Coypel 28 engraved plates by Audran followed by one engraving by le Compte de Caylus. The Caylus engraving is titled "Conclusion du Roman" but is best known as the "petit pieds" plate. Translated by J. Amyot Bishop of Auxerre. The engravings by B. Audran are from designs by Philip Duke of Orleans. Full red morocco binding by Simier is heavily worn on the extremities and hinges where it has been inexperty recolored but this poor attempt at recoloring does not distract from the elegance and beauty of the elaborate gilt-stamped decorations. The front endpaper marbled is detached. The text is clean and unmarked. Early edition with different pagination that the editions that appear on the market. No publisher listed but published by Quillau. Quillau Hardcover books
