944 résultats
19604iiiAa0040Vesoul France: Musee Municipal De Vesoul 1960. Book. Good. Soft Cover . 14 Mai - 16 Octobre 1960. 4to or 4° Quarto: over 9¾" x 12" tall. 64 pp. 14 Mai - 16 Octobre 1960 14th May - 16th October 1960 issue only! Text in French. Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge.Over-sized and/or over weight book; may require extra postage. Please note that large and/or heavy items may incur an additional shipping charge.Solidly bound copy with moderate overall wear and use. Clean text. Light foxing on page edges not affecting text. Musee Municipal De Vesoul Paperback
1966036172France: Horizons de France 1966 Book. Very Good. Hardcover. DATED INSCRIBED & SIGNED BY AUTHOR. First Edition. INSCRIBED and SIGNED by author Schneider on the half title page. This well illustrated work written in French discusses the Geographie Humaine de la Lorraine La Lorraine dans L'Histoire et Litteraire and L'Art en Lorraine." 238 pages. Horizons de France hardcover
19574972Paris: Georges Lang 1957. Soft cover. Near Fine. pp 32 Four issues of the monthly magazine 'L'Art Sacre' a French critical review of religious art. These special numbers are dedicated to the reconstruction and construction of new churches in France following the Second World War; they are fully illustrated with black and white photographs and architectural plans. The magazines are near fine showing only the slightest signs of handling as they have been protected by a printed white card folder which is lightly soiled and creased. Near Fine 1957 Georges Lang paperback
312905Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312906Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312907Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312908Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312921Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312920Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312919Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312918Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312880Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312882Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312879Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
312881Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 1649–51. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
191555581122 pages plus advertisements original brown paper covers bound in including articles 'The Japanese Middle-Class House' 'Two Water-Colours' By W. Walcot 'The Fountains of Paris' 'Relics of Roman London' 'Haghe's Lithographs of Belgium' 'The Dutch Windmill' 'Japanese Mat Floors' etc Published by The Architectural Press hardcover
167586475A Charenton: Par Anthoine Cellier 1675. Fine. Par Anthoine Cellier A Charenton 1675 18.50 x 26.50 cm 3 volumes reliés Protestant edition of the Geneva Bible with various additions that characterize the composite impressions sold at Charenton besides The Psalms of David set to French rhyme by Clement Marot and Theodore de Beze with title page and numerous musical staves: History of the Holy Scripture of the Old and New Testament which contains the Summary of sacred chronology. This addition has its own title page placed after the general title. At the end of volume III several texts: The form of ecclesiastical prayers; Of baptism of the Lord's Supper Of the articles of faith; Of the ten commandments; Of the sacraments; Confession of faith. All these additions are present to characterize Protestant liturgy and its difference being both the orthodox Bible of Protestantism and a manual of faith. Although the Geneva Bible was revised several times its first revision is due to Theodore de Beze. A title vignette repeated on 2 volumes; the second tome having a different one printer's mark. A title vignette for the title page of the Psalms. Typographical ornaments. Contemporary full old red morocco binding. Richly decorated raised-band spine. Covers decorated in Du Seuil style with central frame and fleurons in the corner-pieces. Roll-tooled cuts and rich interior frieze. Gilt edges. Rubbing. A small fragment of headcap missing to the New Testament volume. To volume I lack to lower joint at tail. Corners slightly turned in. The first 6 leaves of the New Testament with dampstain traces fading and resembling more browning in inner margin and in the margins. None of the 3 volumes have a marbled endpaper before the title which in the 17th century is not necessarily a lack but is encountered relatively commonly. First endpaper before the title of volume I coming loose. Dampstain traces on the last 2 leaves of volume I. One of the last Protestant Bibles printed in France the last dating from 1678. Protestant worship having been prohibited in Paris and its surroundings by the Edict of Nantes Henri IV authorized the construction of a temple at Charenton near Paris. Parisian printers used this to distribute their editions of sacred texts. In 1671 the booksellers' shops at Charenton were burned down. Manuscript ex-libris: Wilhelmiire de Wrede Par Anthoine Cellier unknown
20161-3639540085Éditions universitaires européennes 2016. Paperback. New. 220 pages. French language. 8.66x5.91x0.50 inches. Éditions universitaires européennes paperback
157475825à Paris: Chez Claude Micard 1574. Fine. Chez Claude Micard à Paris 1574 8.50 x 12.50 cm 2 parties reliées en un volume Very rare first edition of this collection which brings together translations that had appeared separately before: The Georgics translated by Richard Le Blanc 1554 The Eclogues translated by Clément Marot for the first and by Richard Le Blanc for the nine others in 1555 and The Aeneid by Louis Des Mazures first complete edition in 1560. This edition includes the verse translation printed in roman type facing the Latin text printed in italics. Manuscript ownership inscription on the title page. Contemporary full calf binding spine with four raised bands decorated with gilt typographical motifs and blind fillets covers decorated with multiple blind ruling frames gilt fleurons at corners and stamped with a large gilt typographical motif at their center. Binding very skillfully restored. Chez Claude Micard hardcover
