3 027 résultats
194650722Paris Gallimard 1946 In-4, broch, couverture imprime.Edition originale de ces rflexions dans lesquelles Malraux, s'appuyant sur les rfrences acquises dans les annes 1930 (Dietrich, Garbo, Gabin, Stroheim...), analyse le cinma comme un mythe et montre ses rapports avec les autres arts: thtre antique, littrature, peinture. Un texte fulgurant et mconnu, indispensable tout cinphile comme tout amateur de littrature. Tirage limit 1.200 exemplaires numrots. Un des 25 premiers exemplaires sur verg de Hollande. Rare.
19762942450 ans d'amitié S.l.n.d. [1976]. 1 page en 1 f., stylo bille bleu. Manuscrit autographe signé et daté «André Malraux 1976». Un des derniers textes de Malraux, évoquant son ami Galanis : 50 ans d'amitié.
197431054Exemplaire Maurice Genevoix avec envoi signé. Paris, Gallimard, (15 février) 1974. 1 vol. (140 x 205 mm) de 278 p., [2], 47 planches en noir, [3] et 1 f. Broché. Édition originale. Un des exemplaires poinçonnés du service de presse. Envoi signé : « Pour Maurice Genevoix, avec l'amical souvenir, pour Madame Maurice Genevoix, avec les respectueux hommages d'André Malraux, et pour la charmante petite voisine du dîner de Ludmilla Tcherina ».
194917634Paris, Albert Skira, 1949. In-folio en feuilles, sous couverture rempliée.
194821135Gallimard 1948 2 volumes In-folio, en feuilles, chemise rempliée et étui, 262- 246 pp. 69 lithographies originales en deux couleurs, 10 à plein page. Très bel exemplaire.
19096Paris, Albert Skira , 1949. In-folio, 222 pp., en feuilles, couverture originale imprimée, étui et chemise cartonnées de l'éditeur (insolation et petites taches à l'étui et la chemise, légère insolation du dos de la couverture, décharges).
195573497Paris: Ecole Estienne 1955. Fine. Ecole Estienne Paris 1955 17.50 x 22.50 cm broché Privately printed first edition limited to 200 numbered copies. Illustrated with 6 photographs. A rare and appealing copy of this work entirely produced by the students of the prestigious École Estienne. Ecole Estienne unknown
192692129Paris: Grasset 1926. Fine. Grasset Paris 1926 12 x 19 cm broché First edition one of the press service copies.Sun-faded spine boards marginally faded and sunned as is usually the case.Precious signed autograph inscription by André Malraux: ""A Pierre Mac Orlan introuvable en témoignage de gratitude et de vieille sympathie.""  Grasset hardcover
195480045Paris: Gallimard 1954. Fine. Gallimard Paris 1954 18 x 23.50 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Publisher's full cream cloth binding complete with its illustrated dust jacket. Spine of dust jacket sunned and with two small stains on the back panel Precious signed autograph inscription from André Malraux to Maurice Blanchot. While they knew each other at the NRF it was primarily through several major articles by Blanchot devoted to Malraux that the two men ""encountered"" each other. After the war Blanchot published in Bataille's ephemeral review 'Actualité' an article on l'Espoir that allowed him ""to visibly inscribe his political reversal"". In 1950-51 in his double article on ""Le Musée imaginaire"" he formalized his own theory of the image that would permeate his future work. Confronting these two visions of art Henri Godard writes: ""Through the constancy and radicalism of its reference to death to absence to nothingness Blanchot's thought is one pole of our reflection on art of which Malraux could well incarnate the other"" In ""L'Expérience existentielle de l'art"". A polarity that could only bind Blanchot to Malraux whose tutelary figure would be invoked one final time at the end of his last narrative ""l'Instant de ma mort"": ""Later having returned to Paris he met Malraux. The latter told him that he had been taken prisoner without being recognized that he had managed to escape while losing a manuscript. What does it matter! Only the feeling of lightness remains which is death itself or to put it more precisely the instant of my death henceforth always pending."" Rich iconography. Spine of dust jacket slightly sunned as is often the case and with two marginal stains at the head of the back panel. Gallimard hardcover
1937627973Paris: Gallimard 1937. 365 pp. 21 x 14.5 cm. Original stiff paper wrappers with titling in red and black; Edition Originale. Of 366 copies printed of the fist edition this is copy number 115 of the two hundred copies printed on Alfa from the Lafuma Navarre paper mills and numbered from 76 to 275. Moderate toning and a few light stains to spine with some wear to head of spine and chipping to tail. Some toning soil and staining to covers. Foxing to head of text block with some additional foxing scattered over fore-edge of block. Previous owner's name and date in ink at head of first page. Foxing to intiial and final pages. Binding sound but with creasing to spine. This book was previously owned by Samson B. Knoll who was an Austrian-born and German-educated historian that fled Nazi Germany and became a sergeant in the Intelligence division of the U.S. Army. Knoll was also a friend of Mildred Harnack who was the only American woman sentenced to death by Hitler. Later in life Knoll was a history professor and the president of the Monterey Institute of International Studies now known as the Middlebury Institute of International Studies at Monterey. . First Edition. Soft Cover. Good. Gallimard Paperback
197184158Couverture souple à rabats.
1967mon0000136242New York Holt Rinehart c 1967-01-01. Hardcover. Good. 1.6000 in x 9.2000 in x 6.2000 in. New York Holt Rinehart c hardcover
197755630Paris Gallimard 1977 In-8, maroquin rouge orn sur les plats de filets dors et pousss l'oeser rouge, s'entrecroisant pour former un dcor gomtrique, dos sans nerfs, filet or sur les coupes; doublures et gardes de papier bois, tranches dores sur brochure, couverture imprime. Etui (Alain Devauchelle).Edition originale. Un des 170 premiers exemplaires numrots sur verg blanc de Hollande van Gelder. Dos lgrement dcolor.
1948LIQ-1679P. Gallimard 1948. 2 volumes in-4° sous chemises et étuis.
195573497Ecole Estienne | Paris 1955 | 17.50 x 22.50 cm | broché
195480045Gallimard | Paris 1954 | 18 x 23.50 cm | reliure de l'éditeur
192692129Grasset | Paris 1926 | 12 x 19 cm | broché
50622XXXème Anniversaire du Festival International du Film.Cannes.1976.In-4 br.Couverture rempliée.Dédicace et dessin de Malraux.
192861400Paris: Nrf 1928. Fine. Nrf Paris 1928 18.50 x 24 cm broché First edition one of 23 numbered copies on Hollande paper this one not numbered but justified ""copy on Hollande paper"" to foot of lower cover the tirage de tête after 13 Japon. A nice copy despite the spine very slightly faded as usual. Nrf unknown
195058197Paris: Gallimard 1950. Fine. Gallimard Paris 1950 22.50 x 29 cm reliure de l'éditeur First edition. Publisher's binding over flexible paper boards. Handsome autograph inscription from one ""Compagnon de la Libération"" to another : ""Pour Rémy son ami André Malraux."" Illustrations. Spine sunned copy retaining its dustjacket. One spot to the spine. Gallimard hardcover
1936138595Paris: N.p. 1936. Vintage borderless photograph from an anti-fascist meeting in Paris in 1936 featuring novelist Andre Malraux speaking on a microphone with Nobel Prize winner Andre Gide seated at a table next to him. Photographer's rubber stamp to the verso accompanied by holograph annotations in pencil black ink and red felt ink. <br/><br/>Likely a photograph from a meeting of the Popular Front a French alliance of various left-wing movements including communists and socialists during the interwar period. Andre Malraux was a widely-noted novelist and anti-fascist who joined the Republican forces during the Spanish Civil War on behalf of France. He later became Charles de Gaulle's Minister for Information and later his Minister of Cultural Affairs and would be remembered for his challenging viewpoints about the role of art in society. Andre Gide as well was a well known French novelist and staunch supporter of Communist Russia until a trip to that country around the time of this photograph disillusioned him to that particular brand of communist thought. <br/><br/>Photographed by Magnum Photos cooperative member David "Chim" Seymour with his rubber stamp on the verso. As Magnum was not formed until 1947 it is likely Seymour added the stamp at a later date to a print in his collection. Magnum which included early members like Robert Capa Maria Eisner and Henri Cartier-Bresson was created as an international cooperative owned and administered entirely by the photographers themselves and was one of the first of its kind. <br/><br/>10 x 6.5 inches. Very Good condition with mild professional restoration. N.p. unknown books
10539Anvers (47, rue St-Willebrord). Bureau à Paris (39, rue de l'Arbalète). L. Opdebeek, éditeur. Direction : André Salmon et Franz Hellens. Comité de rédaction : André de Ridder, Franz Hellens, André Salmon, Paul-Gustave van Hecke. In-8° broché. La pagination est continue d'un numéro au suivant (672 pages en tout). 12 numéros (dont 1 double - le n° 11-12) ont paru en 11 livraisons, du n° 1 (mars 1921) au n° 11-12 (mars-juin 1922). " Le Disque vert " succèdera aux " Signaux ". (Admussen, 212) (Aron & Soucy, 952) (Destribats,158) // - Collection complète, du n° 1 (mars 1921) au n° 11-12 (mars-juin 1922). Les 11 livraisons sont en très bon état. (Signalons cependant que les couvertures - et seulement les couvertures - ont été exagérément massicotées, certaines étant amputées d'une partie de la date). Bel ensemble, très difficile à réunir.
192861400Nrf | Paris 1928 | 18.50 x 24 cm | broché
195058197Gallimard | Paris 1950 | 22.50 x 29 cm | reliure de l'éditeur
197437883Paris Stock 1974 In-4, en feuilles, couverture imprime (embotage de l'diteur).Edition originale, orne en frontispice d'une eau-forte originale de Vieira da Silva, reprsentant Andr Malraux. Tirage unique limit 100 exemplaires numrots, signs par Malraux, Bergamin et Suars, contenant l'eau-forte originale signe par l'artiste.
