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29073Sydney : Printed by Robert Howe Government Printer 1821. Volume 1 Number 1 May 1 1821 to Volume 1 Number 8 December 1 1821 i.e. the first eight issues. Octavo 190 x 125 mm contemporary half calf over pink papered boards heavily rubbed with some surface loss spine with contrasting red morocco title label lettered in gilt expertly rebacked; pp. i-8 including title-leaf with early ownership signature Preface and Index 1-256; edges with light spotting contents clean and sound throughout with the exception of pages 94-95 which have tearing and paper restoration with a small amount of resultant text loss; a near-fine complete run of the first year's issues in a contemporary binding with the specially printed title-leaf and other preliminaries bound in; housed in a custom cloth and leather slipcase. A historically significant bound volume containing the first eight issues May to December 1821 of Australia's first periodical The Australian Magazine. This shortlived publication edited by Ralph Mansfield and printed by Robert Howe went out of circulation in September 1822 after only fourteen issues. As the son of George Howe 1769-1821 who had printed the first book in Australia in 1802 The New South Wales General Standing Orders and Australia's first newspaper in 1803 the first issue of the Sydney Gazette and New South Wales Advertiser Robert Howe 1795-1829 was a member of Australia's most important early publishing dynasty. The first issue of The Australian Magazine - printed by Robert Howe - was published on 1 May 1821 a mere 10 days before George Howe's death on 11 May. Having already succeeded his father as Government Printer Robert also became editor printer and publisher of the Gazette which he had formerly helped his father to publish. 'Robert Howe was dissipated as a young man and in 1819 fathered an illegitimate son. Next year however he experienced a spiritual awakening and in his own words was ""wonderfully and mercifully visited by God and snatched from infamy in this world and Hell in the next"". He joined the group of Methodists who were working in Sydney and their influence particularly that of Rev. Ralph Mansfield was apparent when he published The Australian Magazine; or Compendium of Religious Literary and Miscellaneous Intelligence the first periodical to appear in Australia. The first number appeared in May 1821 and the publication continued until September 1822.' ADB The Australian Magazine was edited by Reverend Ralph Mansfield 1799-1880 a recently ordained but zealous Methodist minister who had arrived in Sydney from Liverpool England in September 1820. From Mansfield's editorial Preface dated December 1 1821 bound in at the front of the present volume: 'Our design from the first has avowedly been ""to disseminate useful knowledge religious principles and moral habits."" And though some we are aware object to our Magazine that it wears too grave and religious an aspect candour must compel them to acknowledge that we have not swerved from the intentions we distinctly proposed. Political discussion and party spirit and personal allusion we have scrupulously avoided. Literature and science while we have devoted to them a portion of attention have been kept subordinate and subservient to our primary design. Of Colonial occurrences we have endeavoured to select the most interesting; though this department is in a great measure superseded by the weekly Journal i.e. the Sydney Gazette.' Ferguson 804 Very rare. Rare Book Hub locates no individual issues or runs of The Australian Magazine in its auction records which go back well over a century. Trove locates only the complete runs in the NLA and SLNSW: both libraries hold nos. 1-8 Volume 1 complete and nos. 9-14 Volume 2 all issued. hardcover
191830481Richmond: Hogarth Press 1918. First edition. One of 300 copies the third book hand printed by Leonard and Virginia Woolf Contemporary half-cloth binding using the original blue wrappers to cover the sides. Very good. Woolmer 2. <br/><br/> Hogarth Press hardcover books
1911MANSFIEL015730Stephen Swift London. 1911. First edition. Octavo. pp 251 1 4 adverts. 32-page publisher's catalogue at rear. On the front pastedown is the armorial bookplate of Scofield Thayer poet publisher and art collector. He was owner-editor of the periodical The Dial and as such is known to have turned down work submitted by Mansfield.A bit of faint spotting to fore-edge. Tail of spine slightly snagged. Very good indeed. A very bright copy. Stephen Swift, London. unknown
1922186665London: Constable & Company Limited 1922. A fine copy First edition of the final collection of the author's stories published in her lifetime rare in fine condition. After Mansfield's death the following year Virginia Woolf remembered Mansfield for having "the only writing I have ever been jealous of. Probably we had something in common which I shall never find in anyone else" Diary vol. 2 p. 227. Although Mansfield herself viewed the title story as "a moderately successful story and that's all" the collection was widely celebrated Journal p. 195. Her husband and editor John Middleton Murry comments that "the appearance of The Garden Party finally established her as the most remarkable short-story writer of her generation in England" Journal p. xiii. Octavo. Original blue cloth spine and front cover lettered and ruled in orange bottom edge untrimmed. With dust jacket. Bookplate of New York heiress Olga Drexel Dahlgren 1898-1969 designed by her rumoured lover Rockwell Kent. Jacket unpriced as issued spine slightly toned: a fine copy in like jacket. Kirkpatrick A5a. John Middleton Murry ed. Journal of Katherine Mansfield 1928; Virginia Woolf The Diary vol. 2 1978. hardcover
1956233821Los Angeles 1956. 17pp. with a 6pp. photocopy of the studio's Synopsis of Employment Contract through October 1960. 1 vols. 8-1/2 x 11 inches. Two holes punched at left margin. Fine. 17pp. with a 6pp. photocopy of the studio's Synopsis of Employment Contract through October 1960. 1 vols. 8-1/2 x 11 inches. Mansfield Signs and Makes THE GIRL CAN'T HELP IT. This is Mansfield's first Hollywood contract coming on the heels of her appearance in 1955 as "Playmate of the Month" for February 1955 and her portrayal of Rita Marlowe in the Broadway play WILL SUCCESS SPOIL ROCK HUNTER in 1956 for which she received a Theatre World Award. Signed on May 2 1956 the terms of the one-year contract began on September 17 1956 in time to allow Mansfield to star as the blonde bombshell Jerri Jordan rock 'n roll classic THE GIRL CAN'T HELP IT released at the end of the year featuring musical appearances by Fats Domino Little Richard Gene Vincent The Platters Eddie Cochran et. al. The studio offered her $1250 per week for the year with a multi-year options for renewal. The film a box-office success was one of the first to feature black artists and is now a cult classic. unknown books
2012SKU0220696Pearson 2012-12-28. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Pearson paperback
1939CNJL428London: The Verona Press Printed at the Officina Bodoni Verona 1939 1939. Limited Edition. Leather. Very Good Plus. Laurencin Marie. No. 10 of 30 de luxe copies quarto size 328 pp. signed by Marie Laurencin twice. Kathleen Mansfield Murry 1888-1923 born and raised in New Zealand moved to the UK at the age of 19 where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf; she died at the age of 34 from tuberculosis. <br/><br/>This work is a collection of her short stories wonderfully illustrated by Marie Laurencin 1883-1956 a French painter and an important figure in the Parisian avant-garde. She was a member of the circle which included Pablo Picasso and other cubists and is known as one of the few female Cubist painters n.b. above info from Wiki. The lithographs in this volume are more traditional being lovely portraits of the characters evoking the deep emotions of the stories.<br/><br/>___DESCRIPTION: De luxe version bound in turquoise leather and signed by the artist two signatures as set forth above simple embossed ruled borders in dark green on both boards and the spine tan leather spine label with gilt lettering top edge gilt ruled borders in gilt on the turn-ins title page in rust and black with a decorative border Publisher's Note tipped in after the copyright page 7.25" by 5" sixteen colour lithographs throughout the text colophon page at the rear this signed twice by Marie Laurencin once on the page titled "Colophon" again on the colophon page itself limited edition of 1200 copies of which numbers 1-30 were signed by the artist this no. 10; small quarto in size approximately 10" tall pagination: i-x 1-316 Colophon 317-318. The custom box is quarter-bound in turquoise leather black leather spine label with gilt lettering and decorative rules over natural linen boards the sides of the box being of ivory cloth the interior sides of ivory paper.<br/><br/>___CONDITION: Very good plus to near fine overall with the leather boards being smooth and supple a strong square text block solid hinges straight corners with a minimum of rubbing the interior is clean and bright the original ribbon marker is present and it is entirely free of prior owner markings; the spine is somewhat sunned ribbon marker faded at the bottom some wear on the bottom edges of the boards some light foxing on the fore-edge of the text block and some very light toning to the free endpapers from the turn-ins. The custom box is fine with some sunning to the spine from turquoise to teal.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Verona Press [Printed at the Officina Bodoni, Verona, 1939] unknown books
1947343218London: The Verona Press 1947. Hardcover. Fine. First illustrated edition with colored lithographs by Marie Laurencin. Tall octavo. Original green pastepaper over boards with printed red paper spine label gilt. Slight foxing on the front fly still easily fine. One of 1200 numbered copies the first 30 were signed designed by Hans Mardersteig of the Officina Bodoni. This copy is nicely Inscribed by Laurencin in French in 1949 with an elaborate filigree decoration surrounding the inscription. The Verona Press hardcover
1939CNJL428London: The Verona Press Printed at the Officina Bodoni Verona 1939 1939. Limited Edition. Leather. Very Good Plus. Laurencin Marie. No. 10 of 30 de luxe copies quarto size 328 pp. signed by Marie Laurencin twice. Kathleen Mansfield Murry 1888-1923 born and raised in New Zealand moved to the UK at the age of 19 where she became a friend of modernist writers such as D.H. Lawrence and Virginia Woolf; she died at the age of 34 from tuberculosis. <br /> <br /> This work is a collection of her short stories wonderfully illustrated by Marie Laurencin 1883-1956 a French painter and an important figure in the Parisian avant-garde. She was a member of the circle which included Pablo Picasso and other cubists and is known as one of the few female Cubist painters n.b. above info from Wiki. The lithographs in this volume are more traditional being lovely portraits of the characters evoking the deep emotions of the stories.<br /> <br /> ___DESCRIPTION: De luxe version bound in turquoise leather and signed by the artist two signatures as set forth above simple embossed ruled borders in dark green on both boards and the spine tan leather spine label with gilt lettering top edge gilt ruled borders in gilt on the turn-ins title page in rust and black with a decorative border Publisher's Note tipped in after the copyright page 7.25" by 5" sixteen colour lithographs throughout the text colophon page at the rear this signed twice by Marie Laurencin once on the page titled "Colophon" again on the colophon page itself limited edition of 1200 copies of which numbers 1-30 were signed by the artist this no. 10; small quarto in size approximately 10" tall pagination: i-x 1-316 Colophon 317-318. The custom box is quarter-bound in turquoise leather black leather spine label with gilt lettering and decorative rules over natural linen boards the sides of the box being of ivory cloth the interior sides of ivory paper.<br /> <br /> ___CONDITION: Very good plus to near fine overall with the leather boards being smooth and supple a strong square text block solid hinges straight corners with a minimum of rubbing the interior is clean and bright the original ribbon marker is present and it is entirely free of prior owner markings; the spine is somewhat sunned ribbon marker faded at the bottom some wear on the bottom edges of the boards some light foxing on the fore-edge of the text block and some very light toning to the free endpapers from the turn-ins. The custom box is fine with some sunning to the spine from turquoise to teal.<br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please contact us for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Verona Press [Printed at the Officina Bodoni, Verona, 1939] unknown
186221776<p>In February 1862 General Mansfield Lovell sends reinforcements to Albert Sidney Johnston the chief Confederate commander in the West so he can defend Nashville and Fort Donelson. The move was fruitless; Fort Donelson fell to Union troops a week after this letter was written.</p> <b>MANSFIELD LOVELL.</b>Autograph Letter Signed to Albert Sidney Johnston. New Orleans La. February 7 1862. 1 p. 8 x 11 in.<p>With: a carte-de-visite of Lovell in Confederate uniform. New York & Washington: Brady's National Photographic Portrait Gallery ca. 1862.</p><p><b>Partial Transcript </b></p><p><i>"Capt. Gibson's battery 21 rifled 6 pdrs. and two 12 pdr. Howitzers has been detained for want of transportation but will leave tomorrow morning for Nashville. Capt. Bains has received his battery and with the exception of a portion of his harness is ready to proceed to join your command; but as his company is totally uninstructed I have thought it best to retain them at their encampment in the Jackson Rail Road to drill and be reduced to something like discipline. If however you desire to have the guns and men I would prefer to have the men instructed at Nashville. I shall order them there upon the receipt of a telegram to that effect from you."</i></p><p><b>Historical Background</b></p><p>A day before Lovell wrote this letter Ulysses S. Grant had forced the surrender of Fort Henry Tennessee. The loss prompted Confederate Western Department commander General Albert Sidney Johnston to abandon his position at Bowling Green Kentucky and fall back towards Nashville. A week later on February 16 Fort Donelson Tennessee fell. The Cumberland and Tennessee Rivers had been opened and all of western Tennessee northern Mississippi and northern Alabama were exposed to Union invasion. Johnston adopted the strategic thinking of P.G.T. Beauregard his new second-in-command and concentrated most of the men in the western theater on a climactic battle against Ulysses S. Grant. In the resulting Battle of Shiloh April 6-7 1862 Johnson himself was killed. He was the highest-ranking officer to die in battle on either side in the Civil War.</p><p>In the aftermath of the Battle of Shiloh New Orleans lay exposed to Union attack from the north while to the south Admiral David G. Farragut's Mississippi River fleet broke the Confederate defenses on the Mississippi River at Forts Jackson and St. Philip. The two forts protected New Orleans but Farragut bypassed them in the dark early morning hours of April 24. He then prevailed over Confederate Captain John Stevenson's overmatched fleet. Lovell began to evacuate New Orleans over the next few days well before Union General Benjamin Butler's army was in a position to threaten its works. Lovell's evacuation order probably cost him his career; he was investigated by a court of inquiry and never again commanded troops in the field. Butler occupied the Crescent City on May 1.</p><p><b>Mansfield Lovell </b>1822-1884 was a West Point graduate from Washington D.C. who was seriously wounded at Belen Gate in the Mexican War. In October 1861 he was appointed major general in the Confederate Army and assigned to command in New Orleans. Under Lovell the Confederates lost New Orleans but he was hampered by deficiencies in men and materiel and was subsequently cleared of responsibility. However he never again obtained high command.</p><p><b>Albert S. Johnston</b> 1803-1862 of Kentucky graduated from West Point where he befriended Jefferson Davis in 1828. He went to Texas where he served as aide-de-camp to Sam Houston's revolutionary army and rose to command Texas forces briefly in 1837. He also served as Secretary of War for the short-lived Republic of Texas. Johnston fought under Zachary Taylor in the Mexican War was colonel of the 2nd U.S. Cavalry on the Texas frontier led troops in the Utah wars and commanded the Department of the Pacific before the Civil War. In 1861 he was appointed full general second after Samuel Cooper with command of all Confederate forces in the western theater. Under his overall direction the South lost Fort Henry and Fort Donelson. His plans for resurgence in the West resulted in the Battle of Shiloh during which he fell mortally wounded.</p><p><b>Condition</b></p><p>Very good. Small chips at top margin two minor tears at left margin ink identification on verso.</p>
186221776<p>In February 1862 General Mansfield Lovell sends reinforcements to Albert Sidney Johnston the chief Confederate commander in the West so he can defend Nashville and Fort Donelson. The move was fruitless; Fort Donelson fell to Union troops a week after this letter was written.</p> <b>MANSFIELD LOVELL.</b>Autograph Letter Signed to Albert Sidney Johnston. New Orleans La. February 7 1862. 1 p. 8 x 11 in.<p>With: a carte-de-visite of Lovell in Confederate uniform. New York & Washington: Brady's National Photographic Portrait Gallery ca. 1862.</p><p><b>Partial Transcript </b></p><p><i>"Capt. Gibson's battery 21 rifled 6 pdrs. and two 12 pdr. Howitzers has been detained for want of transportation but will leave tomorrow morning for Nashville. Capt. Bains has received his battery and with the exception of a portion of his harness is ready to proceed to join your command; but as his company is totally uninstructed I have thought it best to retain them at their encampment in the Jackson Rail Road to drill and be reduced to something like discipline. If however you desire to have the guns and men I would prefer to have the men instructed at Nashville. I shall order them there upon the receipt of a telegram to that effect from you."</i></p><p><b>Historical Background</b></p><p>A day before Lovell wrote this letter Ulysses S. Grant had forced the surrender of Fort Henry Tennessee. The loss prompted Confederate Western Department commander General Albert Sidney Johnston to abandon his position at Bowling Green Kentucky and fall back towards Nashville. A week later on February 16 Fort Donelson Tennessee fell. The Cumberland and Tennessee Rivers had been opened and all of western Tennessee northern Mississippi and northern Alabama were exposed to Union invasion. Johnston adopted the strategic thinking of P.G.T. Beauregard his new second-in-command and concentrated most of the men in the western theater on a climactic battle against Ulysses S. Grant. In the resulting Battle of Shiloh April 6-7 1862 Johnson himself was killed. He was the highest-ranking officer to die in battle on either side in the Civil War.</p><p>In the aftermath of the Battle of Shiloh New Orleans lay exposed to Union attack from the north while to the south Admiral David G. Farragut's Mississippi River fleet broke the Confederate defenses on the Mississippi River at Forts Jackson and St. Philip. The two forts protected New Orleans but Farragut bypassed them in the dark early morning hours of April 24. He then prevailed over Confederate Captain John Stevenson's overmatched fleet. Lovell began to evacuate New Orleans over the next few days well before Union General Benjamin Butler's army was in a position to threaten its works. Lovell's evacuation order probably cost him his career; he was investigated by a court of inquiry and never again commanded troops in the field. Butler occupied the Crescent City on May 1.</p><p><b>Mansfield Lovell </b>1822-1884 was a West Point graduate from Washington D.C. who was seriously wounded at Belen Gate in the Mexican War. In October 1861 he was appointed major general in the Confederate Army and assigned to command in New Orleans. Under Lovell the Confederates lost New Orleans but he was hampered by deficiencies in men and materiel and was subsequently cleared of responsibility. However he never again obtained high command.</p><p><b>Albert S. Johnston</b> 1803-1862 of Kentucky graduated from West Point where he befriended Jefferson Davis in 1828. He went to Texas where he served as aide-de-camp to Sam Houston's revolutionary army and rose to command Texas forces briefly in 1837. He also served as Secretary of War for the short-lived Republic of Texas. Johnston fought under Zachary Taylor in the Mexican War was colonel of the 2nd U.S. Cavalry on the Texas frontier led troops in the Utah wars and commanded the Department of the Pacific before the Civil War. In 1861 he was appointed full general second after Samuel Cooper with command of all Confederate forces in the western theater. Under his overall direction the South lost Fort Henry and Fort Donelson. His plans for resurgence in the West resulted in the Battle of Shiloh during which he fell mortally wounded.</p><p><b>Condition</b></p><p>Very good. Small chips at top margin two minor tears at left margin ink identification on verso.</p> books
1939107943London: The Verona Press 1939. With coloured lithographs by Marie Laurencin. Pp. x318last colophon 16 coloured lithographs 10 full page the title page printed in red & black publisher's printed note tipped-in after title page; narrow cr. 4to; patterned paste-papered boards with gilt lettered red title label on spine edges a trifle rubbed slight bruise to top edge of upper board near spine a little faint foxing; fore and bottom edges uncut; dust wrapper edges slightly split with a couple of tiny chips the backstrip browned; a little light foxing; The Verona Press London 19391947. First edition limited to 1200 numbered copies. Kirkpatrick D6. A selection of 14 of Mansfield's stories only five of which had also been included in the earlier collection with the same title. Designed by Hans Mardersteig of the Officina Bodoni. Though printed in 1939 the Second World War delayed actual publication of this book until 1947 when it was distributed by William Collins. The illustrations are in Marie Laurencin's typical pastel style. The Verona Press unknown
118353London The Verona Press 1939 1947. 1216pp. 4to. Original decorated paper-covered boards in dustwrapper slightly rubbed minor wear to extremities. Coloured illustrations. Tipped-in publisher's note. Foxing to endpapers. A very good copy. Edition limited to 1200 copies. London, The Verona Press 1939 [1947]. hardcover
1957161357N.p.: N.p. 1957. Revised Final script for the 1957 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Eight reference photographs from the film bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Based on the 1945 Broadway play by Luther Davis in turn based on Frederic Wakeman's 1944 novel "Shore Leave." Three Naval pilots on a four-day leave in San Francisco attempt to ignore the distant call of war instead drinking dancing and seducing local women.<br /> <br /> Set and shot on location in San Francisco.<br /> <br /> Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated April 5 1957 noted as Revised Final with credits for screenwriter Julius Epstein director Stanley Donen novelist Frederic Wakeman and playwright Luther Davis. 158 leaves with last page of text numbered 143. Mimeograph duplication on eye-rest green stock rectos only with blue revision pages throughout dated variously between 4/25/57 and 5/3/57. Pages Near Fine binding Near Fine. N.p. unknown
1920207159London: Constable 1920. First Edition. Very slight lean; faint offsetting to endpapers; covers gently rubbed; without dust jacket. 8vo 279 1pp; red cloth stamped in black; first state with p. 13 misnumbered as 3. A nice copy of Mansfield's second book collecting "Prelude" "Je ne Parle pas Français" and a dozen more including the title story. Constable unknown
1947338311London: The Verona Press 1947. First illustrated edition with color lithographs by Marie Laurencin limited to 1200 numbered copies Kirkpatrick D6; bibliographer states: "Though printed in 1939 the Second World War delayed publication until 1947". With Coloured Lithographs by Marie Laurencin. Designed by Hans Mardersteig and printed at the Officina Bodini on handmade paper. 4to. Slight rubbing at base of spine and on bottom edge of covers else a fine bright copy in very good dust jacket; gray printed jacket has a few small tears at crown of spine three-inch tear at edge of lower spine front panel has two-inch tear at top edge with two early tape mends on verso few small early tan stains at base of spine and lower edge of front panel else the front panel is quite fresh and bright. First illustrated edition with color lithographs by Marie Laurencin limited to 1200 numbered copies Kirkpatrick D6; bibliographer states: "Though printed in 1939 the Second World War delayed publication until 1947". With Coloured Lithographs by Marie Laurencin. Designed by Hans Mardersteig and printed at the Officina Bodini on handmade paper. 4to. Connolly calls her: "A born short story writer observant economical and astringent demanding rediscovery" Connolly 100 40 The Verona Press unknown
1939139127London: The Verona Press 1939 but 1947. Featuring Laurencin's "queer femme illustrations with a Gallic twist" Pilcher First edition thus number 708 of 1200 copies produced by the elite printer Hans Mardersteig of the Officina Bodoni and illustrated with queer colour lithographs by the Parisian Cubist artist Marie Laurencin. This anthology volume selects Katherine Mansfield's "best" stories from across her career and as such the contents slightly differ from her celebrated 1922 collection of the same title. Katherine Mansfield was among the most important short story writers of the 20th century. Forever leaving behind her native New Zealand in 1908 she embarked on her literary career while pursuing a peripatetic bohemian life in the orbit of the Bloomsbury Group in London. Mansfield's experiences of familial estrangement and persistent ill-health heavily influenced her work which grew to four published story collections before her premature death from tuberculosis in 1923. Her husband John Middleton Murry edited a fifth collection posthumously. Virginia Woolf remembered Mansfield for having "the only writing I have ever been jealous of. Probably we had something in common which I shall never find in anyone else" p. 227. Through her stories journals and letters Mansfield still enjoys cult status "for her divination of the hatred and cruelties beneath the sweet surfaces of family life; and for her sympathy with the vulnerable the displaced and the lonely" ODNB. Though printed in 1939 the outbreak of the Second World War delayed publication until 1947. Large octavo. With 16 colour lithographs in the text. Title page printed in red and black. Publisher's note tipped in following title page. Original green and white patterned cloth spine lettered in gilt on red ground top edge yellow fore and bottom edges untrimmed. With dust jacket and the publisher's card slipcase. Christmas gift inscription to front pastedown. Very light foxing to boards book block edges and endpapers; a near-fine copy in the jacket with browned spine and a little creasing to edges issued without printed price. Slight splits to head and foot of slipcase. Kirkpatrick D6. Alex Pilcher A Queer Little History of Art 2017; Virginia Woolf The Diary of Virginia Woolf vol. 2 1978. hardcover
6 vols., 8vo., with 5 engraved frontispieces, engraved portrait of the author and full-page facsimile, frontispieces and titles mildly browned; most attractively bound in contemporary niger half calf, marbled boards ruled in gilt, back with five raised bands ruled in gilt, second and third compartments ruled and lettered in gilt, all other compartments elaborately ruled and tooled in gilt, marbled edges, marbled endpapers, an unusually well-preserved, bright, clean, crisp set. A bright set, comprising Vol. I: Sense and Sensibility (1882); Vol. II: Emma (1882); Vol. III: Mansfield Park (1883); Vol. IV: Northanger Abbey [and] Persuasion (1885); Vol. V: Pride and Prejudice (1881); Vol. VI: Memoir, Lady Susan, Fragments (fifth edition, 1883). The five frontispieces are by Greatbatch after Pickering from the original Standard Novels issues of 1833; the portrait and facsimile are from the 1870 'Memoir'. HANDSOME SET OF THE LAST STEVENTON EDITION, AND THE LAST EDITION OF AUSTEN PRINTED BY BENTLEY BEFORE ACQUISITION BY SMITH ELDER IN 1898. THE 1882 ISSUE WAS LIMITED TO 375 COPIES OF EACH VOLUME SOLD ONLY AS SETS; the present set contains three such volumes (all with half-titles as issued); the remaining three volumes are reissues. Gilson, D13 et seq.
1960234014Hollywood 1960. Each one page on studio letterhead. 8-1/2 x 11 inches. Staple holes in the top margins. Each one page on studio letterhead. 8-1/2 x 11 inches. Right on the heels of her successes in The Wayward Bus 1957 and the film version of Will Success Spoil Rock Hunter 1957. unknown books
1960234014Hollywood 1960. Each one page on studio letterhead. 8-1/2 x 11 inches. Staple holes in the top margins. Each one page on studio letterhead. 8-1/2 x 11 inches. Right on the heels of her successes in The Wayward Bus 1957 and the film version of Will Success Spoil Rock Hunter 1957. unknown
13472London The Verona Press 1939 in 8 1 volume reliure bradel toile verte originale ornée, piéce de titre rouge, 316 pages [1] (petites traces d'adhésif sur les pages de garde). Lithographies en couleurs de Marie Laurencin. Tiré à 1200 exemplaires numérotés. Bel exemplaire, blanc
1934175549Port Louis Mauritius: R. W. Brooks Government Printer 1934. Naval history of Mauritius with excellent provenance First edition of this account of the many important actions around the island known as the "Star and Key to the Indian Ocean". Copy 2 of 150 copies of the "Mauritius Edition" from the library of Admiral Sir Martin Dunbar-Nasmith VC KCB first submariner VC for his exploits during the First World War and at the time of publication commander-in-chief of the East Indies Station. In 1933 the author general manager of the railways and engineer of harbour works of Mauritius undertook an examination of the wrecks of Magicienne and Sirius relics of the Battle of Grand Port 1810. His researches "led step by step to a review of the whole naval situation in the Indian Ocean till he had accumulated records covering all the events connected with seafaring life of Île de France between 1715 and 1810" Foreword. This copy was formerly in the library of Admiral Dunbar-Nasmith who received the Victoria Cross for his services in submarine E11 in support of the attempted forcing of the Dardanelles actions which drew superlatives from Churchill in his account the war "one submarine alone - E11 - three times passed and re-passed through the terrible dangers of the tenfold minefields of the Nagara net and of the long vigilantly guarded reaches of the Dardanelles remained in the Marmora ninety-six days forty-seven in one spell and sunk single-handed 101 vessels including a battleship a modern destroyer and three gunboats. This prodigious feat of Commander Nasmith VC. remains unsurpassed in the history of submarine warfare" p. 283. Nasmith subsequently commanded the submarine flotilla based at Revel in the Baltic resisting Bolshevik incursions in the region. Following the war Nasmith was for three years captain of Iron Duke in the Mediterranean. He then spent two years in the Admiralty as director of the trade division before becoming captain of the Royal Naval College Dartmouth1926-28. Appointed naval aide-de-camp to the king in 1927-28 Dunbar-Nasmith became in 1928 the first submariner to reach flag rank and a year later he was appointed rear-admiral submarines at Gosport. In 1932 he was promoted vice admiral and commander-in-chief East Indies flying his flag in Hawkins at Colombo and led the Royal Naval force into the Arabian Gulf in support of the Anglo-Persian Oil Company. During the Second World War he was successively commander-in-chief Western Approaches and flag officer in charge London. He died in 1965. Quarto. Coloured frontispiece with tissue guard and 29 half-tone plates 5 maps and plans 3 of them folding. Original blackish blue half sheep very dark greenish blue sand grain sides raised bands spine gilt lettered direct fouled anchor devices in the compartments double fillets gilt to the spine and corner edges three-master device at centre of front cover map to front endpapers rear endpapers marbled. Spine a touch sunned corners bumped cover centre-tool oxidized; a couple of spots to the contents but in all a very good copy. Winston S. Churchill The World Crisis Vol. II: 1915 1923. hardcover
192389344London: Constable 1923. Hardcover. Near Fine/Very Good. First edition. Bottom corners a little bumped light offsetting to the endpapers from the jacket flaps a trifling stain at the base of the spine near fine in a foxed very good dust jacket with a couple of internal repairs a small chip on the front panel and a light stain at the base of the spine. An attractive copy and very scarce in jacket. Constable hardcover
199916354Blue Ridge Summit Pennsylvania U.S.A.: Lorenz Books. New. 1999. Hardcover. 0754801721 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- with a bonus offer-- . Lorenz Books hardcover
197738799Paoli PA: The Wharton Eshrick Museum. As New. 1977. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION.126 works catalogued a number of which are illustrated in black and white or color. -- with a bonus offer-- . The Wharton Eshrick Museum paperback