1 381 résultats
195553799Un des exemplaires nominatif (de collaborateur) non numéroté, "le texte de ce livre donné dans la traduction de Guy Lévis Mano est accompagné d'ornement gravés sur bois par Blaise Monod d'après les maquettes de Clavé", 1 vol. in-12 en feuillet sous chemise vélin et chemise cartonnée avec fermeture à ruban, Henri Jonquières, 1955, texte en espagnol avec la traduction en français
47238Paris, directeur: André Dalmas. Un volume 24,3x18,3cm broché, 135 pages. Exemplaire sur bouffant Astrid. Quelques rousseurs sur la première de couverture sinon bon état.
18629,Paris, Masson et Cie 1935, 447 pp., 1 vol. in 8 br. rousseurs au plat supérieur (seulement), nombreuses illustrations in texte, cachets (ex-libris).
2000RO40054569La Classe maternelle. 2000. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 83 pages illustrées en couleurs et noir et blanc. Ouvrage avec perforations (pour classeur).. . . . Classification Dewey : 841-Poésie
YO-0M8X-N9AP5 Continents Editions 2018-04-24. hardcover. New. 11x2x8. 5 Continents Editions hardcover
A8517Broché, nombreuses rousseurs, 4eme de couverture tachée.
19341196611934 A Melun, Imprimerie administrative - Extrait du Bulletin de l'agence générale des colonies - 1934 - In-8, broché - 43 p. (numérotées de 594 à 637)
189974833Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mars 1899) | 30.50 x 25 cm | une feuille et une serpente
189974834Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mars) 1899 | 30.50 x 25 cm | une feuille
014684Lucien Monod (1867-1957), peintre, graveur. L.A.S., sd [août 1895], 4p in-12. A son oncle Henri, peut-être Henri Monod (1843-1911). Il le remercie pour sa belle lettre qu'il relira, mentionne sa femme Suzanne Robineau (1868-1893) partie brusquement, l'envoi d'un livre par son oncle. [78]
014685Lucien Monod (1867-1957), peintre, graveur. L.A.S., sd [octobre 1897], 3p in-8. A son oncle Henri, peut-être Henri Monod (1843-1911). Sympathique lettre autour de la vente d'un tableau à un « amateur anonyme » pour 350fr. Il s'agit de son tableau Ogygie, « éclos de [ses] rêveries océaniques ». Il a compris aussi que l'amateur était son oncle. [78]
189974833Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille et une serpente Rare original color lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered luxury edition stamp on the verso; engraving preceded by a tissue guard captioned with the artist's name the title and text. Lithograph inspired by an extract from a work by Henri de Régnier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189974834Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mars 1899 30.50 x 25 cm une feuille Rare original lithograph executed by Lucien Hector Monod for L'Estampe Moderne series number 23 published in March 1899. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered luxury edition stamp on the verso some foxing. Lithograph inspired by an extract from a work by Henri de Régnier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each delivery of four prints was issued in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential very deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but indeed to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to qualify this fever invented the term ""affichomanie."" The poster originally popular and plastered in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a work of art in its own right on the same level as the illustrated deluxe book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
0267135041.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
025912480X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259214418.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259445029.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0364091525.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0484068385.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0656380829.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0666521417.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
066674422X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
133314458X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1926mon0000033518<p>Editions Albert Morance 1926. Softcover. Very Good. in x in x in. Text in French. Nick to front cover front edge and 1"" tear at top spine front edge. Sunned spine. Lightly read if read at all. No markings in book. Binding is fine. 288pp.</p> Editions Albert Morance paperback
0274560968.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
