Octave MIRBEAUBiblio.com
15 résultats
189773703s. l. Paris 1897. Fine. s. l. Paris 1897 13.50 x 18.30 cm une feuille Autograph letter signed by Octave Mirbeau. 2 lines in black ink on a folded sheet letterhead paper ""68 avenue du bois de Boulogne"". ""Alors Monsieur entendu pour les Mauvais Bergers"". The Mauvais bergers corresponds to Octave Mirbeau's tragedy a social drama performed at the Renaissance Theatre on December 15 1897 with Sarah Bernhardt and Lucien Guitry in the leading roles. unknown
1898004676Paris Besançon ecc 1898-1904. Miscellanea di nove opere in francese raccolte in un volume in 8vo ma gli scritti hanno dimensioni diverse in mezza tela blu coeva titolo al dorso MISCELLANEA LIBERO PENSIERO e iniziali AC Alfredo Carnbonetti medico di S. Mauro di Romagna come scritto su timbri ai titoli di alcune delle opere. Contiene: E. Matrat CAPITALISTE Paris Stock 1904 29 pagine. Octave Mirbeau L'EPIDEMIE Paris Charpentier et Frasquelle 1898 40 pagine prima edizione M. Boissier DIALOGUES ANTI-CLERICAUXSceaux Godfroy 1899. 118 pagine.- Louis Sincere CHRISTIANISME ET LIBRE-PENSEE sl sd 137 pagine Marie Sellos CONTRE DIEU CONTRE LES RELIGIONS CONTRE L'ESPRIT RELIGIEUX Meulan 1904 63 pagine Jean Most LA PESTE CLERICALE Oynnaux impr. Ouvriere 1903 30 pagine Ch. Beauquier PETIT CATECHISME POPULAIRE DU LIBRE-PENSEUR Besançon Millot 1904. Cinquieme edition. 95 pagine Albert Cadix L'IMMORALITE' DE LA MORALE CLERICALE Besançon Millot 1904. 40 pagine Charles Bayer PETIT CATECHISME DE L'ATHEE Angers Revue des Chef d'Oeuvres 1903. 54 pagine Abel Vautrin UNE POIGNEE DE SAUNETES Dardilly 1903. 73 pagine. - Ile diverse pubblicazioni non conservano brossura ma sono complete anche dei faux-titres. Molto interessante questa raccolta anticlericale di un medico di provincia in Romagna. unknown
1894312641894. Paris G. Charpentier et E. Fasquelle / Coll. ''Petite BibliothÂque-Charpentier'' 1894. Un vol. au format in-32 118 x 84 mm de 2 ff. n.fol. 1 frontispice gravÂŽ n.fol. 346 pp. et 1 f. n.fol. Reliure signÂŽe de l'ÂŽpoque de demi-maroquin glacÂŽ La ValliÂre ˆ coins filets ˆ froid portÂŽs sur les plats dos lisse ornÂŽ de triples filets dorÂŽs bandelette mosa•quÂŽe de maroquin ÂŽmeraude formant rectangle piÂce de titre de maroquin ÂŽmeraude titre dorÂŽ tÂte dorÂŽe sur tÂŽmoins couvertures conservÂŽes. Edition en partie originale et premiÂre illustrÂŽe. Charmant ''petit'' 118 x 84 mm exemplaire ; revÂtu d'une jolie reliure mosa•quÂŽe Art-DÂŽco. Cachet de relieur en tÂte de la premiÂre contre-garde indiquant : ''Rel. exÂŽcutÂŽe pour la Lib. Louis Conard''. Exemplaire complet de ses deux eaux-fortes par Jean-Franois Raffa‘lli. ''Dans un langage de conteur ˆ la veillÂŽe pimentÂŽ du parlÂŽ campagnard Mirbeau tÂŽmoin narquois et cynique relate les histoires de village de son Calvados natal. Les paysans que l'auteur prend pour cible rÂŽunissent tous les dÂŽfauts que leur prÂtait la classe dominante du XIXe siÂcle : na•fs sournois calculateurs inhumains presque. Ici la mort de la vache est plus grave que celle de l'enfant le cocu rÂŽpare son honneur avec quelques piÂces les pensÂŽes s'enroulent autour de l'eau-de-vie. Mais sous la satire et le fiel ÂŽmerge de loin en loin comme un lac calme une description pleine de poÂŽsie un hommage ˆ l'extrÂme pudeur des petites gens avares de mots.'' TrÂs belle condition. b42961 unknown
1894951T94Paris: G. Charpentier et E. Fasquelle 1894. Leather. Very Good Indeed. 4.5" by 3". None. A smartly bound copy of this charming work from French novelist and writer Octave Mirbeau in the original French. French. Petite Bibliotheque Charpentier. With a frontispiece. A collection of village stories of the author's native Calvados filled with country talk from a mocking and cynical witness. The peasants the author targets combine all the faults attributed to them by the nineteenth-century ruling class: naive devious and calculating. But beneath the satire often emerges a calm description of a landscape full of poetry. Written by Octave Henri Marie Mirbeau a French novelist art critic travel writer pamphleteer journalist and playwright who achieved celebrity in Europe and great success among the public. Previously held in the library of R. E. M. Maddison a British doctor of philosophy. Bound in quarter calf with marbled boards. Externally smart with minor wear to the extremities and fading to the spine. Spine label loosening slightly. Internally firmly bound. Pages are very bright with minor age toning to the endpapers. Previous owner's bookplate to the front pastedown. Very Good Indeed G. Charpentier et E. Fasquelle hardcover
188854298Paris: Paul Ollendorff 1888. Fine. Paul Ollendorff Paris 1888 12.50 x 19 cm relié First edition of which there were only printed 10 deluxe copies numbered. Contemporary half morocco top edge gilt covers preserved spine slightly and uniformly discolored rubbing joints corners covers headpieces. Nice copy. Paul Ollendorff unknown
189878088Paris: Librairie Charpentier et Fasquelle 1898. Fine. Librairie Charpentier et Fasquelle Paris 1898 13 x 19 cm broché First edition with no mention of deluxe paper copies. Precious signed autograph inscription from Octave Mirbeau to his friend Jules Renard. Blue pencil mark by Jules Renard on the front cover. Our copy is further enriched with the famous bookplate of Jules Renard designed and engraved by Henri de Toulouse-Lautrec. Librairie Charpentier et Fasquelle unknown
19008008Limited to 200 copies in which this is number 144. Quarter vellum with stenciled gold and silver over black paper covered boards. Rectangular pastedown to rear of front endpaper. Matching stenciled endpapers. Top edge gilt. No previous owners' names or other defacements. <br />7 x 10.2 in Charpentier et Fasquelle hardcover
189815627Paris: Charpentier & Fasquelle 1898. Fine. Charpentier & Fasquelle Paris 1898 12 x 18.50 cm broché First edition on ordinary paper. A good copy. Charpentier & Fasquelle unknown
189486567Paris: S. n. 1894. Fine. S. n. Paris s. d. ca 1894 11 x 17.50 cm une page Autograph letter signed by Octave Mirbeau addressed to the great criminal defense attorney Edgar Demange who is not named explicitly 12 lines in violet ink. Fold traces inherent to postal handling. Octave Mirbeau thanks Maître Demange warmly and enthusiastically for having so brilliantly defended his anarchist comrade Félix Fénéon: "" Je n'ai pas l'honneur d'être connu de vous et je ne sais ce que vous pensez de moi mais je ne puis m'empêcher de vous remercier pour l'admirable plaidoirie que vous avez prononcée pour Félix Fénéon que j'aime de tout mon esprit et de tour mon coeur "" ""I do not have the honor of being known to you and I do not know what you think of me but I cannot help thanking you for the admirable plea you delivered for Félix Fénéon whom I love with all my mind and all my heart"". In 1894 the wavering Third Republic weakened by anarchist attacks including that of Auguste Vaillant at the Chamber of Deputies on December 9 1893 launched its campaign of repression and arrests against the anarchists with as its climax the illustrious Trial of the Thirty. The trial opened on August 6 1894 and among the 30 defendants were Paul Reclus Sébastien Faure Jean Grave and Félix Fénéon. Stéphane Mallarmé came to testify in favor of the latter before Maître Edgar Demange defended the famous art collector journalist creator of literary reviews Félix Fénéon. This trial ended with the acquittal of almost all the defendants and Maître Edgar Demange would continue his great career as a lawyer by notably taking the defense of Captain Alfred Dreyfus. S. n. unknown
189880181Bruxelles Brussels & Paris: Georges BalatSociété libre d'édition des gens de lettres 1898. Fine. Georges Balat Société libre d'édition des gens de lettres Bruxelles Brussels & Paris 1898 12 x 19 cm relié First edition published in the wake of the resounding and historic front page ""J'accuse"" printed in the newspaper ""L'Aurore"" one of 200 numbered copies on laid paper each justified by the publisher. Bound in red half-shagreen spine with four raised bands gilt-ruled with dotted fillets and decorated with gilt fleurons marbled paper boards marbled endpapers and pastedowns contemporary binding. Some rubbing along the joints pleasingly fresh interior. Illustrated with a photographic portrait of Emile Zola as frontispiece. Includes numerous contributions among them Paul Alexis Jean Psichari Elisée Reclus Joseph Reinach Paul Adam Maurice Bouchor Georges Eekhoud Gustave Geoffroy René Ghil André Ferdinand-Hérold Camille Lemonnier Laurent Tailhade Paul Fort Mecislas Golberg Camille Mauclair Pierre Quillard. The committee of sponsorship included among others Georges Clemenceau Octave Mirbeau Séverine Maurice Maeterlinck and Emile Verhaeren. Georges BalatSociété libre d'édition des gens de lettres hardcover
1899622111899. Fine. 1899 17.80 x 23.10 cm 2 feuillets et un quart Autograph manuscript signed by Octave Mirbeau for his article ""Au conseil municipal"" published in Le Journal on July 12 1899 90 lines in black ink on three leaves manuscript correction by the author typographical indications in blue pencil. Staining due to ink and paper. Significant of the denunciatory attitude that Mirbeau maintained in his articles this manuscript critical of the unworthy treatment of artists of genius by society is a final draft used for printing as indicated by the capital letters that delimit the paragraphs. The original leaves have been remounted on laid paper here pages from an 18th-century work Dissertatio Medica to facilitate their handling. unknown
1886861N65Paris: Neufeld & Mehring; Tresse & Stock; Librarie Charpentier et Fasquelle 1886-1898. Leather. Very Good. 7.5" by 5". None. A leather bound sammelband comprised of one memoir and three plays by nineteenth century French authors. A leather bound sammelband comprised of one memoir and three plays by nineteenth century French authors. Published in French. The first work in the collection is Memoires et Lettres de Mademoiselle de Lenclos by Antoine Bret. Bret was a prolific eighteenth century writer practicing across a broad range of genres. This is followed Les Deux Bavardes by Mercure Galand Octave Mirbeau's play about a worker's strike and finally Eduoard Pailleron's best known and highly successful play Le Monde Ou l'On S'ennuie. Prior owner's bookplate to the front pastedown. From the Library of Ronald Lindsay. In a quarter leather binding over patterned boards. Externally generally smart. Lightly rubbed the boards with some moderate wear to the extremities. Internally firmly bound. Aside from some light foxing to the endpapers pages are clean if a little age-toned. Very Good Neufeld & Mehring; Tresse & Stock; Librarie Charpentier et Fasquelle hardcover
189036079Paris : G. Charpentier 1890. 190x120mm. demi-percaline bleue piÂce de titre bleue plats papier marbrÂŽ. Bel exemplaire. 500 G. Charpentier unknown
189061937Paris: G. Charpentier & Cie 1890. Fine. G. Charpentier & Cie Paris 1890 12 x 18.50 cm broché sous chemise et étui First edition on current paper. Our copy is presented under a shirt and a case in cardboard box covered with handmade paper piece of brown morocco title date golden tail back of the fragile shirt. Autograph signed by Octave Mirbeau to Ernest Leblanc. G. Charpentier & Cie unknown
189043791Paris: G. Charpentier & Cie 1890. Fine. G. Charpentier & Cie Paris 1890 12 x 19.50 cm relié First edition printed on ordinary paper. Bradel binding in half sky blue cloth smooth spine lightly sunned decorated with a gilt floral motif double gilt fillet at foot cherry red shagreen title label marbled paper boards corners slightly bumped contemporary binding. Precious signed autograph inscription from Octave Mirbeau to Jean Ajalbert on the half-title page. Our copy is expanded with a four-page autograph letter dated and signed by H.G. Ibels in which he shares with his correspondent his momentary financial troubles the poor circumstances that led him to this situation and finally the solicitations from wealthy bibliophiles who covet his important collection of 18th-century manuscripts on the Convulsionnaires. Large marginal discoloration affecting the front cover as well as much more lightly the half-title page without touching the autograph inscription. Provenance: Jean Ajalbert library with his Japonist ex-libris in the Nabis style wood-engraved in a very small number signed with a monogram probably that of Félicien Rops. G. Charpentier & Cie hardcover
