Nin AnaisABAA
131 résultats
1944140940703New York: Gemor Press 1944. First Edition. Very Good. First Edition one of 300 copies originally printed. Association copy signed by Anais Nin on the first blank sheet and inscribed to Sarah Newmeyer an author and publicity director of the Metropolitan Museum of Modern Art MOMA form 1934-1948 at the time of the publication of this book. Bound in publisher's decorated paper-covered boards. Very with toning to covers rubbing at extremities. Contents toned. Laid in is an order form for the second edition. Gemor Press unknown books
1936200080Paris: Siana 1936. Limited. paperback. very good. 89p. 4to printed wrappers; unopened. Paris: Siana Editions n.d. 1936. Limited First Edition. One of 249 copies of Nin's second book self published in Paris. Near fine with slight erosion at the extremes of the spine. The original glassine dust wrapper is present although considerably torn.<br/><br/> Copy number 34 unsigned on the limitation page but with a signed presentation including a 6 line poem.<br/><br/> Siana unknown books
1947122677Slim sm. San Francisco: Gemor Press 1947. Slim sm. 8vo 52 pp. Original orange cloth upper cover decorated and printed in black. § Initially self-published in Paris in 1936 this novella was also self-published a decade later when Nin as unable to find a U.S. publisher. This copy is inscribed: "For Jane Kastner with so many thanks for your delicate and sensitive work on my child's drawings. Warmly Anais. Gemor Press hardcover books
19778653New York: Harcourt Brace Jovanovich/Herringbone Bindery 1977. First Edition/Unique Binding. Hardcover. Fine in Fine Archival Box. Tight bright and unmarred. Leather spine finished wood boards snakeskin tapes handmade paper endpages gilt lettering; matching archival case. 8vo. 250pp. <br/><br/>Walnut veneer boards Purple Heart veneer onlays snakeskin tapes buffalo spine. from the artist statement <br />"Erin Fletcher was introduced to the craft of bookbinding under the instruction of Susannah Kite Strang during her studies at The School of the Art Institute of Chicago. She experimented with a variety of simple book structures pushing the concept of the book as an art form." She continued her studies at North Bennet School and now practices her craft in the Boston area. An emerging powerhouse. Harcourt Brace Jovanovich/Herringbone Bindery hardcover books
1932406713Paris: Edward W. Titus 1932. A fine unopened copy in a near-fine jacket lightly toned and with some modest chipping at extremities light soiling to the rear panel. 8vo. 10 146 2 pages. Original blue cloth gilt-lettered on front cover and spine unopened; printed dust jacket. FIRST EDITION of the author's first book number 491 of 500 copies numbered on the colophon and with publisher's stamped slip with number from an edition of 550 of which 50 were for the press. PRESENTATION COPY inscribed on the front free endpaper: "For Richard who accompanies me faithfully on the inner-outer voyage started with this book / Love Anais / February 21 1973." The recipient is most likely Richard Centing co-founder of the first Anais Nin periodical. Centing invited Nin to Ohio State to give lectures and championed her work internationally. Franklin A1. <br/><br/> Edward W. Titus hardcover books
1945140941340New York: Gemor Press 1945. First Edition. Near Fine. First Edition. Deluxe edition limited to 50 copies signed and numbered by Anais Nin at rear colophon with five color hand-pulled woodblock prints by Ian Hugo tipped in issued along side a regular edition with a limitation of 1000 unsigned copies. Publisher's pink paper covered boards printed in black on upper cover and spine. Near Fine with light soiling and light toning to covers pages toned at edges offsetting to pages adjacent to prints. Franklin A6b. Gemor Press unknown books
