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183017725Paris, Ledoyen, um 1830. Ca. 39,5 cm x 50 cm (ganze Blatt). [4 Warenabbildungen]
187417702Avignon Imprimerie Administrative Gros Frères et Roumanille 1874 In-8 287 pp, couvertures en état passable et débroché, cachet de bibliothèque discret
185420047Firenze, Felice Le Monnier, 1854. (4),XI,(1),447,(1) S. Pappband der Zeit mit goldgeprägtem Rückenschildchen.
1822312London: C. Corrall for G. Pickering 1822. Very good uncut and partially unopened slight foxing of engraved leaves publisher's ochre cloth which has faded but turn-ins appear to reflect an original brighter red color worn paper label on spine prior owner inscription dated 1830 placing the cloth not later than such date. One of the series usually known as Pickering's "Diamond Classics" they are some of the earliest books to have publisher's bindings of cloth. <br /> <br /> 48mo. 7 237pp. 9 index. Keynes pg. 72. Porter 146. Tomlinson & Masters pg. 11. Carter Binding Variants pgs. 9-15. Nash Two Hundred Years of Publisher's Cloth Journal of Printing Historical Society 2020 passim. C. Corrall for G. Pickering unknown
1822313London: C. Corrall for G. Pickering 1822. Very good uncut and partially unopened publisher's dark cloth worn paper label on spine a variant binding which is perhaps later. One of the series usually known as Pickering's "Diamond Classics" they are some of the earliest books to have publisher's bindings of cloth. <br /> <br /> 48mo. 7 237pp. 9 index. Keynes pg. 72. Porter 146. Tomlinson & Masters pg. 11. Carter Binding Variants pgs. 9-15. C. Corrall for G. Pickering unknown
187438802Triest, Appolonio & Caprin, 1874. 4°. Mit einem Titelbild in Lichtdruck. XIII S., 1 Bl., 215 S., 4 Bll., Mod. Ppbd. m. mont. Vorderdeckel des Orig.-Umschlages.
182276574237 5 pages Index. Miniature edition with frontispiece. One decorative headpiece and page break. Pages unopened. In Italian. Published by William Pickering hardcover
182113453<p>Roma: Nella Stamperia de Romanis 1821 Sixth Muratori edition revised using the Comino edition 1732 and the Marsand edition 1819-20. . Full dark green diaper calf. Covers ruled in blind gilt spine with black calf labels marbled edges. . Two volumes octavo. . Engraved frontispiece. Binding extremities lightly rubbed some scuffing two bookplates in each volume. A very good copy.</p> Nella Stamperia de Romanis,
1892223221892 Paris, Marpon & Flammarion, sans date [1892]. In-12 broché,(120 X 186) XX-286 pages, 1 feuillet non chiffré (justification du tirage), (1). EDITION ORIGINALE. "Paul Arène est né à Pamiers. Ami de Gambetta, il fut le promoteur des fêtes cigalières en Provence, après 1875. Avec Tournier ils éditèrent ce livre à l'occasion des fêtes gasconnes et pyrénéennes de 1890. Livre très agréablement illustré, en particulier de portraits de mainteneurs des traditions du piémont gascon et languedocien nord-pyrénéen." (DENDALETCHE, 75) ; (LABARERE, 56). Le texte et les illustrations de cet ouvrage ont été entièrement imprimés par la Glyptographie Silvestre. Le premier plat de la belle couverture illustrée en couleurs par Charles TOCHE a été conservé.
184261289Italy: David Passigli. Good with No dust jacket as issued. 1842. Second Edition; First Printing. Hardcover. Good 2nd Edition two-volume set stated in-8vo. Original buff leather binding with friezes on five-jointed backs with bright gold titles extremities lightly bumped and rubbed. Covers lightly soiled. Top edge stained brown. Edges foxed. Bindings shaken but secure. Internally no writing or stamps. Volume II front endpaper clipped to top corner one tissue detached but present. Clean occasionally foxed pages. Four works in two tomes Divine Comedy; Rime; Orlando Furioso and Gerusalemme Liberata. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland.; B&W Illustrations; 8vo 8" - 9" tall . David Passigli hardcover
1826008345Lipsia: Fleischer 1826. Un volume in 8vo grande 24 cm di XXIII pagine di introduzione di Adolfo Wagner una pagina incisa in antiporta da Raffaello Morghen con il ritratto dei quattro poeti erroneamente nel titolo si indicano quattro ritratti; 236 colonne VII pagine e 160 colonne VII pagine e 644 colonne XVI pagine e 256 colonne 88 ppnn. Qualche brunitura. Legatura coeva in cartone telato con tassello di titolo al dorso etichetta del legatore J. Muller. Fleischer unknown
1820GIT00c80Paris sd v 1820. In-12 XXXVIII 164pp. Plein veau blond marbré, dos lisse élégamment orné de filets, pastilles, fleurettes et 1 chaînette dorés, pièce de titre maroquin rouge, plats encadrés d'un double filet et 1 chaînette dorés, coupes filetées, chaînette dorée sur bordure intérieure, tranches dorées, rel époque. Usure sur 1 coiffe.
183321230Leipzig, Brockhaus, 1833. Etw. späterer, dekorativer Ebd. (ca. 1880) Reichhalt. gold- und blindgepr. Ldr.-Rücken 531 S. 8°. Sehr schöner Bd. in sehr guter Erhaltung. Deckelbezüge gering berieb. u. fleck. Namenseintrag v. alter Hd.
1836FF2429Parigi:: Presso Baudry 1836. 1836. 2 volumes in 1. Sm. 8vo. xxx 2 442 2; iv 288 2 pp. Frontispiece portrait 2 half-titles; light foxing. Original full green straight-grain gilt-stamped morocco a.e.g.; rubbed Early ownership inscription 1839. Bookplate with signature of Edward Thomas King. With a beautiful scene painted by Don Noble unsigned of Tivoli Italy. Presso Baudry, 1836. unknown books
18632149Firenze: G Barbera 1863. Hardcover. Good. Cream vellum boards with gilt lines front and back. Spine has raised bands and gilt decoration and lettering. Spine is faded with very small stains. Boards also have light staining and small marks. Spine has cracked and been glued. Endpapers are damaged with small loss and tears. Red page edges. Binding is tight. Scattered foxing. A charming small book; 48mo 3½" - 4" tall; 511 pages; In the Italian Good 1863 G Barbera hardcover
182015669Livorno Italy: Dai Torchi Di Glauco Masi 1820. 1/4 leather. Very Good . Lovely 1820 edition of one of the first great modern collections of love poetry written by the Renaissance poet viewed as the "first true reviver of learning in Medieval Europe" Encyclopedia Britannica. The story of Petrarch's love for Laura is well-known but the spirituality and complexity of this love and the cataclysmic loss he felt at her death can be understood only by reading this cycle of his poems. Bound in a modern 1/4 red morocco over marbled boards with matching marbled endpapers. 5 raised bands gilt-rule and gilt-devices within the compartments. A solidly VG copy with very light staining confined to the upper inner margins of the first third of Vol. I. This edition is very handsomely printed as well. Masi the printer boats on the title page that it is printed with types supplied by Fermin Didot the great Parisian printer. Each volume has a lithographed frontispiece portrait accomplished on the stone by F. Wagner. The portrait of Petrarch introduces Vol. I and the portrait of Laura Vol. II. Thick octavo Vol. I consists of 362 pgs. Vol. II 242 pgs. Dai Torchi Di Glauco Masi unknown
1846mon0000015769Pietro Fraticelli 1846. Hardcover. Good. in x in x in. Text in Italian. Volume I only. Owner name front free page: John H.R. Polt Professor Emeritus of Spanish and Portuguese University of California Berkeley. Notes on rear free page. No other notes in lightly read book. Binding tight. Hardcover spine taped. Pietro Fraticelli hardcover
1846mon0000015770Pietro Fraticelli 1846. Hardcover. Good. in x in x in. Text in Italian. Volume II only. Owner name front free page: John H.R. Polt Professor Emeritus of Spanish and Portuguese University of California Berkeley. Notes on rear free page. No other notes in lightly read book. Binding tight. Hardcover spine taped. Pietro Fraticelli hardcover
182015669Livorno Italy: Dai Torchi Di Glauco Masi 1820. 1/4 leather. Very Good . Lovely 1820 edition of one of the first great modern collections of love poetry written by the Renaissance poet viewed as the "first true reviver of learning in Medieval Europe" Encyclopedia Britannica. The story of Petrarch's love for Laura is well-known but the spirituality and complexity of this love and the cataclysmic loss he felt at her death can be understood only by reading this cycle of his poems. Bound in a modern 1/4 red morocco over marbled boards with matching marbled endpapers. 5 raised bands gilt-rule and gilt-devices within the compartments. A solidly VG copy with very light staining confined to the upper inner margins of the first third of Vol. I. This edition is very handsomely printed as well. Masi the printer boats on the title page that it is printed with types supplied by Fermin Didot the great Parisian printer. Each volume has a lithographed frontispiece portrait accomplished on the stone by F. Wagner. The portrait of Petrarch introduces Vol. I and the portrait of Laura Vol. II. Thick octavo Vol. I consists of 362 pgs. Vol. II 242 pgs. <br/><br/> Dai Torchi Di Glauco Masi hardcover books
1874T60306Lérins, Typographie des moines de Lérins 1874 326pp., 22cm., reliure cart. (plats marbrés, dos en toile)
186864150Paris Didier 1868 1 vol. relié in-8, demi-veau cerise, dos à nerfs orné de filets dorés et à froid, pièce de titre de chagrin noir, tête dorée, non rogné, XXXIX + 435 pp. Agréable exemplaire, bien relié à l'époque, de cette étude. Ex-libris gravé.
186864150Paris Didier 1868 1 vol. relié in-8, demi-veau cerise, dos à nerfs orné de filets dorés et à froid, pièce de titre de chagrin noir, tête dorée, non rogné, XXXIX + 435 pp. Agréable exemplaire, bien relié à l'époque, de cette étude. Ex-libris gravé.
18957998Paris Hachette et Cie 1895 In-12 Fort XXXIX+435 pp, dos passé et coupé, mors frottés, faibles manques aux coiffes ; rousseurs localisées.
1874168941874 demi-basane marron. in-4, titre, 420pp. P. 1864
1862219632Berlin, Otto Janke, 1862. 286, 240 Seiten. Pappband der Zeit. 18 cm
