129 résultats
18865796749Librairie Hachette et Cie 1886. Volume 1-2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Re-bound by library. Library sticker on front cover.1886 and 1895.Medium brown cloth 8vo with red leather half binding. Raised bands and gilt lettering on backstrip. Bumped corners and fairly heavy exterior wear. Interior is secure clean and clear save for a little grubbiness on a couple of pages and foxing. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item2350grams ISBN: Librairie Hachette et Cie hardcover
18725796747Librairie Hachette et Cie 1872. Volume 1-3. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition suitable as a study copy. Re-bound by library. Library sticker on front cover.1872-1874. Small 8vo. Vol I bound in purple library cloth with gilt lettering on backstrip and library stamp on front board. Remaining vols bound in brown leather with brown leather half binding. Gilt lettering on backstrip. Bumped corners and moderate external wear. Chipping to backstrip ends of vols II and III. Interior is secure and clear of markings. Slightly grubby in places. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1100grams ISBN: Librairie Hachette et Cie hardcover
18584166621Librairie de L. Hachette 1858. Volumes 1 and 2. Blind stamping on covers. Backstrips fraying and hubbed. Marbling inside covers. Foxing throughout. Bindings coming loose.This book has hardback covers. Ex-library With usual stamps and markings In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1150grams ISBN: Librairie de L. Hachette hardcover
189089650ABParis, Firmin-Didot, (ca. 1890). Mit Holzschnitt-Porträt. 236, 504 S. Marmor. Halblederbd. der Zeit m. 2 Rückenschildern. - Französischer Text. - Gutes Ex.
1865YY7857Libraire de Firmin Didot Freres Fils et Cie 1865. Original full red claf decorated in blind and gilt to boards. Matching cloth spine with original gilt decorated backstrip and original black gilt label laid down. All edges gilt. original marbled endpapers uncracked at gutters. Owner's name in gilt to front board 'Cours D.'A. Furby. B.A. LL.B.' No foxing or browning to text. 'Table Analytque de Materies Contenues dans ce Volume' at rear. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. Binding sound text unmarked. Binding sound text unmarked. Very Good. 464pp. Libraire de Firmin Didot Freres, Fils et Cie Hardcover
1875SCsPASCA63Paris: Garnier Frères 1875. 1875. large 8vo. pp. 2 p.l. 758 1 leaf 4ads. with half-title. text in double columns. 4 engraved portraits. contemporary quarter roan gilt back gilt edges joints & spine worn scattered foxing. Hardcover. Paris: Garnier Frères, 1875. Hardcover
187541086Paris: Garnier Freres 1875. With 4 engravings authors. Significant foxing. Gilt lettering to spine badly worn. Cover stained. Binding tight. Underskin of leather largely all remaining. Quarter Leather. Fair. Garnier Freres Hardcover
1840P4520Paris: Lemercier c.1840. Very Good. Notes: A scarce and fine view of the caravanserail of Sultan Hussein in Isfahan during the mid 19th century. Image Size : 242x427 mm 9.53x16.81 Inches Platemark Size : 335x487 mm 13.19x19.17 Inches Paper Size : 427x568 mm 16.81x22.36 Inches Coloring: Hand Colored Medium: Lithograph Categories: Views Asia Middle East Iran; Lemercier unknown
1840P4522Paris: Lemercier c.1840. Very Good. Notes: A scarce and fine view of the College Medresseh Maderi-Chah of Sultan Hussein in Isfahan during the mid 19th century. Image Size : 300x430 mm 11.81x16.93 Inches Platemark Size : 388x516 mm 15.28x20.31 Inches Paper Size : 430x540 mm 16.93x21.26 Inches Coloring: Hand Colored Medium: Lithograph Categories: Views Asia Middle East Iran; Lemercier unknown
1896d029.011SUISSE: Fribourg 1896. FRENCH TEXT. Small circulat stamp of DOMINICAN FATHERS EDINBURGH on front endpaper and title page. Bound perhaps privately in half leather and green cloth. Book is in very good plus condition with very minor signs of wear and/or age. BUT sunned over spine gold lettering still clear. SPECIAL POSTAGE RATES APPLY Packed weight 2600g. . 1st Edition. Hardback. VG/No DW. Fribourg Hardcover
1890096449Paris: Bibliothe`que-Charpentier 1890. E´dition accompagne´ de notes et pre´ce´de´e d'un pre´cis historique sur le janse´nisme par Charles Louandre.". No date circa 1890. Bound by Riviere. Book measures 7 1/4 x 4 3/4 inches. 444 pages. Bound in full period crushed leather raised bands oranate gilt tooling ruled lines on boards full gilt edges inner dentelles coloured endpapers. Leather lightly rubbed slightly faded hinge joints rubbed but boards attached. Generally a very nice binding. Internally tanning to pages heavier to margins chipped on edge of title page. A nice copy in a very attractive Riviere binding. . 8vo. Bibliothe`que-Charpentier hardcover
1867104799Editions Hachette 1867. Paperback. <b>Livre en français</b>. Couverture souple. Broché. 19 x 28cm. 358 pages. Couverture défraîchie. Dos factice manques au deuxième plat. Quelques rousseurs. <i>ref. 104799</i> Editions Hachette paperback
18865796748Garnier Freres 1886. Volume 2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Re-bound by library. Library sticker on front cover.Larger 8vo. Green library cloth with gilt lettering on backstrip. Light exterior wear only. Frontispiece. Interior is secure clean and clear. Foxing. Couple of plates. Original paper cover bound at rear. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1450grams ISBN: Garnier Freres hardcover
1890715551890. Fine. 25 mars 1890 11.10 x 17.50 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter seeks his friend's help for painter André Legrand who was also fond of Breton scenes in his paintings and reproduced through his works the Parisian nightlife of the Belle Époque. One sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1890716621890. Fine. 30 novembre 1890 11.40 x 17.80 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret regarding one of his most famous paintings depicting future soldiers of the Great War entitled ""Les Conscrits"" now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. Known for his Breton subjects in realistic style Dagnan-Bouveret painted during 1890 young conscripts drawn by lot to perform their military service. The youngest is depicted draped in the tricolor flag which he brandishes. ""If the painter Dagnan-Bouveret created realistic portraits of these conscripts it is almost certain that these men experienced fire during the First World War"" cf. expositions.bnf "". J'ose à peine vous inviter à venir voir mon nouveau tableau ""les Conscrits"" et pourtant vous avez toujours pris tant d'intérêt à mes efforts que je me ferais des reproches de ne pas vous avoir prévenu. ."" "". I hardly dare invite you to come see my new painting 'the Conscripts' and yet you have always taken such interest in my efforts that I would reproach myself for not having warned you. ."" unknown
1896716601896. Fine. 17 mars 1896 11.40 x 17.70 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret regarding his latest painting ""The Last Supper"" now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. "". je pensais à vous en achevant mon tableau. A chaque tentative nouvelle vous êtes venu m'encourager et cette fois j'ai osé entreprendre et dans de grandes dimensions un des plus nobles et des plus touchants sujets : la Cène. C'est vous dire qu'il me serait très agréable avant l'envoi au Champ de Mars de vous le montrer en mon atelier ."" "". I was thinking of you while finishing my painting. With each new attempt you came to encourage me and this time I dared to undertake and in large dimensions one of the noblest and most touching subjects: the Last Supper. This is to say that it would be very pleasant for me before sending it to the Champ de Mars to show it to you in my studio ."" unknown
1890715561890. Fine. 31 octobre 1890 11.10 x 17.40 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret transmitting a missive from one of his cousins the painter Emile Deshayes curator of the Guimet museum and founder of the Ennery museum. One sheet. Trained in the workshops of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1893715411893. Fine. 23 février 1893 13.80 x 9.50 cm une carte Autograph card from painter Pascal Dagnan-Bouveret to painter Lucien Monod. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Je vous envoie pour la Société de sauvetage de l'Enfance . une eau-forte de ma Madone épreuve sur Japon avant la lettre signée du graveur et de moi. . Nous aurons grand plaisir mon ami Courtois et moi à vous montrer dimanche les tableaux que nous comptons exposer pour le Salon du champ de Mars"" I am sending you for the Society for Child Welfare . an etching of my Madonna proof on Japan paper before letters signed by the engraver and myself. . My friend Courtois and I will have great pleasure in showing you on Sunday the paintings we intend to exhibit at the Salon du champ de Mars unknown
1890715521890. Fine. 3 février 1890 11.20 x 17.40 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod. The painter offers his apologies following the refusal to nominate two friends of painter Monod as associates of the newly created Société nationale des beaux-arts. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. « . Neither Mr Burgers nor Jules Girardet could pass as Associates. They were both named associate members. We wanted to limit ourselves to one hundred associates for the moment. . » unknown
1893715381893. Fine. 23 mars 1893 13.40 x 7.80 cm une carte Autograph card from painter Pascal Dagnan-Bouveret congratulating his colleague on receiving a distinction. One card. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1900715461900. Fine. s. d. 12.90 x 14.60 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod thanking him for the assistance he provided to his friend painter Gustave Courtois. Dagnan-Bouveret had married Courtois's cousin whom he also immortalized in his studio private collection. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1897715441897. Fine. 29 octobre 1897 12.90 x 14.60 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod inviting his colleague to see his painting The Pilgrims of Emmaus now in the Pittsburgh Carnegie Museum of Art in Pennsylvania. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Vous plairait-il cher Monsieur Monod de voir avant que je ne l'envoie en Angleterre mon tableau ""Les pèlerins d'Emmaüs"" ."" ""Would it please you dear Monsieur Monod to see before I send it to England my painting 'The Pilgrims of Emmaus' ."". unknown
1890715431890. Fine. s. d. circa 1890 13.80 x 9.50 cm une feuille rempliée Autograph letter from the painter Pascal Dagnan-Bouveret to the painter Lucien Monod declining an invitation in order to work on a new painting Un vieux breton now preserved at Chaalis in the museum of the royal abbey. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and from the New York Frick family. His visits to Brittany inspired numerous canvases: ""Je vais en Bretagne pour travailler beaucoup aussi vite que je le pourrai à une figure de vieux breton que je ne trouverai certainement que dans un village et pas en ville et il me faut aussi toujours pour un travail une installation à la campagne ."" ""I am going to Brittany to work hard as quickly as I can on a figure of an old Breton whom I will certainly only find in a village and not in town and I also need always for work a countryside installation ."" unknown
184240468AB1842. Paris Daguin Freres 1842 8° VIII 438 S. mit einem Porträt-Kupfer Pascal Text: französisch normale Typo KEINE Fraktur! wunderbare Musterpapier-Vorsätze sehr farbig marmorierter Schnitt flaschengüner original Ledereinband der Zeit mit reicher goldener Rückenverzierung und -beschriftung sowie einer goldenen Deckel-Vignette 'College des Laon' die Einbandkanten stellenw. etwas berieben oder beschabt sonst aber altersgemäß gut und textsauber es erschien noch ein 2. Band der uns hier aber nicht vorliegt. Alle Ausgabe die wir via KVK in Bibliotheken finden erschien 1836 bei Treuttel et Würtz in Paris. Eine Ausgabe bei Daguin finden wir nirgends. Raubdruck Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
1866HAY218541866. Paris Ch. Delagrave et Cie Libraires-Editeurs. reliés pleine toile marron éditeur. Couvertures un peu frottées et virées de couleur ; quelques rares et faibles rousseurs sinon très bon état. 2 volumes in-8. dos avec pièces de titres en maroquin marron avec titres et filets dorés. unknown
