113 résultats
1894143469London: Simpkin Marshall Hamilton Adams & Co 1894. First Edition Thus. Hardcover. Very Good in boards. Owner name on title page. Simpkin, Marshall, Hamilton, Adams, & Co hardcover
1837202347<p>Venice: In Insula S. Lazari 1837. Hardcover. Very Good. Signed. Full leather binding with gilt lettering & decoration to spine gilt ruled borders on both boards all edges gilt marbled endpapers engraved frontispiece and title page 6-1/4" x 4†434 pp. Aucher’s name appears in three different versions on the first leaf: Armenian transliterated Armenian and Latin dated 1847. George Gordon Lord Byron traveled to the Island of St. Lazar where Father Pascal Aucher 1774-1854 taught him Armenian. Together they published Grammar of the English and Armenian Languages in 1819 and contributed to Aucher’s 1821 English Armenian Dictionary. Byron was devoted to the Armenian language writing: “I learned the language of the Armenians in order to understand how and what language the Gods spoke for the Armenian language is the language of the Gods and Armenia is the homeland of the Gods and the Gods come from the Ararat valley.â€A translation of twenty-four prayers one for each hour of the day of St. Nerses the Graceful translated into twenty-four languages. This is the culmination of an effort that first had 6 10 14 and then 16 translations. This effort was likely from many of the Mekhitarist monks at San Lazzaro degli Armeni. The monastery was founded in 1715 by twelve monks; when Byron visited there were 70; today there are 12 monks and five novices. Despite the small population St. Lazzaro has been a major center of Armenian studies for centuries and still maintains the third-largest library of Armenian materials in the world. This polyglot prayer book is notable not just for its place in Armenian history and the spread of Orthodoxy but it is also a typographic success in acquiring the various fonts.</p> In Insula S. Lazari hardcover
1852400735Liége : Redouté 1852. First Edition. Hardcover. Very good copy bound in contemporary leather-backed marbled boards with marbled endpapers. Gilt-blocked leather label to spine with raised bands and spine compartments uniformly tooled in gilt. Spine bands and panel edges somewhat dulled and rubbed as with age. Remains particularly well-preserved overall; tight bright clean and strong. Physical description; 2 volumes ; 23 cm. Subjects; Napoleon III Emperor of the French 1808-1873. Napoleon. Political persecution France History 19th century. France Politics and government 1852-1870. France History Coup d'état 1851. Liége : Redouté hardcover
1806mon0001631614Samual Bagster 1806. Hardcover. Good. . Leather spine and corners. There is a tear near the top of the spine. Boards have faded and the corners are scuffed/bumped.Library plate inside front board and stamp on title page.Hinges and binding firm with no loose pages.Marbled edges on side and bottom clean but top edges faded.Text clean and easy to read. Samual Bagster hardcover
1890716621890. Fine. 30 novembre 1890 11.40 x 17.80 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret regarding one of his most famous paintings depicting future soldiers of the Great War entitled ""Les Conscrits"" now held in the collections of the Assemblée nationale in Paris. 2 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. Known for his Breton subjects in realistic style Dagnan-Bouveret painted during 1890 young conscripts drawn by lot to perform their military service. The youngest is depicted draped in the tricolor flag which he brandishes. ""If the painter Dagnan-Bouveret created realistic portraits of these conscripts it is almost certain that these men experienced fire during the First World War"" cf. expositions.bnf "". J'ose à peine vous inviter à venir voir mon nouveau tableau ""les Conscrits"" et pourtant vous avez toujours pris tant d'intérêt à mes efforts que je me ferais des reproches de ne pas vous avoir prévenu. ."" "". I hardly dare invite you to come see my new painting 'the Conscripts' and yet you have always taken such interest in my efforts that I would reproach myself for not having warned you. ."" unknown
1828151860New York; J. Leavitt 1828. First Edition. Hardback. Finely bound in modern aniline calf over marble boards. Raised bands with a dark morocco gilt-blocked label. An exceptional copy - scans and additional bibliographic detail on request. ; 319 pages; Scattered marginal foxing and stain toning. Description: xvi 319 p. 24 cm. Subjects: Jesuits. Port Royal. Jansenists. New York; J. Leavitt hardcover
1880ABC_487241880. Housed in a clear plastic sleeve. Three albumen prints each ca. 19.5 x 26 cm. Three historically important photographs by Pascal Sébah 1823-1886 showing festivities in Cairo. The first photograph depicts the ceremony of the Dosseh. During this event hundreds of dervishes lay on the ground in a long row while the Sheikh seated on a white horse trampled them. The event was incredibly popular in Cairo but also received extensive criticism from around the Muslim world because of its barbarism. The feast was banned in the late 1880s. The present photograph appears to be the only photograph ever taken of it.The other two photographs show the arrival of the holy carpet in Cairo. This carpet was woven every year by the best Egyptian craftsmen. It was then placed into the mahmal a special reliquary and carried to Mecca where it would cover the Kaaba during hajj. One of these two photographs is cut short and therefore missing its signature but it is almost certainly also by Pascal Sébah.Sébah founded a large photographic studio in the centre of Constantinople in 1857 which came to be called El Chark or "The Orient." He extensively photographed Egypt including views of many of the temples as well as rare portraits of tribespeople in the Nubian desert. His work is lauded for its beautiful lighing and compositions. He won a silver medal for his Egyptian photographs at the 1878 Exposition Universelle.The two photographs of the holy carpet are slightly foxed near the top edge and one of them is folded horizontally in the middle. Otherwise in good condition. unknown
181925219Paris: Lefevre "de l'imprimerie de Crapelet 1819. Nouvelle edition augmentée. Engraved frontispiece portrait. 2 vols. 8vo. Quarter brown morocco and maroon paper boards covers a little scuffed gilt spines. Very pleasantly produced set in an attractive binding. Nouvelle edition augmentée. Engraved frontispiece portrait. 2 vols. 8vo. Mill/back/5 Lefevre, "de l'imprimerie de Crapelet unknown
182300009753Paris: Froment 1823. Later edition. Hardcover. Very Good. 2 vol. 24mo. The bibliography states this set was published as a 12mo. but this cataloger spotted vertical chainlines in the leaves 12mo. has horizontal chainlines. 5 6-314; 5 6-383 1 pp. Nineteenth-century parchment with a green and red morocco label lettered in gold on each spine spines decorated in gold; all edges decoratively stained yellow. Each with a silk ribbon bookmark. Part of the series Collection des Classiques Français. Graesse 147. Maire IV 86. A few editions of Pascal's Pensées and Lettres were released between 1803 and 1835 in Paris. Pascal's writings on geometry Christianity and natural philosophy collected and edited by P.R. Auguis. A charming set of Pascal's writings. A Very Good set with a contemporary name on both the half-title pages a modern bookplate on the front pastedowns and one leaf showing a tiny chip to its fore-edge. Froment hardcover
1890715431890. Fine. s. d. circa 1890 13.80 x 9.50 cm une feuille rempliée Autograph letter from the painter Pascal Dagnan-Bouveret to the painter Lucien Monod declining an invitation in order to work on a new painting Un vieux breton now preserved at Chaalis in the museum of the royal abbey. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and from the New York Frick family. His visits to Brittany inspired numerous canvases: ""Je vais en Bretagne pour travailler beaucoup aussi vite que je le pourrai à une figure de vieux breton que je ne trouverai certainement que dans un village et pas en ville et il me faut aussi toujours pour un travail une installation à la campagne ."" ""I am going to Brittany to work hard as quickly as I can on a figure of an old Breton whom I will certainly only find in a village and not in town and I also need always for work a countryside installation ."" unknown
1874002103Paris: Librairie des Bibliophiles 1874. Un volume in 8o di XXV-XXXVIII-305 pagine. Ritratto di Pascal in antiporta. BELLA LEGATURA coeva in piena pelle rossa con cornice dorata e fregi agli angoli dorso a nervi con fregi dorati. Tagli dorati. Ottimo esemplare da collezione. Librairie des Bibliophiles unknown
1867054908Constantinople 1867. Hardcover. Very Good. Original b/w photograph by Pascal Sebah. 30x20 cm. In Ottoman script. Slightly chipped on corners and margins a stain on the descriptive text area. Otherwise a good photo. Original print photograph from 'Les costumes populaires de la Turquie en 1873 ouvrage publie sous le patronage de la Commission Imp. de l'Exposition Universelle de 1873 a Vienne'. Photograph depicts three Ottoman civilians of Rhodes Island in their local costumes; one is an outdoor dress of Muslim women living in Rhodes the second is a standard dress for Muslim men and the last one is a home dress of Muslim women. Pascal Sébah 1823-1886 was a photographer in Constantinople now Istanbul and Cairo who produced a prolific number of images of Egypt Turkey and Greece to serve the tourist trade and the founder of Sebah & Joaillier Photograph Studio. He established a valuable working relationship with Turkish painter Osman Hamdi Bey taking photographs as part of the artist's preparation and in which he experimented with light and shade. In turn Hamdi Bey selected Sébah to illustrate his text on the popular costumes worn by Turkish and other ethnic groups entitled Les Costumes Populaires de la Turquie en 1873: ouvrage publié sous le patronage de la Commission impériale ottomane pour l'Exposition universelle de Vienne and published in 1873. <br/> <br/> hardcover
1896716601896. Fine. 17 mars 1896 11.40 x 17.70 cm une feuille Autograph letter from painter Pascal Dagnan-Bouveret regarding his latest painting ""The Last Supper"" now held in the Musée des Beaux-Arts in Arras. 3 pages on a folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. "". je pensais à vous en achevant mon tableau. A chaque tentative nouvelle vous êtes venu m'encourager et cette fois j'ai osé entreprendre et dans de grandes dimensions un des plus nobles et des plus touchants sujets : la Cène. C'est vous dire qu'il me serait très agréable avant l'envoi au Champ de Mars de vous le montrer en mon atelier ."" "". I was thinking of you while finishing my painting. With each new attempt you came to encourage me and this time I dared to undertake and in large dimensions one of the noblest and most touching subjects: the Last Supper. This is to say that it would be very pleasant for me before sending it to the Champ de Mars to show it to you in my studio ."" unknown
1890715561890. Fine. 31 octobre 1890 11.10 x 17.40 cm une feuille Autograph letter from the painter Pascal Dagnan-Bouveret transmitting a missive from one of his cousins the painter Emile Deshayes curator of the Guimet museum and founder of the Ennery museum. One sheet. Trained in the workshops of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second prize of Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. unknown
1897715441897. Fine. 29 octobre 1897 12.90 x 14.60 cm une feuille rempliée Autograph letter from painter Pascal Dagnan-Bouveret to painter Lucien Monod inviting his colleague to see his painting The Pilgrims of Emmaus now in the Pittsburgh Carnegie Museum of Art in Pennsylvania. One folded sheet. Trained in the studios of Alexandre Cabanel and Jean-Léon Gérôme Dagnan-Bouveret received the second Prix de Rome. Of naturalist inspiration he devoted himself to religious painting and had a prolific career as a portraitist at the end of his life. He received prestigious commissions from the Countess of Béarn and the New York Frick family. ""Vous plairait-il cher Monsieur Monod de voir avant que je ne l'envoie en Angleterre mon tableau ""Les pèlerins d'Emmaüs"" ."" ""Would it please you dear Monsieur Monod to see before I send it to England my painting 'The Pilgrims of Emmaus' ."". unknown
1829376582Amherst Mass: Published by J. S. and C. Adams 1829. First American edition. Translated from an 1819 Paris edition of the "Pensées." The first attempt at the collection of the "Pensées" was in 1670. the first edition in English was the translation by Joseph Walker and published in 1688. 304 pp. 1 vols. 12mo. Contemporary cloth-backed brown boards. New labels some rubbing and wear to binding some spotting and browning of text generally light small tears on title from partial removal of a signature. In a leather tipped brown cloth open end case. First American edition. Translated from an 1819 Paris edition of the "Pensées." The first attempt at the collection of the "Pensées" was in 1670. the first edition in English was the translation by Joseph Walker and published in 1688. 304 pp. 1 vols. 12mo. Craig's edition includes most of the "Pensées" with exceptions of those pieces relating to the Catholic church which he felt inadequate to translate and those pieces that did not relate to religion. "The work is notable for its acute analysis of human character for many striking sayings and for its combination of powerful and persuasive reasoning with passionate devotion" Oxford Companion. American Imprints 39971 Published by J. S. and C. Adams unknown
1829YY8009Emler Freres 1829. Full tan calf gilt decor to spine. Marbled endpapers and page edges. A very attractive copy. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. Armorial bookplate to inside front board. Binding sound text unmarked. Armorial bookplate to inside front board. Binding sound text unmarked. Near Fine. iv 472pp. Emler Freres Hardcover
1808706621808. Wien den 8. December 1808. Folio. 3 pp. Paragraph 1: "Nur in den k.k. Erbstatten proviirte Aerzte sind befugt in denselben ihre Kunst auszuüben." Paragraph 8: "Einen besonderen Fleiß soll jeder Arzt auf das Studium und die Beobachtung der endemischen und epidemischen Krankheiten welche in der Nachbarschaft seines Aufenthaltes vorfallen wenden. ." Paragraph 14: "Mit besonderem Fleiße wird er die Vaccination zu befördern suchen" Ferdinand Graf von Bissingen-Nippenburg Regierungs-Präsident. Augustin Reichmann von Hochkirchen Vice-Präsident. Paskal Joseph von Ferro Regierungs-Rath. Ferdinand Ernst Maria Anton Graf von Bissingen-Nippenburg 1749-1831 österreichischer Beamter und Politiker. Augustin Reichmann von Hochkirchen vor 1813 Augustin Reichmann 1755.1828 österreichischer Adeliger und Beamter aus Niederösterreich. Pascal Joseph Ferro ab 1805 Pasqual Joseph Ritter von Ferro 1753-1809 deutscher Arzt Sanitätsreferent der niederösterreichischen Landesverwaltung und Hochschullehrer in Wien der das moderne Sanitäts- und Rettungsdienstwesen sowie die Kuhpockenimpfung in Österreich eingeführt hat. Diese Verordnung behielt fast 70 Jahre ihre Gültigkeit. unknown
1875SCsPASCA63Paris: Garnier Frères 1875. 1875. large 8vo. pp. 2 p.l. 758 1 leaf 4ads. with half-title. text in double columns. 4 engraved portraits. contemporary quarter roan gilt back gilt edges joints & spine worn scattered foxing. Hardcover. Paris: Garnier Frères, 1875. Hardcover
1804013056Paris: L'Auteur 1804. Contemporary quarter calf boards. Tiny piece chipped from spine top; three tiny stickers on spine bottom; ink stamp on verso of title page. First Edition. Hard Cover. Very Good/No Jacket. L'Auteur Hardcover
18806776ca. 1880. Good. Albumen-silver photograph on paper 355 x 270 mm. Signed and titled in plate. Toned to sepia. Some spotting visible in sky portion of photograph. Mounted on board excised from album. <br /><br /> unknown
187728042Paris: Alphonse Lemerre 1877. 2 vols. 8vo pp. 4 lxxxiii 1 326 1; 4 420 1; engraved frontispiece portrait in vol. I vignette title-pp. 1 page of Pascal's facsimile handwriting woodcut initials and ornaments original printed wrappers bound in at the back; contemporary quarter brown morocco over marbled boards t.e.g. the others uncut; some scuffing of the spines else very good and sound. There is also an issue of twenty-five copies printed on Whatman paper. Alphonse Lemerre unknown
1819LA - HAY360621819. A Paris Chez Lefèvre Libraire. reliés plein-veau marron marbré de l'époque. Coiffes supérieures et coins frottés et parfois légèrement usés sinon bonnes reliures et intérieurs très frais. 2 volumes in-8. dos lisses avec pièces de titres et tomaisons en cuir rouge et noir ornés de motifs et caractères dorés ; toutes tranches marbrées ; plats encadrés d'une dentelle dorée. unknown
181938323Paris: Chez Lefèvre Libraire. Very Good with no dust jacket. 1819. Leather. CXXVI and 488 pages XLIV and 551 pages; Full contemporary leather with marbled eps. CXXVI and 488 pages XLIV and 551 . New edition augmented by an essay on the best works written in prose in the French language and an introduction to the Thoughts by Count Francois de Neufchateau as well as an analytical table of thoughts. French language. . Chez Lefèvre, Libraire hardcover