279 résultats
19861421glsParsippany NJ: Unicorn Publishing House 1986. First Edition. Signed by the artist. Octavo siver-stamped black cloth with color illustration on front cover 161 ii pp. Color plates b&w plates. Fine. Unicorn Publishing House, (1986). First Edition. hardcover books
187284148NY:: W. J. Widdleton. Very Good. 1872. Hardcover. Illustrated with steel engraved frontispiece and one interior plate accompanying "The Raven." An early printing. Duodecimo bound in dark green cloth covered boards with gilt lettering and bevelled edges top edge gilt brown endpapers. Edge worn with loss at the base of the spine previous owner's name and date 1873 on front free endpaper foxing to plates and tissue guards else very good. Binding is solid.; 278 pages . W. J. Widdleton, hardcover books
190784324London / NY:: George Bell & Sons / Macmillan. Very Good. 1907. Hardcover. B01AKRSE1E . Part of The Endymion Series. Illustrated and decorated by W. Heath Robinson. Introduction by H. Noel Williams. "Cheaper Reissue." Many unopened pages. Octavo bound in green decorated cloth with gilt lettering top edge gilt decorated pattern endpapers. A bit age toned along the spine previous owner's book-plate on front paste-down else very good. Binding is solid. No dust jacket. ; 225 pages . George Bell & Sons / Macmillan, hardcover books
199548189NY:: Sterling Publishing Company. Fine in Near Fine dust jacket. 1995. Hardcover. 0806908203 . Edited by Brod Bagert. Ninth printing. Fine in a very near fine price clipped dust jacket. . Sterling Publishing Company, hardcover books
197043005NY:: Modern Library. Very Good in Very Good dust jacket. 1970. Hardcover. 0394600827 . Modern Library number 82. Edited with an introduction by T. O. Mabbott. A later printing in the #8 binding. Very good in a very good price clipped dust jacket. . Modern Library, hardcover books
194463218NY:: Random House. Very Good. 1944. Hardcover. B085W2Q5VW . Introduction by Hervey Allen. No indication of printing. Very good in a very good moderate edge wear and aging slipcase. . Random House, hardcover books
1975Embry 196330Easton Press 1975. Fine. Full brown leather decoratively gilt. Part of "The 100 Greatest Books Ever Written" series. Easton Press, 1975. hardcover books
197586450Norwalk:: Easton Press. Fine. 1975. Hardcover. B000GQPXPU . With illustrations. Introduction by Vincent Starrett. Collector's edition. Quarto fully bound in brown leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Fine. ; 366 pages . Easton Press, hardcover books
197581234Norwalk:: Easton Press. Near Fine. 1975. Hardcover. B000GQPXPU . With illustrations. Introduction by Vincent Starrett. Collector's edition. Quarto fully bound in blue leather with gilt lettering and design raised bands along spine all edges gilt silk moire endpapers sewn-in ribbon book mark. Previous owner's book-plate on half-title page else near fine. ; 366 pages . Easton Press, hardcover books
198792519Franklin Center:: Franklin Library. Near Fine. 1987. Hardcover. B00244SEHG . Part of The Franklin Library of Mystery Masterpieces series. Octavo bound in red cloth with gilt lettering and design raised bands along spine all edges gilt. Near fine. ; 304 pages . Franklin Library, hardcover books
190893374London:: T. C. & E. C. Jack. Very Good. 1908. Hardcover. Part of The World's Story Tellers series. Edited by Arthur Ransome. First edition thus. Edge worn at the spine ends age toned along the spine previous owner's book-plate on front paste-down offsetting to endpapers else very good in light blue cloth with dark blue lettering and design. No dust jacket. ; 164 pages . T. C. & E. C. Jack, hardcover books
198188119Garden City:: Doubleday & Company. Very Good in Very Good dust jacket. 1981. Hardcover. 0385149905 . Illustrated. Edited with an introduction notes and a bibliography by Stephen Peithman. Book club edition. Remainder spray on bottom edge else very good in a very good a bit faded along the spine some minor edge wear dust jacket. . Doubleday & Company, hardcover books
1881292043Philadelphia.: Porter and Coates. 1881. Full deeply embossed padded leather gilt cover title leaf patterned endpapers all edges gilt. Very good old ink ink inscription to second endpaper. 19.5x16 cm. weight: 0.8 lb. Illustrations by Darley McCutcheon Fredericks Perkins King Riordan and Northam. Each leaf illustrated. Porter and Coates. hardcover books
49908Mount Vernon: Peter Pauper Press nd. First edition. 95 pp. Near fine in near fine publisher’s slipcase with a small crack. Poems with wood engravings by Hans Alexander Mueller. Inked ownership name and bookplate to the front endpapers of Wormwood Review editor Marvin Malone. Mount Vernon: Peter Pauper Press unknown books
1859273571New York. : Redfield. 1859. Publisher’s blindstamped blue cloth gilt spine title all edges gilt. . Very good spine darkened light wear to extremities front inner hinge starting ink name to second endpaper. small 8vo. 14.5x8.5 cm. A nice copy of an early edition of Poe’s poetry. weight: 0.5 lb. Portrait frontis. Redfield. hardcover books
200184608Boston:: Little Brown. Near Fine. 2001. Hardcover. 0821227726 . Stated first edition. Remainder mark on bottom edge else near fine in black and gray cloth. No dust jacket. . Little, Brown, hardcover books
1947109853Sm. San Francisco: The Colt Press 1947. Sm. 4to 82pp. Seven color wood engravings by Mallette Dean. Cloth-backed decorated boards paper spine label printed in blue and brown. A fine copy. § First book appearance of this work limited to 500 copies printed by the Grabhorn Press for the Colt Press owned by Jane Grabhorn. The text originally appeared in 1840 in Burton's Gentleman's Magazine of which Poe was then the editor. One of the Fifty Books of the Year. Grabhorn Bibliography 443. The Colt Press hardcover books
19123616London: Hodder & Stoughton 1912. First trade edition. Original grey-green cloth gilt stamped on front cover with all-over Dulac design of clusters of bells and lettered in gilt. Spine lettered in gilt and with similar design. Unpaginated. Twenty-eight color plates with descriptive tissue guards. Ten black ink head-pieces on tan backgrounds and portrait of Poe on the title-page also in black ink on tan background. An excellent copy.<br/><br/>"Dulac's pictures for The Bells were more uniform in mood and style than groupings for almost any other book of his to this time. Although water colours they are overstreaked with gilt in some cases crayon in others to produce rich haunting effects. Deep shades of blue and a special deep pink-rust predominate throughout.The Outlook commented: 'sometimes Dulac's pictures are deep-coloured and intense sometimes dim and ghost-like. But one and all are sensitized to record impressions of unearthly beauty or horror. Only Poe could have written the poems. Only Dulac could have illustrated them'.As the 10 Bells headpieces show he had now become truly masterful with his pen" Hughey.<br/><br/>Hughey 29a. Hodder & Stoughton unknown books
19193590London: George G. Harrap & Co 1919. First Thus. First Harry Clarke trade edition. Quarto 10 1/2 x 8 1/8 inches; 268 x 206 mm. Original sage-green buckram over boards. Front cover pictorially stamped and lettered in black spine pictorially stamped in black and lettered in gilt top edge gilt others uncut. Extremities very slightly rubbed otherwise a fine copy. Collating 381 2 1 blank with twenty- four black and white plates and ten decorative tail-pieces and vignettes repeated throughout the text two of which were used several times in Fairy Tales by Hans Christian Andersen.<br/><br/>"Mr. Harry Clarke has allowed himself full liberty in attempting to express the features of Poe's Tales which differentiate them from others. In his drawings the morbid imaginings of Poe's extraordinary genius are depicted without any attempt to soften their weird effects upon most readers. At the same time the drawings are extremely beautiful. They exhibit a wealth of delicate and intricate design such as few other if any living artists can command" Harrap's.<br/><br/>Bowe 149 no. 3. Steenson A2.b. George G. Harrap & Co unknown books
199119052005San Francisco: The Arion Press 1991. Limited Edition. Hardcover. Fine. Arakawa. No. 95 of 276 copies folio size 119 pp. signed by Arakawa. "Eureka" a substantial essay on the nature of the universe is a later work by Edgar Allan Poe 1809-1849 published a year before he died. Best known for his Gothic and Romantic short stories and poems especially "The Raven" and "The Fall of the House of Usher" Poe named this work a "prose poem" and he brings poetic sensibilities to his intuitive search for truth in the cosmos. The text has been interpreted numerous ways partly because Poe's seriousness in the essay has been questioned by some due for example to his jocular treatment of historical figures.<br/><br/>Illustrating this Arion Press edition is Japanese artist and architect Arakawa 1936-2010 who takes excerpts of the text and overlays geometric symbols and patterns simultaneously clarifying and obfuscating meaning.<br/><br/>___DESCRIPTION: Full light brown cloth grey wraparound ruled borders orange and grey lettering on the both boards and spine fore- and bottom edges uncut photo-engravings based on drawings on mylar by Arakawa in grey and black throughout; Walbaum and handset Bodoni Book types Waterford paper folio size 13.75" by 10" pagination: i-ii iii-ix x 1-4 5-107 108 1 colophon one of 276 copies this number 95 signed by Arakawa on the colophon. With original subscriber's invoice one sheet with two folds for mailing tucked in a clear plastic sleeve.<br/><br/>___CONDITION: Volume is fine with clean boards straight corners with no rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; slight discolouration to the paste-down endpapers from the linen sewing tapes else fine. The subscriber's invoice is fine clean and without wear.<br/><br/>___CITATION: Arion Press Catalogue no. 35.<br/><br/>___POSTAGE: Â Please note that this is an unusually large and heavy book therefore additional postage may apply; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. The Arion Press hardcover books
193310066New York: Tudor Publishing Co. 1933. First Edition Thus. Hardcover. Near Fine in Poor DJ. Minor shelf/edge wear a handful of discrete pencil notations frontispiece has small creases in bottom right corner else tight bright and unmarred; DJ is present but in pieces. Black cloth boards gilt lettering paper label blue endpages frontispiece tipped in plates. 4to. 412pp. Illus. color and b/w plates. <br/><br/>Overall a very handsome copy of this minor classic. Tudor Publishing Co. hardcover books
1928JC7052London Bombay Sydney: George G. Harrap & Co. 1928. Hardcover. Good. Blue leatherette stamped in gilt on upper board and spine; 4to; pp. 382 plus 8 full-color plates tipped onto heavy grey stock 24 b/w plates and numerous b/w illustrations in text. Spine darkened a bit; some light scuffing along joints and edges of boards; hinges cracked with somewhat shaken binding. Previous owner's bookplate on front paste-down. An excellent reading copy. <br/><br/> George G. Harrap & Co. hardcover books
193321032106New York: Tudor Publishing Co 1933. First Edition. Hardcover. Fine/near fine. Clarke Harry. First Tudor edition quarto size 412 pp. with original publisher's dust jacket and box. Edgar Allan Poe 1809-1849 needs no introduction as the master of the macabre. He gained a reputation as a popular writer and became a household name by 1845 although he continued to struggle financially for the rest of his life. One of the first writers to attempt to make a living solely off his work Poe's work greatly affected the burgeoning genres of horror and science fiction and much of his work explores the tumultuous depths of the human psyche. <br/><br/>The tales are perfectly complemented by the artwork of Harry Henry Patrick Clarke 1890-1931 who would become a leading figure in the arts and crafts movement. Clarke was apprenticed as a glass-maker to his father the head of a large firm of stained glass artists in 1906. An accomplished glass artist whose work can be seen in both secular and religious settings Clarke's illustrations can be compared to that of Aubrey Beardsley Kay Nielson and Edmund Dulac taken up during the tail end of what was considered the Golden Age of Illustration; his work is often imbued with a sinister atmosphere also exemplified by Beardsley and which come to full force in this work. <br/><br/>A stunning example the volume incredibly clean and fresh in a dust jacket that is clean and bright and with the original box: Poe's "Tales" with Clarke's illustrations as they were meant to be. <br/><br/>___DESCRIPTION: Bound in full black cloth over boards gilt decoration and lettering on the spine paper label mounted onto front board with an illustration by Clarke in black and white over a half-gold ground above black lettering and decorations top edge stained black black endpapers tipped-in colour frontispiece title page with small illustration by Clarke seven additional full-colour plates by Clarke bound in throughout plus twenty-four pages of black and white illustrations two of the pages constitute a single double-spread illustration chapter tailpieces by Clarke throughout; quarto size 10 5/8" by 8 1/4" pagination: 1-8 9-412 followed by a half-page Clark vignette. With the publisher's dust jacket Clark illustrations on front and spine in black white and yellow black lettering on front and spine on a yellow ground the rest of the jacket coal-black other than the inner portions of the flaps which are plain white free of lettering or ornamentation. Contained within the publisher's box the sides covered with black paper the bottom with plain white paper the top with a mounted white page with blue ruled borders enclosing one of the full-colour illustrations with black lettering both above and below. <br/><br/>___CONDITION: Volume fine overall the binding clean and unworn the paper label on the front clean and without any wear straight corners without rubbing a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; the colour frontis slightly creased at the bottom gutter corner from catching when the book was closed as it was tipped in at the top not mounted else fine; clean crisp and almost as new. The dust jacket is unclipped although without a printed price clean the colours deep and bright utterly unfaded with a minimum of light scattered overall wear the most noticeable to the two front corners with very small loss to the lower front corner. The publisher's box a solid very good with minor overall soiling the lid with two seams just beginning to break and a bit of wear to the black paper the bottom with a bit more wear and two seams partially split however still sturdy. <br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Tudor Publishing Co hardcover books
2016022952New York: Abrams. Fine. 2016. Hardcover. Bright boards and text block; still in plastic sleeve. Unpaginated. "Multi-award winners David Pelham and Christopher Wormell bring Edgar Allan Poe's classic poem vividly to life in this stunning dimensional pop-up." ; Large 8vo 9" - 11" tall . Abrams hardcover books
19861341403Parsippany NJ: The Unicorn Publishing House 1986. First Thus First Printing. Hardcover. Octavo 161 pages; VG; spine black cloth with silver lettering; mild shelf wear and scuffing; inscribed by Hildebrandt at front free end paper; profusely illustrated in black and white and full color; pages clean; shelved Poetry. 1341403. Shelved Dupont Bookstore. The Unicorn Publishing House hardcover books