339 résultats
158060779Bordeaux, Simon Millanges, 1580. 8vo (111 x 159 mm). 2 parts in one volume. (8), 496 pp. (4), 656 pp. (miscounted as 650+[3]). Bound with an engraved portrait of Montaigne by Thomas de Leu, produced for the 1608 edition and here inserted as a frontispiece. Luxurious dark green morocco by Hippolyte Duru (signed and dated 1850), covers ruled in blind, spine ruled around five raised bands and lettered in gilt. Leading edges gilt; finely gilt inner dentelle. Marbled endpapers. All edges gilt.
155357045Paris, Charles Estienne, 1553. Small 4to. Bound in a lovely 19th century red morocco binding with five raised bands and gilt ornamentations to spine. Boards with blindstamped frame-borders and gilt ornamental centre-pieces. All edges of boards gilt and inner gilt dentelles. All edges gilt. ""E. THOMAS"" discreetly printed to top of front free end-paper. Front free end-paper with woodcut armorial book-plate (Bibliotheque du Plessis Villoutreys). First and last leaves with a bit of brownspotting, otherwise very nice and clean throughout. The last three leaves with neat restorations - neatly closed tear, with no loss and a couple of small restorations to top margin (far from affecting text). (8), 148 pp. Estienne's printer's device to title-page and woodcut initials.
150262020Strassburg, Johann Pruss, 1502. 4to (195 x 137 mm). Bound in a beautiful 19th-century full calf binding with gilt lettering and ornamentation to spine, elaborate gilt borders to boards, inner gilt dentelles, gilt ornamentation to edges of boards. All edges gilt. Ex-libris to both front and back pasted-down end-papers and front and back free end-papers (see below). Title-page reinforced at inner margin and with loss of paper, slightly touching the woodcut illustration. Last leaf with marginal repair and a closed tear. 33 lines to a page. 24 ff. (A4, B6, C-D4, E6). Withbound are 33 blank leaves in the back. A very nice copy. 7 Woodcut illustrations in the text inspired by (but not an adaptation of) Brant's 'Das Narrenschiff'. Provenance:John William Beaumont Pease, 1st Baron Wardington (1869–1950)Christopher Henry Beaumont Pease, 2nd Baron Wardington (1924–2005)Lucy Anne Paese (1966 - )
155646837Basel, [Per Henrichum Petri, 1556 - on colophon]. An absolutely lovely copy of the exceedingly scarce first edition, first printing, of one of the most influential and important works in the history of modern thought. A work that has for a long time been overlooked due to the gross neglect of the history of Renaissance philosophy, but which has nonetheless been seminal to the development of scientific and philosophical thought from the 16th century and onwards. With a purely naturalistic and immanent view of the natural process, Pomponazzi here frees man's thought from the bounds of religion and provides modern thinkers and scientists with pure empiricism and naturalism. ""Er will das ""Wissen"" and die Stelle des ""Glaubens"" stellen"" - ""die ""dämonische"" Kausalität des Glaubens weicht der Kausalität der Wissenschaft"" (Cassirer, p. 110 + 111). 8vo. Contemporary full limp vellum, with vellum cords to hinges. Remains of vellum ties to boards. A bit of brownspotting, but all in all a lovely, completely unrestored copy in its first binding. Five large woodcut initials and large woodcut printer's device to verso of last leaf. (16), 349, (3). Adams: P-1827" Wellcome: I:5153" DSB: XI:71-74.A.H. Douglas: ""The Philosophy and Psychology of Pietro Pomponazzi"", 1910.M.L. Pine: ""Pietro Pomponazzi: Radical Philosoper of the Renaissance"", 1986.Thorndyke: ""A History of Magic and Experimental Science"", Vol. V, 1966 (4th printing)P.O. Kristeller: ""Eight Philosophers of the Italian Renaissance"", 1965.J.H. Randall, in: ""The Renaissance Philosophy of Man"", 1956 (4th impression).B.P. Copenhaver & C.B. Schmitt: ""Renaissance Philosophy"", 1992.E. Cassirer: ""Individuum und Kosmos in der Philosophie der renaissance"", 1969 (3. Aufl. - orig. 1927).See also: Kristeller: ""Renaissance Thought and its Sources"""" ""Medieval Aspects of Renaissance Learning"""" ""Renaissance Thought II, Papers on Humanism and the Arts"". ""Pomponazzi's thought and reputation were extremely influential in the centuries after his death. Even before it was printed, his treatise ""On incantations"" circulated widely in manuscript among philosophers, physicians and early modern naturalists (see Zanier 1975). Due to his mortalist theory of the soul, 17th-century ""free thinkers"" regarded Pomponazzi as one of their own, portraying him as an atheist (see Kristeller 1968"" Paganini 1985). Enlightenment thinkers of the 18th century pushed to extremes his distinction between natural reason and faith, while 19th-century positivists, such as Ernest Renan and Roberto Ardigò, saw in Pomponazzi a forerunner of their own beliefs and a champion of naturalism and empiricism."" (SEP).
159055265Ferrara, Benedetto Mamarello, 1590. Small 8vo. Later half vellum with gilt title-label to spine. Marbbled paper over boards. A faint damp stain to the last few leaves, otherwise a nice and clean copy. Old ownership-signature to last leaf. Bookplate to inside of front board. Large woodcut device to title-page. Woodcut initials and headpieces at beginning. (8), 170, (5) pp.
151562325(Josse Bade & Guillaume de Marnef), (on colophon:) August 6, 1515. 8vo. Wonderfully bound in a mid-19th century full morocco binding with broad gilt ornamental borders to boards, raised bands and richly and exquisitely gilt spine. Broad inner gilt ornamental borders to baords and gilt decoration to edges of boards. All edges gilt. Hinges expertly restored.With the gilt leather bookplate of Edward Hailstone to inside of front board and with the engraved armorial bookplate of C.L.F. Robinson to front free end-paper. Old printed private library number to verso of front free end-paper. Early owner's name to title-page and early, neat handwritten notes to first couple of leaves. Ff. 67-68 with a clean cut tear to the middle, no loss. First couple of leaves a little darkened. Overall in excellent condition with clear and fresh imprints. Title-page printed in red and black, with half-page woodcut ullustration and with Marnef-device. 107, (1) ff. Illustrated throughout with 115 magnificent woodcuts (including the one of the title-page), most of them ca 1/3 page, two of them full-page.
152553741Venice, Octavianus Scotus, 1525. Small folio. Bound in a lovely 18th century full green morocco binding with richly gilt spine, triple gilt line-borders to boards, double gilt lines to edges of boards, and inner gilt dentelles. All edges gilt. A few leaves a little closely shaven. Title-page and final blank slightly dusty/browned and last few leaves with a faint small, marginal damp stain, far from affecting text - otherwise a remarkably fine, clean, and fesh copy with only very minor occasional brownspotting. A beautiful printing with beautiful woodcut initials to almost all leaves. Large woodcut printer's device to colophon. A truly lovely copy, housed in a custom-made full leather box with gilt title to spine. 139 ff.
157560368Rome, 7. VII. 1575. Imperial oblong folio (735 x 570 mm). Latin manuscript on vellum. 1 p. With Gregory's lead bulla attached on a hemp cord.
157046892Napoli, Apud Iosephum Cacchium, 1570. 4to. Contemporary limp vellum with handwritten title to spine. Remains of old paper-labels to top and bottom of spine. Spine with loss of ab. 3x2 cm. of vellum to middle, not affecting the book block, which is sound and fine underneath. Some soiling to binding, but all in all fine and unrestored, albeit a bit loose. Some brownspotting to title-page (not heavy), otherwise just a bit of scattered brownspotting. All in all internally very nice and clean, and with good, wide margins. Old owner's name (Juliani Riccii) to front free end-paper and title-page, which also has his inventory number in neat hand: ""no/ 634""). Telesio's woodcut title-device (a beatiful naked woman, all alone, far from the troubles of the world, illuminated by the sun, surrounded by a border carrying the saying in Greek: ""mona moi fila"" - presumably depicting the goddess of Truth), and numerous lovely, illustrated woodcut initials throughout. 95 ff.
153326505Basel: Hieronymus Froben e Nikolaus Episcopius 1533. The Editio Princeps the first printing of the work in the original Greek. Greek and roman type. Woodcut printer’s device of Johann Froben by Hans Holbein der Jünger The Younger on the title-page and on fol. CC4v Heitz-Bernoulli 50. Woodcut decorated headpieces decorated and animated initials on black ground from different alphabets designed by Holbein; on fol. a1r 8-line initial showing Heraclitus and Democritus from the capital Latin alphabet of May 1520 drawn by Holbein and by Jacob Faber cfr. Hollstein’s German xivB n. 119. 4to 210x146 mm. In a very rarely encountered contemporary binding of Dutch blind-tooled leather over wooden boards. The covers are framed by two borders of blind tooled fillets a floral tool at each corner; the central panel is divided into diamond designs with rosettes on the upper cover and fleur-de-lys on the rear. Turn–ins and cords fixed at the inner boards. Antique spine and clasps renewed at a somewhat later date and accomplished with the greatest skill. The guard leaves are composed of two bifolia from a 14th-century manuscript breviary. Collation: 1 2 3 4 a-z4 A-Z4 aa-zz4 AA-CC4 fols. 1v CC4r blank. 8 573 3 pp A beautiful and fine broad-margined copy in a wonderful contemporary binding faint water staining to the inner corner of the first quires a minor repair to the gutter of the first leaves two tiny wormholes in the last three quires. Provenance: John Alfred Spranger 1889-1968; book-plate on front pastedown and stamp on title-page. EXTREMELY RARE FIRST PRINTING OF THE EDITIO PRINCEPS OF THIS REMARKABLY IMPORTANT BOOK AND A COPY WHICH IS OF THE VERY FINEST STATE AND CONDITION. The editio princeps of Diogenes Laertius’ Lives of the Famous Philosophers is the most important source of our knowledge in the history of Greek philosophy from Thales to Pyrrho. <br> The text was known only in the Latin translation by Ambrogio Traversari 1386-1439 which made its first appearance in print in Rome around 1472 and which was widely reprinted during the fourteenth and the first decades of the sixteenth century. This is the first printing of the book in its original language.<br> The edition is dedicated by the typographers Froben and Episcopius to the scholars and in their epistle they declare their publishing plan: to print at least a work per year able to combine usefulness and pleasure. <br> The text follows a manuscript provided by the professor of Greek and Hebrew at the University of Wittenberg Matthaeus Goldhahn 1480-1553 called Aurigallus probably a copy of the codex Raudnitzianus Lobkowicensis vi.F.c.38 at the time preserved in Komotau Bohemie in the house of the politician Bohuslav Lobkowitz von Hassenstein c. 1460-1510 and presently in the Library Národní Knihovna of Prague. Hieronymus Froben e Nikolaus Episcopius hardcover
158030561Jena, Donat Richtzenhayn, Thomas Rebart, Rebarts Erben, Christian Rödingers Erben, 1557-1580. 8 Bände. Mit 8 teils wdh. Holzschnitt-Titelvignetten und 8 Textholzschnitten. Blindgepr. Schweinslederbände der Zeit über Holzdeckeln, teils monogrammiert und datiert, teils mit erhaltenen Schließen. Folio.
1587bn1717A Paris, chez Jean Richer, rue Saint Jean de Latran, à l'arbre verdoyant Relié 1587 "Première édition parisienne des Essais de Montaigne publiée du vivant de l'auteur (1587) et « troisième édition originale de la plus grande rareté »(Tchemerzine). ""C'est la première édition des Essais avec une adresse parisienne. Elle corrige beaucoup de fautes présentes dans les deux premières impressions des Essais. C'est de loin l'édition la moins problématique puisqu'elle corrige la plupart des erreurs produites dans l'atelier de Simon Millanges"" (Philippe Desan). ""La plupart des exemplaires recensés à ce jour sont dans des reliures modernes, et tous les exemplaires connus dans une reliure de l'époque possèdent une page de titre soit remontée soit en fac-similé"" (Philippe Desan) (Bibliotheca Desaniana Catalogue Montaigne paru aux Classiques Garnier en 2011) Notre exemplaire comporte une page de titre en fac-similé. Sinon il est conforme aux autres exemplaires : in-12 de 4 feuillets comportant la page de titre, au lecteur, liste des chapitres, puis 1075 pages, 2 feuillets blancs. Exemplaire très enviable en reliure d'époque, vélin rigide, sans défaut. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
156127989Basel, Johann Herwagen, 1561. (18) SS., 1 w. Bl., 551 (recte: 549), (4), 552-651, (41) SS. Mit 3 Holzschnittdruckermarken. Blindgepr. Schweinslederband der Zeit auf 4 Doppelbünden mit hs. Rückentitel und 2 intakten Schließen. Folio (230:340 mm).
159810630Paris, Abel Langelier, 1598 In-12 (190 x 122 mm), 4 ff. n. ch., 1165 pp., 1 p. n. ch. Basane marron mouchetée, dos à nerfs orné, titre et auteur dorés, roulette dorée sur les coupes, tranches mouchetées de rouge, dos passé, légers frottements aux charnières, épidermure sans gravité au second plat, auréole marginale à une trentaine de feuillets, quelques jaunissures, manque le dernier feuillet blanc (reliure du temps).
150651410Strassburg, Knobloch, 1506-7 + 1511 4to. Bound in one very nice full mottled calf binding from ab. 1800, with five raised bands to richly gilt spine. A bit of wear to extremities. Occasional browning, but all in all very nice and clean. 289 ff (without the white blanks) + (4), xcvi, (7), (4, -index & errata).
159851411Argentinae (i.e Strassburg], Lazarus Zetzner, 1598. 8vo. Very nice 19th century half calf with richly gilt spine. Some browning and spotting, but overall a nice copy. Many woodcut diagrams in the text. Woodcut printer's device to title-page. (24), 992, (32) pp.
150722612(Straßburg, Knobloch, 1506 - 1507). 293 (davon 4 weiße) duchgehend rubrizierte Bll. 4°. Blindgeprägtes SchweinsLdr. d. Zeit über Holzdeckeln mit intakter Schließe (fleckig, wurmstichig, beschabt und bestoßen) [5 Warenabbildungen]
155753970Paris, Andreas Wechel, 1557. 4to. 2 parts. (4 pp.), 5-16, 10 ff. Text in Greek and Latin. With woodcut printer's device as well as several floral headpieces and initials. Later full vellum with handwritten spine-title.
151056068Augsburg, Johann Otmar für Georg Diemar, 1510. Fol. Mit 6 fast blattgr. Holzschnitten von Hans Burgkmair u. 2 großen Initialen. 210 nn. Bll., Mod. Ldr. im Stil d. Zt. m. Streicheisenlinien u. Kopfgoldschnitt.
154538532(Leipzig, Nikolaus Wolrab), 1549 (im Kollophon: 1544 bzw. 1545). Fol. Titeln in Rot u. Schwarz m. Titelholzschnitt bzw. m. breiter figürl. Holzschn.-Bordüre. Mit zahlr. Textholzschnitten von Hans Brosamer. 4 Bll., 382 num., 10 Bll. (das letzte weiß); 1 nn., 69 num., 4 nn. Bll. (das letzte weiß); 6 nn., 281 num., 7 nn. Bll.; 6 nn., 88 num., 1 nn. Bll., Blindgepr. Schweinsldr.-Bde. d. Zt. über Holzdeckeln a. 4 Bünden m. goldgepr. Rückenschild sowie blindgepr. Deckeltitel (?Postil sumer teyl und fest? bzw. ?Postil winter Teill?, dat. ?1550?) u. 2 Schließen.
151327988Straßburg, Martin Flach, 1513. (4), 253 Bll. Titel in rot und schwarz gedruckt. Mit Holzschnitt-Titelbordüre (Vögel und Reben) von Hans Wechtlin und blattgr. Holzschnitt von Urs Graf am Schluß der Vorstücke. Blindgepr. Schweinslederband der Zeit auf 3 flach gearbeiteten Bünden. 2 intakte ziselierte Schließen. Folio (222:320 mm).
159652474Lyon, Jacob Roussin, 1596. 8vo. Contemporary limp vellum. Title-page printed in red and black. A fine copy. (16), 633 pp.
156252485Balsel, Sebastian Henricpetrus, (1562). 4to. Both volumes bound in one nice mid-19th century half calf with gilt spine. Title to lower edge in contemporary hand. Ex libris to inside of front board. Some browning and brownspotting, and first title-page frayed at edges and with a repaired hole (presumably removing an old owner's name), not affecting printing and a small repaired hole in imprint (affecting the ""Pe"" of ""Per Sebastianum...""). 1) Somniorum Synesiorum: (42) pp., 1 blank leaf, 278 pp., 1 blank leaf. +2) Opera quaedam lectu digna (with a separate title-page and separate pagination): (36), 413, (1, -errata) pp. - lacking the final leaf with printer's devise only (no text).
157046891Napoli, Apud Iosephum Cacchium, 1570. 4to. Bound in 18th century marbled boards. Completely fresh and clean copy. Two small marginal holes to last two leaves, far from affecting text. Good, wide margins. Telesio's woodcut title-device (a beatiful naked woman, all alone, far from the troubles of the world, illuminated by the sun, surrounded by a border carrying the saying in Greek: ""mona moi fila"" - presumably depicting the goddess of Truth), and 11 lovely, illustrated woodcut initials. 12 ff.
151820708Augsburg, Sigismund Grimm & Marx Wirsung, 1518-20. Fol. Holzdeckelband der Zeit mit blindgeprägtem Schweinsleder-Rücken über 4 Bünden. Einband wurmstichig und ohne die beiden Schließen, Vorderdeckel brüchig, beide Deckel mit Nagespuren an den Kanten.