557 résultats
197827765West Islip NY: Universal Limited Art Editions 1978. First edition. Rauschenberg Robert. Portfolio with 36 lithographs by Rauschenberg and text by Robbe-Grillet. Printed on specially made Twinrocker paper with the watermark of the artist's and author's signatures it comprises 31 pages plus the title page and 4 colophon pages printed from 37 stones and 27 aluminum plates numbered 11-31 I-IV. <br/>20-1/2 x 26 3/16 inches 52 x 69 cm. folded. Copy 34 of a total edition of 36 plus 6 A.P. copies the colophon calls for six but they are numbered through 7. Signed and dated by Rauschenberg and signed and numbered by Robbe-Grillet on each of the 31 pages each carries the embossed folio number and publisher's seal. Fine condition in original red cloth clamshell box designed by the artist as issued. With two of the original aluminum offset plates on which Robbe-Grillet wrote the text a set of ten proof pages on Twinrocker paper for the text before illustrations and a sheet which Robbe-Grillet used for practice before writing out the manuscript on the plates. The plates were returned to ULAE by Robbe-Grillet and proofed before Rauschenberg responded to each group of text pages by creating his iluustrations. "Long enamored of French literature and language publisher Tatyana Grosman attended a lecture by Alain Robbe-Grillet in April 1972. When the writer mentioned Robert Rauschenberg's work Mrs. Grosman already aware of stylistic similarities between the two felt that a collaboration was fated. Two days later it was underway. During the next four years Mrs. Grosman sent offset plates to Paris and proofed and translated Robbe-Grillet's text in West Islip; Rauschenberg added images one chapter at a time. The completed pages were sent back to Robbe-Grillet with plates for the next chapter. It soon became clear that Robbe-Grillet was not working in the spirit of sympathetic collaboration but providing a massive text that presented great problems in page design. Rauschenberg responded with images that are much more aloof than in previous books yet responsive to the elegance of the text" Esther Sparks Universal Limited Art Editions pp. 447-459. "The title is police jargon loosely meaning that things are not as they seem.To Robbe-Grillet's mysterious story of lost romance and murder in the city Rauschenberg responded with a portrayal of everyday life with supermarkets underwear and bicycles. Mrs Grosman saw both contributions as equally nostalgic and sad. 'The effect was a Last Year at Marienbad quality' she said" Mary Lynn Kotz Rauschenberg / Art and Life 1990 p. 148. <br/><br/> Universal Limited Art Editions hardcover books
197829227West Islip NY: ULAE 1978. First edition. Rauschenberg Robert. Portfolio with 36 lithographs by Rauschenberg and text by Robbe-Grillet. It comprises 31 pages plus the title page and 4 colophon pages printed from 37 stones for the images and 27 aluminum plates for the text numbered 11-31 I-IV. Pages measure 20-1/2 x 26-3/16 inches 52 x 69 cm. folded as issued. Printed on specially made Twinrocker paper with the watermark of the artist's and author's signatures. One of seven artist proof copies from the total edition of 42 copies. Each of the 31 pages is signed and dated by Rauschenberg and signed and numbered by Robbe-Grillet; each page also carries the embossed folio number and publisher's seal. Fine condition in original red cloth clamshell box designed by the artist as issued and the publisher's specially constructed wooden case. "Long enamored of French literature and language publisher Tatyana Grosman attended a lecture by Alain Robbe-Grillet in April 1972. When the writer mentioned Robert Rauschenberg's work Mrs. Grosman already aware of stylistic similarities between the two felt that a collaboration was fated. Two days later it was underway. During the next four years Mrs. Grosman sent aluminum offset plates to Paris and proofed and translated Robbe-Grillet's text in West Islip; Rauschenberg added images one chapter at a time. The completed pages were sent back to Robbe-Grillet with plates for the next chapter. It soon became clear that Robbe-Grillet was not working in the spirit of sympathetic collaboration but providing a massive text that presented great problems in page design. Rauschenberg responded with images that are much more aloof than in previous books yet responsive to the elegance of the text" Esther Sparks Universal Limited Art Editions pp. 447-459. "The title is police jargon loosely meaning that things are not as they seem.To Robbe-Grillet's mysterious story of lost romance and murder in the city Rauschenberg responded with a portrayal of everyday life with supermarkets underwear and bicycles. Mrs Grosman saw both contributions as equally nostalgic and sad. 'The effect was a Last Year at Marienbad quality' she said" Mary Lynn Kotz Rauschenberg / Art and Life 1990 p. 148. <br/><br/> ULAE hardcover books
1935C1031Alain Campbell White letters to Frederick Gamage cover the years from April 4 1935 to September 15 1944. For this ten year period there are 364 dated letters and 28 incomplete letters lacking front date page. The letters are an ongoing correspondence between White and Gamage which covers all aspects of problem chess. The letters show a development of mentor White encouraging ad occasionally prodding his protégé Gamage in developing skills in problem construction. As the letters progress over this ten year period the reader can observe the relationship develop between the two men from a formal intercourse to a more comradely banter. White offered suggestions comments and themes for problems. White's vast and profound technical knowledge his artistic appreciation his ability in expressing himself and his enthusiastic and friendly encouragement were the great inspiration of many problems Gamage constructed and he was lucky enough to be among his host of correspondents. Some of the letters were multiple pages hand typed but often hand written some unsigned or just initialed usually with the location White was residing and the date written. Included with the letters are the limited edition work by Alain White on Gamage Frederick Gamage: An Artist in Chess Problems and Mike Prcic's book Frederick Gamage. The letters in the latter work have been reproduced from the original letters offered now.<br /><br />Newman Guttman was one of a few problemists to visit Frederick Gamage. After the passing of Gamage the letters from Alain White along with Gamage's other chess papers were given to Guttman. He in turn gave these papers to Edgar Holladay. Holladay came into the possession of what problemists would consider as "treasures" one-of-a-kind items from famous and well-known problemists. Robert Moore and Holladay were good friends and these were passed to him by Holladay's wife Rita.<br /><br />Serious buyers may inquire about more information regarding this collection.<br /><br />Condition:<br /><br />The letters have folds for postage some occasional stains and occasional edge wear else a very good collection. They are housed in individual archival holders held in a multiple three ring binders. Self Written books
1939140939610Baltimore: The Baltimore Museum of Art 1939. First Edition. Very Good. First edition. 24 pp. Original orange stapled wraps. Very Good with a single vertical crease to wraps and all pages additional crease to back wrap corner a few ink checkmarks to margins. Contents bright with six black-and-white reproductions of paintings therein. Scarce with no other copies for sale in the trade currently a total of three copies found at auction and only 17 institutional copies found in a recent OCLC search. An important catalog of one of the first exhibitions of African American art and apparently the very first to be held in the South. The exhibition was historically significant for its contents and style as well; it was the first to frame Black art as "modern." Over 12000 visitors saw the 116 works by 29 artists including Jacob Lawrence Dox Thrash Samuel Joseph Brown Elton Clay Fax Archibald Motley James Lesesne Wells and Hale Woodruff. Over 80 years later the Baltimore Museum of Art commemorated this occasion with the exhibition "1939: Exhibiting Black Art at the BMA. The Baltimore Museum of Art unknown books
196117265Wuppertal: Verlag der Kalender 1961. First edition. Paperback. Very Good. Large square paperbound quarto. 12" square. Book consists of numerous examples of Vostell's Decollage screenprints intersperced with concrete poetry by Dufresne. Text at rear in German and French by Alain Jouffrey. Contents in fine condition. Printed on thick paperstock. The front cover of this copy has some staining mostly at the lower front corner of the book and strectching upwards along the spine for about 5". See photo. A few tiny chips to edges. A gorgeous book. Verlag der Kalender paperback books
19437639Bruxelles: Editions Du Nord 1943. Original Wraps. Nelly Degouy. Number 47 of 50 copies on Holland Van Gelder paper with an extra suite of 30 color plates in original envelope; original paper covered slipcase. Original pictorial wrappers original glassine dust jacket. A lovely copy internally clean and bright with no markings of any kind; glassine dust jacket with small loss at spine ends; slipcase is very good. <br/><br/> Editions Du Nord paperback books
1940140939200Washington D.C.: The Associates in Negro Folk Education Inc 1940. First Edition. Very Good. First edition cloth issue. 224 pp. with many b/w illustrations color frontis. Black cloth with gilt lettering. Very Good sans jacket with light wear to cloth and soiling to edges foxing and offsetting to endpapers later gift inscription on front free endpaper underneath Locke's inscription horizontal crease to frontispiece that may be a production error. Signed by editor Alain Locke on front free endpaper inscribed to professor of philosophy Max Otto and his wife "in remembrance of happy Madison Wisconsin days. signed with an underscore Alain Locke May 27 1946." A nice association between two prominent American intellectuals. As an outspoken critic of religious dogma and a friend of progressive Wisconsin politician Robert LaFollette Otto weathered decades of opprobrium while teaching in Wisconsin. A gay African American philosopher educator and writer Locke is most often remembered as the "Dean" of the Harlem Renaissance; his writing on the movement in 1925 including the seminal anthology The New Negro effectively launched it. He was also the first African American Rhodes scholar. This influential anthology introduced many Black modern artists and subjects at a time when few critics were aware of them. An uncommon signed major work of Locke's. The Associates in Negro Folk Education Inc unknown books
1974133135Bloomington: N.p. 1974. First Edition. Archive of research materials used by William F. Van Wert in preparing his dissertation "The Theory and Practice of the Cine-Roman" Arno Press 1978. Included are responses to a questionnaire and an album of film stills. <br/><br/>Focusing on the filmmakers of the Rive Gauche movement which slightly preceded the French New Wave and ran parallel through the 1960s Van Wert wanted to explore the literary influence on the works of the movement's principle filmmakers an aspect he felt separated them from their "Cahiers" counterparts. He sent the directors a twenty-question survey to which he received four amicable responses from Alain Robbe-Grillet Henri Colpi and Jean Cayrol. <br/><br/>Alain Robbe-Grillet provides a generous response directly on the questionnaire with his comments in blue and red holograph ink throughout. He describes his reactions to contemporary filmmakers how Godard's works were influential but the work of Truffaut and Chabrol were absolutely not and numerically ranking the importance of each aspect of filmmaking such as the editing soundtrack and directing actors and signs his form "bien cordialement / Robbe-Grillet" at the top right corner of the first leaf. <br/><br/>Jean Cayrol responds with a two-leaf typed letter signed. Cayrol who collaborated with Alain Rensais on "Night and Fog" 1955 and "Muriel" 1963 invites Van Wert to tape a conversation in Paris because of an expressed difficulty in easily articulating his ideas in writing. <br/><br/>Henri Colpi responds with a four leaf six page autograph letter signed on his printed stationery some leaves recto and verso some recto only. Colpi was the director of the 1961 Palme d'Or winning "Une aussi longue absence" and writes the most thorough response addressing each of Van Wert's questions in detail. <br/><br/>Included are 142 original 4 x 6 inch vernacular photographs taken during screenings held by Van Wert using prints obtained from Grove New Yorker Films and others. The photos were ostensibly used as visual references by Van Wert while researching the films referenced in his book. Included are photographs from three films: "L'Immortelle" Robbe-Grillet 1963 "L'Opera mouffe" Agnes Varda 1958 and "Night and Fog" Resnais 1955. Photographs Fine housed in the photo binder used by Van Wert binder Very Good plus with minor chipping and light soiling. <br/><br/>Letters 8.5 x 11 inches to 8.5 x 11.5 inches. Very Good overall housed in a supplied binder. <br/><br/>Also included as reference are Van Wert's books "The Theory and Practice of the Cine-Roman" First Edition Near Fine with minor rubbing and a later printing of "The Film Career of Alain Robbe-Grillet" Very Good in wrappers. <br/><br/>Criterion Collection 238. Redemption Films 39. Vogel US. N.p. unknown books
1809270812London: Longman Hurst 1809. hardcover. fine. Translated from the French of Le Sage by Benjamin Heath Malkin. Illustrated with copper engravings with tissue guards. 4 volumes tall 8vo deckled edges. Bound by Birdsall-Norhtampton full straight grained burgundy morocco inner dentelles decoratively gilt spines. London: Longman Hurst 1809. Fine.<br/><br/> Longman, Hurst unknown books
1964149332N.p.: N.p. 1964. Collection of five vintage oversize borderless photographs and two contact sheets with 59 images of the Thelonious Monk Quartet in performance at the La Maison de l'ORTF Office de Radiodiffusion-Television Francaise in Paris on February 23 1964. Photographs with the stamp of photographer Alain Dessalles on the verso.<br/><br/>The quartet here includes saxophonist Charlie Rouse bassist Butch Warren and drummer Ben Riley. They would also back Monk on his 1964 album It's Monk's Time the tracks for which were recorded at in January February and March one of five albums Monk would release that year. <br/><br/>According to Robin Kelly's Thelonious Monk: The Life and Times of an American Original the quartet was in the midst of a 17-stop tour through Europe when these photographs were taken. The images capture the legendary pianist at the height of his creative powers and three days later on February 28 1964 Monk became just the fourth jazz musician to be featured on the cover of Time magazine. <br/><br/>Photographs 8 x 12 inches contact sheets 9 x 12 inches. Very Good plus. N.p. unknown books
1961151474Paris: Editions de Minuit 1961. First Edition. First Edition. INSCRIBED by the author on the half-title page: "Pour Dominique Aury / avec tout mon amitie / Alain Robbe-Grillet." "For Dominique Aury / with all my friendship / Alain Robbe-Grillet.". Photo-illustrated with stills from the film. Text in French. <br/><br/>Screenplay for the 1961 film directed by Alain Resnais and starring Delphine Seyrig Sacha Pitoeff and Giorgio Albertazzi. <br/><br/>Very Good plus without dust jacket as issued. Faint foxing to the upper page edges and bottom right corner of the front panel front panel with a lightly bumped crown and brief creasing along the spine. Editions de Minuit unknown books
1958146999Paris: Nouvelles Editions de Films 1958. French language draft script for the 1958 film. <br/><br/>Based on the 1777 erotic novel "Point de Lendemain" by Dominique Vivant released in the US as "The Lovers." <br/><br/>Louis Malle's second film about a wealthy woman who becomes bored with both her emotionally distant husband and her lover and abruptly leaves them both to take up with a younger man she just met. After its released in the US the film became the subject of a landmark First Amendment case before the Supreme Court where Justice Potter Stewart in declaring the film not obscene issued the immortal phrase "I know it when I see it" in regards to what constitutes pornographic material. <br/><br/>Set in and shot on location in Paris Dijon Burgundy and the Cote-d'Or all in France. <br/><br/>Tan untitled wrappers. Title page present with credits for director Louis Malle and screenwriter Louise de Vilmorin. 154 leaves with last page of text numbered 145. Mimeographed rectos only. Pages Near Fine with faint toning at the edges wrapper Very Good front wrapper detached and held by binding tape along spine brittle with some chipping and closed tears staple bound.<br/><br/>Criterion Collection 429. Nouvelles Editions de Films unknown books
1967135548N.p.: N.p. 1967. Collection of 8 borderless reference photographs from the French release of the 1967 film. <br/><br/>Arguably Jean-Pierre Melville's crowning achievement though we feel there are no low points among his crime films wherein Delon plays an icy hitman who is utterly anonymous living alone in a single bedroom apartment with only a small bird in a birdcage for company. Things are fine and then he meets a woman. <br/><br/>9.5 x 8 inches. Near Fine. <br/><br/>Criterion Collection 306. Buss French Film Noir. Ebert I. Grant France. Spicer France. N.p. unknown books
1968143609Garden City NY: Doubleday 1968. First Edition. First Edition. Copy belonging to director Joseph Losey with his name and home address written in holograph ink on the first leaf: "Joseph Losey / Hanover NH / '70." Additional underlining and bracketing throughout in the same fountain pen ink as the inscription mostly to the opening chapters of the text. <br/><br/>The McCarthy / HUAC witch hunt saw Losey hounded out of the United States in the 1950s and to his great regret he never made another film in his home country. Professionally though it was the making of him as a director: in collaboration with Harold Pinter Losey made a trilogy of legendary British films of the 1960s: "The Servant" "Accident" and "The Go-Between." Pinter and Losey also worked closely together on an adaptation of Proust's "In Search of Lost Time" but although the script was later published the film remained unmade. <br/><br/>Losey shared both a political philosophy and a cinema aesthetic with Alain Resnais and Losey's 1978 film "Roads to the South" is a sequel to Resnais' 1966 film "The War is Over." Both starred Yves Montand. <br/><br/>Very Good with light wear at the extremities and creasing to the spine from having been read. Doubleday unknown books
1802013295London: Vernor and Hood 1802. Three volumes. Translated from the French by T.S. Smollett. The first Smollett translation was in 1748. Signed bindings by Bayntun of Bath. Each front cover has a different character with inlaid leathers in multiple colors. Ornate border designs in gilt with corner florets. Panelled spines with gilt designs and lettering. Inner dentelles and marbled endpapers. Wood engraved tail pieces. Gold round book-plate of Fred Robison Heryer on front pastedown of each volume. Mr. Heryer lived in Lawrence Kansas and owned a brokerage business in Kansas City. All edges gilt. Front joints weak but intact. Marginal brown stain on pp.97-98 in Volume 2. Paper repair to bottom fore-edge of p.321 in Volume 3. This is an extra-illustrated set with the original ten full-page plates WHICH HAVE BEEN HAND-COLORED. They were originally in black and white. An additional 35 plates have been inserted mounted on heavy white stock. The extra plates were drawn by Smirke and Cruikshank. Le Sage 1668-1747 was a French novelist and playwright. He first published this picaresque novel in 1715. An elegant edition of the classic of French literature. Housed in a custom slipcase. 399 392 420pp. Later Edition. Full Cranberry Morocco. Gentle Wear Only/No Jacket. Octavo. Vernor and Hood Hardcover books
197128543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement. In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. <br/><br/> Alan Satié unknown books
1942C12662 volumes. 4138 pages with frontispiece diagrams and index; 4163 pages with frontispiece diagrams and index. Duodecimo 6 3/4" x 4 3/4" bound in original publisher's beige cloth with brown lettering to spine in original onion skin wrappers with original slipcase. Overbrook Chess Series number 2. Betts: 32-32 First edition limited to 250 copies.<br /><br />The two volumes contain 166 problems mainly direct mates in 2 or 3 by 84 American composers accompanied by short accounts of their lives and their work in problem composition the text forming a continuous historical narrative of problem composition in the United States since 1845. Volume two includes an epilogue by Vincent L Eaton: A sketch of the life and activities of Alain White with 12 of his compositions. Solutions at the end of each volume. A wonderful summary of early American composition with special note of the wonderful compositions of Sam Loyd and W. Shinkman both geniuses in chess problems along with a survey of the contributions of Orestes Brownson and his iconoclastic and scarce chess magazine.<br /><br />Condition:<br /><br />A fine set in a slightly rubbed slipcase. Overbrook Press hardcover books
181947996London: Thomas M'Lean; John Bumpus et al. 1819. 3 volumes 8vo 15 hand-colored aquatint plates; bound without the half-titles in later full polished blue calf by Zaehnsdorf double gilt rules on covers gilt-decorated spines in 6 compartments morocco labels in 2 a.e.g.; a very good sound set. With the engraved bookplate in each volume of the meat-packing baron Philip D. Armour Jr. 1832-1901 of Chicago. <br/><br/> Thomas M'Lean; John Bumpus [et al.] unknown books
1974WRCLIT57682Paris: Société Internationale d'Art e Siècle 1974. Small folio 38 x 28.5 cm. Folded gathered sheets laid into printed wrappers. Fine in cloth slipcase and chemise. First edition. Illustrated with four original full-page engravings by André Masson. From an edition of 235 copies including 35 hors commerce printed on vélin d'Arches this is one of one hundred copies signed by the author and the artist. MONOD 6440. Société Internationale d'Art e Siècle hardcover books
1881017624London: J.C. Nimmo and Bain 1881. Book. Very good condition. Hardcover. Early edition. 12mo - over 6¾" - 7¾" tall. Three volume set. Extra-illustrated with a complete series of 100 mounted fine color plates inserted; engraved by J.J. Hubert for the 1795 Parisian edition. Bound by Bayntun in full red morocco with minor shelfwear and rubbing; a.e.g.; several hinges are slightly weakened and the hinges of the 3rd volume have been professionally repaired. Vol. I: lx 13-398 pages. Vol. II: 395. Vol. III: 407 pages. Title continues ".Translated from the French by Tobis Smollett. Preceded by a Biographical and Critical Notice of Le Sage by George Saintsbury. With Twelve original etchings by R. de Los Rios.". J.C. Nimmo and Bain Hardcover books
1819006294London: J. Mawman 1819. First edition thus. Full Calf. Very Good Plus. Extra-illustrated with 84 additional hand-colored plates interleaved from the 1807 edition by Tomlinson Warner et. al. for a total of 87 hand-colored plates. 8vo. 22 by 14 cm. Many of the extra colored plates done by Richard Phillips. Diced calf on boards with lotus ornamented gilt band around perimeter of boards and same as turn-ins wide raised bands on spine with gilt decoration both on bands and within compartments between. Condition: rubbing along joints edges corners. <br/><br/> J. Mawman unknown books
1819001439London: Thomas McLean Juhn Bumpus; W. H. Reid; John Brumby; and Priestley and Weale 1819. First edition thus. Full Calf. Fine. 8vo. Sangorski & Sutcliffe binding. With 15 hand-colored aquatint plates. Triple fillet border on covers floral tooling and morocco lettering pieces on spines Volume 1 and 3 spines slightly worn at top. With varying offsetting from some plates onto facing pages scattered foxing on text leaves. Bookplates of Edward Laurence Doheny and Carrie Estelle Doheny. A beautiful set. <br/><br/> Thomas McLean, Juhn Bumpus; W. H. Reid; John Brumby; and Priestley and Weale unknown books
188133877London: J. C. Nimmo and Bain 1881. This copy #75 of an edition limited to 100 copies with proof etchings on Whatman paper. Hardcover. Very good/No dust jacket. Preceded by Dialogues Serious and Comic Between Two Chimneys of Madrid. London: J. C. Nimmo and Bain 1881. 2 vols. This copy #75 of an edition limited to 100 copies with proof etchings on Whatman paper. Illustrated with etchings by R. de Los Rios. Hardcover. 8vo. 3/4 brown polished morocco over marbled paper covered boards. Five raised bands gilt lettering in compartments top edge gilt marbled endpapers. Light wear to corners. Else very good. This is a unique copy extended to 2 volumes by the insertion of 175 extra-illustrations etchings copperplates steel engravings and woodcuts. Very good/No dust jacket. Multiple volumes - extra shipping charges apply Insurance required to ship this item. J. C. Nimmo and Bain hardcover books
1945140939613Albany: Albany Institute of History and Art 1945. First Edition. About Very Good. First edition. Original wraps. About Very Good with staining and separation to front wrapper at bottom staple small chip nearby; faint dampstain to fore edge of prelims and front wrap. An illustrated collection of biographies of prominent African American artists with an introduction by Alain Locke the philosophical architect of the Harlem Renaissance and the New Negro Movement. Each artist is listed with a biography and pictures of select works. Artists include Romare Bearden Eldzier Cortor Lois M. Jones and many others. Uncommon. Albany Institute of History and Art unknown books
1963143079Neuilly-sur-Seine France: Argos Films 1963. Archive of 15 vintage borderless photographs from the 1963 film each photograph showing director Alain Resnais on the set often accompanied by cast crew or camera and lighting set ups. With holograph annotations on the verso of a few photographs. <br/><br/>In a small seaside town an antiques dealer her former lover and her son all struggle in with real or imagined elements of their past. Resnais third feature and second film working with screenwriter Jean Cayrol having previously collaborated on the 1955 short film "Night and Fog." <br/><br/>Set and shot in Boulogne-sur-Mer France. <br/><br/>10 x 8 inches. About Near Fine. <br/><br/>Criterion Collection 824. Rosenbaum 1000. Argos Films unknown books
