557 résultats
176658832London: Printed for T. Osborne and others 1766. Third edition of the Smollett translation first published in 1749. 12mo. 4 volumes: xii 312; iv 263; vii 292; viii 276 pp. Illustrated with a copper-engraved frontispiece to each volume and 29 other copper-engraved plates. For his own fiction Smollett "preferred to adapt to his purpose the 'picaresque' method of Le Sage . Smollett's hero like 'Gil Blas' recounts a life of varied adventures which he experiences in the company of a servant" DNB from a long entry. CBEL II p. 525. Lowndes Vol. II p. 1343: "A translation of great merit . the English author is true to the sense manner and spirit of the original and is often extremely happy in the interchange of particular idioms" quoted from Tytler. A little foxing but a very good copy. Later tan polished calf rubbed especially joints and spine ends gilt marbled endpapers leather labels and gilt rules and ornaments between raised bands on spine aall edges gilt by Zaehnsdorf. #5970. <br/><br/> Printed for T. Osborne [and others] hardcover books
198914755ENew York: Margaret Roeder Gallery 1989. First Edition. Paperbound 8†x 10â€. An essay by Yve-Alain Bois issued to accompany an exhibition of paintings by Susan Smith. Thin 3 1/2†adhesive mark on the front cover else fine in printed wrappers. Margaret Roeder Gallery unknown books
200726252Hong Kong/Köln/London/Los Angeles/Madrid/Paris/Tokyo: Barnes & Noble / Taschen. Fine in Fine dj. 2008 c.2007. Reprint. Hardcover. nice clean copy with no discernible wear to either book or jacket. Movie Icons Series B&W and color photographs There are certainly better and definitely bigger books about Steve McQueen than this small-format tome 6"x8" but if you're in search of a kind of "essence of McQueen" you couldn't do much better. There's an intelligent introductory essay "Steve McQueen: King of Cool" by Alain Silver followed by a "Visual Filmography" which takes up the heart of the book and presents stills from all his films all credited to The Kobal Collection and beautifully reproduced in the best Taschen manner. The Chronology Filmography alas with just the director's credit plus McQueen's role and Bibliography are all quite brief but that doesn't take away from its pleasure as a pictorial survey of his career. All text and captions are in English German and French. The original 2007 Taschen edition seems to have been issued as a paperback only; this edition hardcover with dust jacket appears to have been produced basically for the American remainder market yet seems to be less common than the paperback. Go figure. . Barnes & Noble / Taschen hardcover books
1979250619Wood Stock: Overlook Press 1979. hardcover. near fine/very good. Illustrated with 75 black-and-white photographs from classic films. 393 pages. 4to black cloth-backed grey boards with blind stamped medallion and gilt spine text dust wrapper. Woodstock N.Y.: The Overlook Press 1979.<br/><br/> Overlook Press unknown books
1979224820Woodstock New York The Overlook Press 1979. 1979. First edition second printing. 4to 8 3/4" x 11 1/4". Edited by Alain Silver and Elizabeth Ward. Co-editors: Carl Macek and Robert Porfirio. Dust jacket unclipped. Clean fresh copy. No signatures or bookplates. 393 pages. F. Hardcover. Woodstock, New York, The Overlook Press, 1979. hardcover books
199418106New York: Limelight Editions. Near Fine. 1994. First Edition. Softcover. 0879101776 . slight curling to covers but no other significant wear; clean inside and out. Trade PB B&W photographs "The sweep of the book encompasses almost two centuries as it reconsiders in detail such classics of literature as Mary Shelley's Frankenstein tales of Edgar Allan Poe Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde Henry James' The Turn of the Screw and Oscar Wilde's The Picture of Dorian Gray right up to such contemporary novels of horror as Shirley Jackson's The Haunting of Hill House Ira Levin's Rosemary's Baby William Peter Blatty's The Exorcist and Stephen King's The Dead Zone. The authors also study the most significant feature flms derived from these and many other works of fiction from the silent era until today." Preface by William Peter Blatty. . Limelight Editions paperback books
199544637NY: Limelight 1995. First Edition. 8vo pp. xvi 390.Bibliograph notes index. Foreword by Burt Lancaster. Copiously illustrated with photos and movie stills. A nice copy in little scuffedand spotted dj. Limelight unknown books
2004USILFIL00fpLimelight Editions 2004. Good. Silver Alain. Film Noir Reader #4: Crucial Films. New York NY: Limelight Editions 2004. 326pp. Illustrated. 8vo. Paperback. Book condition: Good. Lightly rubbed covers with bumped corners slight moisture damage to bottom edge and unmarked pages. Limelight Editions paperback books
1977255835New Jersey: A. S. Barnes and Co 1977. hardcover. near fine/near fine. Illustrated in black and white. 242 pages large 8vo black cloth dust wrapper. New Jersey: Barnes 1977. A near fine copy in a near fine dust wrapper.<br/><br/> A. S. Barnes and Co unknown books
1951260555Paris: Frédéric Chambriand 1951. Paperback. 165p. 24p. of plates french-fold wraps 6.25x8.5 inches wraps toned and worn leaves unopened pages evenly toned spine chipped else very good condition. One of 50 copies of the original edition. Inscribed and signed by Sergent on the half-title with the inscribee's name neatly cut out but rest of inscription present. Text in French. "Visages"; 3. Broad overview of anarchist history covering the period from 1880 to 1950. Frédéric Chambriand paperback books
19847325Paris: Editions Robert Laffont 1984. Small quarto 24.5 x 16 cm. 317 1 pages. FIRST EDITION. A volume in the series Les Recettes originales de. edited by Claude Lebey. The entire series was issued between 1976 and 1992. Near fine in publisher's pictorial boards. No dust jacket as issued. Editions Robert Laffont hardcover books
1987124166Nevers France: A.P.A.C. 1987. First edition. Softcover. Exhibition catalog for a show that ran December 5 1987 through January 16 1988. Text by Patrick Javault in English French and Germany. Includes numerous color and black and white illustrations. A near fine copy in wrappers. A.P.A.C. unknown books
1971289773Boston: Beacon Press 1971. hardcover. very good/very good. Translated by Maria Jolas. 654 pages. 8vo. white cloth backed blue boards edgeworn d.w. ex-library. Boston: The Beacon Press 1971. A very good copy in a very good wrapper.<br/><br/> Beacon Press unknown books
150872hardcover. 654pp. 8vo cloth d.w.; d.w. chipped ex-lib. Boston: Beacon Press 1971.<br/><br/> unknown books
199765907NY:: Abrams. As New in As New dust jacket. 1997. Hardcover. 0810932334 . Color and black and white illustrations throughout. First edition. As new in like dust jacket. Still in original shrinkwrap. . Abrams, hardcover books
199613238New York: Harry N. Abrams 1996. First edition. Hardcover. Fine/Fine. 370 illustrations including 68 plates in full color. First U.S. edition. ISBN 0810932334. A wide-ranging examination of the ways in which humanity has become conscious of its past through the evolution of the science of archaeology from ancient times through the 19th century. Includes chapters on antique and Medieval sources the Europe of the Antiquaries the rejection of the natural history of man the invention of archaeology etc. A fine bright copy in like jacket. <br/><br/> Harry N. Abrams hardcover books
1997241098New York: Abrams 1997. hardcover. near fine/very good. 370 illustrations including 68 full color plates. 384pp. tall 8vo black cloth d.w.; dent to upper front and rear edges minor scratch to rear panel of dust wrapper. New York: Harry N. Abrams 1997. A very good copy in a very good dust wrapper.<br/><br/> Abrams unknown books
200019120Boston:: Little Brown Bulfinch Press. Near Fine in Near Fine dust jacket. 2000. Hardcover. 0821226681 . With contibutions by Brassai and Henry Miller among others. 308 illustrations 14 in color. First American edition. Near fine in a near fine a bit faded along the spine dust jacket. . Little, Brown (Bulfinch Press), hardcover books
2000261282Boston: Bulfinch 2000. First. hardcover. fine/fine. Brassai. With contributions by Jean-Jacques Aillagon Brassai Gilberte Brassai Roger Grenier Henry Miller Jacques Prevert Werner Spies. 308 illustrations 14 in color. 319pp. 4to black cloth. Boston: A Bulfinch Press Book 2000. First American edition. A fine copy.<br/><br/> Bulfinch unknown books
2000150505London: Thames & Hudson 2000. Hardcover. G Page margins are tanning lightly; text and illus. are clear. Black cloth gold & BW illus. dust jacket 320 pp. 294 BW illus. & 14 color illus.; weighs 5.25 lbs. Hungarian photographer sculptor and writer Brassai 1899-1984 "was a man who saw his private life thoughts and motivations as elements best revealed through his photographs and books. This unparalleled compilation of texts and images provides a masterly account of one of the greats of twentieth-century photography. . As a valuable extra dimension the book also includes penetrating extracts from the writings of Brassai himself and of his friends and admirers Henry Miller Jacques Prevert and Roger Grenier an interview with Gilberte Brassai and a biography compiled by her together with an extensive bibliography and list of exhibitions." dj. Thames & Hudson hardcover books
200024499Boston MA: Little Brown and Company 2000. First United States Edition. Hardcover. As new in shrinkwrap. Black cloth with black and gold illustrated dust jacket . 319 pp. 14 color 294 bw plates. "Here are Brassai's iconic scenes of nocturnal Paris with its prostitutes and thugs its night workers cafes dance halls and theaters; here are the fog-shrouded streets monuments and bridges; and here is the literary and artistic elite of the Parisian avant-garde whom Brassai counted among his friends. Alongside these images and providing a deeper understanding of his working method are many previously unpublished contact prints and variations of familiar shots taken from a different angle differently framed or as part of a sequence that constitutes a veritable short story on film. Beyond these there are examples of Brassai's nude studies and magnifications of commonplace objects the engraved photographic plates that he called "transmutations" his drawings and sculpted pebbles the graffiti he found so fascinating - indeed everything to which he turned his imaginative mind throughout a long productive life." "With the close cooperation of Mme. Gilberte Brassai the artist's widow and with the support of Jean-Jacques Aillagon president of the Centre Pomidou and of Werner Spies director of the Musee National d'Art Moderne in Paris Alain Sayag and Annick Lionel-Marie have succeeded in producing the definitive summary of this important oeuvre. As an extra dimension the book includes penetrating excerpts from the writings of Brassai himself and of his friends and admirers Henry Miller Jacques Prevert and Roger Grenier; an interview with Gilberte Brassai and a biography compiled by her; and an extensive bibliography and list of exhibitions."--Jacket. Little, Brown and Company hardcover books
1983161080Paris: Galerie Andre Francois Petit 1983. Softcover. VG- Covers may be slightly tanned at spine otherwise nice and clean. White stapled wraps 20 pp. 8 BW illus. Text is in French. On cover: Hans Bellmer Photographe. Issued in conjunction with a 1983-1984 exhibition of erotic photographs rendered by German surrealist Hans Bellmer 1902-1975. With an introduction by Alain Sayag and a brief artist chronology. The exhibition is said to have had 67 photographs on display and 8 are pictured here. Uncommon in many respects. Galerie Andre Francois Petit paperback books
1982166224Paris: Centre Georges Pompidou / Musee national d'art moderne 1982. Paperback. VG-. Ex-library with usual marks otherwise clean and tight. BW pictorial wraps. 64 pp. Approx 60 BW plates. Catalogue of an exhibition held September 29-November 21 1982. Text in French. Centre Georges Pompidou / Musee national d'art moderne paperback books
1997164299New York: Jeffrey H. Loria/Maxwell Davis Gallery 1997. Softcover. VG. Color-illustrated softcover with red lettering. 48 unnumbered pages. Color illustrations. Portrait. Catalogue of an exhibition from March 25- April 26 1997. Jeffrey H. Loria/Maxwell Davis Gallery paperback books
197128543Paris: Alan Satié 1971. First edition. Book object: A four-drawer box 7x7x5 inchescovered in paper with typed title label and stainless steel spheres as pulls. Each drawer contains a hypergraphic bas relief: One has Satie's poetry collection "Cela va sans dire" presented as a leporello: half-title title page copyright notice frontispiece a plaster bas relief painted gold mounted to numbered and signed card table of contents12 pp text colophon. Spacagna's piece is an etching plate colored in blue adhered to a wooden block which is titled "L'Hypergraphie vivant" signed and dated on the block. Lemaître contributed a plaster bas-relief sculpture colored and signed in green and dated 1972. Sabatier's piece is a plaster bas-relief sculpture decorated in blue; signed and numbered on the card mount. One of 35 examples made. From 1970 to 1972 Alain Satié published La Revue littéraire lettriste a flowering of the most important novels and essays of the movement. In 1973 he received the anti-Goncourt prize for his work Écrit en prose ou L'Œuvre hypergraphique Written in Prose or the Hypergraphic Work the third true hypergraphic novel to be published PSI Editions 1971 following Les Journaux des Dieux Journals of the Gods by Isidore Isou and Saint Ghetto des Prêts Saint Ghetto of the Loans by Gabriel Pomerand. <br/><br/> Alan Satié unknown books