189 résultats
1890861031890 Brioude, Watel, 1890, plaquette in 8° brochée, VIII-43 pages.
1881005512802J.C. Nimmo and Bain 1881. First Edition. Leather Binding. Fine/No Jacket. 8vo - over 7¾" - 9¾" 2 volumes. Copy #14 of 100 copies issued with proof etchings on Japanese paper. Attractively bound in 3/4 dark green morocco over green cloth by G.P. Putnam's Sons spines with raised bands and gilt titling covers ruled in gilt with a single fillet top edge gilt green cloth endpapers spines faded to a lustrous brown; very slight edge wear.4 Original Etchings By R. De Los Rios. J.C. Nimmo and Bain unknown
188145905With Four Original Etchings by R. de Los Rios J.C. Nimmo and Bain hardcover
1809220153London : printed for Longman Hurst Rees and Orme 1809. First Edition. Hardback. Very good set bound in full contemporary polished calf. Gilt-blocked leather labels to spines with gilt-crossed raised bands and spine compartments uniformly tooled in gilt. Gilt-stamped and blind-tooled borders to panels. Inner gilt dentils. Some surface scratches and scuffs to panels. Spine bands and panel edges somewhat dulled and rubbed as with age. Bright and clean internally with light marginal age toning although there is some foxing around the plates. Each volume contains a previous owner's bookplate to front pastedown and signature on blank prelim. leaf. Remains quite well-preserved overall. Further scans images etc. and additional bibliographical material available on request. ; 8vo 8"" - 9"" tall; 0 pages; Physical description: 4v. plates : illus.; 24.5cm. Subjects: French literature - English translation - Fiction. Benjamin Heath Malkin 1769-1842 translator. London : printed for Longman, Hurst, Rees, and Orme hardcover
1881005512801J.C. Nimmo and Bain 1881. First Edition. Leather Binding. Fine/No Jacket. 8vo - over 7¾" - 9¾" 2 volumes. Copy #74 of 100 copies issued with proof etchings on Japanese paper. Attractively bound in 3/4 dark green morocco over green cloth by G.P. Putnam's Sons spines with raised bands and gilt titling covers ruled in gilt with a single fillet top edge gilt green cloth endpapers spines faded to a lustrous brown; very slight edge wear.4 Original Etchings By R. De Los Rios. J.C. Nimmo and Bain unknown
1822303072London: J. Robins and Co. Ivy Lane 1822. First edition of this Translation. 2 vols. 12mo. Quarter contemporary calf gilt spines marbled board. Ownership signature of Haliburton Fales father of DeCoursey Fales on ffep. First edition of this Translation. 2 vols. 12mo. <br/><br/> J. Robins and Co., Ivy Lane unknown
1881019172London: J.C. Nimmo and Bain 1881. Full grey cloth with paper label on the spine modest shelf wear slight darkeneing from handing. Endpapers unevenly age toned. Internally in excellent condition. No previous owner's names not exlibrary. Overall in VERY GOOD condition. First Edition Thus. Full Cloth. Very Good. 8vo - over 7¾" - 9¾" tall. Hardcover. J.C. Nimmo and Bain Hardcover
183643718London: Willoughby & Co. 22 Warwick Lane & 26 Smithfield 1836. Embellished with 500 wood engravings after designs by Jean Gigoux. 770 pp. 1 vols. 8vo. Contemporary half black polished calf gilt spine marbled edges. Bookseller's ticket: Andrew C. Glover Bookseller Truro. Embellished with 500 wood engravings after designs by Jean Gigoux. 770 pp. 1 vols. 8vo. Willoughby & Co., 22, Warwick Lane, & 26, Smithfield unknown books
1815RO60077106Cormon and Blanc, Lions. 1815. In-12. Broché. Etat d'usage, Couv. légèrement passée, Dos satisfaisant, Intérieur acceptable. 324 pages pour le vol. I, 272 pages pour le vol. II, 304 pages pour le vol. III et 288 pages pour le vol. IV. Annotations d'époque en pages de titre (ex-libris). Quelques légères mouillures et rousseurs. Galeries de vers dans les marges des dernières pages du vol. III, sans altération de la lecture.. . . . Classification Dewey : 420-Langue anglaise. Anglo-saxon
181947996London: Thomas M'Lean; John Bumpus et al. 1819. 3 volumes 8vo 15 hand-colored aquatint plates; bound without the half-titles in later full polished blue calf by Zaehnsdorf double gilt rules on covers gilt-decorated spines in 6 compartments morocco labels in 2 a.e.g.; a very good sound set. With the engraved bookplate in each volume of the meat-packing baron Philip D. Armour Jr. 1832-1901 of Chicago. <br/><br/> Thomas M'Lean; John Bumpus [et al.] unknown books
188144670London: J. C. Nimmo and Bain 1881. Edition limited to 100 copies on laid paper this is copy no. 40 printed at the Ballantyne Press with proof etchings on Whatman paper; 3 vols. 8vo contemporary half brown morocco gilt-decorated spine in 6 compartments gilt-lettered in 2 t.e.g. the others uncut; very minor rubbing else fine and bright. <br/><br/> J. C. Nimmo and Bain unknown books
18245868New York: Printed and Published by H. Durell 1824. 12mo. 3 vols. 316;308;304pp. Each vol. with a copper engraved frontispiece and numerous fine plates each with a tissue guard. Early 20th c. 1/2 burgundy calf over marbled boards dark green & red calf spine labels hinges expertly reinforced. Scarce American edition. AMERICAN IMPRINTS 1824 #16884. Printed and Published by H. Durell hardcover books
18591866London: Henry G. Bohn 1859. Sm. 8vo. xii600pp. Illus. with 34 plates. Cont. red calf over marbled boards edges a bit chipped. Henry G. Bohn hardcover books
1881017624London: J.C. Nimmo and Bain 1881. Book. Very good condition. Hardcover. Early edition. 12mo - over 6¾" - 7¾" tall. Three volume set. Extra-illustrated with a complete series of 100 mounted fine color plates inserted; engraved by J.J. Hubert for the 1795 Parisian edition. Bound by Bayntun in full red morocco with minor shelfwear and rubbing; a.e.g.; several hinges are slightly weakened and the hinges of the 3rd volume have been professionally repaired. Vol. I: lx 13-398 pages. Vol. II: 395. Vol. III: 407 pages. Title continues ".Translated from the French by Tobis Smollett. Preceded by a Biographical and Critical Notice of Le Sage by George Saintsbury. With Twelve original etchings by R. de Los Rios.". J.C. Nimmo and Bain Hardcover books
1809270812London: Longman Hurst 1809. hardcover. fine. Translated from the French of Le Sage by Benjamin Heath Malkin. Illustrated with copper engravings with tissue guards. 4 volumes tall 8vo deckled edges. Bound by Birdsall-Norhtampton full straight grained burgundy morocco inner dentelles decoratively gilt spines. London: Longman Hurst 1809. Fine.<br/><br/> Longman, Hurst unknown books
1802013295London: Vernor and Hood 1802. Three volumes. Translated from the French by T.S. Smollett. The first Smollett translation was in 1748. Signed bindings by Bayntun of Bath. Each front cover has a different character with inlaid leathers in multiple colors. Ornate border designs in gilt with corner florets. Panelled spines with gilt designs and lettering. Inner dentelles and marbled endpapers. Wood engraved tail pieces. Gold round book-plate of Fred Robison Heryer on front pastedown of each volume. Mr. Heryer lived in Lawrence Kansas and owned a brokerage business in Kansas City. All edges gilt. Front joints weak but intact. Marginal brown stain on pp.97-98 in Volume 2. Paper repair to bottom fore-edge of p.321 in Volume 3. This is an extra-illustrated set with the original ten full-page plates WHICH HAVE BEEN HAND-COLORED. They were originally in black and white. An additional 35 plates have been inserted mounted on heavy white stock. The extra plates were drawn by Smirke and Cruikshank. Le Sage 1668-1747 was a French novelist and playwright. He first published this picaresque novel in 1715. An elegant edition of the classic of French literature. Housed in a custom slipcase. 399 392 420pp. Later Edition. Full Cranberry Morocco. Gentle Wear Only/No Jacket. Octavo. Vernor and Hood Hardcover books
1886257866Edinburgh: William Paterson 1886. No. 26 of 75 copies on Whatman's paper with proofs of the plates in two states. Frontispiece to each volume and 18 etched plates by Lalauze each on INDIA PAPER in two states. 3 vols. 4to. Contemporary full brown morocco gilt. t.e.g. Fine. No. 26 of 75 copies on Whatman's paper with proofs of the plates in two states. Frontispiece to each volume and 18 etched plates by Lalauze each on INDIA PAPER in two states. 3 vols. 4to. William Paterson unknown books
18226061London: Hurst Robinson and Co. Cheapside 1822. Hardcover. Very Good. 4 v. set. Full calf bindings worn along spines. VG set each volume protected with an archival mylar jacket. Charming engravings. <br/><br/> London: Hurst, Robinson and Co., Cheapside hardcover books
181921653London: Thomas M'Lean John Bumpas et al. 1819. Hardcover. Three quarter red morocco marbled boards and matching marbled endpapers. Aeg. Near fine. 3 vols. 384 378 392 pages. 21.5 x 13.5 cm. With half titles and 15 hand-colored engravings. Though not signed the plates are by J. Clarke and all bear imprint. TOOLEY 139. Bound for William Brown Edinburgh small bookplates offsetting of plates to text but plates are clean as is the text. Raised bands spine panels lettered in gilt light rubbing to joints. Thomas M'Lean, John Bumpas et al. hardcover books
1819001439London: Thomas McLean Juhn Bumpus; W. H. Reid; John Brumby; and Priestley and Weale 1819. First edition thus. Full Calf. Fine. 8vo. Sangorski & Sutcliffe binding. With 15 hand-colored aquatint plates. Triple fillet border on covers floral tooling and morocco lettering pieces on spines Volume 1 and 3 spines slightly worn at top. With varying offsetting from some plates onto facing pages scattered foxing on text leaves. Bookplates of Edward Laurence Doheny and Carrie Estelle Doheny. A beautiful set. <br/><br/> Thomas McLean, Juhn Bumpus; W. H. Reid; John Brumby; and Priestley and Weale unknown books
1886W33951Edinburgh: William Paterson 1886. Original maroon cloth gilt this set is number 5 of 125 numbered copies. 21 plates on India paper etched by LaLouze all with tissue guards. Rendered into English by Henri Van Laun. Imperial octavos spines spotted and corners bumped with material loss. Upper covers of each volume with fading on top and foreedges. Foreedges and bottom edges untrimmed. A noted 18th century French picaresque novel. . Limited/Numbered. Cloth. Fair/No Jacket. Illus. by LaLouze. 4to - over 9¾" - 12" tall. Trade. William Paterson Hardcover books
1807ST10577London: Printed for Richard Phillips 1807. 203 x 121 mm. 8 x 4 3/4". Four volumes. Translated by Martin Smart. <br/> EXTREMELY PLEASING CONTEMPORARY DEEP BLUE STRAIGHT-GRAIN MOROCCO HANDSOMELY GILT BY SAMUEL WELCHER with his ticket on verso of front endpaper covers bordered in gilt with triple rules and framed with wide palmette roll inside of which is a rule with small ring and floral tools at corners; raised bands spines ornately gilt in lobed compartments featuring stippled ground quatrefoil centerpiece with delicate foliate sprays at sides and fleurons at ends turn-ins gilt with single rule and fleuron and ring tools at corners all edges gilt. WITH 160 ENGRAVINGS comprised of 100 copperplates by Warner Tomlinson and others and EXTRA-ILLUSTRATED with 60 plates by Conrad Martin Metz. Front pastedowns with armorial bookplate of H. Holland Edwards Pennant Ereithlyn North Wales see below. Lowndes II 1343; Graesse IV 174. Front joints just a little flaked backstrips slightly sunned covers with minor variation in color several plates a little foxed generally only in margins and more frequently on added plates one leaf with light ink stain in lower margin light dampstain in margin at head of one plate isolated very minor marginal soiling but A VERY PLEASING SET the decorative bindings very well preserved and internally clean fresh and bright.<br/> <br/> Staggemeier and Welcher were in partnership in London from about 1799 to 1810 and their bindings are normally found signed with both of their names rather than with one name or the other as in the present case. Like Kalthoeber and other immigrant German members of their trade the two came to England to satisfy the fashionable need among gentry and nobility for elegant bindings and "in their heyday Staggemeier and Welcher were one of the most prolific workshops producing 'extra' quality work in London." Maggs Catalogue 1212 They were known for bindings with typically tasteful and often elaborate gilt decoration and they were among the very best at producing these highly finished volumes. Howe gives evidence that at various times Staggemeier and Welcher worked together and separately at 11 and 12 Villiers Street. The assumption is that even when they were in partnership each of the binders did at least some work of his own but bindings signed by one of them are much scarcer than those signed by both. The illustrations in our volume are a source of interest in that the 60 by Metz depict scenes from the text that are also shown in corresponding plates by the other artists though with a style that is dramatically different. In the engravings by Metz there are settings with larger more prominent figures whose dimpled knees and large round faces lend an air of comic farce to the scenes. This is perhaps more in keeping with the picaresque quality of the novel than the refined cool and professional engravings of the other artists who have produced rather small figures that seem to be dwarfed by oversized settings. Le Sage 1668-1747 began his literary career translating Spanish works and thus came to appreciate the form pioneered in Spain of the picaresque novel recounting the adventures of a likable rogue and satirizing the foibles of the times. In middle age he turned to creating his own theatrical works and novels and his acknowledged masterpiece is "Gil Blas." The story is set in Spain and the feckless hero suffers many adventures and essays several careers physician courtier before he learns compassion and achieves tranquility in a countrified life. Our owner is the distinguished collector Howel Holland Edwards 1764-1842 of Pennant Ereithlyn North Wales. Son of Edward Edwards of Caerhwm Carnarvonshire he matriculated at Christ Church Oxford in 1782 attaining his B.A. in 1786 and his M.A. in 1789. To his alma mater he donated some of his choicest finds including manuscripts by Isaac Newton. For some time the Duke of Marlborough retained him as both his chaplain and librarian. In 1803 Edwards was made Prebendary of Westminster Abbey and when he died in 1842 he was buried in the abbey. Printed for Richard Phillips unknown
1836L010071Harper & Brothers 1836. First Edition. Leather Binding. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Translated by Tobias Smollett. American issue of the Roscoe edition see Cohn #711. 12mo. -over 6 ¾ in. - 7 ¾ in. The first volume is 406pp. the second 394pp. volume two lacks title page and frontispiece. Bound by W. Roach New York in three quarter green morocco over matching marbled boards with gilt-stamped spines with raised bands and matching marbled endpapers t.e.g. 11 engraved plates throughout both volumes.Rubbing along the edges especially at the corners usual fading to the green morocco at the spine and end-tips; interal foxing to the text and plates but not bad. Overall a Very Good copy. Harper & Brothers unknown
1819AQ33042London: Printed for J. Mawman 1819. In three volumes. xi 1 388; vii 1 375 1; viii 398pp. With an engraved frontispiece to Vol. I and a further 28 engraved plates. Contemporary gilt-tooled diced calf contrasting black morocco lettering-pieces marbled edges. Lightly rubbed and marked. Marbled endpapers ticket of London-based booksellers Bowdery & Kerby to FEP of Vol. I scattered spotting offsetting. Alain-René Lesage's 1668-1747 picaresque novel Gil Blas in its most notable translation by Scottish picaresque writer Tobias Smollett bap. 1721 d. 1771. The novel follows the life of the eponymous protagonist born into poverty who becomes a valet and eventually ends up serving in the royal court ending life in prosperity and comfort. Highly popular in its day the novel is mentioned in the works of Rousseau Sartre and Dostoevsky. . 8vo. Printed for J. Mawman unknown
182432249New York: H. Durrell 1824. 3 volumes. An early American issue of this famous work. A copy with the fine provenance of George C. Shattuck the important Boston physician and educator. Handsomely decorated with 24 full page illustrations by Smirke engraved by Neale and others throughout. 8vo bound in full polished calf of the period the covers with gilt rolled borders original marbled endleaves the spine panels fully gilt and handsomely restored at an early date. 316; 308; 304 pp. A handsome set clean and nice the calf in pleasing condition the spines restored and the hinges strong the text-blocks and illustrations clean and only lightly mellowed by time. SCARCE IN CONTEMPORARY CALF. A handsome and well preserved set of this 18th century classic offered here in the best translation by Mr. Smollett who was also renown for his translation of DON QUIXOTE and for his own masterful works of literature and travel. Robert Smirke English painter and illustrator specialized in small paintings showing subjects taken from literature. He was a member of the Royal Academy and illustrated many books including the Gil Blas as here Don Quixote The Picturesque Beauties of Shakespeare the Arabian Nights and others.<br> Gil Blas is related to Le Sage's other well known play Turcaret. In both works Le Sage uses such things as witty valets in the service of thieving masters women of questionable morals cuckolded yet happy husbands gourmands ridiculous poets false savants and dangerously ignorant doctors to make his point. Each class and each occupation becomes an archetype. The work is universal while also being decidedly French.<br> It is thanks to Smollett that Gil Blas had such an impact on the English-speaking nations. The work was referred to by authors such as Jonathan Swift Oliver Wendell Holmes Wilkie Collins and Nathaniel Hawthorne. It is considered a primary model to Twain for 'The Adventures of Huckleberry Finn' and Charles Dickens relates the story of Gil Blas to Steerforth and Traddles in David Copperfield. H. Durrell unknown