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2723418790.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2723418804.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995140223064Glénat 1995-01-01. Hardcover. New. Glénat hardcover
1999BN12917Müller Rüschlikon 1999. 1999. Hardcover. Confiture - süße Natur Momente des Glücks!Lassen Sie sich verführen von den Kreationen eines großen Meisters und den wunderschönen Fotografien!100 Rezepte - Klassiker wie Aprikosenconfiture und Quittenmarmelade weniger bekannte wie Schokoladenconfiture oder Apfelgelee mit Vanille und ganz außergewöhnliche wie Rosengelee und Confituren aus Zwiebeln Milch oder Gewürzen. Lassen Sie sich überraschen!Alain Furet führt Sie in seine Geheimnisse einDas Vorbereiten der Früchte das Einkochen mit Zucker sowie das Einfüllen und das Haltbarmachen. Jeder Schritt ist genau erklärt und mit Bildern unterstützt. So ist das sichere Gelingen beim Nachkochen garantiert."Schon bei den Namen "Kaktusfeigen-" und "Mandelmilch-Konfitüre" oder "Schokoladen-Gelee" läuft einem das Wasser im Mund zusammen." Frau im Spiegel 32/2000 vom 2. August 2000 <br/><br/>Confiture - süße Natur Momente des Glücks!Lassen Sie sich verführen von den Kreationen eines großen Meisters und den wunderschönen Fotografien!100 Rezepte - Klassiker wie Aprikosenconfiture und Quittenmarmelade weniger bekannte wie Schokoladenconfiture oder Apfelgelee mit Vanille und ganz außergewöhnliche wie Rosengelee und Confituren aus Zwiebeln Milch oder Gewürzen. Lassen Sie sich überraschen!Alain Furet führt Sie in seine Geheimnisse einDas Vorbereiten der Früchte das Einkochen mit Zucker sowie das Einfüllen und das Haltbarmachen. Jeder Schritt ist genau erklärt und mit Bildern unterstützt. So ist das sichere Gelingen beim Nachkochen garantiert."Schon bei den Namen "Kaktusfeigen-" und "Mandelmilch-Konfitüre" oder "Schokoladen-Gelee" läuft einem das Wasser im Mund zusammen." Frau im Spiegel 32/2000 vom 2. August 2000 Müller Rüschlikon hardcover
73-2192St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
73-2011Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
73-2914Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
68-2245Cannes France: Alain Cinquini 1985. Color Slides 5 x 5 cm. VG.Alain Cinquini 1941 - 2021 made his first photo of stars. It was on the advice of a friend that he finally made contact with the Gamma agency. The start of a great career. In a quarter of a century Alain Cinquini took between 80000 and 100000 shots of some of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with movie stars and artists such as Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in that environment matters it opens doors. » Sebastien KUHN Alain CINQUINI 1941 - 2021Fort lot de film négatif inversible couleur planches contact 1984 - 20024 classeurs et 4 dossiers ainsi que 28 boîtes d’ekta : Jazz à Nice Musée Picasso Antibes Tournages Festival de Cannes Stars People :Daniel Auteuil L. Mckenzie Jacques Mauger Bill Wyman Dany Boon Nicolas Cage Dennis Hopper Patricia Kaas Arman Pierre Restany Fahri La reine du Népal BHL Julie Gayet Roger Moore Jean-Loup Dabadie Clint Eastwood César Wim Wenders Brigitte Bardot BONO Charles et Camilla Lino Ventura Claude Lelouch Jean-Louis Trintignant Charles Aznavour Michel Legrand Jean-Paul Belmondo Michel Galabru Jean Ferrat Robert Mitchum Eddy Barclay Robert Hossein Jean Marais Ursula Andres PPDA J. Forsythe Kim Wilde François Cluzet Pelé Anthony Quinn Cannes, France: Alain Cinquini, 1985. unknown
198115750BB1981. original Ausgabe Paris Société d'éditions musicales internationales 1981 4° 32 S. Noten mit unterlegtem französischem plus 8 Farbtafeln Poster/Cover der Société d'éditions musicales internationales und der Les nouvelles editions Meridians Sprache: französisch farbig illustr. original Kartonage Paperback Einband ein wenig berieben und hier und da minimal fleckig oder angedunkelt sonst ein gutes sauberes anstreichungsfreies Exemplar. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. paperback
68-2310Cannes France: Alain Cinquini ca. 1980. Color Negatives 3.5 x 2.5 cm. VG.Alain Cinquini 1941 - 2021 made his first photo of stars. It was on the advice of a friend that he finally made contact with the Gamma agency. The start of a great career. In a quarter of a century Alain Cinquini took between 80000 and 100000 shots of some of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with movie stars and artists such as Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in that environment matters it opens doors. » Sebastien KUHN Alain CINQUINI 1941 - 2021Fort lot de film négatif inversible couleur planches contact 1984 - 20024 classeurs et 4 dossiers ainsi que 28 boîtes d’ekta : Jazz à Nice Musée Picasso Antibes Tournages Festival de Cannes Stars People :Daniel Auteuil L. Mckenzie Jacques Mauger Bill Wyman Dany Boon Nicolas Cage Dennis Hopper Patricia Kaas Arman Pierre Restany Fahri La reine du Népal BHL Julie Gayet Roger Moore Jean-Loup Dabadie Clint Eastwood César Wim Wenders Brigitte Bardot BONO Charles et Camilla Lino Ventura Claude Lelouch Jean-Louis Trintignant Charles Aznavour Michel Legrand Jean-Paul Belmondo Michel Galabru Jean Ferrat Robert Mitchum Eddy Barclay Robert Hossein Jean Marais Ursula Andres PPDA J. Forsythe Kim Wilde François Cluzet Pelé Anthony Quinn [Cannes, France]: Alain Cinquini, [ca. 1980]. unknown
198214076HEYNE WILHELM 1982. 1. softcover. HEYNE, WILHELM paperback
73-2157St. Paul: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1995 unknown
73-2057Monte-Carlo: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monte-Carlo: Alain Cinquini, 1998 unknown
73-2033Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
73-2029Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
2006Q-1886039178Addicus Books 2006-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Addicus Books paperback
6137856925.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2950Book of photographs. Signed by author: "In the eternal Oxford. Desvergnes". French photographer spent three years in Mississippi to photograph Yoknapatawpha County the mythical place of William Faulkner. unknown
19901386684Paris: Marval 1990. Special Limited Edition. Hardcover. Large octavo 120 pages. In Very Good Minus condition. White spine with black and orange text. Boards show minor staining on front and rear cover minor shelving wear on fore and rear corners mild wear on head and tail edges of spine and small dent on rear cover. Text block shows mild discoloration on page 5. Signed by Alain Desvergnes on title page. Special limited edition #1 of 30 copies. . 1386684. Special Collections. Marval hardcover
1989mon0003130731Marval 1989T. paperback. Very Good. . Marval paperback
199856145Paris: Marval 1998. Paperback Octavo. Paperback. Very good. illustrated wraps 115 pp. Marval paperback
1955314759New York: University Books Publishers 1955. 1st U.S. Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. Owner name inked on FEP. Owner personalization inked on front pastedown. Small closed tears on bottom front panel and spine crown. Light toning on spine and rear panel. University Books Publishers hardcover
0853070652.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1991Q-0892813016Inner Traditions 1991-08-01. Paperback. New. In shrink wrap. Looks like an interesting title! Inner Traditions paperback
1258119455.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback