Schwendimann, Max AlainBiblio.com
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1258010232.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0685066169.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1013905547.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
65504Eds M. Claire 2018 In-8 23 cm 143pp. illustr. reliure cart. de l'éditeur Nb-0291 unknown
19652110502150503762Azuma Takara 1965. Soft Cover. Fine. Volume: 1 Azuma Takara paperback
081560551X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
73-2931Saint-Paul: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1997 unknown
73-2006Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
20132-1291082743lulu.com 2013. Paperback. New. 84 pages. French language. 8.52x5.83x0.20 inches. lulu.com paperback
66771Mémoire des Arts In-4-oblong 216pp. illustr. reliure pleine toile de l'éditeur avec jaquette texte francais - anglais A23-A1 unknown
56688Paris XXe Siècle 1980. 4° 159 S. zahlr. tlw. farb. u. ganzseit. Abb. 2 Orig-Lithographien compl. Kart. Impressum m. verklebter Stelle 2 cm. gebrauchsspurig sonst gutes Exemplar. Mit zwei Orig.-Lithographien v. Agam. Text frz. 010 Paris, XXe Siècle, 1980 unknown
55426Paris XXe Siècle 1973. 4° 192 S. zahlr. tlw. farb. u. ganzseit. Abb. Kart. Min. gebrauchsspurig sonst tadell. Mit einer Orig.-Lithographie v. Hans Hartung «Lithographie originale pour XXe siècle»; u. einer Lithographie v. Robert Indiana: Lithographie d’après «Autoportrait 69» Text frz. 010 Paris, XXe Siècle, 1973 unknown
55425Paris XXe Siècle 1977. 4° 159 S. zahlr. tlw. farb. u. ganzseit. Abb. Kart. Min. gebrauchsspurig sonst tadell. Mit einer Orig.-Lithographie v. Henry Moore: Reclining figure: interior setting I Curwen Londres 1977. Text frz. 010 Paris, XXe Siècle, 1977 unknown
1978014893Paris: XXe Siecle 1978. Book. Fine / État De Neuf. Hard Cover / Couverture Rigide. 160 pp. Original lithograph by Gentilini. Lithographie originale de Gentilini. XXe Siecle Hardcover
68-2250Cannes France: Alain Cinquini 1986. Color Slides 5 x 5 cm. VG.Alain Cinquini 1941 - 2021 made his first photo of stars. It was on the advice of a friend that he finally made contact with the Gamma agency. The start of a great career. In a quarter of a century Alain Cinquini took between 80000 and 100000 shots of some of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with movie stars and artists such as Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in that environment matters it opens doors. » Sebastien KUHN Alain CINQUINI 1941 - 2021Fort lot de film négatif inversible couleur planches contact 1984 - 20024 classeurs et 4 dossiers ainsi que 28 boîtes d’ekta : Jazz à Nice Musée Picasso Antibes Tournages Festival de Cannes Stars People :Daniel Auteuil L. Mckenzie Jacques Mauger Bill Wyman Dany Boon Nicolas Cage Dennis Hopper Patricia Kaas Arman Pierre Restany Fahri La reine du Népal BHL Julie Gayet Roger Moore Jean-Loup Dabadie Clint Eastwood César Wim Wenders Brigitte Bardot BONO Charles et Camilla Lino Ventura Claude Lelouch Jean-Louis Trintignant Charles Aznavour Michel Legrand Jean-Paul Belmondo Michel Galabru Jean Ferrat Robert Mitchum Eddy Barclay Robert Hossein Jean Marais Ursula Andres PPDA J. Forsythe Kim Wilde François Cluzet Pelé Anthony Quinn Cannes, France: Alain Cinquini, 1986. unknown
6134222334Springer pp. 356 . Papeback. New. Springer unknown
20101-3642100171Springer Berlin Heidelberg 2010. Paperback. New. reprint edition. 362 pages. 9.21x6.06x0.87 inches. Springer Berlin Heidelberg paperback
73-6108Cannes: Alain Cinquini 1985. 3x3.5 cm slide. 6 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1985 unknown
1998BN16335Klett-Cotta 1998. 1998. Hardcover. 23 x 158 x 22 cm. Wunde Sinne. Über die Begierde den Schrecken und die Ordnung der Zeit im 19. Jahrhundert von Alain Corbin Autor <br/><br/>Wunde Sinne. Über die Begierde den Schrecken und die Ordnung der Zeit im 19. Jahrhundert von Alain Corbin Autor Klett-Cotta hardcover
2007053543Paris: Editions de La Différence. 384pp hardback well illustrated in colour and bw laminated boards in decorated slipcase shrink-wrapped and unopened fine in a similar slipcase comprehensive work in the Chinese artist Wu Guanzhong . As New. Hardcover. 1st Edition. 2007. Editions de La Différence hardcover
6209411843.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
51-0887Tourcoing France: Théâtre du Lambrequin 1973. Color poster. Wrinkled in top text. 80 x 34 cm. Georg Büchner ; texte français de Sylvie Muller et Jean Jourdheuil ; spectacle de Théâtre du Lambrequin et Théâtre de l'Espérance ; mise en scène de Jean-Pierre Vincent Jean Jourdheuil et Dominique Muller ; décors et costumes de Lucio Fanti et Patrice Cauchetier ; costumes de Lucio Fanti et Patrice CauchetierNote : Musique : Karel Trow. Eclairage : André Diot Tourcoing, France: Théâtre du Lambrequin, 1973. unknown
1999333929Stockholm: Moderna Museet 1999-10-01. First Edition. Hardcover. Very Good/Good Slipcase. 0x0x0. Includes one hardcover book one paperback book two newspaper-style folded broadsheets and slipcase keeping it all together. Text in English with some Swedish I think might be Danish as well. Bindings tight sturdy and square. Interiors appear free of markings. Shelfwear to books and broadsides is very minor slipcase has moderate wear. Ships same or next business day from Dinkytown in Minneapolis Minnesota. Not available for priority/expedited shipping. Due to the size/weight of this book extra charges may apply for international shipping. Moderna Museet hardcover
19762090502128600583Shueisha 1976. Soft Cover. Fine. Number of pages: 440p Portrait size: 20cm Shueisha paperback
2012S6769<p>UNESCO: Nicosia 2012. Bilingual Greek-English. Soft cover 28 cm 96 pp. ill.; net weight 580 gr. ISBN: 9789963001538.</p><p>This volume with complete text in English and Greek covers all the World Heritage Sites in Cyprus. These range from the Neolithic settlement of Khirokitia to the later period archaeological sites of Palaepaphos and Nea Paphos and nine painted churches on the Troodos Mountains. Each site or monument is described in a brief bur authoritative text accompanied by high quality colour illustrations. The book serves as a short but excellent introduction to the archaeological and artistic treasures of the island.</p><p><strong>CONTENTS:</strong> Khirokitia Palaepaphos Nea Paphos Churches on the Troodos inscribed on the world heritage list Saint Nicholas of the Roof Kakopetria Panagia Phorviotissa Asinou Nikitari Panagia tou Arakos Lagoudera St. John Lampadistis Monastery Kalopanayiotis Panagia Moutoulla The Holy Cross Pelendri The Archangel Michael Pedoulas The Holy Cross Agiasmati Platanistasa Panagia Podithou Galata The Transfiguration of the Saviour Palaichori.</p><p>.</p><p>.</p><p>================================================</p><p><b>IMPORTANT: The shipping cost in not included in the price. You will have to approve it at confirmation of the order.</b></p> Unesco paperback
