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0856356743.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19772026931977. Hardcover. Very Good. Used Book. Towards a re-definition of development: Essays and discussions on the nature of development in an international perspective . Edited by Alain Birou Paul-Marc Henry and John P. Schlegel. Published by Pergamon Press in 1977. Book in Very Good condition.Appears to be signed and inscribed to previous owner by Editor of book - John P. Schlegel. 1st Edition. Pages are clean but lightly age toned. Light shelf wear. hardcover
20132-1483172058Pergamon 2013. Paperback. New. 366 pages. 8.50x6.00x0.83 inches. Pergamon paperback
1992SONG01952096131992-12-31. hardcover. Used: Good. 5.75x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. hardcover
B9781119022473Paperback / softback. New. Models of Physician Practice is a scholarly collection on an important part of the health care delivery system physician group practices. This book shows that through new cutting-edge research--pre-paid group practices are a cost-efficient high quality alternative to the commercial HMO. paperback
A9781119022473Paperback / softback. New. Models of Physician Practice is a scholarly collection on an important part of the health care delivery system physician group practices. This book shows that through new cutting-edge research--pre-paid group practices are a cost-efficient high quality alternative to the commercial HMO. paperback
2004Q-0787973092Jossey-Bass 2004-03-22. Hardcover. New. In shrink wrap. Looks like an interesting title! Jossey-Bass hardcover
2004x-1119022479Jossey-Bass Inc Pub 2004. Paperback. New. 336 pages. 9.92x7.01x0.79 inches. Jossey-Bass Inc Pub paperback
20062-2603013297Delachaux et Niestlé 2006. Hardcover. New. 416 pages. French language. 11.02x7.87x1.26 inches. Delachaux et Niestlé hardcover
20102-229611427XEditions L'Harmattan 2010. Paperback. New. 388 pages. French language. 9.37x6.14x1.18 inches. Editions L'Harmattan paperback
68-2300Cannes France: Alain Cinquini 2000. Color Negatives 3.5 x 2.5 cm. VG.Alain Cinquini 1941 - 2021 made his first photo of stars. It was on the advice of a friend that he finally made contact with the Gamma agency. The start of a great career. In a quarter of a century Alain Cinquini took between 80000 and 100000 shots of some of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with movie stars and artists such as Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in that environment matters it opens doors. » Sebastien KUHN Alain CINQUINI 1941 - 2021Fort lot de film négatif inversible couleur planches contact 1984 - 20024 classeurs et 4 dossiers ainsi que 28 boîtes d’ekta : Jazz à Nice Musée Picasso Antibes Tournages Festival de Cannes Stars People :Daniel Auteuil L. Mckenzie Jacques Mauger Bill Wyman Dany Boon Nicolas Cage Dennis Hopper Patricia Kaas Arman Pierre Restany Fahri La reine du Népal BHL Julie Gayet Roger Moore Jean-Loup Dabadie Clint Eastwood César Wim Wenders Brigitte Bardot BONO Charles et Camilla Lino Ventura Claude Lelouch Jean-Louis Trintignant Charles Aznavour Michel Legrand Jean-Paul Belmondo Michel Galabru Jean Ferrat Robert Mitchum Eddy Barclay Robert Hossein Jean Marais Ursula Andres PPDA J. Forsythe Kim Wilde François Cluzet Pelé Anthony Quinn [Cannes, France]: Alain Cinquini, [2000]. unknown
68-2299Cannes France: Alain Cinquini 2000. Color Negatives 3.5 x 2.5 cm. VG.Alain Cinquini 1941 - 2021 made his first photo of stars. It was on the advice of a friend that he finally made contact with the Gamma agency. The start of a great career. In a quarter of a century Alain Cinquini took between 80000 and 100000 shots of some of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with movie stars and artists such as Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his "clients". Quite the opposite of the paparazzi as we understand it today: “I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction… Having a good reputation in that environment matters it opens doors. » Sebastien KUHN Alain CINQUINI 1941 - 2021Fort lot de film négatif inversible couleur planches contact 1984 - 20024 classeurs et 4 dossiers ainsi que 28 boîtes d’ekta : Jazz à Nice Musée Picasso Antibes Tournages Festival de Cannes Stars People :Daniel Auteuil L. Mckenzie Jacques Mauger Bill Wyman Dany Boon Nicolas Cage Dennis Hopper Patricia Kaas Arman Pierre Restany Fahri La reine du Népal BHL Julie Gayet Roger Moore Jean-Loup Dabadie Clint Eastwood César Wim Wenders Brigitte Bardot BONO Charles et Camilla Lino Ventura Claude Lelouch Jean-Louis Trintignant Charles Aznavour Michel Legrand Jean-Paul Belmondo Michel Galabru Jean Ferrat Robert Mitchum Eddy Barclay Robert Hossein Jean Marais Ursula Andres PPDA J. Forsythe Kim Wilde François Cluzet Pelé Anthony Quinn [Cannes, France]: Alain Cinquini, [2000]. unknown
73-2035Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
73-2140St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
73-2147St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
20092-2850087289Chronique Sociale 2009. Paperback. New. French language. 8.35x5.91x1.18 inches. Chronique Sociale paperback
20192-613845815XEditions universitaires europeennes EUE 2019. Paperback. New. French language. 8.66x5.94x0.39 inches. Editions universitaires europeennes EUE paperback
1997210782Osaka: Suntory Museum 1997. Softcover. VG. Light toning along spine and touches of shelf wear. Square quarto. Softcover. Illustrated wraps. 157 p. : color illustrations. Published in connection with an exhibition at the Suntory Museum Osaka 10.9. - 26.10. 1997/ Text in Japanese with partial parallel text in English and introductory article also in French/ Approx. 200 international posters for tourism and travel from the 1890s to 1970/ Short biographies of artists: pp. 140-147/ Bibliography: pp. 156-157/ Provenance: C.A. Christiansen. Suntory Museum paperback
73-6110Cannes: Alain Cinquini 1985. 3x3.5 cm slide. 3 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1985 unknown
73-6112Cannes: Alain Cinquini 1985. 3x3.5 cm slide. 3 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1985 unknown
73-6111Cannes: Alain Cinquini 1985. 3x3.5 cm slide. 3 slides. Negatives. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1985 unknown
B9781779410269Paperback / softback. New. paperback
ria9781779410269_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Tourette's syndrome is a multifaceted disorder that affects 0.6%-1% of the global population. Across their lifespan affected individuals suffer a worse quality of life than the general population. The hallmarks of the disease are motor paperback