Alain L FymatBiblio.com
12 622 résultats
ria9781779410276_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Tourette's syndrome is a multifaceted disorder that affects 0.6%-1% of the global population. Across their lifespan affected individuals suffer a worse quality of life than the general population. The hallmarks of the disease are motor hardcover
1779410263.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
46578455-nnew. unknown
46578455like new. unknown
BN91895Junge Freiheit Verlag GmbH & Co. KG. Totalitarismus: Kommunismus und Nationalsozialismus - die andere Moderne. 1917-1989 Edition JF <br/><br/>Totalitarismus: Kommunismus und Nationalsozialismus - die andere Moderne. 1917-1989 Edition JF Benoist Alain de; Nolte Ernst; Mattheuer Wolfgang and Michel Claude Junge Freiheit Verlag GmbH & Co. KG unknown
20171-3330007958LAP LAMBERT Academic Publishing 2017. Paperback. New. 496 pages. 8.66x5.91x1.12 inches. LAP LAMBERT Academic Publishing paperback
6208926122.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1977000114AThe Grove Press N.Y. 1977. 1st Edition. Hardcover. Fine/Fine. A fine hardcover copy in a fine jacket/brodart covered. First Edition. A very nice clean and tight copy. No tears to jacket. Not priced clipped. No bumped corners. = WE BOX AND AND SHIP ALL BOOKS WITH DELIVERY CONFIRMATION. = WE HAVE BEEN BUYING AND SELLING USED BOOKS FOR OVER 33 YEARS. The Grove Press, N.Y. hardcover
447271J. Calder. Hardcover. Fair. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Master of the French Nouveau Roman New Novel Alain Robbe-Grillet delivers a mesmerizing avant-garde masterpiece that defies traditional storytelling. Topology of a Phantom City is not just a book; it is a hypnotic sensory experience.Bypassing standard plots the narrative constructs a dreamlike mythical city through hyper-detailed architectural descriptions shifting geometries and haunting imagery. Ruins art and eroticism collide in a world where scenes fracture repeat with subtle variations and blur the line between physical space and psychological illusion. Perfect for collectors of postmodern fiction experimental literature and surrealist art. This copy is in fair condition. It is an ex-library edition and so has the usual stamps and labels. The dustjacket has been attached to the book seeming with sellotape. The edges of the pages have signs of foxing particularly the top edge. J. Calder hardcover
1977749New York: Grove Press 1977. First trade printing. Softcover octavo in glossy illustrated wraps 142 pp. Very good lightly worn around edges and corners very minor soiling to wraps. Cover design by Kevin R. Deardoff. Grillet's ninth novel translated from the French by J.A. Underwood published by Grove Press in 1977. First American trade paperback printing inscribed by author on half-title page to poet and literary critic Aldon Lynn Nielsen colloquially shortened to Al. Grove Press unknown
0394421965.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
197831988AB1978. First Uk Edition. London John Calder 1978. 13.5 cm x 21.5 cm. 142 pages. Original Hardcover with original dustjacket in protective collector's mylar. Private inscription on the endpaper. Otherwise in excellent condition with only very minor signs of external wear to the jacket. Includes for example the following chapters: In the generative cell / Pebble and stylet / Intermission / Ascending rehearsals for a motionless dwelling /Provisional model of the project / Affected vagrancy meanwhile / Demon drowsing / A double-backed altar etc. Alain Robbe-Grillet 18 August 1922 18 February 2008 was a French writer and filmmaker. He was one of the figures most associated with the Nouveau Roman lit. 'new novel' trend of the 1960s along with Nathalie Sarraute Michel Butor and Claude Simon. Robbe-Grillet was elected a member of the Académie française on 25 March 2004 succeeding Maurice Rheims at seat No. 32. He married Catherine Robbe-Grillet née Rstakian. Wikipedia hardcover
197767326NY: Grove Press 1977. Hardcover. Very good. Hardcover. First American Edition. Some foxing to the top edge of the textblock else a very good hardback in a slightly tanned jacket that ha a small closed tear to the bottom of the front panel. Grove Press hardcover
1978623632London: John Calder 1978. Softcover. Near Fine. First English edition. Translated from the French by J.A. Underwood. Pictorial wrappers. Light soiling at the crown near fine. Inscribed by the author to poet Michael Curtis on the half-title page. John Calder unknown
5898London: John Calder. 1978. First UK edition first printing. First UK edition first printing. Inscribed by the author. Original cloth in dustwrapper. A fine tight copy in fine dustwrapper. Not price-clipped. Inscribed by the author in blue ink to the title page. Scarce thus. The author and film maker's seventh novel and considered by many to be his most important. A key work of the "Nouveau Roman". Provenance: The signature was obtained by the previous owner in person at the Riverside Studios Hammersmith on the 26th November 1983. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. London: John Calder. 1978 hardcover
19792090202120409165Shinchosha 1979. Soft Cover. Fine. Number of books: 1 Shinchosha paperback
197666155Paris: Les Editions de Minuit 1976. Fine. Les Editions de Minuit Paris 1976 13.50 x 18.50 cm broché First edition on current paper. Back and flat lightly and marginally insolated some marks of reading and annotations of the dedicatee in pencil of paper and blue pen in margins of some leaflets. Autograph dedication signed by Alain Robbe-Grillet to his friend Georges Raillard: "". something like"" my big glass ""with my friendship."" Les Editions de Minuit unknown
197670667Paris: Les Editions de Minuit 1976. Fine. Les Editions de Minuit Paris 1976 14 x 19 cm broché First edition one of 92 numbered copies on bouffant select paper the only deluxe copies after 80 alfa mousse. Handsome copy. Les Editions de Minuit unknown
1976469938Paris: Les Editions de Minuit 1976. Softcover. Fine/Fine. First edition "La Librairie des Editions de Minuit Sur Bouffant" issue limited to 92 numbered copies reserved to "La Librairie des Editions de Minuit". 12mo. White printed wrappers. A fine unopened copy in publisher's about fine lightly toned unprinted glassine dust jacket. Copy number 87 of 92 numbered copies. Publisher's numbered slip laid into the book matching the limitation number on the colophon leaf. An assemblage or 'Collage' novel published in English as Topology of a Phantom City. Les Editions de Minuit unknown
1976DADAX2707300713Brand: Editions de Minuit 1976-01-01. paperback. New. 5.31x0.55x7.24. Buy with confidence. Excellent Customer Service & Return policy. Brand: Editions de Minuit paperback
73-3001Saint-Paul: Alain Cinquini 1999. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Saint-Paul: Alain Cinquini, 1999 unknown
2000mon0000982000M�moire des Arts 01/01/2012 00:00:01. paperback. Very Good. 0.9992 in x 25.9803 in x 23.9818 in. A clean tight copy. M�moire des Arts paperback
73-2161St. Paul: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1995 unknown
73-2100St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
73-2166St. Paul: Alain Cinquini 1995. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1995 unknown
