Desiderius Erasmus RoterodamusBiblio.com
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B9781165947416New. unknown
B9781166492229New. unknown
159080905Cologne Coloniae Agrippinae: Ioannem Gymnicum sub Monocerote 1590. Cloth bound in good condition; Title page partially separating appears to be partially reglued; Top trim severe but running titles still present. EX NOVISSIMA CHILIADUM recognitione"; 5 1/2" x 3 5/8"; pp. 2 ff. 658 79 index; Leaf A2 wanting; two modern binder's leaves inserted after A1; Matches VD16 E 3102 & USTC 626708; Contemprary Latin manuscript notes on title page. Ioannem Gymnicum sub Monocerote unknown
15233722Paris: apud Simon de Colines 1523. First edition. Contemporary French blind-stamped calf over wooden boards panelled with intersecting fillets and lozenge tools; remains of clasps present metal attachments preserved; spine with raised bands. Wide-margined and notably clean throughout. Early manuscript moral sonnet signed "Frater Hugo Thubert" on the front flyleaf and a biblical motto "Si quis vult post me venire." in a seemingly different sixteenth-century hand on the rear flyleaf. With a few early marginal annotations in a sixteenth-century hand on ff. 39 and 253 and f. 9 ruled with brown-ink frames. Leather somewhat worn including a damaged area on the front panel and some loss at the lower corners with surface abrasions and light cracking along the joints; spine rubbed at head and foot. A complete unsophisticated copy in its original binding retaining notable early reader's marks; overall in very good condition. First edition. Contemporary French blind-stamped calf over wooden boards panelled with intersecting fillets and lozenge tools; remains of clasps present metal attachments preserved; spine with raised bands. ff. 373 22. <p><br /> A rare example of early educational use of Erasmus's Adagia in its contemporary French leather binding and preserved with a handwritten French moral sonnet by its sixteenth-century owner Hugues Thubert.<br /> <p><p><br /> First edition of Jean Brouchier's pedagogical epitome of Erasmus's Adagia printed by Simon de Colines in the early years of his Paris press. Though derived entirely from Erasmus's celebrated Chiliades the structure and didactic programme are Brouchier's: an abridged sequence of selected adages arranged for the studiosa iuventus intended to make the moral historical and rhetorical substance of the Adagia usable in the Latin classroom at an elementary stage.<br /> <p><p><br /> Brouchier's dedicatory epistle explains the rationale behind the epitome: while the Adagia had become essential reading for humanist education their full scope far exceeded what younger students could manage. His selection extracts the most serviceable sententiae supplying a compact repertory suited to memorization written exercises and introductory rhetorical training. The epitome reflects early humanist classroom practice when teachers adopted shorter selections to provide beginners with a practical corpus for variation and elementary composition while still introducing Erasmus's ethical and stylistic programme.<br /> <p><p><br /> A dedicatory letter to the magistrates of Florence precedes the text outlining Brouchier's aims and directing readers to Erasmus for fuller commentary. The work aligns with Colines's broader programme of humanist educational printing which equipped collèges and monastic schools with clear reliable editions of classical and contemporary authors. Colines's architectural title border clean roman types and spacious mise-en-page underscore the book's intended function as a school text designed for legibility and daily use. As an adaptation of one of Erasmus's most influential works Brouchier's Epitome documents an early stage in the mediation condensation and classroom transmission of the Adagia illustrating the practical needs of humanist teaching in early sixteenth-century France.<br /> <p><p><br /> Brouchier's biography is largely undocumented; he is known only through a small group of humanist pedagogical editions issued in Paris between 1511 and 1534. Three of these-the present Epitome and the two editions of the Commentarii in Septem Sapientum Graeciae Apophthegmata-were printed by Simon de Colines placing Brouchier within the circle of authors associated with Colines's early humanist programme.<br /> <p><p><br /> This copy preserves an unpublished French moral sonnet in the hand of Hugues Thubert written on the front flyleaf and signed "Frater Hugo Thubert." The poem belongs to the broad and often fragmentary vernacular literary production of the sixteenth century when humanist education and the widespread use of printed and manuscript verse encouraged even non-professional writers to adopt classical forms for ethical reflection. Autograph poems of this type-especially those entered into the flyleaves of school and humanist books-are relatively uncommon and they offer intimate evidence of personal reading practices. Thubert's sonnet in fluent but regionally inflected French adapts the sonnet structure to a concise moral argument setting impurity and chastity in rhetorical opposition a mode familiar from contemporary humanist and devotional writing.<br /> <p><p><br /> An early owner of the present volume Hugues Hugo Thubert was a Benedictine of the Congregation of Chezal-Benoît listed in the 1529 matricule as a monk of Saint-Germain-des-Prés and later recorded as having left the order TELMA IRHT. He signs himself in this volume and appears again as owner of another book-Jean Grolier's former copy of Gaspar Bracellus's Ortus delitiarum Milan Minutianus 1515; Austin 357; Michon 24A-which he inscribed with his name and the date 1580 and which subsequently entered the abbey library of Saint-Germain-des-Prés. These traces collectively document a Paris-based sixteenth-century reader whose surviving books display consistent humanistic engagement.<br /> Rare; USTC lists 14 copies only six outside France and RBH records a single sale 2024.<br /> <p><p><br /> References: USTC 180884; IRHT-CNRS. n.d. Matricule de la Congrégation de Chezal-Benoît 1529. In TELMA - Traitement électronique des manuscrits.<br /> <p>. apud Simon de Colines unknown
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4289812° geheel leren band uit de tijd 24 622 72 pag. Willems 1307. Bekorte uitgave van de beroemde Adagio van Erasmus. Herdruk van de editie van 1650 Willems 1109. B1365. unknown
2010DADAX1165947412Kessinger Publishing 2010-09-10. paperback. New. 6.00x1.13x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
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2009DADAX1104606704Kessinger Publishing 2009-06-13. paperback. New. 6.00x1.13x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing paperback
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16518563Deventer Johannes Colomp 1651. 'engraved titlepage 248 p. Contemporary cardboard Binding 12° spine is worn Rare fourth edition of the translation into Latin of Erasmus Alberus' Der Barfusser Monche Eulenspiegel und Alkoran a prose satire to which Martin Luther wrote the postscript. The first edition of the German original appeared in Wittenberg by Hans Luft in 1542 followed by the Latin translation in Frankfurt a year later. The second and third Latin edition were published resp. in 1560 and 1578. This parodic adaptation of the Liber conformitatum of the Franciscan Bartolommeo Rinonico or Albizzi of Pisa is written by Erasmus Alberus ca. 1500-1553 a German humanist reformer and poet who was born in the village of Bruchenbrücken near Frankfurt am Main. Although his father was a schoolmaster his early education was neglected. Ultimately in 1518 he found his way to the University of Wittenberg where he studied theology. He had the good fortune to attract the attention of Martin Luther and Philipp Melanchthon and subsequently became one of Luther's most active helpers. Not only did he fight for the Protestant cause as a preacher and theologian but he was almost the only member of Luther's party who was able to confront the Roman Catholics with the weapon of literary satire. After Luther's death Alberus was for a time a deacon in Wittenberg he became involved however in the political conflicts of the time. In 1552 he was appointed Generalsuperintendent at Neubrandenburg in Mecklenburg where he died on the 5th of May 1553. Deventer, Johannes Colomp unknown
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