4 916 résultats
1690173569London: J.M. for H. Herringman 1690. Hardcover. Good boards unattached pages foxed and browned but all pages readable. Marbled boards Riviere binding 54 2 pp no illustrations. An adaptation of the French Psyché by Molière P. Corneille and Quinault. Sometimes considered the first English opera was produced at the Dorset Garden theatre in 1674. A very rare book in readable condition. J.M. for H. Herringman hardcover
1690173569London: J.M. for H. Herringman 1690. Hardcover. Good boards unattached pages foxed and browned but all pages readable. Marbled boards Riviere binding 54 2 pp no illustrations. An adaptation of the French Psyché by Molière P. Corneille and Quinault. Sometimes considered the first English opera was produced at the Dorset Garden theatre in 1674. A very rare book in readable condition. J.M. for H. Herringman hardcover books
2018026346Coleccion Espinosa Buenos Aires 2018. Book. Near Fine. Wrappers. 263 pages. Paperback. Texts in English and Spanish. Some wear and light bumps to the edges of the covers. Else the binding is tight the spine uncreased and interior clean and free of markings. Bound in stiff illustrated French fold paper covers. A magnificent production that gives a fine overview to the highly influential and beautiful work by the artist. Coleccion Espinosa, Buenos Aires Paperback
Mm 135x210 Dalle analisi di Locke, Hume, Marx, Weber e Durkheim ai problemi delle società contemporanee: la storia di un concetto fondamentale della riflessione politica e sociologica -- Collana "Saggi blu" - Brossura di 269 pagine. Timbro di biblioteca privata dismessa al frontespizio, peraltro copia in condizioni pari al nuovo, ovvero mai letta. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
191521718Philadelphia and London: W. B. Saunders Company 1915. Eighth Edition Revised. 1915. Thick heavy 8vo. Frontispiece photograph. 734 pp. Profusely illustrated in B & W both photographs and illustrations. Original gilt stamped gray cloth binding. Outer corner of front free endpaper torn away else this is a tight very good plus book. 5th or later Edition. Hardcover. Very Good. Philadelphia and London: W. B. Saunders Company, 1915. Eighth Edition, Revised. hardcover
190015560Philadelphia: W. B. Saunders. Near Fine. 1900. First Edition; First Printing. Hardcover. Slight soil to the page edges endpapers. Owner's name on the fep in pencil . ; Small 4to 9" - 11" tall; 433 pages . W. B. Saunders hardcover
1900402092Philadelphia : W.B. Saunders 1900. 1st. Hardcover. Good/None. 433 pages 585 b&w illustrations and photographs. Green cloth with gilt lettering on spine. Hinges cracked about 30 pages with some text underlined previous owner's signature on front fly leaf. Otherwise very good. Record # 402092 W.B. Saunders hardcover
1164196316.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0548878811.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1359103856.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
191241716Philadelphia: W B Saunders Company 1912. First Edition. Hardcover. Very good. 391p plus ads quarto illustrated. A very good copy in original blue cloth <br/><br/> W B Saunders Company hardcover
1020612673.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
46383040like new. unknown
1169689779.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1162028793.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0978799240.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1856WRCAM50507Chicago 1856. 20pp. Modern half morocco and marbled boards spine stamped in brown and gilt. Text trimmed close at fore-edge costing portions of words throughout. Good. A rare and important polemic "written in bitter hostility to the Hudson's Bay Company and exposing their operations on the Pacific Coast and among the Indian tribes and fur traders from the earliest times" Eberstadt. "Scripps author of an official life of Lincoln visited the Lake Superior Country in 1855 and upon his return made an extensive study of the region from the Great Lakes westward with special reference to the fur companies the inhabitants Hudson's Bay Company water courses and minerals. He also points out the economic advantages of the Northern region for the United States" - Decker. "Scripps who was editor and publisher of the DEMOCRATIC PRESS had visited the Lake Superior country in 1855. He discusses here primarily the area of western Canada from Lake Superior to the Pacific with comments on the Minnesota region south of the international boundary. He has a good deal to say about the fur trade and the Hudson's Bay Company. 'There can be little doubt but that the sole reason why the company maintains its posts in Oregon and Washington is to induce brother Jonathan to "shell out" liberally for them'" - Streeter. <br> <br> The Streeter copy sold to an order bidder for $200 in 1969. EBERSTADT 114:690. DECKER 39:360. STREETER SALE 3721. CHICAGO ANTE-FIRE IMPRINTS 221. GRAFF 3717. HOWES S248 "aa." SABIN 78485. hardcover books
186034566New York: Horace Greeley & Co. 1860. 32pp caption title as issued printed in double columns. Stitched. Mild toning Very Good. <br/><br/> This "earliest Scripps biography" Monaghan was first printed in Chicago in July 1860. Our New York imprint was "printed from plates cast from the same type forms" as the Chicago edition Wessen. It touches the major events of Lincoln's life and career devoid of some of the more romantic mythology e.g. Ms. Rutledge but including the far-fetched notion that Lincoln deliberately lost the 1858 Senatorial race in order to enhance his presidential prospects. <br/> Howes calls it the "most authentic of Lincoln campaign biographies." Lincoln's short-lived career in Congress is reviewed including his opposition to the Mexican War and his support of the Wilmot Proviso. A 'must' for the Lincoln or Presidential campaign collection. <br/>Howes S247a aa. Monaghan 79. Miles 418a. Wessen 12. LCP 9235. Horace Greeley & Co. unknown books
1897247918Leipzig, 1897. 61 S. Br. Tit. angestaubt.
1172807Leipzig, Philipp Reclam jun. 212 S., Kleinformat, Hardcover.
1995094743United Kingdom: Edwin Mellen Pr. 461 pages. Cloth at head of spine has a minor slit approx. 1cm. Clean hardback. No dust jacket. What Have We Learned: Telling the Story and Teaching the Lessons of the Holocaust Papers of the 20th Anniversary Scholars' Conference . Good. Hardcover. 1995. Edwin Mellen Pr hardcover
198650940Los Angeles: Rough Weather Press 1986. First editions. Softcovers. Very good condition. Rohwedder was a Los Angeles magazine for literature and art founded in 1986. <br /> <br /> Counting Volume Zero the “dress rehearsal†for a magazine concerned with under-representation of the multitude of foreign cultures present in Los Angeles in favor of generally Eurocentric culture policies in Los Angeles a total of eight issues were published. Contributions in foreign languages were presented in the original as well as English translation.<br /> <br /> Rohwedder Volume Zero: Published by H. J. Schacht editors Nancy A. Antell and Colin McLeod. Reproduction of drawing by H. J. Schacht on cover. 1986. Octavo. 16pp. Original illustrated stiff wraps with black lettering on cover. The selection of contributions in volume Zero included “The President’s Statement†by Colin McLeod “Anti Apart Hate Art†by Michelle Clinton pure criticism of that Eurocentric culture by Robert Harris early environmental concerns in the centerfold illustration “Urban Blue Plates A Polar Fantasy†by Barry Markowitz and Salvadoran poetry by Hildebrandt Juarez and Joaquin Meza translated with a contribution on Salvadoran poetry by Ruben Martinez. <br /> <br /> Rohwedder Volume 1. 1986. Octavo. 32pp. Original illustrated glossy white stiff wraps with black lettering on covers. Now published by Schacht and Antell. Title page with: "editorial tic mantic romantic eddy memorial you yum rhetorical cal i methodical him ham therefore she he all September fall just as any other year editorial me. The next issue will be about from for and probably against LA." Contains Salvadoran and Lithuanian poetry illustrations by Julie Overski and Sergio Zenteno. Ruben Martinez had joined as contributing editor. Design including cover by Sergio Zenteno. Faint staining on front cover.<br /> <br /> Rohwedder Volume 2 1987: Octavo. 42pp. Original photo-illustrated stiff wraps with yellow lettering. Illustrated with photographs including cover by Carol Cetrone with centerfold by Sergio Zenteno. Art director: Kevin Hosman. Colin MacLeod had left as contributing editor. Contributions by Sesshu Foster Elia Arce Lyn Lifshin Julien Foreman Joanna Warwick Stanislaw Baranczak Colin MacLeod Ruben Martinez and others. Includes illustrated letter from Wieland Schmidt Kiel. Back cover with addition to imprint: Rough Weather Press.<br /> <br /> Rohwedder Volume 3. The Latin America Issue. Spring 1988. Quarto. 1 38 1pp. Original stiff wraps with photomontage by Julien Foreman on covers black and gray lettering. Imprint and biographies printed on bound in half-pages at front and back. With contributions by Juan Felipe Herrera Manlio Argueta Ruben Martinez Gaspar Aguilar Diaz Roque Dalton Elia Arce Alberto Blanco Victor Valle and others. Illustrated with reproductions of paintings by Augusto Crespin Thomas Kidd Michel Aguilar Su Knill drawings by Yuske Inoue and photographs by Ruben Martinez Palo Martin Amador Teran Gary Douglas Antonio Turok and Carol Cetrone. Layout. design and typesetting by Julien Foreman.<br /> <br /> Rohwedder Volume 4: Issue featuring German European and local artists and writers. Fall 1988. Quarto. 48pp. The most ambitious issue yet. It features the first publication of Sarah Kirsch poetry in the USA in English contributions by Peter Schneider on the subject of immigrants poetry by Eugenio de Andrade translated and introduced by Alexis Levitin Berlin artist Rafael Rheinsberg and his pseudo-archaeological aesthetics poetry by Ursula Krechel Halina Poswiatkowska Pia Tafdrup Fr. Benedict Auer and Reiner Kunze an interview with Eric Trules photographs by Christian Jungeblodt drawings by Ricardo Garcia photographs and a painting by Kain Karawahn among others. The issue includes reviews of the Anselm Kiefer exhibition at MOCA as well as a review of the MOCA staging of “The Mission†by the Kitchen Collective. Layout and design by Ricardo Garcia. The magazine now distributed in Los Angeles bookstores.<br /> <br /> Rohwedder Volume 5: The issue internally referred to as "the bridge issue†not only because of the twelve reproduction of photos of Los Angeles bridges by Julien Foreman but for the spirit among editors and contributors to created a wide-ranging international texture with this publications. Spring 1990. 48pp. The contributions include works in French Spanish German and a translation from Bengali. It includes artwork by three members of the Costa Rican art group Clima Natal and a cartoon short story by LA-based Japanese artist Rika Ohara “Madame Butterfly Meets Fatman†the story of the detonation of the nuclear bomb over Nagasaki. Design by Nancy Antell and H. J. Schacht. Cover design by Bruce Licher.<br /> <br /> Rohwedder Volume 6: The Los Angeles Issue. Summer/Fall 1991. Contributions by Luis Alfaro Wanda Coleman Cheta Martinez Laurel Ann Bogen Terry Wolverton Ruben Martinez on the LA Poetry Scene Bruce Wright’s photos of LA graffiti by “The Phantom†Florence Bonneville drawings architectural graphics by Charles Crawford and photographs by Carol Cetrone Nina Chierichetti Julien Foreman and Kain Karawahn. Design by Julien Foreman. The first issue supported by a grant from the Los Angeles Cultural Affairs Department.<br /> <br /> Rohwedder Volume 7: The Feminist Issue. Spring/Summer 1992. Design by Julien Foreman. "About this issue: When we originally envisioned it we wanted to present“new†feminist theory but soon realized that there is no one feminist theory. This issue presents different voices from all age groups and many areas of the country expressing their visions of feminisms by way of language-oriented poetry performance pieces goddess-based poetry radical feminisms traditional storytelling and post structuralism.†Editors. <br /> <br /> Text in translation if not English and the original language. Volume Zero with light sunning of cover. Rough Weather Press unknown
2007Q-1559719788Cooper Square Publishing Llc 2007-08-24. Hardcover. New. In shrink wrap. Looks like an interesting title! Cooper Square Publishing Llc hardcover
0125877803.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2002DADAX0125877803Emerald Group Publishing Limited 2002-05-08. 1. hardcover. New. 5.98x0.67x9.02. Buy with confidence. Excellent Customer Service & Return policy. Emerald Group Publishing Limited hardcover
