4 251 résultats
1925140945556New York: Albert and Charles Boni 1925. First Edition. Very Good. First edition. Bound in publisher's original blue paper-covered boards over buckram spine cloth lettered in blue. Very Good with with rubbing to boards especially at edges two indentations to rear cover at spine and a light crease the rear board at the top corner. Former owner bookplate to front free endpaper. Pages tanned with occasional soiling several preliminary hinges slightly over-opened. <p>The leading African American poets and writers of the early 20th century are featured in this important anthology which came to define the Harlem Renaissance movement: Langston Hughes Zora Neale Hurston James Weldon Johnson Countee Cullen Claude McKay Jean Toomer Georgia Douglas Johnson Jessie Fauset and more. Albert and Charles Boni unknown
1925035876NY: Albert and Charles Boni 1925. 1st Edition . Hardcover. Good/No Jacket. Bound in publisher's original blue paper-covered boards over buckram spine cloth lettered in blue. The boards are heavily rubbed with a2 2/3 inch split at the edge of the spine base. The binding is sound. Ex-library with the usual markings. <br/> <br/> Albert and Charles Boni hardcover
x-1646795857Cosimo Classics 1925. Hardcover. New. 508 pages. 5.50x1.25x8.50 inches. Cosimo Classics hardcover
1999SKU0634048Touchstone 1999-03-01. paperback. New. 5x1x8. New Textbook Ships with Tracking Touchstone paperback
1925140947068New York: Albert and Charles Boni 1925. First Edition. Very Good. First edition first printing of this Harlem Renaissance cornerstone. Bound in publisher's original blue paper-covered boards over buckram spine cloth lettered in blue. Very Good with rubbing through to edges with heavier wear to corners and spine ends covers worn. Contents tanned with several leaves roughly opened. <p>The leading African American poets and writers of the early 20th century are featured in this important anthology which came to define the Harlem Renaissance movement: Langston Hughes Zora Neale Hurston James Weldon Johnson Countee Cullen Claude McKay Jean Toomer Georgia Douglas Johnson Jessie Fauset and more. Albert and Charles Boni unknown
1925140947630New York: Albert and Charles Boni 1925. First Edition. Good. First edition first printing. xviii 446 pp. Bound in publisher's blue paper-covered boards over buckram spine cloth lettered in blue. Good with moderate rubbing and toning to covers mottling to front cover boards exposed at edges. Dust-soiling and light staining to upper edge of textblock dampstaining to endpapers pencil inscriptions to front endpapers and half-title. First two leaves clipped at the lower corner contents toned with occasional foxing binding exposed at multiple places. Lacking jacket. A serviceable copy. <p>A landmark African American anthology featuring stories essays and poetry by the leaders of the Harlem Renaissance movement: Langston Hughes Zora Neale Hurston James Weldon Johnson Countee Cullen Claude McKay Jean Toomer and more. Albert and Charles Boni unknown
19251405855New York: Albert and Charles Boni 1925. First Edition. Hardcover. Octavo xviii 446 pages. In Very Good condition. Bound in publisher's quarter tan cloth and navy blue paper boards with blue lettering to spine. General shelf wear with moderate to heavy rubbing along extremities. Some sunning and scratching to boards. Fading to red dye on top edge of textblock. With pink pictorial endpapers. Previous bookseller's sticker adhered to rear pastedown. Mild tearing to fore edges of pages xv-xviii. Light age toning with minor penciling scattered throughout. Shelved in Case 1. "The New Negro: An Interpretation" is an anthology of fiction poetry and essays on African-American and African art and literature. The title lent itself to The New Negro Movement a contemporary name for what is now commonly known as the Harlem Renaissance. Editor Alain LeRoy Locke was a leading figure in the Harlem Renaissance and a professor at HBCU Howard University in Washington DC. 1405855. Shelved Dupont Bookstore. Albert and Charles Boni hardcover
1925140949243New York: Albert and Charles Boni 1925. First Edition. Very Good. First edition first printing. xviii 446 pp. Bound in publisher's blue paper-covered boards over buckram spine cloth lettered in blue; lacking the dust jacket. Very Good with moderate rubbing and toning to covers boards exposed at edges. Dust-soiling and light staining to upper edge of textblock contemporary bookplate and several small abrasions to front endsheet. Contents slightly overopened at several places.<br /> <br /> <p>A landmark African American anthology featuring stories essays and poetry by the leaders of the Harlem Renaissance movement: Langston Hughes Zora Neale Hurston James Weldon Johnson Countee Cullen Claude McKay Jean Toomer and more. Albert and Charles Boni unknown
192796107New York: Boni 1927. 2nd printing. Hardcover. Good. Winold Reiss; Aaron Douglas. frontis illustrations xviii 446p. Hardcover in original blue boards backed in linen cloth. 22cm. Cover edges rather heavily rubbed with loss of most of the paper cover on those edges. Blue stamp "Department of Religious Education First Methodist Church Pasedena California" on front free endpaper half-title and blank recto of frontis; small "withdrawn" stamp on title-page. Modest fraying and loss of some cloth at ends of backstrip. Contents sound and clean. No jacket. The heart of the Harlem Renaissance in a single volume. There are 18 full-page illustrations almost all in color by Winold Reiss who also provided some of the book's many of the small decorations. The iconic pink pictorial endpapers were designed by Aaron Douglas who also created 8 other specifically identified black and white illustrations. Some illustrations came from other sources as detailed on page xviii. Boni hardcover
1025863585.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1999Q-0684838311Touchstone 1999-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Touchstone paperback
1646795857.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1945527667Albany New York: Albany Institute of History and Art 1945. Softcover. Good. Exhibition catalog. Forward by John Davis Hatch Jr. Introduction by Alain Locke. Tall octavo. vii 77pp. Illustrated with halftone portraits and images of artworks. Owner name "Alma H. Powell" possibly the African-American Michigan librarian Alma Harrod Powell on the title page. Ms. Powell has filled portions of four blank pages with relevant inked or penciled notes and newspaper clippings along with one brief inked note in the text. Most of the spine held together with tape and with a chip at the crown and the split at the base topedge and first page of the foreword ink-stained the foreword is still legible wartime publication label tipped on the front fly with a bit of loss affecting a couple of words sound but good only. Includes brief biographies of the artists. Albany Institute of History and Art unknown
1397191848.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1397191937.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
19332494Chicago: American Library Association 1933. Saddle-stapled in typographic wraps. 4-3/4" x 6-3/4". 64 pp. Good condition lightly worn along saddle-stapled binding with light toning and soiling to cover wraps lower wraps lightly soiled and worn very mild creasing to corners and edges a very sound copy. In 1933 Dr. Alain Locke was asked to write this booklet on African-American history and survey of sociology which was accompanied by a glossary of recommended books to assist in his course by Edwin R. Embree Robert R. Moton Carter G. Woodson James Weldon Johnson V.F. Calverton Monroe N. Work and Charles S. Johnson. There was a study outline with a twelve-point discussion plan accompanied by sourced pages from the recommended texts to guide students. <br /> <br /> The American Library Association began issuing it's "Reading with a Purpose" series in the mid-1920s to aid in Adult Education and further reading comprehension throughout the United States. By 1930 the circulation of these booklets had reached 500000 and could be found on the shelves of most libraries in the country. The original publications focused on intermediate english geography history of science home skills and child education. As interest and demand grew for these booklets at libraries the range of subjects swelled to reflect these widening fields of study. <br /> <br /> One of Locke's widest-reaching publications during his lifetime providing a formed philosophy to black lives in America. All illustrations by Aaron Douglas. Issued in both cloth and wraps though scarce in both formats. American Library Association unknown
1940140946343Washington D.C.: Associates in Negro Folk Education 1940. First Edition. Very Good. First edition first printing. Signed by Alain Locke and inscribed to "an old friend" Allan R. Freelon on the front free endpaper. Freelon 1895-1960 was a prominent Harlem Renaissance artist pioneering educator and civil rights activist. 224 pp. with color frontispiece "Mother and Child" by Sargeant Johnson and 4 pp. color insert "The Amistad Murals" tipped in facing p 124. Bound in publisher's green cloth lettered in gilt. Very Good with darkened spine and edges with light soiling overall. Extremities lightly worn with minor foxing to endsheets. Faint toning to edges of textblock. No jacket likely as issued. <p>An important association between Locke "Dean" of the Harlem Renaissance and popularizer of African American art and Freelon on the first serious book-length study of Black artists. Two of Freelon's Impressionist-style paintings are featured in this work alongside work by Edmonia Lewis Henry Ossawa Tanner Hughie Lee-Smith and Jacob Lawrence. Associates in Negro Folk Education unknown
1969601264Chicago: Afro-Am Press 1969. Hardcover. Near Fine. Facsimile edition of the 1940 first edition. Quarto. 224pp. Heavily illustrated in black and white with color frontispiece. Boards with slight soiling near fine. A very uncommon edition. Afro-Am Press hardcover
168422599X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
194085641Washington: Associates in Negro Folk Education 1940. 1st ed. Hardcover. Very Good. frontis color numerous black & white illustrations and two pages in color 124 4 125-222p. Recent quarterbinding marbled boards attractively backed in leather. 31 cm. Horizontal crease as usual on frontis. Other internal soiling and wear but generally sound. No jacket. When we got this book the binding was beyond repair. We had the binder preserve and mount a small piece less than the size of a business-card of the original endpaper on which Locke had INSCRIBED this copy to Dorothy Maynor the talented singer and founder of the Harlem School of the Arts. The three panels of the Amistad Murals done on canvas by Hale Woodruff and located in Savery Memorial Library at Talladega College in Talladega Alabama are illustrated in color on the center pages of the unnumbered four page section which is found after page 124. These mural panels were unveiled in 1939 just a year before publication of this book. The unnumbered Amistad Murals section may have been a last minute addition to the book. The section is described on the Contents page as facing page 124. We don't know whether it was present in all copies of the 1940 edition. Associates in Negro Folk Education hardcover
194088176Washington: Associates in Negro Folk Education 1940. 1st ed. Hardcover. Good. frontis color numerous black & white illustrations and two pages in color 124 4 125-222p. Original green cloth. 31 cm. Moderate cover soil and wear. Backstrip and lettering moderately faded. Bookplate Fannie Targ. Contents sound and clean. No jacket. The three panels of the Amistad Murals done on canvas by Hale Woodruff and located in Savery Memorial Library at Talladega College in Talladega Alabama are illustrated in color on the center pages of the unnumbered four page Amistad Mural section which is found after page 124. These mural panels were unveiled in 1939 just a year before publication of this book. The unnumbered Amistad Murals section may have been a last minute addition to the book. The section is described on the Contents page as facing page 124. We don't know whether it was present in all copies of the 1940 edition. Associates in Negro Folk Education hardcover
1945140939613Albany: Albany Institute of History and Art 1945. First Edition. About Very Good. First edition. Original wraps. About Very Good with staining and separation to front wrapper at bottom staple small chip nearby; faint dampstain to fore edge of prelims and front wrap. An illustrated collection of biographies of prominent African American artists with an introduction by Alain Locke the philosophical architect of the Harlem Renaissance and the New Negro Movement. Each artist is listed with a biography and pictures of select works. Artists include Romare Bearden Eldzier Cortor Lois M. Jones and many others. Uncommon. Albany Institute of History and Art unknown
18215359New Haven Conn.: A. H. Maltby and Co. 1821. Hardcover. Good. Rare American imprint by a publisher active from about 1819-1850 who began publishing the Yale Literary Review; book first published in 1709. This title is often confused with a book published in 1836 in France by Baron von Holbach; Holbach's book is anti-organized religion and Trenchard's is not; Trenchard was a former Quaker who theorized that 'transports' etc. attributed to God are owing to natural causes. Title page mistakenly attributes this title to John Locke the reason for this is unknown; we found a list of books misattributed to Locke in a Locke bibliography but this is not on it. This is a chapbook about 3in x 5in recently bound in nice leather with marbled endpapers; new binding is near fine the chapbook only good original covers discolored stained rubbed and chipped; chip and tear to side edge of chapbook front cover closed with non-acidic Filmoplast P; many pages have been turned down and most have worn creased corners; pages stained and darkened; stain to top edge and foreedge; foreedge stain mostly visible on p51-52; corners of rear blank flyleaf torn off; 52pp. <br/> <br/> A. H. Maltby and Co. hardcover
0332110540.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1331473888.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
