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1933115862Belles Lettres Budé 1933 Belles lettres, Collection des Universités de France (Budé), 1933, broché, bilingue, texte établi et traduit par Emile Chambry. Rares rousseurs, bon état pour le reste, seules quelques pages sont coupées.
1941115878Belles Lettres Budé 1941 Belles lettres, Collection des Universités de France (Budé), 1941, broché, bilingue, texte établi et traduit par Auguste Diès. Dos insolé, bon état, pages non coupées (jamais lu).
1949117342Belles Lettres Collection des universités de France Budé 1949 Belles Lettres, Collection des Universités de France (Budé), 1949, édition d'Emile Chambry, bilingue. Dos un peu aplati vers le premier plat, et couverture légèrement insolée, bon état pour le reste et intérieur bien propre.
1967117480Belles Lettres Collection des Universités de France Budé 1967 Belles Lettres, Collection des Universités de France (Budé), 1967, bilingue, texte établi et traduit par Emile Chambry. Bon état.
1926117481Belles Lettres Collection des Universités de France Budé 1926 Belles Lettres, Collection des Universités de France (Budé), 1926, bilingue, texte établi et traduit par Emile Chambry. Dos frotté et insolé, des rousseurs sur les pages.
1966100048004Les belles lettres 1966 collection collection des universités de France. in12. 1966. broché.
100115428Les belles lettres in8. Sans date. Broché.
195913540Les Belles Lettres 1959 collection Guillaume Budé. In-8. 1959. broché. Texte établi et traduit par Maurice Croiset
2023BAE347<p><em><strong>The Minoan Sanctuary at Piskokephalos Seteia</strong></em></p><p>In Greek Soft cover 28 cm 228 pp. ill. ISBN: 978-618-5047-71-9.</p> Archeological Society paperback
1390450546.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396073698.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1142027333.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197251871Athen, 1972. 1 Tafel (Portrait), 522 SS., 1 Bl. Gr.-8°, Original-Broschur.
20132-9892605144Imprensa da Universidade de Coimbra 2013. Paperback. New. 3rd edition. 268 pages. Portuguese language. 7.48x4.72x0.61 inches. Imprensa da Universidade de Coimbra paperback
20102-8496775917Abada Editores 2010. Paperback. New. Spanish language. 7.80x5.51x1.10 inches. Abada Editores paperback
3847835602.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3787310401.Gperfect. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
3843031312.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9783368402662_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction of the original. paperback
ria9783368402679_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction of the original. hardcover
B9783368402679Hardback. New. hardcover
B9783368402662Paperback / softback. New. paperback
3368402676.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3368402668.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
15204422Cologne: Quentel heirs 1520. 4to 194 x 140 mm. Collation: A-B4. 15 pages. Woodcut initial on title the latter in two sizes of large gothic types text in small gothic types leaded epigram on title and text heading in roman. Small stain in top of gutter margins small inkstain on A1v f. B3 corner clipped. Bound in early 18th-century South German pasteboards completely overpainted in imitation of a Renaissance binding: both covers painted in watercolor and gouache on a brown ground with outer panel of scrolling tendrils with red flowers and leaves central panel with arabesque foliate decor two vases at top and bottom and central cartouche containing a winged lion holding a book painted in silver on a black ground; flat spine with portion of a different painted decor endleaves of gold on green Bronzefirnispapier bronze varnish paper probably from Augsburg with interlacing tendrils and birds foxes rabbits dogs an angel’s head and a putto emerging from a bud thick paper flyleaves small tear to backstrip edges slightly rubbed small marginal repair to lower flyleaf. Provenance: contemporary inscription on title:  Plus que moins que me d’amour or quie en amour et or est qui la scait servir; Maurice Burrus 1882-1959 bookplate and acquisition label dated September 1937 identifying Arthur Lauria as the seller. <br /> <br /> First separate edition previously unknown of Cicero’s translation of part of Plato’s Timaeus. Cicero's fragmentary translation of sections 27d-47b was highly influential in late antiquity. In either Cicero’s version or Calcidius’s more extensive translation of sections 17a–53c the Timaeus was often the only text of Plato found in medieval monastic scriptoria and libraries. The first separate edition of Calcidius’s translation was also published in 1520 by Josse Bade. <br /> <br /> This edition was intended as a schoolbook with its moderately leaded lines. The title page includes an epigram by one Ioannis Sartae Leodiensis Jean de Sarthe of Liège. I locate one mention of another copy in a 1902 catalogue of the library of the Gymnasium of Emmerich bound with two other Cicero Quentel imprints from 1518 and 1517 J. Wattendorff Katalog der Lehrerbibliothek Part IV Emmerich 1904 p. 21 shelfmark O 35. That volume was evidently destroyed in 1944 when 90% of the town was bombed. <br /> <br /> The most remarkable feature of this unusual book is the binding carefully painted on inexpensive pasteboards by an unknown early 18th-century amateur to resemble a 16th-century gold-tooled and paneled binding. The artist indulged in a certain amalgamation of styles viz. the central silver medallion containing a representation of the lion of Venice holding the Gospel of Mark. <br /> <br /> The lovely “bronze varnish†or gold varnish endpapers with their swirling tendrils among which are hidden animals and birds are typical of papers produced in Augsburg in the first two decades of the 18th century cf. Haemmerle pp. 72-73. These especially resemble examples produced by Georg Christoph Stoy. I have not found an exact match in the printed and online literature. <br /> <br /> Not in VD16 KVK OCLC ISTC Hoffmann etc. My thanks to Irene Malfatto for her help with the inscription. Quentel heirs unknown