Bradley, Will (Illustrator)Biblio.com
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189522158Cleveland: Burrows Brothers 1895. First edition. Hardcover. Orig. cloth spine and decorated gray boards front cover lettered in red. Teg. Very good. 125 pages. 22 1/2 x 15 cm. A spectacular example of Arts and Crafts details and "more ambitious and successful than `When Hearts Are Trumps." Limited edition copy 107 of 600 printed by John Wilson on handmade laid paper. The type is Jenson in red and black with the former used for accents throughout. There are Kelmscott-style borders with the influence of Whistler Beardsley and Morris turned to Bradley's own use. BOMBACE A9. Interior contents clean and bright slight flaking to backstrip decorated end papers. Burrows Brothers hardcover
198141939DEUTSCHER BÜCHERBUND 1981. 1. hardcover. Darkover: 6 Nach den Comyn Sirmkovrilo! DEUTSCHER BÜCHERBUND hardcover
199448317FISCHER 03/1994. 51.-70. Tsd. softcover. Ungekürzte Ausgabe! FISCHER paperback
1959210341959. Bannon Ann. I Am a Woman. Gardner Miriam. The Strange Women. Sinclair Marianne. The Corruption of Innocence. Henry Joan. Women in Prison. Smith Artemis. The Third Sex. These mid-twentieth century paperback novels document women-authored representations of same-sex relationships and queer social life within a publishing field largely dominated by male writers working under pseudonyms. Issued between 1953 and 1964 these works provide primary evidence of how lesbian identity gender nonconformity and same-sex relationships were depicted in commercially distributed fiction during a period when homosexuality remained criminalized and pathologized in both medical and legal frameworks. Ann Bannon's I Am a Woman part of the Beebo Brinker series occupies a central place in lesbian literary history as one of the earliest widely circulated narratives to present lesbian identity through recurring characters and urban social networks while Marion Zimmer Bradley writing as Miriam Gardner contributed to the genre through emotionally centered narratives of same-sex relationships. Joan Henry's Women in Prison grounded in her own incarceration intersects with carceral studies and gendered confinement while Artemis Smith's The Third Sex addresses both male and female homosexuality within a shared social framework. Several titles align with evaluative frameworks established by Barbara Grier identifying works with sustained lesbian characters and narrative focus situating this grouping within early lesbian reading cultures prior to the emergence of organized gay and lesbian liberation movements.<br /> <br /> Bannon Ann pen name of Ann Weldy. I Am a Woman. Greenwich Conn.: Fawcett Publications 1959. First edition first printing. Mass-market paperback.<br /> Gardner Miriam pen name of Marion Zimmer Bradley. The Strange Women. Derby Conn.: Monarch Books 1962. First edition. Mass-market paperback.<br /> Sinclair Marianne. The Corruption of Innocence. New York: Macfadden-Bartell 1964. First American edition. Mass-market paperback.<br /> Henry Joan. Women in Prison. New York: Permabooks 1953. Second edition. Mass-market paperback.<br /> Smith Artemis pen name of Annselm Morpurgo. The Third Sex. New York: Beacon Signal Books 1963. Second edition. Mass-market paperback.<br /> Group of five paperback volumes spanning 1953 to 1964 each measuring approximately 4.25 x 7 inches and generally ranging between 120 and 250 pages. Illustrated covers follow mid-century pulp conventions frequently depicting women in intimate or emotionally charged poses paired with promotional language such as "I Am a Woman In Love With A Woman-Must Society Reject Me" I Am a Woman and "They were trapped by their forbidden love" The Strange Women. Narrative content includes first lesbian relationships urban social networks carceral environments and negotiated heterosexual marriages as in The Third Sex which presents a marriage of convenience between a gay man and a lesbian woman. The Corruption of Innocence situates its narrative within expatriate and nightlife environments in Paris while Women in Prison provides a semi-autobiographical account of women's incarceration and interpersonal dynamics within institutional confinement.<br /> <br /> These works circulated within an expanding postwar paperback industry that enabled the distribution of controversial subject matter through inexpensive formats even as publishers framed lesbian content through sensationalized language to navigate censorship and obscenity standards. Female-authored contributions introduced perspectives grounded in lived experience emotional interiority and social negotiation contributing to the development of lesbian literary traditions that would later intersect with feminist and gay liberation movements of the late 1960s and 1970s. Clean covers and interiors with tight textblocks; light handling wear including a noted crease to the upper corner of The Strange Women; overall good to very good condition. The grouping offers a concentrated record of women-authored lesbian fiction within mid-century mass-market publishing and supports research into sexuality gender and print culture. unknown
2001Q-0199245142Oxford University Press 2001-03-22. Hardcover. New. In shrink wrap. Looks like an interesting title! Oxford University Press hardcover
199849178BASTEI-LÜBBE 09/1998. 3. softcover. BASTEI-LÜBBE paperback
199353747ULLSTEIN LEOPOLD 07/1993. 1. softcover. Darkover: 8 Anthologien MOEWIG BEI ULLSTEIN ULLSTEIN, LEOPOLD paperback
198726264LÜBBE GUSTAV 01/1987. 3. hardcover. Sterne warten: Frühe Erzählungen Die Sirmkovrilo! Bestellkarte! LÜBBE, GUSTAV hardcover
199353749ULLSTEIN LEOPOLD 06/1993. 1. softcover. Magische Geschichten MOEWIG BEI ULLSTEIN ULLSTEIN, LEOPOLD paperback
DADAX0805304029Pearson 0000-00-00. 2. hardcover. New. 7.75x2.25x9.25. Buy with confidence. Excellent Customer Service & Return policy. Pearson hardcover
198540942PABEL/MOEWIG VERLAGSUNION 1985. 2. softcover. Darkover: 5 Die Wiederentdeckung PABEL/MOEWIG VERLAGSUNION paperback
198540941PABEL/MOEWIG VERLAGSUNION 1985. 6.ND. softcover. Darkover: 5 Die Wiederentdeckung Nova Titolbildo! PABEL/MOEWIG VERLAGSUNION paperback
189723522New York: Frederick A. Stokes Company 1897. First edition. Hardcover. Fine. 8vo. xx3411pp. Bound in purple T-grain cloth ands locked intricately with gilt on the spine and upper board in a design by Will Bradley. Top edge gilt. A few marginal pencil notes else a fine copy. <br /> <p><br /> Bambace Will H. Bradley A20. <br /> <p>. Frederick A. Stokes Company hardcover
1950D12002c. 1950s. Ephemera. Near Fine. Collection of 23 silver gelatin prints average size 14x9 inches with photographer's notes and studio stamping on the verso. High quality photographs including portraits street scenes candid images of children families and workers. A little light wear along the edges else fine. <br/><br/>Bradley Smith was born in New Orleans in 1910. In his early career he worked for several Southern newspapers and did some farm labor organizing; later he became nationally known for his photographs of sharecroppers. In the 1940's he became a photographer for Life magazine and also worked as a freelancer for Time The Saturday Evening Post Vogue American Heritage and Paris Match. He photographed Helen Keller Mahatma Gandhi and Harry S. Truman. But Mr. Smith a lifelong jazz lover took his best-known portraits of Billie Holiday and Louis Armstrong. During the depths of the Depression he came north and worked for several magazines in New York City. There he became one of the central figures in the founding of ASMP. Smith wrote and illustrated 23 books including the popular A History in Art series that related a nations story through its art works. The series included volumes on Japan China Mexico Spain and the United States. He also wrote about photography and eroticism and he illustrated the autobiography of novelist Henry Miller. unknown
1880P603London: G. P. McQueen 1880. Excellent Condition. Image Size : 379x602 mm 14.875x23.625 Inches Platemark Size : Paper Size : 545x758 mm 21.5x29.875 Inches Coloring: Hand Colored Medium: Lithograph Categories: Sports G. P. McQueen unknown
1731800611731. BRADLEY Richard. New Improvements of Planting and Gardening Both Philosophical and Practical. In Three Parts. London: J. and J. Knapton . A. Betteworth and C. Hitch.J. Pemberton. and D. Browne 1731. 6th ed. with an Appendix treating of several matters omitted in the former impressions. xiv 60923 indexpp. Frontis.13 copper-engraved plates some folding. Contemporary double gilt-ruled calf rebacked in matching leather raised spine bands red morocco spine label. Some wear to corners some light scattered foxing lacks rear free endpaper several of the folding plates repaired Plate II of Appendix missing part of plate else very good. New Improvements Parts II and III the section on Herefordshire Orchards and the Appendix have separate title pages all dated 1730 apart from the appendix which is dated 1731. Bradley ca. 1688-1732 was an English botanist and gardener appointed to be the first Professor of Botany at Cambridge University a Fellow of the Royal Society and the first to publish a pineapple recipe in English. Fussell Old English Farming Books p. 108 provides Bradley an entire chapter but only on the grounds that Bradley was the most prolific author of the period 1700-1730. unknown
1726248433London: Printed for W. Mears 1726. Fifth edition with an Appendix. Frontispiece 12 plates many folding. xvi 608 pp. 8vo. Bound in contemporary calf some wear to covers neatly rebacked. Fifth edition with an Appendix. Frontispiece 12 plates many folding. xvi 608 pp. 8vo. Printed for W. Mears unknown
1905506980New York: American Type Founders Company 1905. Softcover. Near Fine/Near Fine. First edition. Large quarto. 32pp. Illustrated. Stapled illustrated wrappers with cover design and layout by Will Bradley printed in yellow red and green. A fine copy. Bambace p.180: "Bradley cover layout borders and designs. Introduces Bradley's Chap-Book Cuts his interpretation of Joseph Crawhall's colonial-style ornaments." Beautifully printed and designed with numerous pictorial woodcuts and ornaments on every page by Bradley. The ornaments are printed in appealing shades of brown green or orange. Also prints Will Bradley's calendar for 1905. American Type Founders Company unknown
1905213308'Everywhere': The American Type Founders Co 1905. Staplebound. VG. Well protected in archival folder. First insert has wear and chipping around the edges. Otherwise a nice copy of this super scarce specimen book. Quarto. Staplebound specimen book. Tree patterned wraps with red and black titles. 32 pages numerous inserts with typographic samples laid in throughout the text. ; 31 cm. Released under the supervision of Will H. Bradley the lead Art Nouveau illustrator and designer of his time. Once the highest paid American Artist of the early 20th century he was nicknamed the "Dean of American Designers" The American Type Founders Co unknown
1890599023London: George Bell and Sons 1890. Hardcover. Near Fine. First edition. Small octavo. Art Nouveau-designed decorated paper over boards designed by Selwyn Image. Publisher's file copy with their rubberstamp and with the bookplate of noted collector Mark Samuels Lasner both on the front pastedown tiny split at top joint a handsome very good or better copy. George Bell and Sons hardcover
201132065New York: OHWOW 2011. Near fine in printed wrappers. Scarce with no OCLC records located. First Edition. Octavo. SIGNED by the six living contributors to the front endpaper save for Fitzpatrick. As homage to Ray Johnson's mail art network Leo Fitzpatrick invited a group of young artists to submit their photocopied artworks for both a publication and an exhibition at OHWOW gallery. "Stuff they were more likely to put on their refrigerator that's the kind of work I really like - unfinished pieces and things that make people smile that they wouldn't put out in the world as 'serious artists.'" With contributions from Joe Bradley Dan Colen Ray Johnson Hanna Liden Nate Lowman Adam McEwen Josh Smith and Dash Snow. New York: OHWOW unknown
1884678651884. JOHNSON Bradley T. The First Maryland Campaign. An Address.Richmond: Wm. Ellis Jones Book and Job Printer 1884. 1st ed. 39pp. Later morocco-backed cloth original printed wrappers bound in. A very good copy. Dornbusch II 535. Rare Worldcat locates only 11 copies and we can find no auction records or sales in the trade. unknown
175729504<p>Richard Bradley's A General Treatise of Agriculture London: W. Johnston et al. 1757 is the first edition of an eighteenth-century English agricultural and horticultural text. The work unites philosophical study and field practice presenting instruction in farming soil care plant growth and garden construction. Part I addresses husbandry focusing on the nature of soil air and environmental factors suited to vegetation. Part II concerns gardening covering the circulation of sap propagation and garden layout. Plates depict plows irrigation systems heating devices and garden designs. Bradley Professor of Botany at Cambridge was a leading figure in early agricultural science. Collation: viii 503 15 pp. Illustrations: 21 engraved plates including frontispiece final plate incomplete. Edition: First edition 1757. Format: Octavo 8vo single volume. Binding: Full leather with modern spine and hinges original boards preserved. Condition: Good; corners rubbed; binding firm; pages toned with mild foxing; plates largely clean; final plate incomplete. #29504 PHOTOS AVAILABLE UPON REQUEST.</p> for W. Johnston, et al. hardcover
2011DBS-9781412971010SAGE PUBLICATION 2011. 1st. Hardcover. New. SAGE PUBLICATION hardcover
2011DBS-9781412971010SAGE PUBLICATION 2011. 1st. Hardcover. New. SAGE PUBLICATION hardcover
