299 résultats
189185725Yorkshire Post. 1891. Hardcover. Very Good. 48pp illustrated no 5 in the series folding map bound in original hard boards. Spine backstrip worn away ; 8vo 8" - 9" tall . Yorkshire Post hardcover
189912548E.P. Dutton & Company 1899. First Edition. Hardcover. Acceptable. Several pages are missing it's hard to tell exactly what is missing this book is incomplete all pages damaged - rough condition - as is. No returns. Pictorial boards are very worn and chipped corners rounded soiling burgundy cloth spine is tearing head/tail and worn. Title page missing pencil name inside front cover next page is glued to front board and quite worn hinges breaking most pages have tears bends edge and corner wear and old tape repairs. Regardless of the damage still a fascinatingly odd children's book. First edition 1899. As-is rough condition. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 E.P. Dutton & Company hardcover
1880P603London: G. P. McQueen 1880. Excellent Condition. Image Size : 379x602 mm 14.875x23.625 Inches Platemark Size : Paper Size : 545x758 mm 21.5x29.875 Inches Coloring: Hand Colored Medium: Lithograph Categories: Sports G. P. McQueen unknown
1884BOOKS239026Boston MA: Little Brown and Company. G/FR. 1884. First Edition. Wraps. Original plain wrappers and printed jacket. James Bradley Thayer 1831-1902 was a Boston attorney legal scholar and professor at Harvard University. He had business dealings with Emerson and was one of a party of twelve who with Emerson went in a private Pullman car from Boston to California and travelled there for several weeks in 1871. Thayer wrote a number of diary-like letters to his wife while on the trip which later formed the basis for this account. This book also contains the letter that Thayer had written to the Boston 'Daily Advertiser' in which he attempts to clarify the response to a recent 1883 Boston lecture on Emerson given by Matthew Arnold. BAL p.68 . 16mo. 141pp. Wraps fragil yellowed stained and frayed with torn & chipped spine pulled away from text at front hinge still attached at rear; cracked with edge tears and waterstained & yellowed margins small booksellers label W. B. Clarke & Carruth Boston . Little, Brown and Company paperback
1900UBRAWAT00LAWMilton Bradley Co. 1900. Good. Bradley Milton. Water Colors in the Schoolroom. Springfield MA: Milton Bradley Co. 1900. 1st edition. 63pp. Illustrated. 12mo. 1/4 teal cloth with sage paper covered boards. Book condition: Good with gently bumped and slightly yellowed edges. Subtle soiling on covers. A few Teachers' Library marks on covers and endsheet. Patch of paper residue on rear pastedown. Milton Bradley Co. hardcover books
18991226088vo. New York: Frederick A. Stokes 1899. 8vo 96 pp. Gray paper. Original pictorial gray boards. Slight darkening to backstrip fine. § First edition of this classic of 1890s book design and illustration printed by Will Bradley hard to find in such good condition. The Turn of the Century #137: “this beautifully designed book unlike most of Bradley’s work has more than a tinge of the exotic as if admitting to a certain pictorial decadence parallel to the sophisticated disillusion of Crane’s verses.â€. BAL 4083. Frederick A. Stokes hardcover books
18991280839New York: Frederick A. Stokes Company 1899. First Edition First Printing. 8vo. 96 pp. VG-; gray paper-backed pictorial boards with black lettering and illustration; spine age-toned to brown; spine re-backed with gray cloth turned-in over endpapers original paper label laid down; head and tail of paper label to original spine chipped off mild bumping to head of cloth spine; bumping and chipping to edges particularly corners; mild age-toning to boards and to margins of interior; light staining to bottom of front cover; beveled fore- and bottom-edge of text-block; text printed on heavy gray paper; square tearing to front paste-down likely from removal of bookplate; MA consignment; shelved Case 0. 1280839. Shelved Dupont Bookstore. Frederick A. Stokes Company unknown books
189951352New York: Frederick A. Stokes Company 1899. First Edition. Octavo 21.5cm; black and gray illustrated paper-covered boards with title label at upper spine; 962pp; illus. Gentle sunning to spine and upper rear cover light wear to spine ends and board corners with minute board exposure to lower corners a few tiny stains to lower front cover and a tiny vintage booksellers ticket to lower rear pastedown; hinges sound and clean throughout; Very Good. <br/><br/>Attractive copy of this masterpiece of Art Nouveau book design and a key Will Bradley work. The title poem remains Crane's most searing indictment of war condensing the spirit of The Red Badge of Courage into a work of 32 lines. BAL 4083. Frederick A. Stokes Company unknown books
189923051New York: Frederick A. Stokes 1899. First edition. Hardcover. Orig. illustrated gray boards. Very good. 96 pages. 8vo 21 x 13.5 cm. Six full-page and front cover illustration by Will Bradley with numerous decorations in the text. Printed on dark gray stock with covers to match. Title page illustrations and decorations are by Bradley. He also arranged the layout of the book. Later editions were in a smaller format. BOMBACE A42. Clean interior spine lacks two centimeters at foot slight nick at head; nevertheless covers are bright and fresh. Frederick A. Stokes hardcover
189980126New York:: Frederick A. Stokes 1899. First edition. publishers illustrated boards with printed paper label designed by Will Bradley. Preserved in a custom quarter morocco slipcase and felt-lined chemise. A very attractive fine copy minimal use to the timeless binding. There is a minuscule chip to one corner of the printed paper spine label affecting only the double-ruling. 8vo. Drawings by Will Bradley. Frederick A. Stokes, hardcover
189930629New York: Frederick A. Stokes 1899. Hardcover. First Edition. 5 x 8.5in. 96pp. Bound in recent paper-covered boards with the original front board panel and title label affixed. New colored endpapers in emulation of the original. An odd copy with the first 12pp. printed twice one after the other. NEAR FINE. Shows the spine somewhat rubbed the slightest hint of toning at the outermost margin of the text-block otherwise the binding is strong and tight the text is clean and unmarked and the boards remain bright and distinct. As pictured. Frederick A. Stokes hardcover
185321764n.p. 1853. 1 vols. Image 9-1/2 x 12 inches; attractively gilt-framed with lettered French mat 17-1/2 x 19-1/2 inches overall. 1 vols. Image 9-1/2 x 12 inches; attractively gilt-framed with lettered French mat 17-1/2 x 19-1/2 inches overall. Original Drawing of Mr. Verdant Green at Cricket. A popular Victorian literary character was Mr. Verdant Green an Oxford Freshman hero of several books written and illustrated by a Midland vicar Rev. Edward Bradley 1827-1889 under the pen-name of Cuthbert Bede. Bradley had learned wood-engraving from no less than George Cruikshank but as Houfe notes "remained very much the amateur illustrating his own books.and others in a jolly and careless style." He also drew for Punch and "was one of the first illustrators to satirise photography."<br/><br/>This drawing jolly and careless shows two sketches of the hapless freshman unsuccessfully defending a wicket--the drawings appear in more finished wood-engraved form on pages 100-101 of The Adventures of Mr. Verdant Green-- and a more formal portrait done in the year in which The Adventures first appeared thus making it an Oxford literary and cricket item all in one. Houfe British Book Illustrators p. 230 unknown books
190026647Cincinnati Ohio: Printed for the author by Curts & Jennings 1900. 8vo. 3-396 p. frontis. ports. illus. <br><br>Includes "letters from Longfellow Whittier Holmes and other American authors" relating to Peaslee's efforts to promote Arbor Day in schools. In ink on title-page "German Society of Pennsylvania Philadelphia. Compliments of the author. Publisher's brown cloth. Exsocial club library: call number on endpaper pressure-stamps on title-page no other markings. Printed for the author by Curts & Jennings hardcover books
1896026491Boston: Copeland and Day 1896. First Edition Thus . Paper-covered Boards. Very Good. 5 9/16" x 4 1/4. 78 Pp. Beige Cloth Spine With Printed Paper Label; Blue-Grey Paper-Covered Boards With Printed Title. Colophon States "This Edition Of Aucassin And Nicolette A Song-Tale Of True Lovers Englished By M. S. Henry And Versified By Edward W. Thomson Is Printed By John Wilson And Son Of Cambridge During April 1896 For Copeland And Day Boston." Will Bradley Was Doing Work For Copeland And Day In 1897 And The Book Has "His" Vine-Leaf Slug Used As A Spacer Occasionally Throughout But There Is No Indication In The Book That Bradley Did The Design Or Typography. This Example Inscribed "To Alice From Will" On Second Front Free Endpaper In Will Bradley's Hand. Lightly Worn Tips Just Beginning To Fray. Scarce. There Is Apparently Another Edition By Copeland And Day Of This Work Dated 1897. <br/> <br/> Copeland and Day hardcover
1893026175Will Bradley Circa 1893 1893. Original Advertising Card . Single Card. Near Fine. Illustration And Design . Advertising Card For The Bookstore And Stationary Store Of Henry R. Johnson. Not In Bambace. Part Of Collection Of Bradley Work Formed In Part From Bradley's Own Copies And Apparently By Him. <br/> <br/> [Will Bradley Circa 1893] unknown
1898299786London: Ballantyne 1898. hardcover. very good. Charles Rickets. cxvii pages. Tall slim 8vo original decorative boards with peacock motif; drab board spine with paper label spine sunned and bit splotchy with light wear at ends; bookplate. Beautiful red & black woodcut illustration by Charles Ricketts under whose supervision the book has been printed at the Ballantyne Press. London: Ballantyne 1898. Limited edition - one of 210 copies. A very good copy with very fresh clean interior.<br/><br/> Ballantyne unknown books
189953651899. Chicago & New York: Herbert S. Stone & Company 1899. Original red cloth decorated in black and white First Edition of this collection of 21 tales some of a fantastical nature. This book is today collected primarily for its binding designed by Will Bradley; its second strongest appeal is as a book produced by the 'Nineties publisher Herbert Stone. This is a near-fine copy slightly faded on the spine. Bleiler p. 203; Kramer 191. <br/><br/> hardcover books
1865009641London: Sampson Low Son and Marston 1865 London: Sampson Low Son and Marston: 1865. First edition. Extremely scarce. 12mo. Red-orange cloth decoratively stamped and ruled in blind rebacked in matching cloth with gilt titles and decorations. Antique ex-library with hand-numbered and hand-dated bookplate small stamp to title page no other markings no pocket. 252 pp. Head and tail engraved decorations. Frontispiece illlustration and 7 other engravings by Bradley "Cuthbert Bede". Light soiling light fade silverfish to original boards. New hinges masterful restoration of spine cloth. Very good. Sampson Low, Son, and Marston hardcover
189090937Leeds: Yorkshire Post. 1890. Hardcover. Very Good. 1890 first edition43pp 4pp adverts illustrated folding map original hard card covers with black cloth spine cover notes on front endpaper 1 corner cover chipped off bit dusty spine respined with black cloth; Octavo . Yorkshire Post hardcover
1890156421London: George Bell and Sons 1890. The real woman of magical nature must remain undiscovered and triumphant First edition first impression trade issue in the scarce glassine jacket. The play published under the pseudonym "Michael Field" by Edith Emma Cooper and her aunt and sometime lover Katharine Harris Bradley tells of the reign and fall of Mary Queen of Scots. There was also a limited issue of 60 copies bound in vellum. Selwyn Image 1849-1930 designed the binding for this title and his regal blooming thistles are an entirely appropriate example of his fin-de-siècle decorative art. The borders incorporate Mary's motto "En ma fin est mon commencement" "In my end is my beginning". An artist designer and poet Image was published in The Savoy and was the seventh Slade Professor of Fine Art at Oxford from 1910-16. Oscar Wilde considered The Tragic Mary one of the two most beautiful books of the nineteenth century "in appearance" quoted in Hadjiafxendi p. 243 the other being Dante Gabriel Rossetti's Poems 1870. Cooper and Bradley acknowledge in their Preface both the necessity and futility of dramatizing Mary's life; "the Queen herself lies sculptured in Westminster Abbey waiting with the serenity of patience a judgement other than that of men. Yet we are not permitted to withhold our human verdicts if she is to live as a presence in our midst. our beliefs are but conjectures and the real woman of magical nature must remain undiscovered and triumphant" Preface. Octavo. Original brown paper-covered boards spine and covers lettered in black covers illustrated in black with blossoming thistles and crown motifs designed by Selwyn Image edges uncut. With original glassine dust jacket and later handmade paper dust jacket. Two previous booksellers' notes loosely inserted. Small mark to spine a little foxing and offsetting to endpapers. A near-fine copy unopened in sharp glassine spine panel a little toned trivial chips to head of spine panel and corners a few marks to panels flaps a touch creased. Kyriaki Hadjiafxendi & Patricia Zakreski Crafting the Woman Professional in the Long Nineteenth Century 2016. hardcover
1890599023London: George Bell and Sons 1890. Hardcover. Near Fine. First edition. Small octavo. Art Nouveau-designed decorated paper over boards designed by Selwyn Image. Publisher's file copy with their rubberstamp and with the bookplate of noted collector Mark Samuels Lasner both on the front pastedown tiny split at top joint a handsome very good or better copy. George Bell and Sons hardcover
189020844George Bell and Sons 1890. First Edition. Hard Cover. Good/No Jacket. George Bell and Sons 1890. First Edition. Hard Cover. Beige paper boards with elaborate black decoration. Cover has considerable shelfwear corners are very rubbed missing spine. Pages are clean and unmarked very occasional light foxing more on endpapers. Binding is tight. Hinges are lightly cracked. Good reading copy. Excellent candidate for repair. Very Scarce. Sorry we have to say this but - This is the ACTUAL BOOK. Not a reprint. George Bell and Sons hardcover
1877310655Oneida NY: Oneida Community 1877. Pamphlet. 12p. 4.5x6.75 inch pamphlet; slightly toned in very good condition. Address given at the Community Hall March 1 1877 in Oneida New York by Constance Bradley Noyes. [Oneida Community] unknown
187355999Boston: D. Lothrop and Company. Very Good. 1873. Hardcover. Brown pictorial boards with gilt stamping contents show a slight toning a very good copy. . D. Lothrop and Company hardcover books
18972666<p>Chicago: Way & Williams 1897. First edition. A beautiful copy in the original black pictorial cloth. Front rear and spine panels stamped in red and yellow TEG other edges untrimmed. First edition first printing. Anatomy of Wonder 1976 2-160; 1981 1-70; 1987 1-97; and 1995 1-97. Bleiler 1978 p. 203. A near fine copy.</p> Way & Williams hardcover books