(Alfred de MUSSET) - Paul de MUSSETBiblio.com
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187723199Paris: Charpentier 1877. Fine. Charpentier Paris 1877 12 x 18.50 cm relié Second edition. Half caramel-colored sheep with corners spine faded with five raised bands showing traces of rubbing slight lack to one headcap marbled paper boards fillet borders on boards marbled endpapers and pastedowns top edge gilt. Charpentier hardcover
19278224Paris: Mercure de France 1927. Fine. Mercure de France Paris 1927 14.50 x 23 cm broché First edition. Autograph inscription signed by the author. Boards marginally sunned spine with repaired tear at foot boards detached. Mercure de France hardcover
6468Exemplaire sur Chiffon de Rives.Tirage total à 672 exemplaires.18 illustrations hors texte en couleurs et nombreuses illustrations en noir et blanc de Louis Berthommé Saint-André. Broché sous boîtier chemise de l'éditeur. Très bon s.l. Vrais Amateurs Romantiques s.d. 1 volume in-4° et une suite en noir des illustrations.
1927219559Haarlem: The Pleiad 1927. First edition thus. Number 388 of 550 copies. Designed by Frederic Warde & Printed by Jon Enschedé. Twelve Illustrations ten in Lithography and two hand-coloured have been made by Mr. Fernand Giauque. 57 1 pp. 1 vols. 4to. Mulberry cloth. Fine. First edition thus. Number 388 of 550 copies. Designed by Frederic Warde & Printed by Jon Enschedé. Twelve Illustrations ten in Lithography and two hand-coloured have been made by Mr. Fernand Giauque. 57 1 pp. 1 vols. 4to. The Pleiad unknown
1904ST19375Paris: Librairie L. Conquet L. Carteret et Cie successor 1904. ONE OF 200 COPIES of the text printed on Marais vellum paper this unnumbered copy printed for René Descamps-Scrive; COPY "L. C." OF 30 COPIES of the extra suite of plates designated for Léopold Carteret. 270 x 175 mm. 10 1/2 x 7". 2 p.l. 68 2 pp. <br/> LOVELY CREAM-COLORED CRUSHED MOROCCO INLAID AND GILT BY G. MERCIER stamp-signed G. Mercier Successeur. de son père and dated 1911 covers bordered by inlaid olive green morocco band enclosed by multiple gilt rules inner frame of gilt and inlaid floral vine with 31 inlaid pink morocco blooms 58 pink buds and multiple green leaves raised bands spine compartments with similar border and inlaid floral centerpiece gilt titling SUPERB INCISED LEATHER DOUBLURES signed by Hiard WITH MODELLED AND HAND-PAINTED SCENES showing two birds on branches of berries front and the empty branches without the birds rear iridescent bronze watered silk endleaves marbled flyleaves all edges gilt. In velvet-lined chemise trimmed with green morocco and matching slipcase. With 70 illustrations by Hector Giacomelli engraved on copper by L. Boisson including many repeated arboreal frames and WITH A SUITE OF 29 ETCHINGS AND 29 ARTIST'S PROOFS all signed in pencil by L. Boisson printed on Chine and mounted on heavy paper also with an added copper-engraved portrait of Alfred de Musset on Japon and with FOUR ORIGINAL WATERCOLORS BY GIACOMELLI one signed the other three with a red ink stamp of his initials. A Large Paper Copy. Carteret Illustrés IV 297 this copy. AN IMMACULATE COPY.<br/> <br/> This is a lovely bibliophile's edition of de Musset's philosophical tale of an outcast blackbird illustrated by a leading painter of birds printed for a distinguished collector including a bonus set of plates made for the publisher and beautifully bound--with especially charming doublures--by one of the leading workshops in Paris. A pioneer of the Romantic movement in France de Musset 1810-57 expresses some of his pain over his doomed affair with novelist George Sand in this examination of rejection and "otherness" narrated by a sensitive blackbird who is scorned for his white feathers. The delicate illustrations by Hector Giacomelli 1822-1904 capture both the beauty of belonging especially in the original watercolor frontispiece and the melancholy of separation. These were among the artist's final works. Son and successor to Émile Mercier Georges 1885-1939 graduated first in his class at École Éstienne institute for decorative arts before joining his father's firm; he took over the workshop on his father's death in 1910 and continued the business for the rest of his life. Flety says he knew his craft perfectly and continued the fine tradition of his father whom Prideaux considered the best finisher of his day. Here Mercier has combined delicate inlays and gilt tooling with sculpted and painted doublures inspired by Giacomelli's illustrations. This sumptuous volume has a circular connection to two of France's most discriminating bibliophiles. First it was issued by the bookseller publisher and bibliographer Leopold Carteret 1873-1948 who both produced and collected significant illustrated books. And then it was owned by René Descamps-Scrive d. 1925 who collected beautiful bindings that typified major styles and periods and who was known for his insistence on only acquiring volumes in perfect condition. Finally Carteret catalogued and sold Descamps-Scrive's library after his death. In his renowned bibliography of modern illustrated books Carteret describes this book as "a charming publication especially on Large Paper" as here with "the best illustrations by the painter of birds.". Librairie L. Conquet, L. Carteret et Cie, successor unknown
1891ST20760-06Paris: Librairie des Amateurs; A. Ferroud 1891. No. 60 OF 62 COPIES ON JAPON from a total edition of 525. First Edition in Book Form. 247 x 160 mm. 9 3/4 x 6 1/4". XVI 64 pp. 1 leaf; 4 pp. prospectus. Preface by Anatole France. <br/> ELEGANT SCARLET MOROCCO BEAUTIFULLY GILT BY PÉTRUS RUBAN stamp-signed on front turn-in covers with plain rule and dotted frame with cornerpieces composed of palmettes acanthus leaves quiver bow and arrows and tiny stars and side ornaments with scallops and torches with volutes and small tools raised bands spine compartments with quiver bow and arrows centerpiece gilt lettering richly gilt turn-ins with scallop roll marbled endpapers all edges gilt. Printed paper wrappers bound in. Housed in matching morocco-lipped slipcase. With 19 illustrations by Adolphe Lalauze all in two states one before letters. A Large Paper Copy. Carteret IV 301. Spine slightly darkened joints with very minor wear at head nicely masked with dye a couple of trivial finger smudges to the generous margins but A FINE COPY clean fresh and bright internally in a scarcely worn lustrous binding.<br/> <br/> This is a lovely connoisseur's copy of De Musset's satire on worldly clerics that is printed on smooth paper features wide margins and charming vignettes and best of all is adorned with a beautiful binding by the highly esteemed Pétrus Ruban. Bibliophile Octave Uzanne praised Ruban 1851-1929 for taking inspiration from everything around him--flowers birds architecture--and for his facility with colors. He became quite a fashionable binder and mostly worked for the great collectors of the day among them Beraldi Baudin Granjon de l'Espinay and Romagnol. Flety notes that "with a fertile imagination he practices all genres of binding with equal felicity"--a talent that is here directed at evoking the elegant French bindings of the 18th century. Ruban won silver medals at the Palace of Industry and at the Universal Exposition in 1889 with judges at the latter praising his careful study of both historic master binders and modern artists noting that Ruban would "soon achieve the rank he so rightly seeks." He was named an officer of the academy in 1902. First published in "Revue des Deux Mondes" in 1840 this present novella follows the fortunes of a young man who pretends to be an abbé in the glory days of the French ancien régime. Although literally meaning "abbot" the word "abbé" was a term applied to priests usually young who were not affiliated with any church or religious order but acted as free-lance spiritual advisors to the rich and influential. Such men led a life of ease frequenting salons visiting country estates and being showered with gifts by grateful society women. Our hero Cordier "had never opened a breviary" but made a very good life for himself in this role--until the Revolution brought it all crashing to the ground. Alone and impoverished Cordier is rescued in his final years by a bequest from an actress to whom he had giving spiritual and carnal succor. Author Paul de Musset 1804-80 was the elder brother of Romantic writer Alfred de Musset. Though often overshadowed by his more famous brother Paul wrote several works of his own including "Lui et Elle" a response to Georges Sand's "Elle et Lui" regarding her tumultuous affair with brother Alfred. Our artist Lalauze 1838-1906 was a major figure in what Ray describes as a revival of etching as an art form in France. This revival was partly stimulated by the founding of an etcher's society and the renewed interest was carried into book illustration by a number of publishers who specialized in sumptuous editions like the present one. Librairie des Amateurs; A. Ferroud unknown
1876ST20139Paris: Alphonse Lemerre 1876. 156 x 90 mm. 6 1/8 x 3 1/2". 2 p.l. 275 3 pp. <br/> LOVELY BLACK CRUSHED MOROCCO LAVISHLY GILT BY SMEERS stamp-signed on front turn-in covers with central medallion containing a cypher of initials "L E" and "S E" within a strapwork frame interlacing strapwork emanating from the medallion the compartments formed filled with lacy tooling the background spaces filled with sprays of rose leaves the whole within a border of multiple gilt and decorative rules raised bands spine compartments with central medallion framed by branches of leaves gilt lettering richly gilt turn-ins marbled endpapers all edges gilt over marbling. With frontispiece portrait of the author in two states black & white and sanguine by Henri Pille 1844-97. A PRISTINE COPY inside and out.<br/> <br/> This exquisite little volume containing the final works of famed Romantic poet Musset features a wonderfully elaborate fanfare-style binding by Smeers. Alfred de Musset 1810-57 was still in his teens when he began publishing his popular tales and he found success in poetry fiction and drama. He is generally recognized with Hugo Vigny and Lamartine as one of the four great French Romantic writers while at the same time being known for his tortured and tortuous love affair with novelist George Sand. This posthumous collection of works includes: poetry and unfinished plays; the complete play “L'ane et le Ruisseau;†and a selection of letters to friends and family from over a 30-year period. This was the 10th volume in a collected edition of Musset issued by Lemerre who was known for his publications of poetry. Our copy was bound by Isidore Smeers 1834-96 a Belgian whose career in Paris spanned 25 years beginning in 1865. He distinguished himself among the leading binders of the day especially through the notable work he did for the publishing house of Firmin-Didot. This binding with its profuse and delicate tooling perfectly demonstrates the finesse for which his volumes are known. With little to go on we have been unable to identify for whom this custom binding was executed. The two sets of initials in the central cypher suggest the binding may have been done for a couple; perhaps this book thoroughly beautiful inside and out was given as a romantic gift. Alphonse Lemerre unknown
3338Paris, Librairie Aristide Quillet, collection encyclopédique des classiques Quillet publiée sous la direction de Paul Penciolelli, 1961, reliure demi-basane fauve, titres et faux nerfs dorés, décors à froid, 12x18cm, 504 pages, 7 portraits .
189782654Paris Calmann Lévy, 1897, in-12, demi-bradel, pièce de titre, 291p. Bel exemplaire. Mention de 3e édition.
1942115671942 paris, Editions Emile-Paul frères, 1942; in-8 broché de 213pp. - (3)ff.; couverture rempliée bleu pale illustrée en bleu, titre imprimé en noir et bleu au 1er plat , en noir au dos. Les vignettes sur bois dans le texte, de Valentin le Campion, sont sont tirées en bleu.
45660Paris, Brissot-Thivars, 1829, in-8 broché, 457 pp. Couverture usagée ( mors fendus, petits manques), intérieur en bon état (rousseurs éparses).
8483Paris, Edition d'Art Piazza, 1928. Petit in-8 broché sous couverture rempliée (couverture légèrement défraîchie), 218 pp. Tirage limité à 100 exemplaires numérotés sur Vélin de Rives (n° 18).
1893117001893 Paris, Hachette, et Cie, 1893 , 1887; 2 tomes reliés en 1 volume in-12 de 192 - (1) pp.; 203 - (2) pp.Illustrés de 2 portaits, un en tête de chaque biographie. Reliure à la bradel de demi-percaline crème , titre doré sur étiquette de maroquin vieux-rouge.
18802563Partitions sur les Autres conflits,Partitions sur l'Allemagne 1880 approx.
193921501Eschig Max 1939
186011837Partitions sur les Autres conflits,Partitions sur l'Allemagne Gérard 1860 approx.
18702461Partitions sur les Autres conflits,Partitions sur l'Allemagne Hartmann 1870 approx.
187033183Partitions sur les Autres conflits,Partitions sur l'Allemagne,Partitions sur la Guerre Franco-Prussienne Hartmann 1870 approx.
193011834Gallet 1930 approx.
1930101757Gallet 1930 approx.
18802830Partitions sur les Autres conflits,Partitions sur l'Allemagne Hartmann 1880 approx.
190527991Partitions sur le Prénom Dupont Paul 1905 approx.
18802754Partitions sur les Autres conflits,Partitions sur l'Allemagne Ménestrel 1880 approx.
191322229Partitions sur la Première guerre Mondiale Labbé Marcel 1913 approx.
