Pagnol, MichelBiblio.com
165 résultats
0548059365.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2749811015.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2266000764.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1922H2901Marseille: Editions de 1922. First printing. Wraps. Good. Inscribed by Pagnol to Eugene Silvain doyen of the Comédie Francaise and a very well known actor and author in 1923. Pagnol notes that this is the last copy he has of the original printing. Small quarto wraps good plus copy some shelfwear and soil to wraps and what looks like old streaks of glue to rear wrap contents tanning. Possibly Pagnol's first book he also published a novel “Pirouettes†in 1922 from his earliest time in Paris when he was still teaching English. Although he first started working on this play in 1913 completing it in 1920 it was not published until 1922. In 1928 Pagnol proposed staging it at the Theatre Silvain with Eugene Silvain playing the title role but although Silvain was friendly with the Pagnol he declared that Pagnol had "no sense of theater." Pagnol was at that time an overnight success because of his play Topaze so it might have been professional jealousy on Silvain's part as he came from an older generation and tradition. In any case a superb association copy between a young playwright and an older and established actor and author. Pagnol went on to become France’s first “auteur†filmmaker and the first filmmaker elected to the Academie Francaise. There was a brief revival of interest in Pagnol in the late 1980s when two of his books were made into critically and commercially successful films by director Claude Berri: “Jean de Florette†and “Manon des Sources.â€. Editions de unknown
192280544Marseille: Editions de ""Fortunio"" 1922. Fine. Editions de ""Fortunio"" Marseille 1922 16.50 x 25.50 cm relié First edition with no mention of deluxe copies. Bradel binding in full decorative paper smooth spine decorated with a black morocco title-label underlined with gilt fillets covers and spine preserved binding signed P. Goy & C. Vilaine. Autograph inscription from Marcel Pagnol to Marius Richard: ""A Mr Marius Richard qui le protégea et ne cessa de l'encourager par la plus flatteuse bienveillance Fortunio confirme son respectueux attachement et le prie d'agréer ce livre son premier livre en témoignage de profonde reconnaissance."" ""To Mr Marius Richard who protected him and never ceased to encourage him with the most flattering benevolence Fortunio confirms his respectful attachment and asks him to accept this book his first book as a testimony of profound gratitude."" Rare and important autograph inscription from Marcel Pagnol then assistant professor of English at the Lycée Condorcet in Paris to one of his first supporters the politician and journalist Marius Richard the father of his close friend and collaborator Carlo Rim. Editions de ""Fortunio"" unknown
195846407Paris: Grasset 1958. Fine. Grasset Paris 1958 14.50 x 19.50 cm broché First edition of the French translation by Marcel Pagnol one of 32 numbered copies on pur fil paper the only grand papier deluxe copies. Cover illustrated with a woodcut by Aristide Maillol. Slight traces of sunning to head and to foot of spine nice copy. Grasset unknown
2469To Mr. E. Fasquelle editor Pagnol writes about film. "I had two parts in my film. One where I had my characters speak. The other where I left that to the cinematography and to Honnegger's sic music. The musical segments are very boring I am told. I am in the process of cutting out as many as I can but it is a delicate thing because of Honnegger sic who is a charming lad." He signs in full "Marcel Pagnol" then adds a note about having received payment. Pagnol most likely refers to his 1937 film "Regain" "Harvest" for which Swiss composer Arthur Honegger composed the music. The Marius trilogy Marius Fanny and Cesar filmed between 1931 and 1936 are viewed as Pagnol's most important cinematic contribution. unknown
19566044381956. "Marcel Pagnol" in black fountain pen ink on vintage album leaf laid down on a larger leaf. 6 1/4" x 4" on larger leaf 10 1/2" x 8". Very good. 1956. Signed and inscribed in French: To Cesa Vasquez Coelho 1956 ". . . a friend from far away . . . Marcel Pagnol 1956.". No Binding. Very Good/No Jacket. unknown
1956031069UK 1956. First Edition . Paper. Good. 48mo - over 3 - 4" tall. An Original Handwritten and Signed Card by French Writer Marcel Paul Magnolia. Dated 1956. Marcel Paul Pagnol 1895 - 1974 was a French novelist playwright and filmmaker. Regarded as an auteur in 1946 he became the first filmmaker elected to the Académie française. Pagnol is generally regarded as one of France's greatest 20th-century writers and is notable for the fact that he excelled in almost every medium-memoir novel drama and film. Size is 115mm x 75mm. Condition is good. From the collection of autograph collector Peter Bland. Ref 19233 <br/> <br/> unknown
MP27839HMagisterio Español Colección Novelas y Cuentos Nº191 1977 Madrid. 21x14. Encuadernación rústica tapa blanda 400 pgs. Texto en ingles. 689337 Magisterio Español, Colección Novelas y Cuentos Nº191, 1977, Madrid. paperback
195983040Paris 1959. Fine. Paris 19 mai 1959 21 x 27 cm une feuille Touching autograph letter signed by Marcel Pagnol addressed from Monte Carlo to his great friend Carlo Rim 9 lines in blue ink : ""Petit Carlo Où es-tu Donne-moi ton adresse car il faut que je t'écrive sérieusement à propos du droit d'auteur au cinéma. C'est urgent et important pour tous. Je t'embrasse et aussi Alice Marcel. Monte Carlo"" ""Little Carlo Where are you Give me your address as I need to write to you seriously about film copyright. It's urgent and important for everyone. I embrace you and also Alice Marcel. Monte Carlo"" Central folds inherent to postal handling Carlo Rim having inscribed a date in pencil probably that of receiving the letter. He also indicated below still in pencil: 27 mai ass.ger. SACD à Pleyel. Carlo Rim was a Provençal writer author notably of ""Ma belle Marseille"" a caricaturist a filmmaker: ""Justin de Marseille"" ""L'armoire volante"" ""La maison Bonnadieu"" and was notably the friend of Fernandel Raimu and Marcel Pagnol but also of Max Jacob and André Salmon whom he met in Sanary. Tutor to the aspiring baccalaureate candidate Jean Marius future Carlo Rim the very young graduate Marcel Pagnol preferred to teach him cup-and-ball mocking the uselessness of the baccalaureate. This was the beginning of an unshakeable friendship between the two artists whose literature theater and films contributed to the fame of the land of cicadas. unknown
19532090202118102544Iwanami Shoten Iwanami Shinsho 1953. Soft Cover. Fine. The book is in fine condition. Iwanami Shoten Iwanami Shinsho paperback
1973202241Pastorelly 1973. Bon Etat texte frais 300 à 400 p pour chaque ouvrage illustrations pleine page couleurs. in8. 1973. Relié. Pastorelly unknown
1995251754Le grand livre du mois 1995. Etat de Neuf impeccable. in8. 1995. Reliure editeur. Le grand livre du mois unknown
194886570Paris 1948. Fine. Paris s. d. ca 1948 21 x 26.50 cm une page recto verso Autograph letter signed by Marcel Pagnol sent from Monte Carlo 40 lines in black ink concerning the distribution and success of his new film ""La belle meunière"" freely adapted from the life of Franz Schubert with Tino Rossi Jacqueline Bouvier and Raoul Marco in the leading roles. Central folds inherent to postal delivery. Marcel Pagnol shows enthusiasm and is even somewhat overwhelmed with cinemas clamoring for ""La belle meunière"": ""Guinot must have told you about the great success in Marseille. If I had prints the 3 best theaters in Nice are offering to stop their programs to show La Belle Meunière. It's actually foolish since one theater is enough for us."" He is pleased with the public's enthusiasm: ""The lesson from the Rex is that the film is popular. There are nearly a hundred effects. Marco creates immense comic effects every time he speaks and Tino's songs are applauded as at the ABC. Blank screens."" even though he considers that he must make some improvements to the film: ""With Willy and Guinot in less than two days the film can be greatly improved. With about thirty shots the film will be transformed. . they will only have to bring Jacqueline and Tino's costumes - and if Marco can come spend two days here it will be perfect."" ""La belle meunière"" comes at just the right time to replenish Marcel Pagnol's coffers: ""The money troubles continue but I think they will be quickly resolved thanks to the film. But it is essential to hassle Armand."" unknown
