Hemingway ErnestABAA
5 520 résultats
1990315398New York: Limited Editions Club 1990. Number 106 of 600 numbered copies signed by the photographer. Illustrated with five photogravures by Alfred Eisenstaedt printed from the original negatives by Eisenstaedt in 1952 for the Life Magazine first appearance of the novel. 82 pp. Oblong Folio 14-1/2 x 11 inches. Bound in blue goatskin and linen by John von Isakovics laid into in a black suede-lined clamshell slipcase. With prospectus. Eisenstaedt. Alfred. Number 106 of 600 numbered copies signed by the photographer. Illustrated with five photogravures by Alfred Eisenstaedt printed from the original negatives by Eisenstaedt in 1952 for the Life Magazine first appearance of the novel. 82 pp. Oblong Folio 14-1/2 x 11 inches. Limited Editions Club unknown books
1937300761New York: Scribner 1937. First. hardcover. fine. 8vo handsomely rebound in crimson morocco gilt spine New York: Scribner 1937. First Edition. A fine copy.<br/><br/> Scribner unknown books
19784721Wellesley Hills Mass: The Sans Souci Press 1978. Galley Proofs. Unbound. 1 of 3 uncorrected galley proofs originally copyrighted in 1921 but never published. This work precedes Hemingway's first book by two years The manuscript was sold in the Jonathan Goodwin sale and documentation of its authenticity is supplied in the introduction. This is 1 of only 3 uncorrected typesetter's proofs run off by the printer William Ferguson for the pubisher William Young. With original mailing label present from the Ferguson press stating with note that corrected galleys will follow. For all purposes this is the only copy of the galleys for sale as one resides in a library in the South and the other in a private collection. The galley sheets are folded with several printer's notations and are in fine condition. Housed in a handsome green cloth clamshell with spine label. <br/><br/> The Sans Souci Press unknown books
19528678Chicago. Life Magazine. August 1952. Galley Proofs are imprinted in black ink upon 9.0" x 30.0" sheets. A stamp in blue ink stating "ADVANCE GALLEY PROOFS" appears at top of title sheet. Further blue stamp stating "Advance Galley Proofs For Your Personal Reading Only. LIFE Publication Date Sept.1". Accompanying letter is typed upon Life advertising department letterhead sheet 7.0" x 11.0" and is dated August 19 1952. Signed in ink by C.W. Hanson. Original advance Galley Proofs prepared by Life Magazine for its special publication of the novel in its September 1 1952 issue. The Life publication was the 1st appearance of Hemingway's novel preceeding the Scribners book publication of September 8 1952. The September 1 issue of Life was solely devoted to the novel which was accompanied by photographs by Alfred Eisenstadt. The issue sold in excess of five million copies. A letter from Life Magazine Chicago Advertising Manager C.W. Hanson to an unidentified recipient accompanies these proofs and explains in detail the Magazine's motivation for publication of Hemingway's work. e.g. "Our editors were so impressed with this newest bit of Hemingway- actually they think its "one of the greatest stories of our time"- that they have decided to publish all 30000 words of it in the September 1st issue of LIFE." . "Here's a galley proof of The Old Man of the Sea so that you can come on the story with the same sense of discovery of interest and greatness that the editors recognize. I hope you enjoy it." The letter contains further interesting comments. Due to the nature and quality of paper in galley production these tri-folded sheets are extremely brittle and present chipping to top and side edges- not intruding upon text. Several short starts at folds may be seen. The title page sheet has severely split at both folds and has been reattached with adhesive tape- not affecting title text. This same condition is more dramatically evidenced on the final sheet with a hole intruding upon the middle of 4 lines of text. Life Magazine. unknown books
1929008986New York: Charles Scribner's Sons 1929. 1st Edition 1st Printing. Hardcover. Near Fine. A beautiful near-fine copy bright crisp and clean. Black cloth boards with gold-foil printed labels are immaculate with tiny bump to lower corner of front board. Some offsetting to endpapers--primarily the front ones--with very faint impression of what was likely a paper clip at top of flyleaf; tiny abrasion at bottom of rear pastedown. Text is completely free of any markings. Now housed in a custom slipcase. A superior copy suitable to give as a gift. <br/> <br/> Charles Scribner's Sons hardcover
193211233NY: Charles Scribner's Sons. Very Good in Very Good dust jacket. 1932. First Edition; First Printing. Hardcover. Stamped inside the covers & on the title page from a small private library. No pocket or other markings. Light wear to the spine & covers. The DJ was kept folding inside the book so it has a crease across the center. No fading but some wear to the corners & spine ends. ; Ex-Library; tall 8vo 9" - 10" tall . Charles Scribner's Sons hardcover
19405555555558<p><strong>HEMINGWAY Ernest.</strong> <em>For Whom the Bell Tolls.</em></p><p>New York: Charles Scribner's Sons 1940. First edition first printing with the Scribner's "A" on the copyright page. Octavo. 471 pp. Original tan cloth stamped in black on the front cover with red-and-black spine labels. In the first state dust jacket price-clipped and with no photographer credit on the rear panel. Jacket shows moderate wear including chipping at the head of the spine a larger loss at the upper spine panel extending slightly onto the front panel and several closed tears with creasing. Cloth clean and sound with light speckling typical of the cloth stock and mild toning to the page edges. A solid presentable first edition in its correct early jacket. Near Fine in Good jacket.</p> Charles Scribner's Sons hardcover
19401906013Charles Scribner's Sons 1940. 1st Edition. Hardcover. Fine. Leather-bound first edition 1940 stated on title and copyright page. Book in fine condition. Charles Scribner's Sons hardcover
1944135292New York: The Viking Press 1944. First edition early printing of this compilation of Hemingway's works. Octavo original cloth. Presentation copy warmly inscribed by Mary Hemingway on the front free endpaper "23 June 1947 Dear Nina With best wishes for a pleasant trip success and luck. Hope to see you soon. Love Mary." Near fine in a very good dust jacket. Edited by Malcolm Cowley. We have never seen another signed and inscribed example. The Viking Press hardcover
4721Wellesley Hills Mass: The Sans Souci Press 1978. Galley Proofs. Unbound. Fine. 1 of 3 uncorrected galley proofs originally copyrighted in 1921 but never published. This work precedes Hemingway's first book by two years The manuscript was sold in the Jonathan Goodwin sale and documentation of its authenticity is supplied in the introduction. This is 1 of only 3 uncorrected typesetter's proofs run off by the printer William Ferguson for the pubisher William Young. With original mailing label present from the Ferguson press stating with note that corrected galleys will follow. For all purposes this is the only copy of the galleys for sale as one resides in a library in the South and the other in a private collection. The galley sheets are folded with several printer's notations and are in fine condition. Housed in a handsome green cloth clamshell with spine label. The Sans Souci Press unknown
140288New York: Charles Scribner's Sons 1970. First edition of Hemingway's autobiographical novel in three parts published posthumously. Octavo bound in full morocco by the Harcourt Bindery gilt titles and ruling to the spine raised bands gilt ruled to the front and rear panels gilt signature to the front panel inner dentelles marbled endpapers all edges gilt. In fine condition. An exceptional presentation. Islands in the Stream was the first of the posthumously published works of Ernest Hemingway. It was originally intended to revive Hemingway’s reputation after the negative reviews of Across the River and Into the Trees. He began writing it in 1950 and advanced greatly through 1951. The work rough but seemingly finished was found by Mary Hemingway among 332 works Hemingway left behind at his death. Islands in the Stream was meant to encompass three stories to illustrate different stages in the life of its main character Thomas Hudson. It was made into the 1977 film was directed by Franklin J. Schaffner and starred George C. Scott Hart Bochner Claire Bloom Gilbert Roland and David Hemmings. Charles Scribner's Sons hardcover
19429707New York: Crown 1942. A First Edition First Printing 1st Printing. Hardcover. Near Fine/Near Fine. Near fine in a near fine dust jacket. Although the top corner of the front flap is clipped the "First Edition' statement remains printed in red at the top of the front flap. Light wear to the jacket spine ends. A very nice copy with no restoration. <br/> <br/> Crown hardcover
1927101366New York: Charles Scribner's Sons 1927. First edition second printing. 8vo. xii 232 pp. Publisher's black cloth printed gold paper labels on front cover and spine second state printed dust-jacket; near fine with slight lean jacket with a pale stain over the surface of the spine and front panel light wear to edges. Hemingway's second collection of short stories. Among the fourteen stories are some of his finest: "In Another Country" "Hills Like White Elephants" and "The Killers." Second printing on lighter paper stock than the first and in second state jacket with blurbs and number of stories corrected to fourteen. REFERENCE: Hanneman A7A Charles Scribner's Sons hardcover
51-4477San Francisco de Paula Cuba: 1953. 3 original documents: carbon copy of letter from Roberto Herrera as Secretary to Mr. Hemingway to the Coates and Dorsey insurance agents in Miami dated June 15 1953; Typed Proof of Loss for two Hardy Zane Grey Fishing rods with a value of $180.00; Envelope addressed to Hemingway c/o Guaranty Trust Paris from Herrera containing the above 2 documents. The stamp and postmark have been torn from the envelope.Roberto Herrera Sotolongo Hemingway's friend and personal secretary whom Hemingway met in 1942 when Herrera became a crewmember aboard ''Pilar'' at the height of World War II when Hemingway patrolled the Gulf Stream for German submarines for the U.S. government. After Hemingway's death in 1961 Herrera was appointed to represent his affairs in Cuba including the deeding of the property and contents of ''Il Finca Vigia'' to the Cuban people ''as a place of opportunity for wider education and research to be maintained in his memory.'' The property became a museum and Herrera acted as its Conservator until his death in 1970. The candid photo is of two men on the veranda of Hemingway's Havana home Finca La Vigia.Herrera was Hemingway’s friend personal secretary and manager of Finca La Vigia Hemingway’s Cuban property. Herrera and Hemingway became good friends while sharing their mutual interests in hunting fishing aboard the “Pilar†and drinking at their favorite bar La Floridita in Havana.They also attended bullfights together and Herrera an avid photographer captured many photos and movies of all these activities. Hemingway called Herrera “El Monstruo†the Monster and signed much of his correspondence to Herrera “Mr. Papaâ€. By the mid-1940s Hemingway was travelling extensively and for long periods of time leaving his Cuban home Finca La Vigia Lookout Farm in the hands of Herrera. After Hemingway’s 1961 suicide Herrera was appointed to represent Hemingway’s affairs in Cuba including the deeding of the property and contents of “Finca La Vigia†to the Cuban people “as a place of opportunity for wider education and research to be maintained in his memory.†The property became a museum and Herrera acted as Conservator until his death in 1970. .Ernest Hemingway déclaration de perte de cannes à pêche. .Provenance: Estate of Roberto Herrera to SAS Signatures Paris.Expertise by Thierry BODIN Syndicat Français des Experts Professionnels en Å’uvres d’Art Librairie Les Autographes 45 rue de l’Abbé Grégoire 75006 PARIS San Francisco de Paula, Cuba: 1953 unknown
150090Rare original typed letter from guide Taylor Williams recollecting about hunting antelope with Ernest Hemingway. One page single typed sheet. The letter reads in full "Hemingway Box by Taylor Williams. Our party consisting of Hemingway Lloyd Arnold Ellis Chapin our packer and myself had ridden into the first fringe of foothills above the plains along the Pahsimoroi River in quest of a trophy antelope having passed up several in the lower country that were not to our liking. Chapin was riding off to the side where he could get a view from behind a butte when he shouted to us that he had just jumped a small band of antelope. With that Hemingway spurred his horse and rode forward to get a better view as they came out from behind the rise. On seeing a sizable buck which was by this time in full stride he dismounted and ran forward for a better view and shot. He was using my Model 70 Winchester 257 with open sights. He struck the buck high in the shoulders and he went down at the first shot. We stepped off the distance 220 full steps. I think this was one of the most spectacular shots that I can remember in my experience as a guide." The writer was Hemingway’s great friend Taylor “Beartracks†Williams the well-known Sun Valley hunting and fishing guide. Hemingway’s friendship with Williams dated back to their meeting in Idaho in the late 1930s after which Hemingway frequently returned to Ketchum before eventually settling there. Ernest Hemingway wrote portions of For Whom the Bell Tolls 1940 while staying in Ketchum Idaho where the landscape and relative isolation supported sustained work on the novel. It is even illustrated on the dust jacket with a photograph of him at his typewriter taken there. In near fine condition with creasing and mail folds. Accompanied by two black and white glossy photographs of Hemingway with an antelope. The first is Hemingway smiling in a cowboy hat standing beside a horse with an antelope on its back and holding its horn with his left hand. The second is Hemingway and his third wife Martha Gellhorn smiling sitting on a hill together and holding the horns of an antelope. Both in near fine condition with light creasing. The pieces measure 8.5 inches by 6.5 inches. Together with a folded leaflet by Lloyd R. Arnold "High on the Wild with Hemingway" about For Whom the Bell Tolls. In fine condition. Ernest Hemingway 1899–1961 was one of the most influential American writers of the 20th century whose concise prose style and exploration of universal themes reshaped modern literature. Known for his works such as The Old Man and the Sea A Farewell to Arms and For Whom the Bell Tolls Hemingway developed a narrative voice that captured the complexities of human struggle and resilience with stark simplicity. His experiences as a journalist and participant in both World Wars deeply informed his writing lending authenticity to his depictions of courage loss and alienation. While his personal life marked by adventure and tragedy often overshadowed his literary contributions his stylistic innovations and engagement with existential themes solidified his status as a transformative figure in American letters. By pushing the boundaries of narrative form and emphasizing the power of understatement Hemingway left an enduring legacy on both literature and the cultural understanding of the human condition. unknown
16-0807New York: Charles Scribner's Sons 1986. 4to. 497 pp. Very Good Bound in blue plastic covers Comb Binding of Copied Xeroxed Typescript with editiorial changes. Stamped "Submission: Book Of The Month Club Inc." Scarce one of six copies Hemingway Collectible. New York: Charles Scribner's Sons, 1986. unknown
1952336372New York: Scribner 1952. hardcover. fine. 140 pages. Thin 8vo beautifully rebound in full crimson morocco with ornately gilt spine. New York: Charles Scribner's Sons 1952. First edition. A fine copy.<br/> <br/> Scribner unknown
19522605006Charles Scribner's Sons 1952. first. hardcover. near fine/very good. First edition as per date on title and copyright page and "A" and Scribner's seal on copyright page. Book near fine very slight rubbing to edges of covers a couple of faint soiling spots to covers former owner's inscription to front paste-down. Dust jacket very good some wear and tear slight tanning to dj-visible at edges of flaps. Flap price $3.00. Charles Scribner's Sons unknown
132702New York: Limited Editions Club 1990. First Limited Editions Club limited edition of Hemingway's Nobel Prize-winning masterpiece signed by photographer Alfred Eisenstaedt. Oblong quarto bound in one quarter morocco over cloth-covered boards illustrated with five photogravures by Alfred Eisenstaedt printed from the original negatives by Eisenstaedt in 1952 for the Life Magazine featuring the iconic image of Hemingway on the cover. One of only 600 copies signed by Alfred Eisenstaedt on the limitation page. In fine condition. Housed in the original black suede-lined cloth clamshell case. In a career that lasted more than 50 years German-born American photographer and photojournalist Alfred Eisenstaedt achieved fame as "the quintessential Life photographer" producing more than 90 cover photographs for the iconic magazine New York Times. An enthusiast for small 35 mm film cameras Eisenstaedt's style and technique allowed him to create more relaxed atmospheres when shooting famous people where he was able to capture more natural poses and expressions. His success at establishing a relaxed setting for his subjects was not without difficulties however during the epic photo shoot of Hemingway in his boat for the Life Magazine story of Hemingway's The Old Man and the Sea Hemingway was rumored to have ripped off his own shirt and threatened to throw Eisenstaedt overboard. "He was" Eisenstaedt once said of Hemingway "the most difficult man I ever photographed." Limited Editions Club hardcover
1926140944645New York: Charles Scribner's Sons 1926. First edition. Hardcover. First edition first printing. Dated 1926 on the title page with the Scribner's seal on the copyright page. viii 143 pp. Bound in publisher's very dark green cloth with red lettering. Very Good slight lean to spine rubbing along edges a few spots of mottling to cloth bookplate on paste down a few spots of biopredation and grease pencil on rear paste down. Lacking dust jacket. <p>Hemingway's first novel printed in an edition of only 1250 copies Hemingway was dismayed by the book's lack of commercial success and blamed the publisher's poor promotion and use of blurbs by more famous writers. Charles Scribner's Sons hardcover
193370008London:: Jonathan Cape 1933. First UK edition. publisher's gold cloth in dust jacket. Slight foxing to fore-edge and top edge; small bookseller's ticket at bottom of front pastedown; else a very good copy with slight fading to the yellow cloth on the spine. The jacket has a stain from a piece of removed tape on the verso at the top of the spine not visible on recto and is price-clipped. The jacket is unchipped; it has very slight browning and two slight wrinkles to the backstrip. 8vo. Introduced by David Garnett. Jonathan Cape, hardcover
1937130514New York: Charles Scribner's Sons 1937. First edition of Hemingway's classic novel about smuggling intrigue and love. Octavo bound in full morocco by the Harcourt Bindery gilt titles and ruling to the spine raised bands gilt ruled to the front and rear panels gilt signature to the front panel marbled endpapers all edges gilt. In fine condition. To Have and Have Not was Hemingway’s first since A Farewell to Arms was published eight years earlier follows the life and adventures of Harry Morgan from rum-running to revolution. Brimming with criticism directed at American capitalism and the bureaucracy of the Roosevelt administration the novel explores social circumstances and situations in Key West “that paradise of the ‘haves’ and purgatory of the ‘have nots.†“In To Have and Have Not Hemingway for the first time showed an interest in a possible solution of social problems through collective action†Hart 327. Basis for the Howard Hawks film co-scripted by William Faulkner and featuring Humphrey Bogart and Lauren Bacall. Charles Scribner's Sons hardcover
1926329113Englewood: As Stable 1926. Limited. paperback. very good. Jean Cocteau. 8 pages. Thin 8vo. Pictorial wrappers with a drawing by Jean Cocteau stitched. Englewood NJ: As Stable Productions 1926. Limited. First Edition.<br/> <br/> Hemingway's only play a story of the Crucifixion. No. 249 of 300 copies. The blank back cover is detached still a very good copy with fragments of the original mailing envelope are included.<br/> <br/> As Stable unknown
193378229New York:: Charles Scribner's Sons 1933. First edition. publisher's black cloth with gold labels on spine and front cover in dust jacket. Tiny November 1933 ink ownership name on front free endpaper; very slight rubbing to the edges of the cloth; clean tight and sound in a dust jacket with shallow 1/8" chipping and rubbing to the extremities of the backstrip and slight use at extremities. 8vo. Charles Scribner's Sons, hardcover
1933132324New York: Charles Scribner's Sons 1933. First edition of Hemingway's third collection of short stories. Octavo original black cloth. Near fine in an excellent dust jacket with light rubbing and wear. Written when Hemingway was at the height of his creative powers the stories in Winner Take Nothing glow with the mark of his unique talent. Hunters wives old men of wisdom waiters fighters women loved women lost: they are all here living on the raw edge making love facing the inevitable reality of death. The characters the dialogue the settings the remarkable insight could have come only from Hemingway's imagination. As an introduction to his work or as an overview of the themes he developed at greater length in his novels it is a stunningly successful collection. Charles Scribner's Sons hardcover
