Miller, Madelaine HemingwayBiblio.com
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1975001600New York: Crown 1975. 1st Edition. Hardcover. Fine/Near Fine. First printing. Just a bit of shelf-wear. Unclipped jacket has some light wear and a 1/4" closed tear on the back. Inscribed by Author Hemingway's Sister "For my dear friend Helen from "Sunny" Madelaine Hemingway Miller" A sharp collectable copy. Crown hardcover
20201-1640914714Impact Audio 2020. Audio CD. New. mp3 una edition. 5.25x6.25x0.50 inches. Impact Audio unknown
197817416Wellesley Hills Massachusetts: Sans Souci Press. Fine in Fine dust jacket. 1978. First Edition. Hardcover. Fine copy in fine jacket in mylar. Limited edition #145/200. In fine slipcase. ; 8vo 8" - 9" tall . Sans Souci Press hardcover
197817409Wellesley Hills Massachusetts: Sans Souci Press. Fine in Fine dust jacket. 1978. First Edition. Hardcover. Fine in fine jacket in mylar cover. Review copy according to the colophon page. Housed in an about fine very slightly stained slipcase. ; 8vo 8" - 9" tall . Sans Souci Press hardcover
1978106973Wellesley Hills:: Sans Souci Press. Fine in Fine dust jacket. 1978. Hardcover. Limited edition: this copy is number 89 of 200 copies. Fine in a fine dust jacket. No slipcase. . Sans Souci Press, hardcover
1978585921Wellesley Hills: The Sans Souci Press 1978. Hardcover. Fine/Fine. First edition. Fine in a fine dustjacket in a slightly toned slipcase. Copy Y of 26 lettered copies Signed by publisher William Young. The Sans Souci Press hardcover
1978120983Wellesley Hills: The Sans Souci Press 1978. First edition first printing of what is rumored to be Hemingway's first book from the original typescript dated 1921 which precedes the publication of Three Stories and Ten Poems in 1923 and published for the first time in 1978. Octavo original off-white buckram antique green endpapers title page in green and black. One of 73 copies hors-commerce numbered 1-73 this is number 24. Fine in a near fine dust jacket. Housed in the original antique green slipcase which is in fine condition. A superior example. The carbon typescript of Hokum: A Play in Three Acts was authenticated by Professor Carlos Baker the definitive Hemingway scholar. The only fragment remaining of the original manuscript descended from Leicester Hemingway to the publisher. In the Quinlan papers at Yale is a letter from Hemingway to Grace Quinlan dated November 16 1920 stating in substance that he is writing a fifty-fifty collaboration with Musselman. Professor Baker also made note of a second letter from Musselman to Hemingway which states among other matters that they must get to work over the weekend to begin the third act of the play. The entire matter is discussed in the introduction to the present volume. At one time the book was banned in California but remains as Hemingway's first authored book" W. Young Banned in California. The Sans Souci Press hardcover
16-0501Wellesley Hills: The Sans Souci Press 1978. 8vo. 138 pp. Fine Brown Cloth Dust Jacket in Slipcase. #143 of 200. According to the introduction this is the first publication of the three-act play Hokum co-authored by Ernest Hemingway copyrighted by Morris McNeil in 1921 but never published and preceding by two years Ernest Hemingway's first known published book. Sans Souci Press purchased the manuscript for Hokum at the distinguished Jonathan Goodwin auction and published this book shortly afterward. A fine copy in fine dust jacket and publisher's slipcase. Wellesley Hills: The Sans Souci Press, 1978. hardcover
2005Q-0806136995University of Oklahoma Press 2005-10-10. Hardcover. New. In shrink wrap. Looks like an interesting title! University of Oklahoma Press hardcover
19572052113Bannister Publishing Company 1957. Soft cover. Very good/No jacket. Cover edges are lightly tanned but legibility is not affected. Text block and inside edges are tanned but readability is not impacted. Pages are unmarked. Bannister Publishing Company unknown
198566508U.K.: Penguin 1985. Near fine books in near fine slipcase. 8vo. Complete 10 volume set in two-piece slipcase. Includes concertina pamphlet containing information on featured authors. All books seemingly in unread condition. Slipcase with slight bumping/soiling and faded side panel. Very bright set. Penguin unknown
1985108772Penguin Books. 1985. Penguin Books. London. 1985. First edition thus ten facsimile paperbacks of the first ten Penguins plus concertina booklet in matching triband folder. All books in fine condition in a two-piece display box which is alightly soiled and split along one edge of outer portion but holding. paperback
A9780521121590Paperback / softback. New. At the end of the nineteenth century Emilia Pardo Bazan was Spain's leading woman novelist and short story writer also a critic journalist and fierce campaigner for women's rights. This book examines Pardo Bazan's growth into maturity as a novelist during the late 1880s and the 1890s. paperback
ria9780521121590_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; At the end of the nineteenth century Emilia Pardo Bazán was Spain's leading woman novelist and short story writer also a critic journalist and fierce campaigner for women's rights. This book examines Pardo Bazán's growth into maturi paperback
B9780521121590Paperback / softback. New. At the end of the nineteenth century Emilia Pardo Bazan was Spain's leading woman novelist and short story writer also a critic journalist and fierce campaigner for women's rights. This book examines Pardo Bazan's growth into maturity as a novelist during the late 1880s and the 1890s. paperback
6597120Cambridge University Press CUP pp. 204 . Papeback. New. Cambridge University Press CUP unknown
1946483461946. Fine. 1946 13.50 x 21 cm en feuilles HEMINGWAY BLANCHOT Maurice. Autograph manuscript on Hemingway 1946 16 pages 1/2 in-8 135 x 21 cm loose leaves Author's autograph manuscript 16 and a half 8vo pages published in number 17 of L'Arche July 1946 and reprinted with slight modifications in La Part du Feu 1949. Complete manuscript written recto-verso very densely spaced with numerous deletions corrections and additions. In order to examine the problems related to the translation of a literary text into another language Maurice Blanchot looks at the contemporary American novel and its perception in Europe. Many good critics complain about American literature: they find it less than original and of middling interest for a culture that moved over fifty years ago beyond naturalism. They make fun of young writers who think they're being modern by imitating Faulkner Dos Passos or Steinbeck while for Americans themselves these writers are more of yesterday than tomorrow. Thus the critic for whom the oddities of language particular to any literary work survive translation takes the example of a novel by Ernest Hemingway. In For Whom the Bell Tolls Robert Jordan discovering the importance of the moment he is living repeats the word now' in several languages. Maintenant ahora now heute. But he is somewhat disappointed by the mediocrity of this vocabulary and looks for other words. . He tries to find in language links between these words and what they mean for him his meeting with Maria who is also his meeting with his final hour his meeting with death. The word Todt seems to him the most dead of all the word Krieg the one that resembles war most closely. Or is it just that he knew German less well than the other languages This reflection fascinates Blanchot: This impression of Robert Jordan's can give us food for thought. If it's true that a language seems more expressive and more real to us when we know it less if words need a certain ignorance to keep their virtue from being revealed this paradox should hardly surprise us since translators come across it all the time and it represents both one of the principal challenges and one of the foremost riches of all translation. An inspired look at the work of Ernest Hemingway and the problem of translation. unknown
1976200770New York: Knopf 1976. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket. 1 inch open tear at top of rear panel. Knopf hardcover
0297772651.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1976004977Knopf 1976. Book. Very Fine. Cloth. Presentation By Author. First Edition. 8vo - over 7¾" - 9¾" tall. Very fine copy in a fine jacket.Lightly toned at the extremities.Small tiny tear at lower front tip.Rare Presentation in month and year of publication."For Bob Adelsperger best wishes Mary Hemingway Chicago 7th Oct 1976."Awesome copy.Rare this nice.Beautiful copy. Knopf Hardcover
1976Q-0803823215Hastings House Publishers New York 1976-11-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Hastings House Publishers, New York hardcover
1976331241Knopf August 1976. Hardcover . Good/Good. Clean and tight in slightly crooked black and gold cloth binding. Top and bottom edges lightly rubbed/faded. Deckled page edges clean with light smudge on front corner. Top edges red. Red 'needlepoint' front and rear endpapers. Interior clean with no markings. Previous owner signature on ffep. Unclipped white jacket is moderately age toned along periphery. Moderate chips and/or creases along top and bottom edges. Boldly inscribed and signed by Mary Hemingway on half title page. 2nd printing. In mylar. Knopf hardcover
2006Q-1565124820Algonquin Books 2006-10-13. Hardcover. New. In shrink wrap. Looks like an interesting title! Algonquin Books hardcover
20039000ASimon & Schuster 2003. HBDJ 2003 1st ediition with #1 present in Number line F/F 231 pages. Signed by Author. First Edition. Hard Cover. Fine/Fine. Simon & Schuster hardcover
2000Q-1555174698Cedar Fort 2000-09-01. Paperback. New. In shrink wrap. Looks like an interesting title! Cedar Fort paperback
