HEINE, MauriceBiblio.com
509 résultats
1918KA8FVLF635ZVParis: Jules Meynial colophon: Frazier-Soye 1918. Original green cloth. Square 4to 25 x 26 cm. With three different versions of the frontispiece: a lithographed plate a hand-coloured miniature painting on vellum highlighted with gold and an engraved plate; and with the half-title printed in blue and several words in the text printed in green and blue. One of six deluxe copies numbered 4 of a sumptuous edition of seven poems on Islam by the French poet writer and publisher Maurice Heine 1884-1940. The entire edition comprised 77 copies the first six numbered 1-6 being deluxe copies printed on dyed Japanese paper and including the frontispiece in three versions one painted on parchment and highlighted with gold. The frontispiece an Arabic text surrounded by flowers was designed and drawn by the Algerian miniature painter Mohammed Racim 1896-1975 founder of the Algerian school of miniature painting that still exists. The poems included are: La demeure harmonieuse Dans la maison moresque Palais d'Islam Le voyage en faience Le cyprès Alger-aux-barbares and La mort d'Alger.The work opens with a half-title printed in blue followed by a blank leaf a leaf with the privilege another half-title three frontispieces the title-page and a dedication followed by the prologue and the seven poems. It closes with a colophon noting the different copies of the book followed by: "Exemplaire no. 4. Imprimé pour le docteur Pierre Astruc".With a presentation inscription to Pierre Astruc: "à Pierre Astruc avec toute l'affection de ton ami dévoué Maurice Heine". In very good condition.l Library of Congress Cat. of copyright entries 16 1919 2706 ordinary copy; C. Tailliart L'Algérie dans la littérature française 123; WorldCat 3 copies 1 possibly a deluxe copy. [Jules Meynial] (colophon: Frazier-Soye), hardcover
1910006225Berlin: Paul Cassirer 1910. Limited First Edition Thus. Vellum. Near Fine. No. 46 of 60 on Imperial Japan Japan vellum and a total limited edition of 310 copies. Large 4to. 31.5 by 24 cm. 83 2 pp. With 35 lithographic plates six of which are hand-colored and nine of which are signed by Pascin. Also signed by him on the limitation page. The cover also has a partly colored illustration by Pascin done on the vellum. This book was Pascin's first book project. The satirical Heine novel first published in 1833 actually was the inspiration for Wagner's "Der Fliegende Hollander" or "The Flying Dutchman". Pascin was born in Bulgaria was active in Paris for much of his career although becoming an American citizen and working in the U.S. as well. The illustrations in this book have a deliberately naive quality almost as if done by a child. Condition: short tear of vellum along lower front joint 2 to 3 cm in length. Typical yet slight bowing of the vellum and a touch of lifting of the vellum from the boards. Minor darkening of the vellum leaves within along the edges. Paul Cassirer unknown
191047004Berlin.: Verlag bei Paul Cassirer / PAN-PRESSE. 1910. Original publisher's full vellum front cover with lithograph by Pascin with additional colouring by hand title to spine in black t.e.g. 4to. 312 x 242 mm. Leaf with title with lithograph vignette by Pascin recto justification verso and Heine's text illustrated with 35 lithographs by Pascin of which 9 are signed in pencil and 6 are coloured by hand one double page final leaf with list of the illustrations recto. The édition de tête of Pascin's first illustrated book with an original drawing.From the edition limited to 310 copies with this one of 60 from the édition de tête on Kaiserliches Japan signed by Pascin pencil to the justification; Pascin has signed 9 of the lithographs in pencil and 6 feature additional colouring by hand.The original drawing by Pascin on a sheet of smooth laid paper without watermark 196 x 196 mm is for the second illustration in the book that on page 10. The drawing as per the illustration within a drawn frame is slightly larger than the lithograph version the drawn frame is 178 x 178 mm while the printed version is 146 x 146 mm and in addition also features at upper right a tiny remarque in watercolour: the head of a mouse peeking out of a hole to observe the events of the drawing.'Pascin's first book illustrations. The deceptive simplicity of his drawing recalling German illustration of a hundred years earlier gives the plates a mock innocence.' The Artist and the Book.The Artist and the Book 219. Verlag bei Paul Cassirer / PAN-PRESSE. hardcover
1923000435Berlin: Propyläen-Verlag. Very Good with no dust jacket. 1923. Leather Spine Tips. A MASTERPIECE OF BOOK DESIGN ONE OF THE MOST BEAUTIFUL FINE PRESS BOOKS AND A HIGH POINT OF GERMAN AND FRENCH LITERARY AND ARTISTIC TRADITIONS Number 117 of 400. No copies in 30 years in the American auction records. 17 Original Lithographs signed twice by Max Liebermann and numbered. Book: HEINE Heinrich. DER RABBI VON BACHERACH. Propyläen-Verlag Berlin 1923. Folio. With 17 ORIGINAL Lithographs by Max Liebermann. 1/2 Black Morocco and boards. This copy SIGNED TWICE as usual on limitation and additionally not in all copies on frontispiece lithograph. Minor spotting and soiling to beige boards otherwise a HANDSOME AND FINE COPY and internally clean. This book is a wonderful combination of two Jews one who brought to France German literary tendencies and the other who brought to the Germans French artistic tendencies. Heinrich Heine has been called 'the first modern intellectual' and became one of the greatest and most respected writers of the 19th century. Leibermann was the Great German artist that led the Berlin secession group and introduced French impressionism to Germany. This fine press book a magnificent combination of typography design and illustration is often lauded as among the most beautiful of Jewish fine press books if not all fine press books. Liebermann demonstrates a refined sensitivity in his artwork that parallels the emotive text. The Rabbi of Bacherach includes a lovely and romantic description of a Passover- the earliest and most expressive of the essence of the festival in modern Jewish literature. The story here recounts that in trans. and referring to the Haggadah " It was an old heirloom with ancient wine stains. It had come down from the days of her grandfather. The book contained many boldly and brightly colored pictures. As a little girl she had often looked at it so eagerly on Passover evenings." ; German Language; Folio - over 12" - 15" tall; JUDAISM HEBREW LANGUAGE Jewish Literature Kabbalah Judaica Jewish Studies Hebrew Talmud ; Signed by Illustrator . Propyläen-Verlag hardcover
19210053731921. Hardcover. Very Good. Exquisite and delightful manuscript account of a happy and prosperous marriage made as a commemoration on its Silver Anniversary which occurred in 1921. Folio. 38 by 27.5 cm. 10 leaves on card stock with original watercolored artwork on each page. Blue felt bevelled binding with stalks of tall grass painted in silver on the cover. The grass design repeats on the title page with the addition of cherubs and a highly ornamental painted placard bearing the title -- this placard is suspended from a stalk and held by one of the cherubs. The account begins with a young man Vienna leaving his love behind as he travels to Lyon. We are told how he misses his beloved and so follows their wedding in 1896. A stock market crash then leaves the desperate groom concerned about their future. The young family return to Vienna where he becomes a workaholic as his wife tends to the home filling it with bric-a-brac that speaks to their material well being. Finally there comes the anniversary celebration and the happiness from seeing their children grown and settled. This brief account doesn't do justice to the verse or paintings. The account is really just a few snapshots of their lives using words and pictures which work together to bring a dream-like glow to the reminiscences. Each page is framed by a decorative band of primarily blue set off by a floral festoon within it. Most pages have two illustrations with the verse written by a calligraphic hand. The illustrations are filled with a vigor and energy -- they almost seem to float above or hover over the page. We would guess that the anniversary couple's surname was Labin based on a door sign in the office scene and the company the husband worked for was named Abadie which may have been based in Paris. Beyond that we can not speak more specifically about the parties. Condition: the felt is rubbed and slightly sunned on front. The silver design is somewhat faded. Soiling along the bevelled edge. The contents are clean and bright. hardcover
19221911110173Berlin: Propylaen-Verlag 1922-01-01. First Edition. Hardcover. Very Good. Signed. 1st edition Signed by the artist Max Libermann on colophon Limited edition of 400 copies. Folio 34 x 27 cm. Bound in 3/4 morocco over brown boards with an image of a stooped couple on front. Mylar dust cover. Good binding and cover. Minor shelf wear. Signed frontispiece and 17 lithographs by Liebermann of the Jewish community in Germany. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Berlin: Propylaen-Verlag hardcover
19310037321Paris: S. & C. aux Depens des Bibliophiles Souscripteurs 1931-36. First Thus. Hardcover Hardcover. Near Fine Condition. 27cm x 21cm. xvi 218; viii 219-401; iv 402-498 2; 4 pages 16 plates 3 volumes bound in 1 with the suite of plates. Half leather gilt lettering top edge gilt marbled endpapers. Original printed wrappers bound in. Typescript index of plate locations bound in at rear. Text is in French. The first critical edition of the text and the first established directly from the autograph manuscript written by Donatien Alphonse François Marquis de Sade in the Bastille in 1785. The manuscript composed in minute script on a continuous paper roll was long presumed lost following the storming of the Bastille before resurfacing in the late nineteenth century and coming into the hands of the Berlin physician and pioneering sexologist Iwan Bloch whose foundational but flawed 1904 edition first brought the text into print. Following Bloch's death the manuscript entered French ownership often associated with the patronage circle of Charles de Noailles and Marie-Laure de Noailles a descendant of Sade enabling the Sade specialist Maurice Heine to prepare the present edition under their support. Working directly from the autograph roll Heine produced a transcription of far greater fidelity than Bloch's accompanied by a substantial critical apparatus keyed to the original manuscript and including a photographic facsimile as frontispiece. Heine's engagement with Sade was both scholarly and personal: he first encountered the work through Bloch's edition in 1912 later recalling most notably in the 1933 'Minotaure enquete' organised by Andre Breton and Paul Eluard that discovery as decisive. Pascal Pia would subsequently credit Heine with establishing the modern text of Sade. Issued in a limited edition of 396 numbered copies this example is one of 300 on velin de Rives. It is here bound with the complete suite of sixteen lithographs by Andre Collot separately issued in a limited edition c. 1936 and intended for addition to subscribers' sets and unsold copies. Text is in French. Minor wear and discolouration to binding. Minor foxing to front flyleaves of part 3. Category: Sexuality; Foreign Language::French; Sexuality::Fetish & SM; French Language; Literature & Fiction. Inventory No: 0037321. BZDB407 Sexuality; Foreign Language::French; Sexuality::Fetish & SM; French Language; Literature & Fiction. Unbranded Marquis de Sade; Maurice Heine; Andre Collot Les 120 Journees de Sodome ou l'Ecole du Libertinage par le Marquis de Sade S. & C., aux Depens des Bibliophiles Souscripteurs hardcover
1902281949New York: Croscup 1902. hardcover. near fine. Translated by Charles Godfrey Leland frontispiece portraits in 2 states illustrated lettered tissue guards. 20 volumes rubricated titles 8vo 3/4 green morocco raised spines gilt design on spines top edges gilt. New York: Croscup & Sterling Co. n.d. ca. 1900. The Dusseldorf edition number 83 of 250 sets this copy unnumbered printed on Holland Paper. A near fine set.<br/> <br/> Croscup unknown
1931002012Paris: Stendhal & Compagnie aux Depens des Bibliophiles Souscripteurs 1931. Book. Near Fine. Soft cover. 1st Edition. Copy no.300 on "Velin de Rives" paper published in a limited bibliophile edition of 396 copies. 3 volumes in wrappers titles printed in black and red. Tome Premier 1931 xvi 218 pp. Tome Second 1935 pp. 219-401. Tome Troisieme pp. 405-498. Photograph of the original text as a frontispiece in vol. 1. With an introduction by Maurice Heine. Text with printed annotations and numbered references to the original text by de Sade. Minimal foxing to paper edges closed tear to wrapper of third volume. 275 x 215 cm. Very well preserved fresh copy of this first complete and correct translation of the original text by D.A.F. de Sade. One of the most controversial books ever written. Rare. The 120 Days of Sodom is Sade's masterpiece. A still unsurpassed catalogue of sexual abberrations and the first systematic exploration of the psychopathology of sex it was written during Sade's imprisonment and then lost after the storming of the Bastille in 1789. Later rediscovered the manuscript remained unpublished till an incomplete and not correct version was published in 1904 by the German psychiatrist Iwan Bloch under the pseudonym of Eugene Dühren. In 1929 Maurice Heine went to Germany to buy the text fot Viscount Charles de Nouilles. From 1931 till 1935 he published this text as the first real edition in a masterful and autorative way. . Stendhal & Compagnie, aux Depens des Bibliophiles Souscripteurs Paperback
196757413Penguin. As New. 1967. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German and English. -- with a bonus offer-- . Penguin paperback
198070418Dusseldorf Germany: Heinrich-Heine-Institut. Fine. 1980. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE UNMARKED - 124 pages; 173 items catalogued including paintings of Heine several of his letters rare editions of some of his works and much more. Text in German. -- with a bonus offer-- . Heinrich-Heine-Institut paperback
194355037New York: L. B. Fischer. As New. 1943. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - appears unread - 346 pages. -- with a bonus offer-- . L. B. Fischer hardcover
191934055Berlin: Verlag Julius Bard. As New. 1919. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text in German only. 149 pages; interior pages clean and clear with no writing or markings to the text. Cover in poor condition merely a remnant. Sold for text and illustrations only not subject to return. Small folio. -- with a bonus offer-- . Verlag Julius Bard hardcover
196157084Mcgraw Hill / University of Pittsburgh Press. As New. 1961. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Text in German and English. -- with a bonus offer-- . Mcgraw Hill / University of Pittsburgh Press paperback
197670612Robert Hale and Company January 1976. Mass Market Paperback. Good. Robert Hale and Company paperback
1925122324Paris: J. Schiffrin et Cie 1925. Softcover. VG- Some wear to extremities including tears at top and bottom of spine; Binding loose. Grigory Gluckmann. Green illus. wraps; 158 pp.; 15 color and bw plates with tissue overlay; Watercolor painting on FFEP. Text in French; Original watercolor by Grigory Gluckmann on FFEP; Dedication on limitation page; Book limited and out of series; Heinrich Heine's unfinished novel richly illustrated by Grigory Gluckmann a Russian-born artist who worked in Paris and America; Also known in German as Florentinischen Nachte. J. Schiffrin et Cie paperback
19036539East Aurora: Roycroft Press 1903. First Edition Thus. First Edition Thus. 8vo. Beautifully bound in three-quarter crushed green morocco with marbled boards elegant gilt decorated spine marbled endpapers. PRESENTATION COPY: “To Alice Keiles Reserve your best thoughts for the Elect Few. Elbert Hubbard.†Printed in red and black on Japan vellum. David Ogle reports: “All known copies of the limited edition 100 copies are hand-illuminated though this copy with rubricated initials does not appear to be hand-illuminated an interesting feature which may indicate that this is one of Hubbard’s own copies for presentation. Book is in very fine condition Box with original label very good. Roycroft Press unknown
19031018480<p>New York: The Roycrofters 1903. Limited. Leather Bound. Collectible - Very Good. Signed by Elbert Hubbard on Limited Edition page. This is #43 of 100 copies printed on Genuine Japan Vellum. Hardcover with 3/4 blue leather with marble board covers. Satin marker. Gilt decoration and lettering on spine. Front gutter is not loose but paper has split. Clamshell case is also in blue cloth with a soft felt interior. Some wear and chipping to exterior boards. Paper title label on bottom edge of case. 8.25x6.25. 111823</p> The Roycrofters hardcover
19261370909Paris France: Pour Les Membres de la Société du Roman Philosophique 1926. Limited Edition #198/233. Hardcover. Quarto 540 pages. In Very Good condition. Rebound in quarter red leather with marbled paper boards and new endpapers. Paneled spine is lightly sunfaded red with gilt lettering and gilt tooling. Minor shelfwear to spine and paper boards. Bumping and slight chipping to fore-edges slightly exposing boards. Slight ink mark to back board board. Top edge of textblock dyed red. Deckled textblock with minor water damage to last pages endpapers of original textblock. Mild soiling to pages 254-257 and 312-313. Signed flat by Heine and the Treasurer of the Society on the limitation page. Shelved in Room A Oversize. Sade wrote the stories collected in this volume while in prison at the Bastille. 1370909. Special Collections. Pour Les Membres de la Société du Roman Philosophique hardcover
1969146891Unknown: I.P.C. Pictures 1969. Draft script for the 1971 film here under the working title "The Catcher in the Raw." <br /> <br /> At a California hot springs resort a shady therapist helps eight carefully selected applicants find themselves and "experience their bodies" a process which mostly involves consuming large amounts of LSD meditative screaming and slow-motion basketball games. Louis Garfinkle's sole directorial credit and an excellent example of the intersection of early 1970s wellness culture and sexploitation. <br /> <br /> Set in California.<br /> <br /> Brown titled wrappers. Title page present dated 1969 with credits for director Louis Garfinkle. 136 leaves with last page of text numbered 133. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus bound with three gold brads. I.P.C. Pictures unknown
192314860AB1923. 1923 20 : 13 cm. Vier Original-lithpgraphien 1 signiert in Schwarz von Thomas Theodor Heine. Vier Probedrucke von Thomas Thedor Heine zu dem Privatdruck. Die vom Stein gedruckten Blätter hier nur in den schwarzen Konturen im Buch sind sie farbig. Das erste Blatt Titel vom Künstler in Bleistift signiert die anderen drei Blätter im Stein monogrammiert. Thomas Theodor Heine 1867-1948 bekannter deutscher Illustrator der für viele Zeitschriften - Jugend Simplicissimus etc - arbeitete und viele Bücher illustrierte. - Sehr selten. Aus dem Besitz von Horst Stobbe. unknown
191237.37München: Simplicissimus Verlag 1912 - 1920. . Camisas. 29x39. Simplicissimus Verlag unknown
192753052Medford OR: Bliss Heine Decorating Co. 1927-1930. Oblong 4to. With 13 original silver gelatin photographs sized 4.75 x 11 in. to 7 x 11 in. with most sized 8 x 10 in. nearly all printed on glossy photo paper stock nearly all with ink annotations in lower blank margin or on verso neatly dating and locating the image all preserved in archival mylar sleeves. Recent limp black cloth post-binder gilt lettering stamped on front cover NF exemplar. These splendid photographs document the entrepreneurial efforts of a commercial decorator in southern Oregon at the end of the Jazz Age. Heine 1892-1967 was an orchestra band leader at the beginning of the 1920s who set up a window display and decorating business which specialized in decorating for dances special events at fraternal lodges parades window displays and exhibitions. These images show his talents at the Elks’ Hall in Nov. 1927 for the opening dance for the winter season; Hilarity Hall in Medford OR; the Queen’s Float in Medford OR for the Jubilee of Visions Realized as the city celebrated the completion of the new water system and much of their “City Beautiful Movement†efforts; installing the bunting and decorations for the Klamath County Fairs in 1928 and 1930; the Coos & County Fair along Main Street in Myrtle Point OR in 1929; along with window displays for the Gates & Lydiard Groceteria in Medford which was the first modern style self-service grocery in the state of Oregon and one of the earliest established on the West Coast. In addition he also installed large bunting and patriotic displays for the Klamath County Courthouse the California-Oregon Power Company and the Oregon Bank building. The commercial photographers include Harwood Photo Service operated by Burhl Renell Harwood from 1925 to 1931 in Medford OR and were well known for supplying panoramic postcard souvenirs of Crater Lake and Southern Oregon views as well as commercial photography services; Anderson Studio operated by Alfred J. Anderson from 1925 to 1931 on East Main in Medford who has purchased the California Studio and changed the name and specialized in portraits but shot extensive amounts of commercial photos; and finally May King Conradi 1891-1986 who set up her studio in Klamath Falls in 1926 by purchasing the Stinson Studio and for the next 25 years operated as a commercial photographer. See: Robert D. Russell Unrealized Visions: Medford and the City Beautiful Movement In: Oregon Historical Quarterly Vol. 102 No. 2 2001 pp. 196-205; Ben Truwe Notes on Rogue Valley Photographers & Medford Pioneers: William A. Gates 2017. Bliss Heine Decorating Co., hardcover
1985mon0003158962D.J. Heine 1985T. hardcover. Very Good. . D.J. Heine hardcover
19245-D14872Carl P Chryselius' Scher Verlag Berlin 1924. Hardcover. Very Good. Limited edition.40/200Full leather gilt decoration. Carl P Chryselius' Scher Verlag, Berlin hardcover
