Renard, JulesBiblio.com
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1960250268Cambridge. Mass: Dept. of Printing and Graphic Arts Harvard College Library 1960. Number 29. Copies 1-50 with a series of preliminary trial proofs of the original lithographs . Also a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case. illustrations by Walter Stein 61 pp. Oblong 8vo. Original quarter calf in original quarter black calf folding linen case. Number 29. Copies 1-50 with a series of preliminary trial proofs of the original lithographs . Also a complete extra set of the original lithographs contained in the book separately cased and enclosed with the book in a box case." illustrations by Walter Stein 61 pp. Oblong 8vo. With note in Phil Hofer's hand on colophon "Special Copy with sheet of proof lithographs for Bob and Deirdre Pirie." The Artist and the Book 1860-1960 #292 p. 197 Dept. of Printing and Graphic Arts, Harvard College Library unknown
173913984Amsterdam: Renard 1739. Copper-engraved sea chart with full orginal colour in very good condition. A highly decorative sea chart of the English Channel by the master-engraver Renard.<br/> <br/> The marine atlases of 17th and 18th century Holland were best sellers. The nation that led the world in overseas commerce also led in the arts of engraving and cartography. Plus there was a large audience of mariners and mariners' parents who needed to study the obscure straits and recently discovered island groups their sons were seeing. Louis Renard 1678-1746 was from a Huguenot family. He moved from France to the Netherlands and became a book dealer and publisher in Amsterdam in 1703. Louis Renard first published Atlas de la Navigation et du Commerce qui se fait dans toutes les parties du monde in 1715. It was re-issued unchanged by the Ottens in 1739. The charts were printed from plates made by Frederick de Wit in 1675 Orbis Maritimus ofte Zee Atlas. These were corrected by Renard using primarily van Keulen.<br/> <br/> Koeman Atlantes Neerlandici Ren 1. Renard unknown
170018827Amsterdam: Louis Renard 1700. Other. In excellent condition. 490 by 569mm 19¼ by 22½ inches. Copper engraving hand colored in outline and wash when published. A fine and large and decorative sea chart depicting West Africa with its coastline from Gambia in the north towards Angola and the Congo in the southern part. The antique sea chart is equipped with two compass roses and three sailing ships for decoration. Along the coastline with engraved bays place names and small islands. This rare map was published around 1700 in Louis Renard's famous sea-atlas. Louis Renard received the copperplates of Frederic De Wit´s maritime atlas. Louis Renard did only minor modifications to the plate of map he addedapud L. RenardÂ’ below the engraved titles. Louis Renard unknown
100099118Latomus - Universa / Wetteren. Bon état de conservations couvertures défraîchies bonne tenue quelques rides sur le dos ternissures sur les couvertures intérieurs propres. in8. Sans date. Broché. 40 volumes. iconographie en noir et blanc 4 fascicules par année Latomus - Universa / Wetteren unknown
190079398Chaumot Nièvre Chaumot 1900. Fine. Chaumot Nièvre Chaumot 4 juin 1900 13.80 x 21.30 cm une feuille Autograph letter signed by Jules Renard addressed to Gabrielle Réval. One and a half pages written in black ink on letterhead paper from ""Gloriette"" the writer's residence in Nièvre. Transverse fold lines inherent to mailing. Fine letter to this fellow writer alluding to Poil de Carotte: ""Je suis au moins aussi content que vous. Certes je n'avais pas oublié le manuscrit où Poil de Carotte était si bien compris - et aimé - j'avais oublié la signature."" ""I am at least as pleased as you are. Certainly I had not forgotten the manuscript where Poil de Carotte was so well understood - and loved - I had forgotten the signature."" He mentions Gabrielle Réval's book: ""Et tant mieux ; car j'ai lu les Sèvriennes et non le livre d'une amie de Poil de Carotte. L'auteur seul a plu le lecteur seul a été touché. Il y a de belles réussites vous le voyez madame."" ""So much the better; for I read the Sèvriennes and not the book of a friend of Poil de Carotte. The author alone pleased the reader alone was moved. There are beautiful successes you see madam."" Jules Renard already enjoyed considerable success at this time: ""Il me répugnerait de jour au vieux maître sachez pourtant que j'ai déjà reçu bien des livres écrit bien des lettres en quelle proportion par politesse je ne sais plus mais aucune ne fut plus spontanée que celle dont vous me remerciez aimablement."" ""It would repel me to play the old master know however that I have already received many books written many letters in what proportion out of politeness I no longer know but none was more spontaneous than the one for which you thank me kindly."" The highly laudatory letter alluded to here is preserved at the Jean Jaurès Media Library in Nevers and was written by Renard a few days before ours: ""Ce n'est pas l'auteur des Sévriennes que je remercie c'est vous. C'est grâce à vous que j'ai lu par cette froide fin de mai entre la première rose de mon jardin et les dernières flammes de ma cheminée un beau Livre."" ""It is not the author of the Sévriennes that I thank it is you. It is thanks to you that I read during this cold end of May between the first rose of my garden and the last flames of my fireplace a beautiful Book."" Gabrielle Réval was one of the co-founders of the Prix de la Vie heureuse which would later become the Prix Femina. unknown
1872FANuvDRA14Paris: Au Bureau De L'Éclipse c1872. 1872. folio. hand-coloured lithographed title 1 also mounted on upper cover & 31 hand-coloured lithographed plates loosely laid in patterned paper portfolio hand-coloured lithographed title mounted on upper cover spine & corners quite worn cloth ties wanting edges of some plates a bit tatty. Jules Renard known as 'Draner' was a leading French illustrator in Paris from 1861 on and contributed to all of the major French periodicals. Much of his work as here was satirical. Colas 894. Hiler p. 744. Lipperheide 2330. Hardcover. Paris: Au Bureau De L'Éclipse, [c1872]. Hardcover
19601380436Cambridge Massachusetts: Department of Printing and Graphic Arts Harvard Library 1960. Limited Edition 55/600. Hardcover. Quarto unpaginated. In Very Good condition with a Good Plus clam shell case. Housed in gray cloth case with black leather spine. Case spine cracking along exterior gutters. Spine black with gilt lettering. Sage green pictorial paper boards. Mild shelfwear and soiling. Textblock clean. Printed on hand-made paper and containing an extra 13 loose lithographs in folder each signed or initialed by Stein in pencil. Signed flat on limitations page by Stein and Philip Hofer contemporary librarian at Harvard. Shelved case 11. 1380436. Shelved Dupont Bookstore. Department of Printing and Graphic Arts, Harvard Library hardcover
19534958BB1953. Lausanne André Gonin 1953. Gross-4°. 207 4 S. Mit 29 ganzs. farb. lithogr. Illustrationen von Hans Erni. Lose Bogen in lithogr. brosch. Orig.-Umschlag u. illustr. Orig.-Halbpergament-Chemise in illustr. Orig.-Pappschuber dieser leicht bestossen. Nr. 36 von 250 GA 220 30 hc Ex. in Baskerville-Antiqua auf Rives-Bütten. Mit einer signierten Orig.-Zeichnung in Blei von Hans Erni auf dem Schmutztitel. Vom Verleger u. vom Künstler im Impressum signiert. unknown
189343155Paris: Paul Ollendorff 1893. Fine. Paul Ollendorff Paris 1893 12 x 19.50 cm relié First edition on ordinary paper. Contemporary Bradel binding in half almond cloth smooth spine very slightly faded decorated with a gilt typographical fleuron double gilt fillet at foot red shagreen title-label marbled paper boards original wrappers preserved front cover with small harmless stains at head. Provenance: from the library of Jean Ajalbert with his japonisant bookplate in the style of the Nabis engraved on wood in a very small number signed with a monogram probably that of Félicien Rops. Precious signed autograph inscription from Jules Renard to Jean Ajalbert. Paul Ollendorff hardcover
189386265Paris: Paul Ollendorff 1893. Fine. Paul Ollendorff Paris 1893 11.50 x 15 cm broché First edition. One endpaper and half-title page partially shaded light foxing affecting mainly the edges and final endpaper. Precious autograph inscription signed by Jules Renard on the half-title page: ""A M Laurent Tailhade au poète et au conférencier cette carte de visite. Jules Renard. 3 Juin 1893."" To M Laurent Tailhade the poet and lecturer this calling card. Jules Renard. 3 June 1893. Paul Ollendorff unknown
189486758Paris: Mercure de France 1894. Fine. Mercure de France Paris 1894 9 x 14 cm broché First edition printed in a small number on laid paper. Dated manuscript signature of the author. With a press clipping that has left a shadow on the endpapers and half-title. Rare. Mercure de France unknown
1911LD20011Paris 1911. Limited Edition. Hardcover. Very Good. One of 150 copies on Japon. Contemporary green morocco by René Aussord. Illustrated by Lobel-Riche. Spine faded otherwise a very nice copy. Fine internally. <br/><br/> hardcover
19534838DB1953. Lausanne André Gonin 1953. Gross-4°. 207 4 S. Mit 29 ganzs. farb. lithogr. Illustrationen von Hans Erni. Lose Bogen in lithogr. brosch. Orig.-Umschlag u. illustr. Orig.-Halbpergament-Chemise in illustr. Orig.-Pappschuber Nr. XXX von 250 GA 220 30 hc Ex. in Baskerville-Antiqua auf Rives-Bütten. Mit einer signierten Orig.-Zeichnung Taube mit rotem Kugelschreiber von Hans Erni am Ende des Impressums. unknown
189686082Paris: H. Simonis Empis 1896. Fine. H. Simonis Empis Paris 1896 12 x 19 cm relié First edition illustrated with 28 wood engravings in the text by Félix Vallotton who also illustrated the front cover. Half-yellow morocco Bradel binding smooth spine brown morocco title-label marbled paper boards combed paper endpapers and pastedowns illustrated covers by Félix Vallotton and spine preserved top edge gilt binding signed by Kauffmann. A handsome copy pleasingly bound. H. Simonis Empis hardcover
19863012Budapest: Mucsarnok 1986. First edition. In original paper. Illustrated with photos. In fine condition. Cover by Dora Maurer. Cover by Dora Maurer. First edition. In original paper. Illustrated with photos. 112 p. Very rare exhibition catalogue of the Hungarian graffitis. Texts have been written by important art historians. With the very rare xerox version of the catalogue. Mucsarnok unknown
200711693London: Murqi Press. London Murqi Press 2007. Manuscript. . A collection of artworks prepared for the publication 1 Eight illustrations the smallest 150mm x150mm the largest 250mm 260mm. All marker on card with paper covers 2 Seven ALS from Cawthorn to the publisher. 3 Two cards. 4 Four envelopes two with sketches in ink. The publication contained the following: The Fixed Flight by Maurice Renard published in The London Magazine in 1910 The Horror of the Heights by Arthur Conan Doyle published in Strand Magazine and Everybody's Magazine in 1913 Up Above by John N. Raphael published in Pearson's Magazine in 1912 The Hidden Empire by Vincent Cornier published in Story-Teller in 1933 Illustrations by Jim Cawthorn 11693 Hyraxia Books. . Fine. No Binding. Manuscript. 2007. Murqi Press unknown
17612633141761. hardcover. very good. 108 pages. Slim 12mo speckled brown boards rubricated edges. No place no publisher 1761.A very good copy.<br/> <br/> Quite scarce -- OCLC lists only 4 copies.<br/> <br/> unknown
1923374549New York: Macaulay Company 1923. First edition in English. vi 4 9-308 pp. 8vo. Original olive green cloth front and spine panels stamped in black edges stained green. Fine copy in near fine printed dust jacket printed on green paper stock with some tanning to spine panel and along flap folds. Uncommon. First edition in English. vi 4 9-308 pp. 8vo. Anonymous translation of French author Maurice Renard's first novel Le docteur Lerne 1908. Renard is generally viewed in France as the most important science fiction writer in the first decades of the twentieth century; his work shows the influence of J-H Rosny aîné. <br /> <br /> "The novel follows a sinister Scientist's experiments in grafting produce for example Rats with leaves and the transplantation of a man's brain into a bull's body and vice versa see Identity Exchange resulting in a smart cow and a Minotaur. Ultimately the German villain - who has already occupied the scientist's brain see also Identity Transfer - transplants himself into the body of a car but the machinery thus rendered mortal putrefies" SFE<br /> <br /> Superior copy. Reginald 12141; Clareson Science Fiction in America 1870s-1930s 646 Macaulay Company unknown
192395435New York: Macaulay 1923. Hardcover. Fine/Near Fine. First American edition and first edition in English of his 1908 novel Le Docteur Lerne Sous-Dieu translation unattributed. A small owner's name stamped twice else fine in very near fine dustwrapper. Classic science-fiction tale about a mad scientist and his inhuman experiments. The first novel by the author of The Hands of Orlac. Bleiler p. 223. Macaulay hardcover
19299307New York: Dutton. New York Dutton nd 1929. First Edition. First Impression. Hardback. A very good copy. Lacking the jacket. An important horror work. Basis for the 1935 film Mad Love. In Bleiler and Hubin. First published in 1920 in French. Uncommon. Some rubbing and bumping to the spine tips and corners otherwise well preserved. A nice copy. 9307 Hyraxia Books. nd 1929 . Very Good. Hardback. 1st Edition. 1929. Dutton hardcover
189620465Paris.: H. Simonis Empis. 1896. Original printed wrappers with design by Vallotton on front cover. 16mo. First edition illustrated with original designs by Felix Vallotton. H. Simonis Empis. unknown
2005Adhya-9783540265337Springer 2005. Paperback. New. Springer paperback
2005Adhya-9783540265337Springer 2005. Paperback. New. Springer paperback
DADAX3319454641Springer 2017-01-04. 1st ed. 2017. hardcover. New. 7.60x0.00x10.20. Buy with confidence. Excellent Customer Service & Return policy. Springer hardcover
100099260Universa / Wetteren Belgique. Bon état d'ensemble couvertures défraîchies ternissures rides sur le dos intérieurs propres. in8. Sans date. Broché. 24 volumes. iconographie en noir et blanc Universa / Wetteren (Belgique) unknown
