Herrmann Léon Renard MarcelLivre Rare Book
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100099118Latomus - Universa / Wetteren in8. Sans date. Broché. 40 volume(s). iconographie en noir et blanc 4 fascicules par année
100099118Latomus - Universa / Wetteren. Bon état de conservations couvertures défraîchies bonne tenue quelques rides sur le dos ternissures sur les couvertures intérieurs propres. in8. Sans date. Broché. 40 volumes. iconographie en noir et blanc 4 fascicules par année Latomus - Universa / Wetteren unknown
192840956Paris G. Crs 1928 In-8, broch, couverture imprime.Edition originale de ce premier roman de science-fiction ayant pour sujet la miniaturisation humaine. Un des 30 exemplaires numrots sur vlin pur fil Lafuma, seul tirage sur grand papier. En mariant le merveilleux des histoires fantastiques au scientifique des rcits daventure et de dcouverte, Maurice Renard devient le matre dun nouveau genre littraire: le merveilleux scientifique dans lequel il s'illustrera galement avec son roman L'Homme qui voulait tre invisible. D'autres clbres crivains s'inscriront dans ce genre, tels que H. G. Wells avec La Machine explorer le temps, Rosny An, Robida, Edgar Poe et Villiers de LIsle-Adam (qui a dit lesprit du sicle est aux machines).
190079398Chaumot Nièvre Chaumot 1900. Fine. Chaumot Nièvre Chaumot 4 juin 1900 13.80 x 21.30 cm une feuille Autograph letter signed by Jules Renard addressed to Gabrielle Réval. One and a half pages written in black ink on letterhead paper from ""Gloriette"" the writer's residence in Nièvre. Transverse fold lines inherent to mailing. Fine letter to this fellow writer alluding to Poil de Carotte: ""Je suis au moins aussi content que vous. Certes je n'avais pas oublié le manuscrit où Poil de Carotte était si bien compris - et aimé - j'avais oublié la signature."" ""I am at least as pleased as you are. Certainly I had not forgotten the manuscript where Poil de Carotte was so well understood - and loved - I had forgotten the signature."" He mentions Gabrielle Réval's book: ""Et tant mieux ; car j'ai lu les Sèvriennes et non le livre d'une amie de Poil de Carotte. L'auteur seul a plu le lecteur seul a été touché. Il y a de belles réussites vous le voyez madame."" ""So much the better; for I read the Sèvriennes and not the book of a friend of Poil de Carotte. The author alone pleased the reader alone was moved. There are beautiful successes you see madam."" Jules Renard already enjoyed considerable success at this time: ""Il me répugnerait de jour au vieux maître sachez pourtant que j'ai déjà reçu bien des livres écrit bien des lettres en quelle proportion par politesse je ne sais plus mais aucune ne fut plus spontanée que celle dont vous me remerciez aimablement."" ""It would repel me to play the old master know however that I have already received many books written many letters in what proportion out of politeness I no longer know but none was more spontaneous than the one for which you thank me kindly."" The highly laudatory letter alluded to here is preserved at the Jean Jaurès Media Library in Nevers and was written by Renard a few days before ours: ""Ce n'est pas l'auteur des Sévriennes que je remercie c'est vous. C'est grâce à vous que j'ai lu par cette froide fin de mai entre la première rose de mon jardin et les dernières flammes de ma cheminée un beau Livre."" ""It is not the author of the Sévriennes that I thank it is you. It is thanks to you that I read during this cold end of May between the first rose of my garden and the last flames of my fireplace a beautiful Book."" Gabrielle Réval was one of the co-founders of the Prix de la Vie heureuse which would later become the Prix Femina. unknown
1872FANuvDRA14Paris: Au Bureau De L'Éclipse c1872. 1872. folio. hand-coloured lithographed title 1 also mounted on upper cover & 31 hand-coloured lithographed plates loosely laid in patterned paper portfolio hand-coloured lithographed title mounted on upper cover spine & corners quite worn cloth ties wanting edges of some plates a bit tatty. Jules Renard known as 'Draner' was a leading French illustrator in Paris from 1861 on and contributed to all of the major French periodicals. Much of his work as here was satirical. Colas 894. Hiler p. 744. Lipperheide 2330. Hardcover. Paris: Au Bureau De L'Éclipse, [c1872]. Hardcover
1923152481New York: The Macaulay Company 1923. Octavo pp. i-iv v-vi vii-viii vii a-viii a 9-308 309-310: blank note: last leaf is a blank original olive green cloth front and spine panels stamped in black all edges stained green. First edition in English. The author's first and best novel first published in 1908 as LE DOCTEUR LERNE. Renard ". stands out as one of the most original authors to emerge at the beginning of the twentieth century . LE DOCTEUR LERNE impresses the reader with its up-to-date flavor and topicality. In his best pages Maurice Renard comes across as someone far ahead of his time someone who could be called a science fiction visionary." - Survey of Science Fiction Literature II pp. 560-63. ". a major step toward a recognizable modern science fiction ." - Anatomy of Wonder 1981 p. 13. ". generally regarded in France as the most important native SF writer for the period 1900-1930 ." - Clute and Nicholls eds The Encyclopedia of Science Fiction p. 1003. Bleiler Science-Fiction: The Early Years 1855. Clareson Science Fiction in America 1870s-1930s 646. Bleiler 1978 p. 165. Reginald 12141. A fine copy in fine printed dust jacket printed on green paper stock. A superior copy of a book seldom found in nice condition. #152481 The Macaulay Company unknown books
19601380436Cambridge Massachusetts: Department of Printing and Graphic Arts Harvard Library 1960. Limited Edition 55/600. Hardcover. Quarto unpaginated. In Very Good condition with a Good Plus clam shell case. Housed in gray cloth case with black leather spine. Case spine cracking along exterior gutters. Spine black with gilt lettering. Sage green pictorial paper boards. Mild shelfwear and soiling. Textblock clean. Printed on hand-made paper and containing an extra 13 loose lithographs in folder each signed or initialed by Stein in pencil. Signed flat on limitations page by Stein and Philip Hofer contemporary librarian at Harvard. Shelved case 11. 1380436. Shelved Dupont Bookstore. Department of Printing and Graphic Arts, Harvard Library hardcover
19534958BBLausanne, André Gonin, 1953. Gross-4°. 207, (4) S. Mit 29 ganzs., farb. lithogr. Illustrationen von Hans Erni. Lose Bogen in lithogr., brosch. Orig.-Umschlag u. illustr. Orig.-Halbpergament-Chemise in illustr. Orig.-Pappschuber (dieser leicht bestossen).
19534958BB1953. Lausanne André Gonin 1953. Gross-4°. 207 4 S. Mit 29 ganzs. farb. lithogr. Illustrationen von Hans Erni. Lose Bogen in lithogr. brosch. Orig.-Umschlag u. illustr. Orig.-Halbpergament-Chemise in illustr. Orig.-Pappschuber dieser leicht bestossen. Nr. 36 von 250 GA 220 30 hc Ex. in Baskerville-Antiqua auf Rives-Bütten. Mit einer signierten Orig.-Zeichnung in Blei von Hans Erni auf dem Schmutztitel. Vom Verleger u. vom Künstler im Impressum signiert. unknown
11454l'Illustration 1 vol. in-8. Percaline éditeur verte, titre doré avec décor à la rocaille doré et à froid, répété à froid au second plat. [26]ff, le pemier collé sur le contreplat.
185918211Avranches, Tostain (Editeur-imprimeur), Anfray ; Paris, Bureau du Journal des Chasseurs, 1859 ; in-8, bradel de carton rigide vert sapin, pièce de titre vert foncé, première de couverture verte conservée, non rogné ; [4], 304, [2] pp.
27776Paris, H. Simonis Empis, éditeur, 1896. In-12, demi-chagrin noir, dos à 5 nerfs filets dorés sur les nerfs, couvertures illustrées et dos conservés. (reliure non signée).
21663Paris, Mercure de France, 1894. In-12, 74 pp., demi-maroquin à bandes de P.L. Martin, plats de papiers verts, dos long, tête dorée, couverture originale conservée, étui bordé (minuscules frottements et rousseurs).
195834173Paris Les Francs-Bibliophi 1958 In-4, en feuilles, couverture illustre (embotage de l'diteur).27 lithographies originales d'Andr Minaux, dont une sur la couverture, un frontispice et 25 in-texte. Tirage unique limit 160 exemplaires numrots sur vlin de Rives. Exemplaire enrichi du menu de la socit illustr d'une gravure en noir et d'une preuve supplmentaire de cette gravure.
198251639Seyssinet-Pariset Editions du Grsivau 1982 Grand in-4, en feuilles, couverture muette (embotage de l'diteur).12 gravures originales hors texte sur double page de Raymond Carrance, toutes signes par l'artiste. Tirage limit 299 exemplaires numrots sur vlin d'Arches, signs par Raymond Carrance. Un des quelques exemplaires hors commerce, portant au verso de la page de titre un envoi autographe sign par l'artiste et enrichi d'une suite sur vlin des gravures non plies, toutes galement signes par Raymond Carrance.
189343155Paris: Paul Ollendorff 1893. Fine. Paul Ollendorff Paris 1893 12 x 19.50 cm relié First edition on ordinary paper. Contemporary Bradel binding in half almond cloth smooth spine very slightly faded decorated with a gilt typographical fleuron double gilt fillet at foot red shagreen title-label marbled paper boards original wrappers preserved front cover with small harmless stains at head. Provenance: from the library of Jean Ajalbert with his japonisant bookplate in the style of the Nabis engraved on wood in a very small number signed with a monogram probably that of Félicien Rops. Precious signed autograph inscription from Jules Renard to Jean Ajalbert. Paul Ollendorff hardcover
189386265Paris: Paul Ollendorff 1893. Fine. Paul Ollendorff Paris 1893 11.50 x 15 cm broché First edition. One endpaper and half-title page partially shaded light foxing affecting mainly the edges and final endpaper. Precious autograph inscription signed by Jules Renard on the half-title page: ""A M Laurent Tailhade au poète et au conférencier cette carte de visite. Jules Renard. 3 Juin 1893."" To M Laurent Tailhade the poet and lecturer this calling card. Jules Renard. 3 June 1893. Paul Ollendorff unknown
189486758Paris: Mercure de France 1894. Fine. Mercure de France Paris 1894 9 x 14 cm broché First edition printed in a small number on laid paper. Dated manuscript signature of the author. With a press clipping that has left a shadow on the endpapers and half-title. Rare. Mercure de France unknown
197751070Paris Cercle des Bibliophi 1977 In-folio, en feuilles, couverture imprime (embotage de l'diteur).21 pointes sches originales de Pierre Letellier, dont 13 in-texte, 3 hors-texte et 5 sur double page. Tirage unique limit 185 exemplaires numrots sur vlin d'Arches.
197734541Paris Cercle des Bibliophi 1977 In-folio, en feuilles, couverture imprime (embotage de l'diteur).21 pointes sches originales de Pierre Letellier, dont 13 in-texte, 3 hors-texte et 5 sur double page. Tirage unique limit 185 exemplaires numrots sur vlin d'Arches.
197736915Paris Cercle des Bibliophi 1977 In-folio, en feuilles, couverture imprime (embotage de l'diteur).21 pointes sches originales de Pierre Letellier, dont 13 in-texte, 3 hors-texte et 5 sur double page. Tirage unique limit 185 exemplaires numrots sur vlin d'Arches. Exemplaire enrichi de la signature autographe de lartiste sur la premire double page.
1911LD20011Paris 1911. Limited Edition. Hardcover. Very Good. One of 150 copies on Japon. Contemporary green morocco by René Aussord. Illustrated by Lobel-Riche. Spine faded otherwise a very nice copy. Fine internally. <br/><br/> hardcover
195335633BBLausanne, André Gonin 1953. 26,5x34,5 cm. 208 p. en feuilles. 29 lithographies en pleine page. Broché, couverture illustrée rempliée, chemise et étui.
1871WRCAM43342Paris 1871. Handcolored lithograph 13 1/2 x 9 inches matted to 19 x 14 inches. A few light spots of foxing in margin but image quite bright and clean; a few small scuffs to uniform. Very good plus. Plate from Jules Renard Draner's series of caricatures entitled TYPES MILITAIRES: GALERIE MILITAIRE DE TOUTES LES NATIONS published from 1862 to 1871. Draner - which was his nom de plume - was a Belgian artist who settled in Paris. Though he undertook a career as a businessman he never lost his zeal for drawing and caricature and in the 1860s he undertook to satirize the world's zest for military pomp with a series of 136 color lithographs depicting various military uniforms from around the world including ten plates showing American uniforms. Though his drawings were executed with an eye toward entertainment and caricature each shows accurate military dress down to appropriate use of feathers and buttons. This image shows a portly artilleryman presumably a German settler in Missouri decked out in a blue uniform with red trims holding a plate in one hand and a fork in the other. He is in New Orleans as indicated by a poster behind him evidently as part of occupying troops during the Civil War. He directs a horrified look at the bits of red food on his plate and fork perhaps intended to be some sort of foreign or New Orleans delicacy. Quite nice and highly displayable. COLAS 891. LIPPERHEIDE 3624. HILER p.744. unknown books
189343155Paul Ollendorff | Paris 1893 | 12 x 19.50 cm | relié
