3 448 résultats
33584562like new. unknown
33584562-nnew. unknown
34421SACHS Hugo and others. MOTIFS DE DECORATION PLANE. Paris: Arm. Guerinet n.d. circa 1910. Portfolio 20 x 14 inches. iv pages 24 plates. First edition. A marvelous suite of textile designs spanning the range of art nouveau productionshown here in photogravure with several designs on each large plat Rare. Not cited by OCLC. The designs are by Hugo Sachs R. Kuehnel and M. Starke. The portfolio has been rebacked and re-tipped. The plates are very good. unknown books
34421SACHS Hugo and others. MOTIFS DE DECORATION PLANE. Paris: Arm. Guerinet n.d. circa 1910. Portfolio 20 x 14 inches. iv pages 24 plates. First edition. A marvelous suite of textile designs spanning the range of art nouveau productionshown here in photogravure with several designs on each large plat Rare. Not cited by OCLC. The designs are by Hugo Sachs R. Kuehnel and M. Starke. The portfolio has been rebacked and re-tipped. The plates are very good. unknown
200930145Salzburg: Galerie Thaddaeus Ropac 2009. Stapled self-wrappers; 20 pages. Fine. Scarce with single OCLC record located at MoMA. Limited Edition. Zine. One of 125 copies hand-stamped as number 73 to rear cover. Published on the occasion of Tom Sachs' Skateboards exhibition at Thaddaeus Ropac with details of his sculptural skateboard edition printed to rear cover. With contributions from Mark Gonzales Nick Doyle Van Neistat Arsun Sorrenti Pat Conlon and Pat McCarthy. The first page reproduces a skater manifesto from Gonzales: "Waiver. I hereby hold Tom Sachs and his studio harmless and agree not to sue him or his studio for anything that ever happened or happens to me from the beginning of time to the end of the world. I understand that skateboarding is a dangerous activity and that the risks involved are numerous and often unknown or unexpected. I am aware that skateboarding means getting hurt and I might die or become permanently disabled. With this knowledge I proceed with caution and gusto. To skate is to destroy." Copy Machines Manifestos 301. Salzburg: Galerie Thaddaeus Ropac unknown
200770223Beverly Hills: Gagosian Gallery 2007. First edition. 4to. 278 pp. Very near fine in illustrated wrappers. Exhaustive documentation of Sachs’ own space program. Hundreds of photographs an essay by Arthur C. Danto a conversation with Buzz Aldrin Sachs and Louise Neri and more. Beverly Hills: Gagosian Gallery, unknown
201630810New York: The Isamu Noguchi Foundation and Garden Museum 2016. A fine copy in cloth boards with sake-heavy menu printed to rear panel. First Edition. Quarto. INSCRIBED by Sachs in black marker to front endpaper: "Joachim's / Copy / ABK / Tom Sachs." An over-the-top handbook published on the occasion of Tom Sachs' exhibition at the Isamu Noguchi Museum; the first solo exhibition at the museum of an artist other than Noguchi for which Sachs wholly reworked the traditional Japanese tea ceremony chanoyu in his distinctive fashion. Thoroughly illustrated contents separated by a series of tabbed dividers including sections on: Host Preparation Outer Garden Inner Garden Ceremony and Conversation and Games. New York: The Isamu Noguchi Foundation and Garden Museum unknown
1926038899Los Angeles Circa 1926: Herman Sachs 1926. Original Art Work . No Binding. Near Fine. Original Sketch. Original Color Sketch For Architectural Decoration Exposed 16 1/2" X 7 1/2" Matted Display. Matted By His Pupil Employee And Friend Muralist Pasquale G NapoilitanoWith His Inkedpencil Note "Sketch By " In Pencil "And Assistants" Again In Ink "Property Of P. G. Napolitano / Los Angeles". Born In Romania To Jewish Parents Herman Hermann Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe Spending The 1913-1920 Period In Germany Where He Founded The Munich School Of Expressionists Munich Expressionist Werkstätten. Upon Returning To The United States In 1920 Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School Which Soon Failed Due To Lack Of Sufficient Funding. Afterward Sachs Became The First Director Of The Dayton Museum Of Fine Arts Now The Dayton Art Institute. During This Time He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924 Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator In The Firm Herman Sachs And Joseph Konde Sachs Went On To Design The Interior Decorations Of Many Los Angeles Landmarks Including The Bullocks Wilshire Building Now Home To Southwestern Law School Union Station Los Angeles City Hall And The Title Insurance And Trust Company Building. An Educator As Well As An Artist Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists Writers And Filmmakers. His Friend The Architect Rudolph Schindler Designed Sachs' L.A. House The Manola Court Apartments. <br/> <br/> Herman Sachs unknown
1926038879Los Angeles Circa 1926: Herman Sachs 1926. Original Art Work . No Binding. Near Fine. Original Sketch. Original Color Sketch For Architectural Decoration Much Larger Than The Exposed11" X 9 1/4" Matted Display Of The Colored Part Of The Sketch Color And Gilt. Matted By His Pupil Employee And Friend Muralist Pasquale G NapoilitanoWith His Pencil Note "Herman Sachs- Job Sketch". Born In Romania To Jewish Parents Herman Hermann Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe Spending The 1913-1920 Period In Germany Where He Founded The Munich School Of Expressionists Munich Expressionist Werkstätten. Upon Returning To The United States In 1920 Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School Which Soon Failed Due To Lack Of Sufficient Funding. Afterward Sachs Became The First Director Of The Dayton Museum Of Fine Arts Now The Dayton Art Institute. During This Time He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924 Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator In The Firm Herman Sachs And Joseph Konde Sachs Went On To Design The Interior Decorations Of Many Los Angeles Landmarks Including The Bullocks Wilshire Building Now Home To Southwestern Law School Union Station Los Angeles City Hall And The Title Insurance And Trust Company Building. An Educator As Well As An Artist Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists Writers And Filmmakers. His Friend The Architect Rudolph Schindler Designed Sachs' L.A. House The Manola Court Apartments. <br/> <br/> Herman Sachs unknown
2001__3486258265De Gruyter Oldenbourg 2001. Hardcover. New. 992 pages. German language. 9.06x6.10x2.36 inches. De Gruyter Oldenbourg hardcover
19981-1878818716Sheep Meadow Pr 1998. Paperback. New. 126 pages. 9.00x6.25x0.50 inches. Sheep Meadow Pr paperback
193473286Gallimard | Paris 1934 | 12 x 19 cm | broché
82967Paris Pierre Tisné, 24 février 1951, in-2, broché sous couverture rempliée, étui (défraîchi), DOS REFAIT, 111p. Exemplaire numéroté 388. ENVOI DE Marcel ROCHAS. Exemplaire complet de son cahier volant constituant le 6ème chapitre en forme d'hommage aux acteurs de l'industrie du luxe. Reproductions de Kees Van Dongen, Raoul Dufy, Cocteau, Vertès, Gruau, Giorgio de Chirico, Benito, Salvador Dali, Christian Bérard, Pablo Picasso, Sam...Illustrations photographiques de Laure Albin-Guillot, Doisneau, Forlano, Horst, Manuel, Meerson, Pottier, Schall, Seeberger, Sougez, Jahan, Hoyningen-Huene, Lipnitsky, Manuel, Ostier, Meerson, Arsac...
L4836Paris. Galerie Briant-Robert, 1925. Plaquette in-12 agrafée de 12 p. Autoportrait de Cocteau en frontispice. Texte de Maurice Sachs, liste des oeuvres exposées, etc. Catalogue de la première exposition parisienne de Jean Cocteau (du 15 au 29 juin 1925) à la galerie de Théophile Briant et Pierre Robert, amis de Max Jacob. E.O.
191566546Berlin, Verlag Max Schildberger, 1915. 4°. Mit zahlr. tlw. mont., farb. bzw. ganzs. Abbildungen im Text u. auf Tafeln. S. (134-)171, 1 Bl.; 32 S., 2 Bll., Illustr.-OUmschläge.
1977mon0000000231Da Capo Press 8/21/1977 12:00:01 A. paperback. Acceptable. 0.5512 8.3465 5.3543. MODERATE WEAR TO COVER; WRITING ON INSIDE COVER PAGE; INTERIOR PAGES CLEAN Da Capo Press paperback
1977mon0000000184Da Capo Press 8/21/1977 12:00:01 A. paperback. Acceptable. 0.5512 8.3465 5.3543. moderate wear to cover; writing on inside front cover; other pages are clean Da Capo Press paperback
195555491Paris: Gallimard 1955. Fine. Gallimard Paris 1955 12 x 19 cm broché First edition one of 65 numbered copies on pur fil the only large paper copies. A good copy. Gallimard unknown
195550838Paris: Gallimard 1955. Fine. Gallimard Paris 1955 12 x 19 cm broché First edition one of 65 numbered copies on pur fil the only large paper copies. A very good copy. Gallimard unknown
195055490Paris: Gallimard 1950. Fine. Gallimard Paris 1950 12 x 19 cm broché First edition one of 53 numbered copies on pur fil the only large paper copies. A good copy. Gallimard unknown
195927068Paris: Denoël 1959. Fine. Denoël Paris 1959 21.50 x 26.50 cm broché First edition one of 20 numbered copies on pur fil the only large paper copies. A very attractive copy with good margins. Denoël unknown
030680073X-7-1Da Capo Press. Acceptable. The item might be beaten up but readable. May contain markings or highlighting as well as stains bent corners or any other major defect but the text is not obscured in any way. Da Capo Press unknown
1904267495Berlin: August Hirschwald 1904. First. hardcover. xii 776 pages. Thick 8vo bound in simple red cloth with gilt-lettered spine. A work consisting of 38 reports published between 1899 and 1904 many of which were co-authored with Julius Morgenroth and Hans Sachs. Berlin: August Hirschwald 1904. First edition. A near fine copy.<br/><br/> Ehrlich would later share a Nobel prize for physiology and medicine with Elie Mechnikov in 1908 for his work on immunology. -- GM 2559; Heirs of Hippocrates 2158.<br/><br/> August Hirschwald unknown books
1904267495Berlin: August Hirschwald 1904. First. hardcover. xii 776 pages. Thick 8vo bound in simple red cloth with gilt-lettered spine. A work consisting of 38 reports published between 1899 and 1904 many of which were co-authored with Julius Morgenroth and Hans Sachs. Berlin: August Hirschwald 1904. First edition. A near fine copy.<br/> <br/> Ehrlich would later share a Nobel prize for physiology and medicine with Elie Mechnikov in 1908 for his work on immunology. -- GM 2559; Heirs of Hippocrates 2158.<br/> <br/> August Hirschwald unknown
19557431Providence RI: Brown University Press 1955. First Edition. Hard Cover with Dust Jacket. Fine/Near Fine. Oblong quarto 271pages. Brown University Studies Volume XVIII. Profusely illustrated in black and white from drawings by T. G. PINCHES AND J. N. STRASSMAIER. Prepared for publication by A. J. Sachs with the co-operation of J. Shaumberger. A lovely fine unmarked copy in a so near fine dust jacket. <br/><br/> Brown University Press hardcover books
