Maurice SACHS - Jean HUGOBiblio.com
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193983548Paris: Editions de la Nouvelle revue critique 1939. Fine. Editions de la Nouvelle revue critique Paris 1939 12 x 19 cm broché First edition on ordinary paper. Cover illustrated by Jean Hugo. One joint slightly reglued at head minor stains without consequence on the back cover. Signed autograph inscription from Maurice Sachs to the tragedienne and theatre actress Andrée Tainsy. Our copy is enriched with an autograph letter dated and signed by Maurice Sachs in which he inquires about the dedicatee. Editions de la Nouvelle revue critique unknown
200825922COLLECTION ROLF HEYNE 2008. 1. hardcover. Sirmkovrilo! COLLECTION ROLF HEYNE hardcover
19271901200324Lausanne: Mermod 1927. 1st Edition 1st Printing. Hardcover. Fine. Bischoff Henry. A handsome copy of the First French language edition of Daisy Ashford's The Young Visitors. The book was a publishing sensation in its day and was first published in France in a magazine1926. This is the first book edition in French. It was limited to only 262 copies of which 30 were hors commerce i.e. not intended for sale. 20 of these hors commerce copies were printed on Auvergne a la cuve and numbered in Roman numerals from xii to xxxi. This copy is numbered xxvii. Translated from the English by M. Sachs and with a preface by Jean Cocteau. Illustrated with woodcuts by Henry Bischoff including 6 plates coloured by hand. Full leather gilt with 5 raised bands at the spine and gilt-decorated colour-dyed covers. Top edge gilt and multi-coloured paper collages to the pastedowns untrimmed. Presented in a marbled slipcase with leather trim at the fore-edges. The original green wrappers are bound-in and thus perfectly preserved. The binding is firm and straight and in Fine condition - the colour may have faded very slightly from the boards but still vibrant. Very occasional and single spots internally some off-setting from a couple of the coloured plates to the pages opposite. The slipcase is colour-faded and sunned but otherwise shows no signs of wear. A lovely copy of a rare book. <br/> <br/> Mermod hardcover
18507-1-553Dresden, E. Müller, o.J. (um 1850). quer 8° (ca. 12,5 x 16 cm), 12 kolorierte, getönte, lithographierte Tafeln (ca. 8 x 11,5 cm), dunkelgrüner Ln. d. Zt. mit goldgepr. Deckeltitel
18752197Munich: R. Oldenbourg 1875. FIRST EDITION. Printed in Gothic type a few leaves unopened; an excellent copy in contemporary blue cloth with the original printed wrappers bound in. Several marginal annotations in pencil and blue ink 7 separate handwritten pages of notes by 2 authors H. Jesis in German and Charles Benham in English. First edition. "This masterful presentation records all the fundamental elements upon which Sachs built his many theories" DSB. He suggests that the origins of the scientific study of plants lay in the sixteenth century illustrating how a few brilliant men Bauhin Bock Brunfels Caesalpino Clusius Dodoens Fuchs Linnaeus and Lobelius to name a few not even called botanists began increasingly to realize the ways that plants are related to each other. He avoids the pitfalls of drab historical description deftly detailing his own scientific contributions and theoretical concepts. R. Oldenbourg unknown
2019x-0198830386Oxford Univ Pr 2019. Hardcover. New. 610 pages. 9.75x7.00x1.50 inches. Oxford Univ Pr hardcover
SKU0608961Foundation Press 2018-07-05. hardcover. New. 10x1x7. New Textbook Ships with Tracking Foundation Press hardcover
58678Berlin 1919. 4° je etwa 40 S. zahlreiche Abbildungen Tafeln und eingeklebte Bilder. Geheftet Insgesamt etwas gebrauchspurig. Kleine Fehlstellen auf Rücken u. Deckel. Heft 3 Mai: Sonderheft «Typographisches Sonderheft».Der Berliner jüdische Zahnarzt und engagierte Plakatsammler Hans Sachs 1881 -1974 gründete 1905 den Verein der Plakatfreunde und gab von 1910-1921 die Zeitschrift "Das Plakat" heraus. 010 Berlin, 1919 unknown
26504Without date or place but between 1988 when the events described occurred in South Africa and the publication of the book in 1990. 113pp. 8vo. On 57 leaves stapled together with white card backing. No title-page. Worn and aged with first leaf detached but in fair condition overall. In 1988 in Maputo Mozambique where Sachs was exiled as an ANC activist he lost an arm and his sight in one eye when a bomb was placed in his car by agents acting for the South African Regime. Sach's memoir is an important document in the history of the South African freedom struggle. Widely praised on its publication it received the Alan Paton Award in 1991. In the book's introduction Bishop Desmond Tutu praises it as 'a deeply moving account - so utterly frank revealing his vulnerable self warts and all. It is so beautiful almost poetic in describing the sense of his body his sheer physicality the role women have played in helping him come in touch with his body helping him to become whole.' In an introduction to the 2011 edition Njabulo S. Ndebele describes it as a 'South African gift to the world'. The present item exhibits minor differences throughout from the published version with small changes to the text and some rearrangement for example a passage in Chapter 22 regarding the trade unionist John Nkadimeng and is probably the version that was first offered to a publisher. The published version reworks and expands certain parts for example a paragraph in Chapter 5 on a flashback Sachs didn't have at the time of the explosion and a passage in Chapter 7 regarding his friend 'Gita'. For example in the very first paragraph 'instantly' in the typescript is replaced by 'abruptly' in the published version; 'something terrible' by 'a terrible thing'; 'tremendous sharp' by 'shuddering'; and 'suddenly' is deleted. From a South African emigre's archive. Without date or place, but between 1988, when the events described occurred in South Africa, and the publication of the book in unknown
1980L3 box2021 a1<p>New book.</p> Academic Press. hardcover
20091-0195334027Oxford Univ Pr 2009. Hardcover. New. 1st edition. 2672 pages. 11.25x9.25x8.50 inches. Oxford Univ Pr hardcover
193983548Editions de la Nouvelle revue critique | Paris 1939 | 12 x 19 cm | broché
1603JR001<p>Por Colaboração: Carlos Silva David King José Freire Luísa Guimarães Freire Moira Forjaz Sol Carvalho e Susan Maiselas Magnun Photos. Edição: Partido Frelimo. Maputo. 1984.</p>_x000d_<p>De 30x21 cm. Com 90 págs. Profusamente ilustrado. Brochado.</p>_x000d_<p>A obra é um retrato do imaginário político-social da nação moçambicana pós-revolução possibilitando ao leitor apreciar alguma da arte mural deste país e reflectir sobre as manifestações artísticas da euforia revolucionária como se na mente dos homens desabrochasse tudo o que permanecera escondido na longa noite colonial.</p> M-18-A-20 unknown
1805JR005<p>Supervision and text: .Photographs: Moira Forjas National Cinema Institute Maputo e Susan Maiselas Magnum New York. Design: David King. Zimbabwe Publishing House. Harare Zimbabwe. 1983.</p>_x000d_<p>De 30x21 cm. Com 88 págs. inumeradas. Profusamente ilustrado. Brochado.</p>_x000d_<p>Edição em Inglês.</p>_x000d_<p>Obra de grande beleza e raridade retratando o imaginário político-social da nação moçambicana pós-revolução possibilitando ao leitor apreciar alguma da arte mural deste país e reflectir sobre as manifestações artísticas da euforia revolucionária como se na mente dos homens desabrochasse tudo o que permanecera escondido na longa noite colonial.</p>_x000d_<p>Testemunho fotográfico e registo de um tipo de arte efémera vincadamente política que apesar da força e do impacto imediato se desvanece rápido quer seja pela acção do tempo quer pela intervenção humana.</p>_x000d_<p> </p>_x000d_<p>EN 30x21 cm. 88 unnumbered pp. Profusely illustrated. Soft cover.</p>_x000d_<p>Edition in English.</p>_x000d_<p>Work of great beauty and rarity depicting the political and social imaginary of Mozambique allowing the reader to enjoy some of the mural art of this country and reflect on the artistic manifestations of revolutionary euphoria 'as if in the minds of men all that had remained hidden in the long colonial night was unfolded'.</p>_x000d_<p>Testimony and photographic record of a kind of ephemeral highly political art which despite the force and immediate impact fades fast either by time or by human intervention.</p>_x000d_<p> </p> M-10-B-12 paperback
1875K7AAPD33381HMünchen 1875. 8vo. R. Oldenbourg Contemporary half cloth marbled sides gold-tooled title on spine. "xii" = viii 612 pp. First edition of the most important publication on the history of botany published in the 19th century. Julius Sachs 1832-1897 can be seen as the founder of modern plant physiology and the most influential nineteenth century botanist in promoting experimental botany Stafleu & Cowan IV p. 1040. Library stamp of the Zoologisches Institut Strassburg on title-page. Some small stains mainly in the last part of the book not affecting the text. Binding slightly worn spine cracked but still in good condition.l BMC NH IV p. 1779; Bradley I p. 79; DSB XII p. 60; Jackson p. 3; Stafleu & Cowan IV 9957; for the author: DSB XII p. 60; Stafleu & Cowan IV p. 1040. hardcover
BN66220Geschichte der operativen Chirurgie. in 5 Bänden: Geschichte der operativen Chirurgie 5 Bde. Bd.1 Historische Entwicklung chirurgischer Operationen <br/><br/> unknown
2005BN36544Palace Edition 2005. Auflage: 1. Aufl. 13. Oktober 2005. Softcover. 250 x 315 mm. Aufwendig gstaltetes Buch mit phantastischen Aufnahmen des Fotografen Gunter Sachs welches anläßlich der Ausstellung im Staatlichen Russischen Museum St. Petersburg Russland herausgegeben wurde. Mitarbeit Designer: Joseph Kiblitsky Anpassung von: Kirill Kryukov Übersetzer Maria Kondratyeva Vorwort Joseph Kiblitsky Sprache englisch Maße 250 x 315 mm Einbandart gebunden Fotografie Fotokünstler Kunst Fotografie Film Video TV Sachs Gunter ISBN-10 3-938051-37-X / 393805137X ISBN-13 978-3-938051-37-5 / 9783938051375 Palace Editions Europe Gunther Sachs Photographe passionne Mirrors Fotografie Sachs Gunter Photograph Fotokünstler Staatliches Museum St. Petersburg Palace Editions Europe The Russian Museum Design Künste Film:Fotografie <br/><br/>Aufwendig gstaltetes Buch mit phantastischen Aufnahmen des Fotografen Gunter Sachs welches anläßlich der Ausstellung im Staatlichen Russischen Museum St. Petersburg Russland herausgegeben wurde. Mitarbeit Designer: Joseph Kiblitsky Anpassung von: Kirill Kryukov Übersetzer Maria Kondratyeva Vorwort Joseph Kiblitsky Sprache englisch Maße 250 x 315 mm Einbandart gebunden Fotografie Fotokünstler Kunst Fotografie Film Video TV Sachs Gunter ISBN-10 3-938051-37-X / 393805137X ISBN-13 978-3-938051-37-5 / 9783938051375 Palace Editions Europe Gunther Sachs Photographe passionne Mirrors Fotografie Sachs Gunter Photograph Fotokünstler Staatliches Museum St. Petersburg Palace Editions Europe The Russian Museum Design Künste Film:Fotografie Palace Edition paperback
alb8ee335ee909e6f88Zaks M. Dr. The Science and Religion of the Human Body. In Russian /Zaks M. D-r Nauka i religiya o chelovecheskom organizme. Library of the Godless Activist L OGIZ Priboy 1931. 96 c. We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalb8ee335ee909e6f88.
1980187014Germany: No Publisher Listed 1980. German Edition. Hardcover. Very Good in metal boards. Text in German. No Publisher Listed hardcover
ANAIS-030680073XDa Capo Press. paperback. Good. 5.8x0.8x8.6. Buy with confidence. Excellent Customer Service & Return policy. Da Capo Press paperback
1926036756Los Angeles: Herman Sach Circa 1926 1926. 1st Edition . No Binding. Near Fine. Original Art Work. Three Original Color Sketches By Herman Sachs Showing Designs For Architectural Building Decorations. Born In Romania To Jewish Parents Herman Hermann Sachs Immigrated To The U.S. As A Child. He First Trained Under His German-Born Father A Painter In The Court Of Queen Elisabeth Of Romania. Sachs Continued His Artistic Training In Europe Spending The 1910-1920 Period In Germany Where He Founded The Munich School Of Expressionists Munich Expressionist Werkstätten. Upon Returning To The United States In 1920 Sachs Exhibited At The Art Institute Of Chicago And Established The Chicago Industrial Art School Which Soon Failed Due To Lack Of Sufficient Funding. Afterward Sachs Became The First Director Of The Dayton Museum Of Fine Arts Now The Dayton Art Institute. During This Time He Also Served As The U.S. Representative Of Artist George Grosz. Around 1924 Sachs Moved To Los Angeles Where He Designed The Interiors Of The New Gas Company Building. As A Muralist And Decorator Sachs Went On To Design The Interiors Of Many Los Angeles Landmarks Including The Bullocks Wilshire Building Now Home To Southwestern Law School Union Station Los Angeles City Hall And The Title Insurance And Trust Company Building. An Educator As Well As An Artist Sachs Also Directed The Creative Art Students League Of Los Angeles. Sachs Was Active Within The L.A. Weimar Exile Community Of Artists Writers And Filmmakers. His Friend The Architect Rudolph Schindler Designed Sachs' L.A. House The Manola Court Apartments. <br/> <br/> Herman Sach Circa 1926 unknown
1874030754Leipzig Germany: Wilhelm Engelmann 1874. Hardcover. Very Good/No Jackets. 8vo - over 7¾" - 9¾" tall. 3vol.set: 634722&560pp.; HBs green w/gilt -- rebound1931 by Cal.Inst.of Tech.library-- rubbed w/spines&edges sunned; some lt.wear on edges; usual library marksetc.; pages tannedbut clean&tight. Title trans.: Work of the Botanical Institute in Wurzbug. First Second & Third Volumes" v1- 1871-74. v2-1878-82. v3-1888. in German. some illus.7 fold-outs bk.pkt.v3. <br/> <br/> Wilhelm Engelmann hardcover
1900386621900. Leipzig Druck von Brunno Georgi 1900 8° 44 pp. 1 p. Lebenslauf orig. Broschur. Hans Sachs 1877-1945 "als Sohn jüdischer Eltern in Kattowitz geboren Schüler und 1915-1920 wissenschaftlicher Mitarbeiter Paul Ehrlichs in Frankfurt seit 1920 dem Institut für Immunitäts- und Serumforschung des Krebsinstituts vor. Beide Gebiete wurden bis in die dreißiger Jahre in Deutschland wesentlich durch ihn beeinflusst. Als grundlegend galten seine Arbeit zur immunbiologischen Pathophysiologie 1928 und seine umfassende Darstellung "Antigene und Antikörper" 1930. Zusammen mit Witebsky seit 1925 in Heidelberg arbeitete Sachs an Untersuchungen über die Bedeutung der Lipoide für die Krebsimmunität. Ernst Witebsky 1901-1969 begründete durch seine Arbeiten am Institut das Forschungsgebiet der immunologischen Organspezifität. Sachs festigte in dieser Zeit seinen immensen Ruf als international führender Immunologe. Als Jude allerdings geriet er 1933 rasch ins Visier der Nationalsozialisten die ihn bereits im Frühjahr "beurlaubten". Durch eine mutige Intervention des Dekans der Medizinischen Fakultät Siebeck und des Internisten v. Krehl gelang es zwar die "Beurlaubung" zunächst wieder rückgängig zu machen. Endgültig entlassen wurde der "erste Serologe Deutschlands" Siebeck dann aber doch im Januar 1936. Unter dramatischen Bedingungen gelang die Emigration über die Schweiz zunächst nach England und schließlich nach Dublin wo Sachs am 25. März 1945 starb. Auch Witebsky wurde vom Rassenwahn der NS-Machthaber bereits 1933 in die Emigration über die Schweiz in die USA getrieben. Der jüngere Witebsky allerdings konnte seine glänzende Karriere als Serologe dort fortsetzen. In wenigen Jahren hatten die Nationalsozialisten mit der Immunologie eines der in seiner Zeit vielleicht wichtigsten und zukunftsweisenden medizinischen Forschungsgebiete der Ruprecht-Karls-Universität zerschlagen. An die früheren Forschungserfolge konnte in Heidelberg erst Jahrzehnte später wieder angeknüpft werden." Stolze Anfänge von den Nationalsozialisten aber schon 1933 zerschlagen - Ein Beitrag von Prof. Dr. med. Wolfgang U. Eckart Heidelberger Immunologie feiert 100jähriges Bestehen unknown
193485172Paris: Gallimard 1934. Fine. Gallimard Paris 1934 12 x 19 cm broché First collected edition of this selection of tales translated into French by Marie Bonaparte Maurice Sachs and Matila C. Ghyka a Service de Presse advance copy. Boards marginally soiled and foxed light foxing to edges. Original preface by Paul Morand. Our copy is enhanced with an exceptional autograph inscription in English by Maurice Sachs accompanying his two drawings representing a sphinx and a bear: ""The Sphinx asked the Bear: who likes honey and trout and candies and ginger We do said the Big Bear we bears. So the Sphinx changed into a bear and they lived happy together 1934"" ; Maurice Sachs's inscription continues in the lower left margin: ""and for a pastime the Big Bear translated English stories into French stories and these are some that he gives to M. L. B. with much affection. M.S."" ""Le Sphinx demanda à l'Ours : qui aime le miel et la truite les bonbons et le gingembre Nous dit le Gros Ours nous les ours. Alors le Sphinx se transforma en ours et ils vécurent heureux ensemble 1934"" ; ""et comme passe-temps le Gros Ours traduisait des histoires anglaises en français et en voici quelques-unes qu'il donne à M. L. B. avec beaucoup d'affection. M.S."" Gallimard hardcover
18744940863Wilhelm Engelmann 1874. Volumes 1-3. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. 1874-1888. Medium 8vo. Red marbled boards with brown leather half binding. Raised bands gilt borders and gilt lettering on backstrip. Bumped corners and minor exterior wear. Binding tight. Pages are clear of markings save for some foxing and age toning. Illustrated. Trimmed. Please note the Image in this listing is a stock photo and may not match the covers of the actual item3300grams ISBN: Wilhelm Engelmann hardcover
