805 résultats
1837107861837 Paris, Chez Hivert, 1837; in-8° broché, couverture de papier rose pâle, titre imprimé au dos sur étiquette contrecollée; XIV - 232pp. Cachet de colportage sur le faux-titre. Couverture passée au dos et bordure du 2 ème plat, quelques rousseurs pales, petite tache rousse en bordure de la marge inférieure de 3 feuillets. Exemplaire non rogné.
183747481Paris Hivert 1837 1 vol. Relié in-8, demi-basane glacée olive, dos lisse orné de fleurons à froid et de frises dorées, XIV + 232 pp. Edition originale du premier livre consacré à George Sand. Rousseurs éparses, sinon bon exemplaire, finement relié à l'époque
183747481Paris Hivert 1837 1 vol. Relié in-8, demi-basane glacée olive, dos lisse orné de fleurons à froid et de frises dorées, XIV + 232 pp. Edition originale du premier livre consacré à George Sand. Rousseurs éparses, sinon bon exemplaire, finement relié à l'époque
189723384Paris, Calmann Lévy, 1897. Un vol. au format in-8 (229 x 148 mm) de 1 f. bl., 2 ff. n.fol., iv - 291 pp., 1 f. n.fol. et 2 ff. bl. Reliure de l'époque de plein cartonnage caillouté marine à l'imitation de maroquin et décor peint (entrelacs de filets et larges fleurons), dos lisse à l'identique, pièce de titre de maroquin havane ornée de doubles filets dorés, titre doré, couvertures et dos conservés.
1897233841897. Paris Calmann LÂŽvy 1897. Un vol. au format in-8 229 x 148 mm de 1 f. bl. 2 ff. n.fol. iv - 291 pp. 1 f. n.fol. et 2 ff. bl. Reliure de l'ÂŽpoque de plein cartonnage cailloutÂŽ marine ˆ l'imitation de maroquin et dÂŽcor peint entrelacs de filets et larges fleurons dos lisse ˆ l'identique piÂce de titre de maroquin havane ornÂŽe de doubles filets dorÂŽs titre dorÂŽ couvertures et dos conservÂŽs. Edition originale. Un des 55 premiers exemplaires sur papier de Hollande seul papier ; numÂŽrotÂŽ et paraphÂŽ ˆ la plume par Edouard Denan au colophon. ''Les piÂces inÂŽdites ou peu connues encore publiÂŽes ici pourront aider les esprits impartiaux ˆ s'ÂŽclairer sur la part rÂŽelle de responsabilitÂŽs et de torts incombant dans ce drame de passion sans frein ˆ chacune de ses deux victimes.'' Angles ÂŽlimÂŽs. Petits manques superficiels affectant chacun des plats. TrÂs rares et discrÂtes rousseurs dans le texte. Nonobstant belle condition. b42961 unknown
1875300002131Charpentier 1875 326 pages 1875. 326 pages.
1875126589Paris Charpentier et Cie 1875 1 vol. relié in-12, demi-basane bleue, XI + 326 pp. Edition en partie originale avec un envoi autographe signé de l'auteur. La préface de George Sand est celle des "Rimes neuves et vieilles" augmentée d’un post-scriptum daté de Nohant, décembre 1874. Dos un peu passé, sinon bon exemplaire en reliure d'époque. Vicaire, VII, 508.
1875126589Paris Charpentier et Cie 1875 1 vol. relié in-12, demi-basane bleue, XI + 326 pp. Edition en partie originale avec un envoi autographe signé de l'auteur. La préface de George Sand est celle des "Rimes neuves et vieilles" augmentée d’un post-scriptum daté de Nohant, décembre 1874. Dos un peu passé, sinon bon exemplaire en reliure d'époque. Vicaire, VII, 508.
1875300002131Charpentier 1875. 1875. 326 pages. Charpentier unknown
184727304Paris Charpentier 1847 1 vol. Relié in-12, demi-chagrin marron, dos à nerfs, 439 pp. Petites rousseurs, reliure de l'époque très légèrement frottée.
184727304Paris Charpentier 1847 1 vol. Relié in-12, demi-chagrin marron, dos à nerfs, 439 pp. Petites rousseurs, reliure de l'époque très légèrement frottée.
183914557Bruxelles Société belge de librairie - Hauman et Ce 1839
186048743Caen Le Gost-Clérisse 1860 1 vol. broché in-12, broché, 51 pp. Édition originale de cette version méconnue de la mythique liaison Sand-Musset. Après Elle et lui de George Sand, Lui et elle de Paul de Musset et Lui de Louise Colet, Eux propose une version courte et distancée, sous forme de parabole de Salomon où les deux Elles se disputent l'héritage de Lui ! Couverture un peu défraîchie. Rousseurs intérieures. Sinon état convenable.
186048743Caen Le Gost-Clérisse 1860 1 vol. broché in-12, broché, 51 pp. Édition originale de cette version méconnue de la mythique liaison Sand-Musset. Après Elle et lui de George Sand, Lui et elle de Paul de Musset et Lui de Louise Colet, Eux propose une version courte et distancée, sous forme de parabole de Salomon où les deux Elles se disputent l'héritage de Lui ! Couverture un peu défraîchie. Rousseurs intérieures. Sinon état convenable.
186271056Texte et dessins par Maurice Sand, Gravures par A. Manceau, Préface par George Sand, 2 vol. grand in-8 reliure postérieure plein chagrin bordeaux, dos à 5 nerfs orné, tête dorée, filetd dorés d'encadrement en plats et fers dorés en écoinçons, couvertures conservées, A. Lévy Fils, Libraire-Éditeur, Paris, 1862, VIII-356 pp. ; 2 ff., 384 pp. avec 50 planches en couleurs hors texte
1871014119London: Claton Remsen and Haffelfinger 1871. First edition. . Hardcover. Very Good/No Jacket. first edition in English. Bit of damage with loss to corner of front brown endpapers else very good. <br/> <br/> Claton, Remsen and Haffelfinger hardcover
186721.0247Paris: J. Rothschild Éditeur 1867. 1st ed. Contemporary quarter morocco with gilt titles decorations and raised bands. 22.5x27.5. 50 lithographic plates of which 49 are hand coloured. . Bookdealer's blind sttamp on title page; corners slightly bumped; very occasional foxing the half title of the second part - see photo - is the most foxed; there are four others in a similar condition otherwise a very clean and attractive copy J. Rothschild, Éditeur hardcover
1860359402Paris : Michel Lévy frères 1860. First Edition. Hardcover. Good set only bound in contemporary ornate cloth decorated in gilt and blind borders. Wear and tear as with age with the spine bands specifically worn with loss to both. Text remains well preserved overall; bright and clean. Physical description; 2 vols. : col. ill. ; 28 cm. Notes; Vol. 2 includes index. Includes index. Subjects; Italian drama Comedy History and criticism. Comedy History and criticism. Italian drama Comedy History and criticism. Pantomime. Comedy History and criticism. Harlequin Fictitious character. Comedy. Harlequin Fictitious character. Italian drama Comedy. Pantomime. Harlequin. Genres; Commedia dell'arte. Criticism interpretation etc. Illustrated. Paris : Michel Lévy frères hardcover
1862006327Paris: A. Lévy Fils 1862. Half Morocco. Very Good. Sand Maurice. All the plates are here rendered in three states -- full hand-colored black and white and sepia and white! 2 volumes 4to. 28 by 20 cm. viii 356 2 384 pp. 50 hand-colored plates and 100 additional in the two other formats featuring the stock characters of the improvisational Theatre Italienne such as Harlequino Arlechino Pulcinella Colombine Pagliaccio Pierrot Pantalon L'Apothicaire Le Notaire Scaramuccia Pasquariello etc. Nowadays these characters are most familiar to opera-goers thanks to the comical works of Donizetti Mascagni Busoni Mozart etc. Most of these characters grew out of the roaming theatrical troupes that originated in Italy of the sixteenth and seventeenth centuries. The costume and basic personality of the character remained stable from one performance to the next but within those parameters the characters in a troupe usually following the broad contours of a story line would improvise bringing in buffonery perhaps relating to the events of the day the specific venue where they were appearing or whatever else might spring into their mind on the spur of the moment. In the eighteenth century the free form went into decline replaced by more scripted plays but its influence is very evident in the plays of Goldoni Moliere who worked well before the form vanished and besides the opera buffa early twentieth century Vaudeville ballet and more current comedy. Also the costume from the Theatre Italienne has never failed to excite enthusiasm and thus it is often celebrated in the decorative arts as perhaps most magnificently in porcelain beginning in the eighteenth century with Meissen Nymphenburg and many other makes. Today the style of Harlequin or Arlecchino continue to be emulated in clothes design with some regularity. This two volume celebration of the costume and characters of this theater was written by Maurice Sand who was the son of the novelist George Sand who wrote the preface. Maurice Sand 1823 -1889 was an accomplished illustrator and writer in his own right. Provenance: this copy comes from the heirs of John James Audobon. The initials "V.A." are stamped on both front boards; these initials probably refer to Victor Gifford Audubon Jr. 1847-1915 the artist's grandson. Condition: some minor scuffs and abrasions on the leather spine shelfwear on the edges. A few some light soil spots here and there but overall quite clean and bright. A. Lévy Fils unknown
1862003597Paris: A. Levy Fils 1862. Quarter Morocco pebbled cloth boards. Very Good. Sand Maurice. 2 volumes 4to. 28 by 19 cm. viii 356 2 384 pp. 50 hand-colored plates featuring the stock characters of the improvisational Theatre Italienne such as Harlequino Arlechino Pulcinella Colombine Pagliaccio Pierrot Pantalon L'Apothicaire Le Notaire Scaramuccia Pasquariello etc. Nowadays these characters are most familiar to opera-goers thanks to the comical works of Donizetti Mascagni Busoni Mozart etc. Most of these characters grew out of the roaming theatrical troupes that originated in Italy of the sixteenth and seventeenth centuries. The costume and basic personality of the character remained stable from one performance to the next but within those parameters the characters in a troupe usually following the broad contours of a story line would improvise bringing in buffonery perhaps relating to the events of the day the specific venue where they were appearing or whatever else might spring into their mind on the spur of the moment. In the eighteenth century the free form went into decline replaced by more scripted plays but its influence is very evident in the plays of Goldoni Moliere who worked well before the form vanished and besides the opera buffa early twentieth century Vaudeville ballet and more current comedy. Also the costume from the Theatre Italienne has never failed to excite enthusiasm and thus it is often celebrated in the decorative arts as perhaps most magnificently in porcelain beginning in the eighteenth century with Meissen Nymphenburg and many other makes. Today the style of Harlequin or Arlecchino continue to be emulated in clothes design with some regularity. This two volume celebration of the costume and characters of this theater was written by Maurice Sand who was the son of the novelist George Sand who wrote the preface. Maurice Sand 1823 -1889 was an accomplished illustrator and writer in his own right. Occasional soiling sometimes toning around perimeter outside of tissue guards which have survived remarkably well. Rubbing along joints and moderate wear of boards. Very handsome marbled painting of edges. A. Levy Fils unknown
1879EL431351879 [8], 206, [1] p., contemporary half leather (basane, sheepskin) with marbled boards, spine with four raised bands and author/title in gilt, marbled endpapers. Ex library of the French Lepidopterologist Philippe Darge (1933-2023). Bound together (but after) with: L. Pierrugues, 1883. La fin des Lérins ou le martyre de cinq cents moines et de leur abbé (212 p.), thus a completely unrelated book at the end (but not mentioned on the spine).This catalogue is written by entomologist, writer, artist and son of the famous writer George Sand, Jean-François-Maurice-Arnauld Dudevant (1823-1889), known as Baron Dudevant, but better known by the pseudonym Maurice Sand . Sand started collecting butterflies in 1852 in his garden in Nohan and finished this catalogue after 25 years of catching and raising local butterflies. In his book he already regrets the loss of natural habitat and thus the loss of butterfly species in many localities (one wonders what he would have thought of the present day situation?!). Sand observed that 80% of all European butterflies occurred in France, and, in turn, the area covered by his work contained 80% of all French butterflies.
184435166PRIMERA EDICION.- Bruselas: Sociedad Belga de Librería Hauman y Cia. 1844.- XVI172 p. 1 h.: 25 láminas grabadas al acero y diferentes viñetas e ilustraciones grabadas en madera intercaladas en el texto; 4º 26 x 18 cm; Texto bilingüe en francés y español; Impresión a dos columnas; Enc. en Plena Piel Chagrén de color marrón lomo con 4 nervios cuajado en oro tapas con planchas en seco y oro cantos y contracantos dorados cortes dorados guardas en papel imitando moiré de color blanco.- Palau 296931. MUY RARO. La encuadernación con algunos roces en bordes y esquinas faltándole a estas últimas pequeños trocitos de piel y las guardas sucias debido a la acidez de las colas empleadas. El primer grabado con un desgarro perfectamente reparado alguna de las láminas con motas de óxido que no afectan a la parte grabada de forma acusada. A pesar de los descrito que es preceptivo la obra se encuentra en aceptable estado LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en español Sociedad Belga de Librería hardcover
18536521853 Couverture rigide Paris, Michel Lévy Frères, 1853. In-8, cartonnage d'éditeur, 98 pages, rousseurs et mouillures éparses dans la marge. Edition originale de la pièce de théâtre de Sand, représentée pour la première fois au théâtre du Gymnase le 13 septembre 1853. Bon exemplaire.
184054237BBBruxelles, Meline, Cans et Comp. 1840 In-16°. 171 p. Broché, couverture imprimée.
1865LCI-3974Paris, Michel Lévy Frères 1865 2 in -8 cuir à dos à caissons 311[p.p]317[p.p]