805 résultats
183747481Paris Hivert 1837 1 vol. Relié in-8, demi-basane glacée olive, dos lisse orné de fleurons à froid et de frises dorées, XIV + 232 pp. Edition originale du premier livre consacré à George Sand. Rousseurs éparses, sinon bon exemplaire, finement relié à l'époque
183747481Paris Hivert 1837 1 vol. Relié in-8, demi-basane glacée olive, dos lisse orné de fleurons à froid et de frises dorées, XIV + 232 pp. Edition originale du premier livre consacré à George Sand. Rousseurs éparses, sinon bon exemplaire, finement relié à l'époque
1837107861837 Paris, Chez Hivert, 1837; in-8° broché, couverture de papier rose pâle, titre imprimé au dos sur étiquette contrecollée; XIV - 232pp. Cachet de colportage sur le faux-titre. Couverture passée au dos et bordure du 2 ème plat, quelques rousseurs pales, petite tache rousse en bordure de la marge inférieure de 3 feuillets. Exemplaire non rogné.
1897233841897. Paris Calmann LÂŽvy 1897. Un vol. au format in-8 229 x 148 mm de 1 f. bl. 2 ff. n.fol. iv - 291 pp. 1 f. n.fol. et 2 ff. bl. Reliure de l'ÂŽpoque de plein cartonnage cailloutÂŽ marine ˆ l'imitation de maroquin et dÂŽcor peint entrelacs de filets et larges fleurons dos lisse ˆ l'identique piÂce de titre de maroquin havane ornÂŽe de doubles filets dorÂŽs titre dorÂŽ couvertures et dos conservÂŽs. Edition originale. Un des 55 premiers exemplaires sur papier de Hollande seul papier ; numÂŽrotÂŽ et paraphÂŽ ˆ la plume par Edouard Denan au colophon. ''Les piÂces inÂŽdites ou peu connues encore publiÂŽes ici pourront aider les esprits impartiaux ˆ s'ÂŽclairer sur la part rÂŽelle de responsabilitÂŽs et de torts incombant dans ce drame de passion sans frein ˆ chacune de ses deux victimes.'' Angles ÂŽlimÂŽs. Petits manques superficiels affectant chacun des plats. TrÂs rares et discrÂtes rousseurs dans le texte. Nonobstant belle condition. b42961 unknown
189723384Paris, Calmann Lévy, 1897. Un vol. au format in-8 (229 x 148 mm) de 1 f. bl., 2 ff. n.fol., iv - 291 pp., 1 f. n.fol. et 2 ff. bl. Reliure de l'époque de plein cartonnage caillouté marine à l'imitation de maroquin et décor peint (entrelacs de filets et larges fleurons), dos lisse à l'identique, pièce de titre de maroquin havane ornée de doubles filets dorés, titre doré, couvertures et dos conservés.
1875300002131Charpentier 1875. 1875. 326 pages. Charpentier unknown
1875300002131Charpentier 1875 326 pages 1875. 326 pages.
1875126589Paris Charpentier et Cie 1875 1 vol. relié in-12, demi-basane bleue, XI + 326 pp. Edition en partie originale avec un envoi autographe signé de l'auteur. La préface de George Sand est celle des "Rimes neuves et vieilles" augmentée d’un post-scriptum daté de Nohant, décembre 1874. Dos un peu passé, sinon bon exemplaire en reliure d'époque. Vicaire, VII, 508.
1875126589Paris Charpentier et Cie 1875 1 vol. relié in-12, demi-basane bleue, XI + 326 pp. Edition en partie originale avec un envoi autographe signé de l'auteur. La préface de George Sand est celle des "Rimes neuves et vieilles" augmentée d’un post-scriptum daté de Nohant, décembre 1874. Dos un peu passé, sinon bon exemplaire en reliure d'époque. Vicaire, VII, 508.
184727304Paris Charpentier 1847 1 vol. Relié in-12, demi-chagrin marron, dos à nerfs, 439 pp. Petites rousseurs, reliure de l'époque très légèrement frottée.
184727304Paris Charpentier 1847 1 vol. Relié in-12, demi-chagrin marron, dos à nerfs, 439 pp. Petites rousseurs, reliure de l'époque très légèrement frottée.
1871014119London: Claton Remsen and Haffelfinger 1871. First edition. . Hardcover. Very Good/No Jacket. first edition in English. Bit of damage with loss to corner of front brown endpapers else very good. <br/> <br/> Claton, Remsen and Haffelfinger hardcover
186721.0247Paris: J. Rothschild Éditeur 1867. 1st ed. Contemporary quarter morocco with gilt titles decorations and raised bands. 22.5x27.5. 50 lithographic plates of which 49 are hand coloured. . Bookdealer's blind sttamp on title page; corners slightly bumped; very occasional foxing the half title of the second part - see photo - is the most foxed; there are four others in a similar condition otherwise a very clean and attractive copy J. Rothschild, Éditeur hardcover
1860359402Paris : Michel Lévy frères 1860. First Edition. Hardcover. Good set only bound in contemporary ornate cloth decorated in gilt and blind borders. Wear and tear as with age with the spine bands specifically worn with loss to both. Text remains well preserved overall; bright and clean. Physical description; 2 vols. : col. ill. ; 28 cm. Notes; Vol. 2 includes index. Includes index. Subjects; Italian drama Comedy History and criticism. Comedy History and criticism. Italian drama Comedy History and criticism. Pantomime. Comedy History and criticism. Harlequin Fictitious character. Comedy. Harlequin Fictitious character. Italian drama Comedy. Pantomime. Harlequin. Genres; Commedia dell'arte. Criticism interpretation etc. Illustrated. Paris : Michel Lévy frères hardcover
1862006327Paris: A. Lévy Fils 1862. Half Morocco. Very Good. Sand Maurice. All the plates are here rendered in three states -- full hand-colored black and white and sepia and white! 2 volumes 4to. 28 by 20 cm. viii 356 2 384 pp. 50 hand-colored plates and 100 additional in the two other formats featuring the stock characters of the improvisational Theatre Italienne such as Harlequino Arlechino Pulcinella Colombine Pagliaccio Pierrot Pantalon L'Apothicaire Le Notaire Scaramuccia Pasquariello etc. Nowadays these characters are most familiar to opera-goers thanks to the comical works of Donizetti Mascagni Busoni Mozart etc. Most of these characters grew out of the roaming theatrical troupes that originated in Italy of the sixteenth and seventeenth centuries. The costume and basic personality of the character remained stable from one performance to the next but within those parameters the characters in a troupe usually following the broad contours of a story line would improvise bringing in buffonery perhaps relating to the events of the day the specific venue where they were appearing or whatever else might spring into their mind on the spur of the moment. In the eighteenth century the free form went into decline replaced by more scripted plays but its influence is very evident in the plays of Goldoni Moliere who worked well before the form vanished and besides the opera buffa early twentieth century Vaudeville ballet and more current comedy. Also the costume from the Theatre Italienne has never failed to excite enthusiasm and thus it is often celebrated in the decorative arts as perhaps most magnificently in porcelain beginning in the eighteenth century with Meissen Nymphenburg and many other makes. Today the style of Harlequin or Arlecchino continue to be emulated in clothes design with some regularity. This two volume celebration of the costume and characters of this theater was written by Maurice Sand who was the son of the novelist George Sand who wrote the preface. Maurice Sand 1823 -1889 was an accomplished illustrator and writer in his own right. Provenance: this copy comes from the heirs of John James Audobon. The initials "V.A." are stamped on both front boards; these initials probably refer to Victor Gifford Audubon Jr. 1847-1915 the artist's grandson. Condition: some minor scuffs and abrasions on the leather spine shelfwear on the edges. A few some light soil spots here and there but overall quite clean and bright. A. Lévy Fils unknown
1862003597Paris: A. Levy Fils 1862. Quarter Morocco pebbled cloth boards. Very Good. Sand Maurice. 2 volumes 4to. 28 by 19 cm. viii 356 2 384 pp. 50 hand-colored plates featuring the stock characters of the improvisational Theatre Italienne such as Harlequino Arlechino Pulcinella Colombine Pagliaccio Pierrot Pantalon L'Apothicaire Le Notaire Scaramuccia Pasquariello etc. Nowadays these characters are most familiar to opera-goers thanks to the comical works of Donizetti Mascagni Busoni Mozart etc. Most of these characters grew out of the roaming theatrical troupes that originated in Italy of the sixteenth and seventeenth centuries. The costume and basic personality of the character remained stable from one performance to the next but within those parameters the characters in a troupe usually following the broad contours of a story line would improvise bringing in buffonery perhaps relating to the events of the day the specific venue where they were appearing or whatever else might spring into their mind on the spur of the moment. In the eighteenth century the free form went into decline replaced by more scripted plays but its influence is very evident in the plays of Goldoni Moliere who worked well before the form vanished and besides the opera buffa early twentieth century Vaudeville ballet and more current comedy. Also the costume from the Theatre Italienne has never failed to excite enthusiasm and thus it is often celebrated in the decorative arts as perhaps most magnificently in porcelain beginning in the eighteenth century with Meissen Nymphenburg and many other makes. Today the style of Harlequin or Arlecchino continue to be emulated in clothes design with some regularity. This two volume celebration of the costume and characters of this theater was written by Maurice Sand who was the son of the novelist George Sand who wrote the preface. Maurice Sand 1823 -1889 was an accomplished illustrator and writer in his own right. Occasional soiling sometimes toning around perimeter outside of tissue guards which have survived remarkably well. Rubbing along joints and moderate wear of boards. Very handsome marbled painting of edges. A. Levy Fils unknown
184435166PRIMERA EDICION.- Bruselas: Sociedad Belga de Librería Hauman y Cia. 1844.- XVI172 p. 1 h.: 25 láminas grabadas al acero y diferentes viñetas e ilustraciones grabadas en madera intercaladas en el texto; 4º 26 x 18 cm; Texto bilingüe en francés y español; Impresión a dos columnas; Enc. en Plena Piel Chagrén de color marrón lomo con 4 nervios cuajado en oro tapas con planchas en seco y oro cantos y contracantos dorados cortes dorados guardas en papel imitando moiré de color blanco.- Palau 296931. MUY RARO. La encuadernación con algunos roces en bordes y esquinas faltándole a estas últimas pequeños trocitos de piel y las guardas sucias debido a la acidez de las colas empleadas. El primer grabado con un desgarro perfectamente reparado alguna de las láminas con motas de óxido que no afectan a la parte grabada de forma acusada. A pesar de los descrito que es preceptivo la obra se encuentra en aceptable estado LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en español Sociedad Belga de Librería hardcover
186596729Hildburghausen: Verlag des Bibliographischen Instituts 1865-70. Frakturdruck. 8° (17,5-22,5 cm). Zeitgenössischer Halblederband mit goldgeprägtem Rücken. [Hardcover / fest gebunden].
185755056Paris: Michel Lévy & Calmann Lévy 1857-1923. 13 vols. 18mo 18x115 cm. Uniformly bound about 1950. Lightbrown halfcalf some parts of the leather darkened; spines with ribbons; gilt titles on spines; marbled paper on covers. Little by little paper more and more age-toned and browned due to the paper but a nice spotless set of the most important novels 15 with additions and 1 play bound in 13 volumes. Michel Lévy & Calmann Lévy hardcover
187124337Boston: James R. Osgood and Company. Very Good. 1871. First US Edition. Hardcover. Green cloth binding with gilt lettering rubbed at extremities; owner's name pencilled on front endpaper; leaf edges endpapers a few margins lightly foxed else a very nice tight & clean book.; Translated from French by Carroll Owen. ; 8vo; 113 pages . James R. Osgood and Company hardcover
185691013Paris: Librairie De L. Hachette 1856. Hardcover. Very Good with no dust jacket. 282 pages. Text in French. Colorful marbled paper covers 3/4 front and back portions of the boards. Some very faint foxing on pages. Cover edges a little rubbed. ; 4 1/2 x 7 1/4 Librairie De L. Hachette hardcover
18641780Paris: Michel Levy Freres. Near Fine. 1864. 9th. Hardcover. Some foxing on the initial pages but little or none in the text. ; Text in French. One of six volumes we have in "Complete Works of Geroge Sand" in a matching set. Each volume bound in 3/4 red leather with marbled boards; five raised bands bright gilt title on spines. Marbled endpapers. Previous owner's small circular gilt and red personal label on inside front endpaper and name stamped on second free endpaper and title page. Top edge gilt. Binding is tight. Inquire about details of the other volumes in the set. Text is clean and unmarked. Nouvelle edition. ; Oeuvres De George Sand Series; Small 8vo 7½" - 8" tall; 271 pages . Michel Levy Freres hardcover
1848293976Paris 1848. framed. very good. Important A.L.S. as Sand had recently began writing for the soon-to-be-banned Le Vrai Republique with integral address page personal stationary with blind stamped monogrammed initials: "G.S." 8vo. 1 page Paris March 16th 1848 to radical journalist and fellow supporter of the French Revolution Theophile Thore in French with translation explaining that she has not yet met with Louis and Charles Blanc and apologizes for not having responded to his letters because all of her time has been consumed writing material for the Republique. In closing she signs herself "a vous de tout Coeur / George Sand". Evenly toned and set into a white matte gatefold whereby both the letter and the integral address page are both visible then placed into a simple gold-stained wooden frame to 13" x 11.5". Louis Blanc 1811-1882 was a staunch French Socialist and reformer who only three months after this letter was written was exiled to England where he would remain until 1870. Also two weeks prior to this letter being sent George Sand had agreed to provide the Republique with no less than 13 original articles for publication. An exceptional letter written during the heart of the French Revolution of 1848.<br/> <br/> French novelist and socialist whose works were immensely popular in Europe during her lifetime and whose fame eclipsed both that of Victor Hugo and Honore de Balzac in the 1840's and 1850's.<br/> <br/> unknown
186255066Paris: E. Dentu Libraire au Palais-Royal 1862. 8vo 185x12 cm. Orig. green wrappers frontcover title within ornamental border; backcover with list "en vente ou en preparation" within ornamental border and mention "Paris - Typ. J. Claye Rue Saint-Benoit 7". Small tear in frontcover and in first hinge; spine dustsoiled iv354 pp. P.216-217 brown spot due to a paper left between the pages; lightbrown spots in places. - According to Vicaire 269: date of imprint 1862 and "Édition originale". - Blindstamped on first cover E. O. E. Dentu, Libraire au Palais-Royal unknown
18681507Paris: Michel Levy Freres. Very Good. 1868. 2nd. Hardcover. Dampstained initial and final pages. ; Text in French. 3/4 maroon leather and marbled covers. Marbled endpapers. Five raised bands and bright gilt lettering on maroon leather spine. Small bookowner's monographed tag on front inside cover. Tight binding and clean unmarked text. T. E. G. Part of the six volume "Oeuvres de George Sand." Deuxieme edition. ; Oeuvres de George Sand Series; 12mo 7" - 7½" tall; 389 pages . Michel Levy Freres hardcover