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1871014119London: Claton Remsen and Haffelfinger 1871. First edition. . Hardcover. Very Good/No Jacket. first edition in English. Bit of damage with loss to corner of front brown endpapers else very good. <br/> <br/> Claton, Remsen and Haffelfinger hardcover
1164595059.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1436796172.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0469752408.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3368136046.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019657847.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1271007916.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
186721.0247Paris: J. Rothschild Éditeur 1867. 1st ed. Contemporary quarter morocco with gilt titles decorations and raised bands. 22.5x27.5. 50 lithographic plates of which 49 are hand coloured. . Bookdealer's blind sttamp on title page; corners slightly bumped; very occasional foxing the half title of the second part - see photo - is the most foxed; there are four others in a similar condition otherwise a very clean and attractive copy J. Rothschild, Éditeur hardcover
2012690262.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2385082349.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012DADAX3849142558TREDITION CLASSICS 2012-11-22. paperback. New. 5.43x0.83x8.23. Buy with confidence. Excellent Customer Service & Return policy. TREDITION CLASSICS paperback
3849142558.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3849131556.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1860359402Paris : Michel Lévy frères 1860. First Edition. Hardcover. Good set only bound in contemporary ornate cloth decorated in gilt and blind borders. Wear and tear as with age with the spine bands specifically worn with loss to both. Text remains well preserved overall; bright and clean. Physical description; 2 vols. : col. ill. ; 28 cm. Notes; Vol. 2 includes index. Includes index. Subjects; Italian drama Comedy History and criticism. Comedy History and criticism. Italian drama Comedy History and criticism. Pantomime. Comedy History and criticism. Harlequin Fictitious character. Comedy. Harlequin Fictitious character. Italian drama Comedy. Pantomime. Harlequin. Genres; Commedia dell'arte. Criticism interpretation etc. Illustrated. Paris : Michel Lévy frères hardcover
1015778860.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2012739725.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012739733.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1016819714.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1862006327Paris: A. Lévy Fils 1862. Half Morocco. Very Good. Sand Maurice. All the plates are here rendered in three states -- full hand-colored black and white and sepia and white! 2 volumes 4to. 28 by 20 cm. viii 356 2 384 pp. 50 hand-colored plates and 100 additional in the two other formats featuring the stock characters of the improvisational Theatre Italienne such as Harlequino Arlechino Pulcinella Colombine Pagliaccio Pierrot Pantalon L'Apothicaire Le Notaire Scaramuccia Pasquariello etc. Nowadays these characters are most familiar to opera-goers thanks to the comical works of Donizetti Mascagni Busoni Mozart etc. Most of these characters grew out of the roaming theatrical troupes that originated in Italy of the sixteenth and seventeenth centuries. The costume and basic personality of the character remained stable from one performance to the next but within those parameters the characters in a troupe usually following the broad contours of a story line would improvise bringing in buffonery perhaps relating to the events of the day the specific venue where they were appearing or whatever else might spring into their mind on the spur of the moment. In the eighteenth century the free form went into decline replaced by more scripted plays but its influence is very evident in the plays of Goldoni Moliere who worked well before the form vanished and besides the opera buffa early twentieth century Vaudeville ballet and more current comedy. Also the costume from the Theatre Italienne has never failed to excite enthusiasm and thus it is often celebrated in the decorative arts as perhaps most magnificently in porcelain beginning in the eighteenth century with Meissen Nymphenburg and many other makes. Today the style of Harlequin or Arlecchino continue to be emulated in clothes design with some regularity. This two volume celebration of the costume and characters of this theater was written by Maurice Sand who was the son of the novelist George Sand who wrote the preface. Maurice Sand 1823 -1889 was an accomplished illustrator and writer in his own right. Provenance: this copy comes from the heirs of John James Audobon. The initials "V.A." are stamped on both front boards; these initials probably refer to Victor Gifford Audubon Jr. 1847-1915 the artist's grandson. Condition: some minor scuffs and abrasions on the leather spine shelfwear on the edges. A few some light soil spots here and there but overall quite clean and bright. A. Lévy Fils unknown
1862003597Paris: A. Levy Fils 1862. Quarter Morocco pebbled cloth boards. Very Good. Sand Maurice. 2 volumes 4to. 28 by 19 cm. viii 356 2 384 pp. 50 hand-colored plates featuring the stock characters of the improvisational Theatre Italienne such as Harlequino Arlechino Pulcinella Colombine Pagliaccio Pierrot Pantalon L'Apothicaire Le Notaire Scaramuccia Pasquariello etc. Nowadays these characters are most familiar to opera-goers thanks to the comical works of Donizetti Mascagni Busoni Mozart etc. Most of these characters grew out of the roaming theatrical troupes that originated in Italy of the sixteenth and seventeenth centuries. The costume and basic personality of the character remained stable from one performance to the next but within those parameters the characters in a troupe usually following the broad contours of a story line would improvise bringing in buffonery perhaps relating to the events of the day the specific venue where they were appearing or whatever else might spring into their mind on the spur of the moment. In the eighteenth century the free form went into decline replaced by more scripted plays but its influence is very evident in the plays of Goldoni Moliere who worked well before the form vanished and besides the opera buffa early twentieth century Vaudeville ballet and more current comedy. Also the costume from the Theatre Italienne has never failed to excite enthusiasm and thus it is often celebrated in the decorative arts as perhaps most magnificently in porcelain beginning in the eighteenth century with Meissen Nymphenburg and many other makes. Today the style of Harlequin or Arlecchino continue to be emulated in clothes design with some regularity. This two volume celebration of the costume and characters of this theater was written by Maurice Sand who was the son of the novelist George Sand who wrote the preface. Maurice Sand 1823 -1889 was an accomplished illustrator and writer in his own right. Occasional soiling sometimes toning around perimeter outside of tissue guards which have survived remarkably well. Rubbing along joints and moderate wear of boards. Very handsome marbled painting of edges. A. Levy Fils unknown
43887431like new. unknown
1014143187.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1931441619New York: Samuel French 1931. Hardcover. Near Fine/Very Good. First American edition. Translated by Babette and Glenn Hughes. Ownership signature of puppeteer Mimi Hanson sloght soiling on the boards near fine in about very good dustwrapper with some moderate overall wear. Samuel French hardcover
193126942New York. Samuel French. 1931 1931. 1st Edition. Hardcover. Dust Jacket Included. 8vo 21.5cm first edition 104p. translators' preface orange cloth a fine copy in near fine printed red jacket chds. ~ Five plays: The Rose-Queen of Viremollet; The Clemency of Titus; The Flageolet; We Dine at the Colonel's; and The Spirit Rappers. Maurice Sand was the son of the novelist George Sand Baroness Aurora Dudevant. New York. Samuel French. 1931 hardcover
356304984X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback