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192131985AB1921. Éditions Du Centenaire. Paris Calmann-Lévy no year c.1921-1922 / 1851 Notice. Octavo. III 217 2 pages. Hardcover. Original half-leather with original dustjacket / brochure bound in. Very good condition with only minor signs of wear. Some rubbing to binding. Minimal signs of foxing. Very firm ! Amantine Lucile Aurore Dupin de Francueil 1 July 1804 8 June 1876 best known by her pen name George Sand was a French novelist memoirist and journalist. Being more renowned than either Victor Hugo or Honoré de Balzac in England in the 1830s and 1840s Sand is recognised as one of the most notable writers of the European Romantic era. She has more than 50 volumes of various works to her credit including tales plays and political texts alongside her 70 novels. Like her great-grandmother Louise Dupin whom she admired George Sand advocated for women's rights and passion criticized the institution of marriage and fought against the prejudices of a conservative society. She was considered scandalous because of her turbulent love life her adoption of masculine clothing and her masculine pseudonym. Influences on literature Fyodor Dostoevsky "read widely in the numerous novels of George Sand" and translated her La dernière Aldini in 1844 only to learn that it had already been published in Russian. In his mature period he expressed an ambiguous attitude towards her. For instance in his novella Notes from Underground the narrator refers to sentiments he expresses as "I launch off at that point into European inexplicably lofty subtleties à la George Sand". The English poet Elizabeth Barrett Browning 180661 wrote two poems: "To George Sand: A Desire" 1853 and "To George Sand: A Recognition". The American poet Walt Whitman cited Sand's novel Consuelo as a personal favorite and the sequel to this novel La Comtesse de Rudolstadt contains at least a couple of passages that appear to have had a very direct influence on him. In addition to her influences on English and Russian literature Sand's writing and political views informed numerous 19th century authors in Spain and Latin America including Gertrudis Gómez de Avellaneda the Cuban-born writer who also published and lived in Spain. Critics have noted structural and thematic similarities between George Sand's Indiana published in 1832 and Gómez de Avellaneda's anti-slavery novel Sab published in 1841. In the first episode of the "Overture" to Swann's Waythe first novel in Marcel Proust's In Search of Lost Time sequencea young distraught Marcel is calmed by his mother as she reads from François le Champi a novel which it is explained was part of a gift from his grandmother which also included La Mare au Diable La Petite Fadette and Les Maîtres Sonneurs. As with many episodes involving art in À la recherche du temps perdu this reminiscence includes commentary on the work. Sand is also referred to in Virginia Woolf's book-length essay A Room of One's Own along with George Eliot and Charlotte Brontë as "all victims of inner strife as their writings prove sought ineffectively to veil themselves by using the name of a man." Frequent literary references to George Sand appear in Possession 1990 by A. S. Byatt and in the play Voyage the first part of Tom Stoppard's The Coast of Utopia trilogy 2002. George Sand makes an appearance in Isabel Allende's Zorro going still by her given name as a young girl in love with Diego de la Vega Zorro. Chopin Sand and her children are the main characters of the theater play by Polish writer Jaroslaw Iwaszkiewicz A Summer in Nohant which premiered in 1930. The play presenting the final stage of the writer-composer's relationship was adapted five times by Polish Television: in 1963 with Antonina Gordon-Górecka as Sand and Gustaw Holoubek as Chopin in 1972 with Halina Mikolajska and Leszek Herdegen in 1980 with Anna Polony and Michal Pawlicki in 1999 with Joanna Szczepkowska who portrayed Solange in the 1980 version and Piotr Skiba and in 2021 with Katarzyna Herman and Marek Kossakowski. Wikipedia hardcover
1025772326.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
53505327like new. unknown
90-21341Garnier-Flammarion. Paperback. Good. Good condition with some wear to cover. A few inner markings. Garnier-Flammarion paperback
1409953440.Gmass_market. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
1018657045.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
101543407X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2013611196.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1016695896.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
125765Paris: Lecou Victor circa 1850. hardcover 216pp. Very good no dust jacket. 12mo. One of four novels "champetre" about the author's childhood. Half-leather bound gilt title to banded spine. Pressed leaves and flowers absent of usual foxing beautifully laid in. Patterned endpapers. Personal inscription penned to verso half-title stamp to title page. Corners square but lightly chipped. Else is impressively clean tight and bright. Lecou, Victor Hardcover
102140019X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019612738.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
47057798like new. unknown
TR18<p>Paris Calmann Lévy 1888.</p>Large 8vo 200 x 135 mm with 5 pref. ll. including the portrait of the author in triplicate 93 pp 1 p. 1 l. 7 full-page engravings in double state and 2 in triplicate. Full blue morocco triple gilt fillet framing the covers richly decorated spine ribbed double gilt fillet on the edges gilt edges on witnesses covers and spine preserved. Binding signed by<i> Chambolle-Duru.</i><p><b>Superb deluxe edition of this short novel by George Sand.</b></p><p>Limited edition of 225 numbered copies on Marais vellum paper this one bearing the number 10.</p><p>The story is about the Marquise de R. an attractive young woman who is wounded by an unhappy marriage but who soon discovers a devouring and platonic passion for Lélio a humble actor of unknown talent.</p><p>Alas we soon discover that the beautiful woman is only in love with a shadow since as soon as he is stripped of his finery and taken off the stage Lélio turns out to be a vile and ordinary man.</p><p><b>The abundant illustration comprises a portrait of the author engraved by François Courboin </b>1865-1926 after Thomas Couture 1815-1879as well as <b>3 chapter heads 3 lamps and 3 plates also engraved by Courboin after drawings by Baugnies.</b></p><p>Our copy presents each engraving in double or triple state.</p><p><b>A superb wide-margined copy bound in elegant contemporary blue morocco covers signed by Chambolle-Duru.</b></p><p>Provenance: from the <i>P. Villeboeuf</i> collection with ex libris.</p><p><br /></p><p><u>FRENCH</u><br /></p><p>Grand in-8 de 5 ff. prél. dont le portrait de l'auteur en triple état 93 pp. 1 p. 1 f. 7 gravures à pleine page en double état et 2 en triple état. Plein maroquin bleu triple filet doré encadrant les plats dos à nerfs richement orné double filet or sur les coupes tranches dorées sur témoins couvertures et dos conservés. Reliure signée de <i>Chambolle-Duru.</i></p><p>200 x 135 mm.</p><p><b>Superbe édition de luxe ce de court roman de George Sand.</b></p><p>Tirage limité à 225 exemplaires numérotés sur papier vélin du Marais celui-ci portant le numéro 10.</p><p>La nouvelle met en scène la marquisede R. une séduisante jeune femme blessée par un mariage malheureux mais qui se découvre bientôt une passion dévorante et platonique pour Lélio un humble comédien au talent méconnu.</p><p>Hélas nous découvrons vite que la belle n'aime qu'une ombre puisque aussitôt dépouillé de ses atours et descendu de la scène Lélio se révèle un homme vil et ordinaire.</p><p><b>L'abondante illustration se compose d'un portrait de l'autrice</b> gravé par <i>François Courboin</i> 1865-1926 d'après <i>Thomas Couture</i> 1815-1879 ainsi que de<b> 3 têtes de chapitre 3 culs-de-lampe et 3 planche</b>s gravés également par <i>Courboin</i> d'après les dessins de <i>Baugnies</i>.</p><p>Notre exemplaire présente chaque gravure en double ou en triple état.</p><p><b>Superbe exemplaire grand de marges relié avec les couvertures conservées en élégant maroquin bleu de l'époque signé de Chambolle-Duru.</b></p><p>Provenance : de la collection <i>P. Villeboeuf </i>avec ex libris.</p> hardcover
1016649339.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1888181024Paris.: Calmann Levy. 1888. Limited edition #126 of 225 copies. Publisher's original printed wraps. Good front cover detached spine ragged contents very good. 12mo. Black & White illustrations with tissue guards. Calmann Levy. paperback
9505116160.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020568259.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2017x-0271079363Pennsylvania State Univ Pr 2017. Hardcover. New. 160 pages. 8.00x5.00x0.69 inches. Pennsylvania State Univ Pr hardcover
1849178642Paris: Michel Lévy Frères Libraires-Éditeurs 1849. Beautifully preserved in a fine Parisian binding First edition fine paper issue of the author's major novel one of her best known today. Together with La Mare au diable 1846 and François le Champi 1848 La Petite Fadette is one of Sand's pastoral "rustic novels" which drew inspiration from the author's love of the countryside and sympathy for the rural poor. In these works "the familiar theme of Sand's work - love transcending the obstacles of convention and class - regained pride of place" Ency. Brit. The fine bindings were executed by the Parisian master bookbinder Émile Mercier 1855-1910 the apprentice and successor to Francisque Cuzin 1836-1890. Mercier worked for Cuzin for eight years during which they established the elegant "Cuzin style" characterized by fine gilding and finishing. Following his mentor's death Mercier took over his workshop and sustained the firm's reputation for two decades signing bindings "Mercier Successeur de Cuzin". Mercier's bindings are "noted for the excellence of their tooling" and the binder himself was celebrated in Paris as "l'artiste impeccable" Coutts & Stephen p. 182. Provenance: Paul Villeboeuf b. c. 1856 with his bookplate. Villeboeuf was a distinguished collector of Romantic literature and fine bindings mostly by Cuzin and Mercier. He was the father of the artist André Villeboeuf. 2 vols octavo 227 x 150 mm. Late 19th- or early 20th-century straight-grain half morocco by Mercier spines lettered and decorated in gilt covers ruled in gilt marbled sides and endpapers edges untrimmed original wrappers bound in. Binding and contents exceptionally well-preserved a fine copy. Henry T. Coutts & George A. Stephen Manual of Library Bookbinding: Practical and Historical 1911. unknown
100-50989Librairie Hachette. Hardcover. Good. Good with light wear. Librairie Hachette hardcover
6c5676Michel Levy Freres Paris 1850. XVII/283 S. goldgeprägter Halbledereinband. - gutes Exemplar/good condition - unknown
45421691like new. unknown
1024651541.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
50955469like new. unknown