59 résultats
2070733297.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1852353384.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
feb99919Used. For more details please contact me unknown
Q-2070302466Gallimard 1960-01-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Gallimard paperback
195257417Paris: Mercure de France 1952. Fine. Mercure de France Paris 1952 12 x 19 cm broché Edition on current paper it is printed vellum in 35 leading copies. Signed autograph Maurice Saillet Roger Caillois. Two stuck back tears and gaps in both the top and bottom of the back. Mercure de France hardcover
196380196Liège: Editions Dynamo 1963. Fine. Editions Dynamo Liège 1963 14 x 19 cm broché First edition one of 40 numbered copies on vellum the only printing after 1 pure rag lutétia cream and 10 Holland. Handsome copy. Editions Dynamo hardcover
60518Nrf-Gallimard - édition originale In-4 35pp. exemplaire complet avec son bandeau d'éditeur: Prix Nobel 1960 Bwx-02 unknown
28501Paris Gallimard 15 octobre 1963. 1 vol. 195 x 265 mm de 33 p. 2 et 1 f. Broché non coupé. . Édition originale. Un des 150 exemplaires sur vélin pur fil n° 131. . Paris, Gallimard, (15 octobre) 1963. 1 vol. (195 x 265 mm) de 33 p., [2] et 1 f. Broché, non coupé. unknown
1930924T53London: Faber and Faber Limited 1930. First edition. Cloth. Good. 10" by 6.5". None. A smart first translated edition of this epic poem from French writer Saint-John Perse. First thus. An epic poem concerning an expedition from Beijing though the Gobi desert to reach the sea which serves as a metaphor for man's movement through time space and consciousness. Written by Alexis Leger better known by his pseudonym Saint-John Perse a French poet writer and diplomat awarded the 1960 Nobel Prize in Literature. Translated by Thomas Stearns Eliot an American poet essayist and playwright. In the original full cloth binding. Externally sound with light rubbing to the extremities and the odd mark to the boards. Fading to the spine and board edges. Internally firmly bound. Pages are very bright with the odd small spot. Light spotting to the endpapers with a contemporary ink inscription to the front endpaper. Good Faber and Faber Limited hardcover
196179727Paris: Gallimard 1961. Fine. Gallimard Paris 1961 19 x 26 cm broché First edition one of 155 numbered copies on pur fil the only deluxe copies after 50 on Holland paper. Fine copy. Gallimard unknown
196180251Paris: Gallimard 1961. Fine. Gallimard Paris 1961 19 x 26 cm broché First edition one of 155 numbered copies on pure paper the only deluxe copies after 50 on Holland paper. Fine copy. Gallimard unknown
THPU-74665Hardcover. NEW. US Standard Edition. We will ship same day or next day with trackable delivery method. Expedited Shipping Available. We don't entertain INTERNATIONAL orders ATM. 30-day money-back guarantee. hardcover
2070753840.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19872-2070107361GALLIMARD 1987. Imitation Leather. New. 1472 pages. French language. 6.93x4.65x1.50 inches. GALLIMARD hardcover
THPU-74666Hardcover. NEW. US Standard Edition. We will ship same day or next day with trackable delivery method. Expedited Shipping Available. We don't entertain INTERNATIONAL orders ATM. 30-day money-back guarantee. hardcover
2013Q-2070107361French and European Publications Inc 2013-05-08. Imitation Leather. New. In shrink wrap. Looks like an interesting title! French and European Publications Inc hardcover
2070107361.Gimitation_leather. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
29925Marseille Cahiers du Sud 1942. 1 vol. 165 x 265 mm de 16 p. Broché. . Édition originale. Tiré à part du numéro de mai 1942 des Cahiers du Sud. Un des 200 exemplaires sur vélin justifié à la main n° 81. . Marseille, Cahiers du Sud, 1942. 1 vol. (165 x 265 mm) de 16 p. Broché. unknown
192428233Paris: Nrf 1924. Fine. Nrf Paris 1924 21 x 28.50 cm broché First edition one of 550 numbered copies on vergé baroque à barbes the only printing with 15 Whatman and 62 vergé. A very good copy. Nrf unknown
192453184Paris: Nrf 1924. Fine. Nrf Paris 1924 21 x 28.50 cm broché First edition one of 550 numbered copies on vergé baroque à barbes the only printing with 15 Whatman and 62 vergé. A very good copy. Nrf unknown
1978BN157822Heimeran 1978. 1978. Softcover. Das dichterische Werk Band III Zweisprachig Aus dem Französischen von Friedhelm Kemp u.a. <br/><br/>Das dichterische Werk Band III Zweisprachig Aus dem Französischen von Friedhelm Kemp u.a. Saint-John Perse Heimeran paperback
1924142251924. Paris Gallimard / Editions de la Nouvelle Revue franÂaise 1924. Un vol. au format in-4 283 x 213 mm non paginÂŽ brochÂŽ. Edition originale. Un des 550 exemplaires numÂŽrotÂŽs du tirage sur vergÂŽ baroque ˆ barbes celui-ci comptant parmi les 50 hors-commerce. ''Anabase rÂŽalise et reprÂŽsente la tension d'un homme vers la crÂŽation transpose poÂŽtiquement la naissance mÂme de l'idÂŽe poÂŽtique et la ma”trise des poussÂŽes du songe et de l'imaginaire sous la conduite d'un poÂte-conquÂŽrant. On ne s'ÂŽtonnera donc pas que la rÂŽflexion sur la crÂŽation poÂŽtique mÂme soit un axe de lecture essentiel du poÂme. De la "Chanson" liminaire ˆ la "Chanson" finale il s'agit lˆ d'un motif rÂŽcurrent qui tant™t ÂŽvoque les dÂŽlices de la crÂŽation tant™t le travail d'ascÂse et de rigueur auquel s'astreint le poÂte reprÂŽsentÂŽ notamment par le motif de l' "idÂŽe" - le mot appara”t pour la premiÂre fois dans l'oeuvre - ou encore la dÂŽfiance ˆ l'ÂŽgard du songe et la nÂŽcessitÂŽ de conduire le chant sans dÂŽvier du thÂme : "Duc d'un peuple d'images ˆ conduire aux Mers Mortes" chant V. Les forces nocturnes qui fermentent dans l'‰me sont rÂŽgies par celui qui "vient au pouvoir des signes et des songes" chant III et se transforment en une oeuvre d'art parfaite "MathÂŽmatiques suspendues aux banquises du sel !" chant I. Cette exigence intellectuelle du poÂte s'inscrit en partie dans une tendance artistique de l'aprÂs-guerre dont par exemple le peintre AndrÂŽ Lhote rencontrÂŽ avant guerre chez Gabriel Frizeau et qui exposa dans les salons cubistes de 1911-1913 se faisait le chantre refusant "le dÂŽbraillÂŽ sentimental" recommandant au contraire de soumettre la toile ˆ "l'emprise des tracÂŽs rÂŽgulateurs" et ˆ une construction soignÂŽe tenant de concilier classicisme ou tradition et modernitÂŽ''. in Saint-John Perse Le PoÂte aux masques sous la direction de Lo•c CÂŽry. Plats prÂŽsentant un ÂŽclat altÂŽrÂŽ ainsi que de discrÂtes marques d'eau. Dos plissÂŽ souffrant d'un infime manque. Nonobstant belle condition. Exemplaire non rognÂŽ. b42961 unknown
194480267Buenos Aires: Editions des lettres françaises 1944. Fine. Editions des lettres françaises Buenos Aires 1944 23.50 x 30.50 cm broché First edition in volume form one of 300 numbered copies on Holland paper the only edition along with 60 copies on rough paper called 'Chandelle' and 30 on Whatman. A rare and handsome copy. Editions des lettres françaises unknown
194480266Buenos Aires: Editions des lettres françaises 1944. Fine. Editions des lettres françaises Buenos Aires 1944 23.50 x 30.50 cm broché First edition in volume form one of 300 numbered copies on Holland paper the only issue along with 60 copies on rough paper called 'Chandelle' and 30 on Whatman. Rare and handsome copy. Editions des lettres françaises unknown
194480269Buenos Aires: Editions des lettres françaises 1944. Fine. Editions des lettres françaises Buenos Aires 1944 23.50 x 30.50 cm broché First edition in volume one of 300 numbered copies on Holland paper the only printing with 60 coarse paper called 'Chandelle' and 30 Whatman. Rare and handsome copy. Editions des lettres françaises unknown