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1899ST20804Paris: Armand Magnier 1899. No. 42 OF 500 COPIES this ONE OF 20 ON JAPON WITH ENGRAVINGS IN THREE STATES. 300 x 207 mm. 12 x 8". 4 p.l. <br/> ELEGANT SCARLET CRUSHED MOROCCO GILT AND INLAID BY THE CLUB BINDERY and LEON MAILLARD Finisher both names stamp-signed in gilt on front turn-ins covers framed by curling gilt vines bearing citron morocco blossoms a total of 104 inlays on each cover raised bands spine panels with gilt vine circlets blooming with a total of 20 inlaid citron morocco flowers gilt lettering turns-ins elaborately gilt marbled endpapers top edge gilt other edges untrimmed. Original paper wrappers bound in the pictorial front cover present in three additional states black & white B&W before letters and color. In slightly worn matching morocco-backed jacket. With 54 wood engravings by Romagnol after François Thévenot cover and portrait Adrien Moreau Act I Charles Léandre Act II Albert Laurens Act III François Flameng Act IV and Albert Besnard Act V including five full-page plates all in three states one before letters the full-page plates also in a color state separately furnished to subscribers by the publisher per a notice bound in at the end of the text. Front pastedown with morocco bookplate of Robert Hoe. Lower corners a bit bumped tail edge of lower board with shallow one-inch dent occasional paper flaws or discoloration to edges of leaves but an excellent copy the interior clean and fresh and the binding lustrous.<br/> <br/> This is a luxurious illustrated edition of Rostand's classic work offered in a sumptuous binding done by the Club Bindery for its co-founder and manager Robert Hoe. Rostand's influential and enduringly popular 1897 verse play in five acts--sometimes referred to colloquially as the "Romance of the Nose"--is loosely based upon the real-life story of the French author and duelist Cyrano de Bergerac 1619-55 who was famous for having a prodigious proboscis. A theatrical triumph from its opening night the play focuses on the eloquent Cyrano's unrequited love for the comely Roxanne whom he must court as secret proxy for a friend of handsome visage but wooden tongue. Rostand 1868-1918 wrote a number of successful plays often like "Cyrano" based on figures from French history. The present beautiful large-format copy was originally owned by Robert Hoe a founder of the Grolier Club and one of the world's great book collectors. After Grolier was established in 1884 it soon became apparent that the country's few established hand binders were overtaxed in providing repairs and rebinding for the club members' rapidly accumulating acquisitions. As a consequence in 1895 Grolier members along with Edwin Holden and other wealthy collectors established the Club Bindery in order to attract European craftsmen to provide close to home fine quality binding work rivalling what was available abroad. The Club Bindery was in operation until 1909 with Hoe being its manager and most important client. It provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell. They were subsequently joined by a number of French binders chief among them being Leon Maillard who had worked previously for Cuzin Gruel and Marius-Michel and whose precise and intricate finishing is impressively demonstrated on our binding here. It is said by Beverly Chew that Hoe 1839-1911 had a collection that was "the finest America has ever contained." He acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana and when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. The present volume represents the fine level of aesthetic achievement typical of the bindery and it is especially impressive because of its significant dimensions. Armand Magnier unknown
197142556Paris:: Editions Jacques Frapier. Near Fine in Very Good dust jacket. 1971. Hardcover. B0012OP1G6 . Text is in French. Foreword by Louis Pauwels. Illustrated with 35 monotypes and 113 gravures. First edition. INSCRIBED by Tremois to the legendary bookseller H. P. Kraus. Also laid in is a four page letter in French two pages typed and two pages written by hand dated 1973 SIGNED twice from Tremois to Kraus and the artist's card with a phone number written on it by hand. Near fine in a very good age toning dust jacket. . Editions Jacques Frapier, hardcover
195172647Paris: Gallimard 1951. Fine. Gallimard Paris 1951 12.50 x 20 cm broché First edition on ordinary paper statement of edition printed press service stamp on the head of the back cover. Paper yellowed. Very precious signed autograph inscription from Jean Rostand to his friend and neighbor Boris Vian: ""Pour Boris bien amicalement. Jean Rostand."" ""For Boris with warm friendship. Jean Rostand"" Jean Rostand who was Boris Vian's neighbor in Ville d'Avray introduced him to Gallimard and made Raymond Queneau discover his works. Gallimard unknown
195172741Paris: Fasquelle 1951. Fine. Fasquelle Paris 1951 12.50 x 20 cm broché First edition one of 60 numbered copies on alfa paper the only deluxe copies. Handsome copy. Very precious autograph inscription signed by Jean Rostand to his friend and neighbor Boris Vian: ""Pour Boris dont la curiosité s'étend jusqu'aux origines de la biologie expérimentale. En cordial souvenir. Jean Rostand"" ""For Boris whose curiosity extends to the origins of experimental biology. In cordial remembrance. Jean Rostand"". Jean Rostand who was Boris Vian's neighbor in Ville d'Avray introduced him to Gallimard and made Raymond Queneau discover his works. Fasquelle unknown
194773033Paris: Stock 1947. Fine. Stock Paris 1947 11.50 x 17.50 cm relié The first edition of which there were no deluxe copies a Service de Presse advance copy. Handsome copy. Bradel binding in full decorated paper black shagreen title-label covers preserved binding signed Goy & Vilaine. Very precious signed autograph inscription from Jean Rostand to his friend and neighbor Boris Vian: ""Pour Boris bien amicalement. Jean Rostand."" ""For Boris with warm friendship. Jean Rostand."" Jean Rostand who was Boris Vian's neighbor in Ville d'Avray introduced him to Gallimard and brought his works to Raymond Queneau's attention. Stock unknown
1020995351.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1289673713.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0353753408.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016083394.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1018142096.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
45462013like new. unknown
0274586320.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016169884.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1018639209.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1024129004.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1173145915.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
191131658New York: Charles Frohman 1911. First Edition. Oblong folio 28x34.75cm.; original photo-illustrated string-bound card wrappers yapp edges; unpaged; photographic illus. throughout. Some shallow chips and tiny losses to wrapper extremities none affecting text or illustrations spine nearly split some foxing to contents else About Very Good. Deluxe souvenir brochure issued in conjunction with one of Adams's last Broadway appearances. The actress who achieved fame in 1905 playing the lead role in J.M. Barrie's "Peter Pan" would retire in 1916. "Chantecler" which criticised the modernist movement and promoted idealism was considered rather unusual for being set in a barnyard the protagonist played by Adams a rooster. The present item is illustrated with dozens of stills from the original Broadway production showcasing the exquisitely realistic costumes and set design. Charles Frohman unknown
194131638Mount Vernon: Peter Pauper Press 1941. First of the edition set in Granjon types and printed on Ticonderoga paper. With handsome pictorial decorations throughout by Paul McPharlin printed in pale blue and black titlepage printed in red blue and black. 8vo handsomely bound in the publisher's original paper-covered boards decorated in a romantic floral motif in gray-blue pink red white and silver backed in maroon cloth with paper label printed in gray-blue. Housed in the original publisher's slipcase. xvii 1 210 1 colophon pp. A very good and fresh copy the interior very fine and appearing pristine the binding with a touch of rubbing to the extremeties only the slipcase solid and strong with just a touch of age mellowing. FIRST OF THIS FINE ILLUSTRATED EDITION. Cyrano de Bergerac a cadet and nobleman serving in the French Army is a brash strong-willed man of many talents. In addition to being a remarkable duelist he is a gifted joyful poet and is also shown to be a musician. However he has an extremely large nose which is the reason for his own self-doubt. This doubt prevents him from expressing his love for his distant cousin the beautiful and intellectual heiress Roxane as he believes that his ugliness denies him the "dream of being loved by even an ugly woman. Peter Pauper Press hardcover
68433Limited Edition. Very Good. Slim quarto 28 cm Thirty loose woodcut plates on age-toned paper measuring 18.5 cm wide by 27 cm tall. No text or publication information present only the plates. Housed in a folder of 1/4 brown cloth with tan paper over boards and a gilt stamped title on the front board. The folder is toned and lightly rubbed at the edges. The first plate is signed by Molnár in pencil and numbered # 20 in an edition of only 36. <br /> <br /> The painter and graphic artist Pál Molnár-C. 1894-1981 born in Battonya Hungary lived and worked in a villa located in Ménesi Street on the hillside of Gellért Hill Budapest for 50 years. He held the surrealist style close to his heart throughout his life and he was also heavily inspired by the Symbolist works of Ferdinand Hodler. His illustrations of Shakespeare's Corialanus and Rostrand's Cyrano de Bergerac earned him gold medals at salons in Paris Milan and Warsaw. After his death his younger daughter Dr. Éva Csillag Pálné set up a family-owned private museum in 1984.<br /> <br /> “As a matter of fact all art is more or less surreal. The reality of everyday life differs from the reality of art which stands above reality.†- Pál Molnár-C. unknown
048441500X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2011DADAX6131575991Omniscriptum 2011-08-19. paperback. New. 5.91x0.46x8.66. Buy with confidence. Excellent Customer Service & Return policy. Omniscriptum paperback
6131575991.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
8719<p>First edition. Barbier designed the sets and costumes for the Bouffes-Parisiens production of Maurice Rostand's Casanova in February 1919. The 24 fine costume plates here are coloured by Jacomet et compagnie.<br />The commission for Casanova was an important moment in Barbier's artistic career leading to commissions with theatres the Ballet Russes and the Folies Bergère. Other successes followed and for a time he was the most sought-after costume designer in Paris recognized as the theatrical artist 'who better than any other had captured the mood of the age' Gordon Ray.</p><p>4to 245 × 190 mm pp. 4 iv 2. 24 pochoir coloured plates some with gold and silver. Loose as issued in original decorative portfolio. Slightly soiled wants ties but still a very good copy.</p> Lucien Vogel.
1971523224New York: Alfred A. Knopf 1971. Hardcover. Fine/Fine. First edition of this translation. Translated and adapted for the Modern Stage by Anthony Burgess. A fine copy in fine bright dust jacket. An elusive title in the first printing the American edition precedes the English. Alfred A. Knopf hardcover
20117283Belluno Venezia: Edizioni Colophon 2011. Limited Edition. Hardcover. Near Fine. Limited Edition. Hardcover. Printed on paper by Fabio Reolon 400g Aetna Sicars. Estroflessioni three-dimensional paper art signed and numbered by the artist.<br /> Proposte d'arte Colophon Colophonarte has emerged as a major force publishing new artist's books-in lavish limited editions-illustrated by noted European artists. The goal being to bring create living testimony to contemporary artististic-literary culture. The editor/publisher Egidio Fiorin-animated by an equal passion for literature and visual art-explained his intentions thus: ". the book has been and is still now one of the fundamental pillars of advanced societies. But the book can be something more: it can be a work of art . an object which in its paper the composition of its text its printing the involvement of literary figures artists and artisans of quality represents an exaltation of human activity of human capacity for reflection sublimation and synthesis". Minor shelf/edge wear slight color rubbing at top edge eles tight bright and unmarred. Beige cloth boards cream paper onlay black ink lettering tipped in estroflessioni with foamcore matting for protection. fo. np 6pp. Numbered limited edition this being 12 of 50. Edizioni Colophon hardcover